Inauguration du monument à la mémoire du Professeur Henri Rouvière (23 septembre 1956) PDF Download
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Languages : fr
Pages : 36
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 36
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Book Description
Author: Jane F. Fulcher
Publisher: Oxford University Press
ISBN: 0190681500
Category : History
Languages : en
Pages : 505
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Book Description
In Renegotiating French Identity, Jane Fulcher addresses the question of cultural resistance to the German occupation and Vichy regime during the Second World War. Nazi Germany famously stressed music as a marker of national identity and cultural achievement, but so too did Vichy. From the opera to the symphony, music did not only serve the interests of Vichy and German propaganda: it also helped to reveal the motives behind them, and to awaken resistance among those growing disillusioned by the regime. Using unexplored Resistance documents, from both the clandestine press and the French National Archives, Fulcher looks at the responses of specific artists and their means of resistance, addressing in turn Pierre Schaeffer, Arthur Honegger, Francis Poulenc, and Olivier Messiaen, among others. This book investigates the role that music played in fostering a profound awareness of the cultural and political differences between conflicting French ideological positions, as criticism of Vichy and its policies mounted.
Author: Philip Nord
Publisher: Princeton University Press
ISBN: 1400834961
Category : History
Languages : en
Pages : 474
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Book Description
France's New Deal is an in-depth and important look at the remaking of the French state after World War II, a time when the nation was endowed with brand-new institutions for managing its economy and culture. Yet, as Philip Nord reveals, the significant process of state rebuilding did not begin at the Liberation. Rather, it got started earlier, in the waning years of the Third Republic and under the Vichy regime. Tracking the nation's evolution from the 1930s through the postwar years, Nord describes how a variety of political actors--socialists, Christian democrats, technocrats, and Gaullists--had a hand in the construction of modern France. Nord examines the French development of economic planning and a cradle-to-grave social security system; and he explores the nationalization of radio, the creation of a national cinema, and the funding of regional theaters. Nord shows that many of the policymakers of the Liberation era had also served under the Vichy regime, and that a number of postwar institutions and policies were actually holdovers from the Vichy era--minus the authoritarianism and racism of those years. From this perspective, the French state after the war was neither entirely new nor purely social-democratic in inspiration. The state's complex political pedigree appealed to a range of constituencies and made possible the building of a wide base of support that remained in place for decades to come. A nuanced perspective on the French state's postwar origins, France's New Deal chronicles how one modern nation came into being.
Author: Charles Fourier
Publisher: Imagining Science
ISBN: 9780984115556
Category : Social Science
Languages : en
Pages : 93
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Book Description
Admired by Marx and Engels, the Surrealists, the Situationists, Walter Benjamin and Roland Barthes, the great utopian socialist Charles Fourier (1772-1837) has been many things to many people: a proto-feminist, a Surrealist ancestor, a cantankerous cosmologist, a social critic and humorist and to this day one of France's truest visionary thinkers. He was also, as this volume demonstrates, a maniacal taxonomist. In this zoological guidebook to cuckoldry and commerce, Fourier offers a caustic critique of the bankruptcy of marriage and the prostitution of the economy, and the hypocrisies of a civilization that over-regulates sexual congress while allowing the financial sector to screw over the public. Gathered together here for the first time are Fourier's two "Hierarchies" --humorously regimented parades of civilization's cheaters and cheated-on in the domestic sphere of sex and the economic sphere of buying and selling commodities. "The Hierarchy of Cuckoldry" --translated into English for the first time--presents 72 species of the male cuckold, ranging from such "common class" cases as the Health-Conscious Cuckolds, to the short-horned Sympathetic, Optimist and Mystical Cuckolds, and the Long-horned varieties of the Irate, Disgraced and Posthumous Cuckolds. For Fourier, these amount to 72 manifestations of women's "secret insurrection" against the institution of marriage. "The Hierarchy of Bankruptcy" presents 36 species of the fraudulent bankrupt: a range of Light, Grandiose, and Contemptible shades of financial manipulators who force creditors, cities and even nations to bail them out of ultimately profitable bankruptcies. In these attacks on the morality of monogamy and the perils of laissez-faire capitalism, Fourier's "Hierarchies" resonate uncannily with our contemporary world.
Author: Julian Jackson
Publisher: OUP Oxford
ISBN: 0191622885
Category : History
Languages : en
Pages : 682
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Book Description
The French call them 'the Dark Years'... This definitive new history of Occupied France explores the myths and realities of four of the most divisive years in French history. Taking in ordinary people's experiences of defeat, collaboration, resistance, and liberation, it uncovers the conflicting memories of occupation which ensure that even today France continues to debate the legacy of the Vichy years.
Author: Julian Jackson
Publisher: OUP Oxford
ISBN: 019162232X
Category : History
Languages : en
Pages : 449
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Book Description
On 16 May 1940 an emergency meeting of the French High Command was called at the Quai d'Orsay in Paris. The German army had broken through the French lines on the River Meuse at Sedan and elsewhere, only five days after launching their attack. Churchill, who had been telephoned by Prime Minister Reynaud the previous evening to be told that the French were beaten, rushed to Paris to meet the French leaders. The mood in the meeting was one of panic and despair; there was talk of evacuating Paris. Churchill asked Gamelin, the French Commander in Chief, 'Where is the strategic reserve?' 'There is none,' replied Gamelin. This exciting book by Julian Jackson, a leading historian of twentieth-century France, charts the breathtakingly rapid events that led to the defeat and surrender of one of the greatest bastions of the Western Allies, and thus to a dramatic new phase of the Second World War. The search for scapegoats for the most humiliating military disaster in French history began almost at once: were miscalculations by military leaders to blame, or was this an indictment of an entire nation? Using eyewitness accounts, memoirs, and diaries, Julian Jackson recreates, in gripping detail, the intense atmosphere and dramatic events of these six weeks in 1940, unravelling the historical evidence to produce a fresh answer to the perennial question of whether the fall of France was inevitable.
Author: Jane F. Fulcher
Publisher: Oxford University Press
ISBN: 0190291818
Category : Political Science
Languages : en
Pages : 488
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Book Description
In The Composer as Intellectual, musicologist Jane Fulcher reveals the extent to which leading French composers between the World Wars were not only aware of but also engaged intellectually and creatively with the central political and ideological issues of the period. Employing recent sociological and historical insights, she demonstrates the extent to which composers, particularly those in Paris since the Dreyfus Affair, considered themselves and were considered to be intellectuals, and interacted closely with intellectuals in other fields. Their consciousness raised by the First World War and the xenophobic nationalism of official culture, some joined parties or movements, allying themselves with and propagating different sets of cultural and political-social goals. Fulcher shows how these composers furthered their ideals through the specific language and means of their art, rejecting the dominant cultural exclusions or constraints of conservative postwar institutions and creatively translating their cultural values into terms of form and style. This was not only the case with Debussy in wartime, but with Ravel in the twenties, when he became a socialist and unequivocally refused to espouse a narrow, exclusionary nationalism. It was also the case with the group called "Les Six," who responded culturally in the twenties and then politically in the thirties, when most of them supported the programs of the Popular Front. Others could not be enthusiastic about the latter and, largely excluded from official culture, sought out more compatible movements or returned to the Catholic Church. Like many French Catholics, they faced the crisis of Catholicism in the thirties when the church not only supported Franco, but Mussolini's imperialistic aggression in Ethiopia. While Poulenc embraced traditional Catholicism, Messiaen turned to more progressive Catholic movements that embraced modern art and insisted that religion must cross national and racial boundaries. Fulcher demonstrates how closely music had become a field of clashing ideologies in this period. She shows also how certain French composers responded, and how their responses influenced specific aspects of their professional and stylistic development. She thus argues that, from this perspective, we can not only better understand specific aspects of the stylistic evolution of these composers, but also perceive the role that their art played in the ideological battles and in heightening cultural-political awareness of their time.
Author: Michèle C. Cone
Publisher:
ISBN: 9780691040882
Category : Philosophy
Languages : en
Pages : 264
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Book Description
While France endured one of the darkest hours of its entire history, from the occupation of Paris in June 1940 to the liberation of the city four years later, the French art world displayed an astonishing burst of creativity, an atmosphere of laissez-faire and pluralism that seems at odds with the repressive nature of culture under authoritarian regimes. So reveals Michle Cone in this provocative work on the art of Vichy and occupied France. But, as Cone also discloses, Vichy xenophobia and Nazi racism kept many artists from participating in this bonanza of artistic activity. In Artists under Vichy, both narrative and illustrations demonstrate in full detail the contrast between the "haves" and the "have-nots" during a vital but until now little explored artistic period. The first section of the work analyzes the lavish attention paid to both academic and nonacademic art by the official French press, by Vichy, and by German observers. Cone hypothesizes that the German strategy in Vichy France was to allow the display of nonconformist art, outlawed as "degenerate" in Germany, in order to distract the public from the secret seizure of museum pieces and Jewish art collections--and from other, far greater Nazi crimes. Neither among the "haves" nor the "have-nots," Picasso, forbidden to exhibit, lived through this period in Paris, quietly but productively. The second section of this book considers his production and that of the true "have-nots"--persecuted artists, including resisters and Jews, in hiding or self-imposed exile from Paris in the free zone. Among the "have-nots" discussed here are Arp, Sophie Taeuber-Arp, Sonia Delaunay, Alberto Magnelli, Otto Freundlich, Victor Brauner, and Hans Bellmer. With increasing public interest focused on art branded "degenerate" by Hitler, Cone's text provides exciting new insights into creativity, collaboration, and resistance in artists' milieux under a repressive regime.
Author: Laurence Bertrand Dorléac
Publisher: Getty Publications
ISBN: 9780892368914
Category : Art
Languages : en
Pages : 452
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Book Description
"Art of the Defeat offers an unflinching look at the pivotal role art played in France during the German occupation. It begins with Adolf Hitler's staging of the armistice at Rethondes and moves across the dark years - analyzing the official junket by French artists to Germany, the exhibition of Arno Breker's colossi in Paris, the looting of the state museums and Jewish collections, the glorification of Philippe P?tain and a pure national identity, the demonization of modernists and foreigners, and the range of responses by artists and artisans. The sum is a pioneering expos? of the deployment of art and ideology to hold the heart of darkness at bay"--Page 4 of cover.
Author: D. Kern Holoman
Publisher: OUP USA
ISBN: 0199772703
Category : Biography & Autobiography
Languages : en
Pages : 345
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Book Description
A mesmerizing figure in concert, Charles Munch was celebrated for his electrifying public performances. He was a pioneer in many arenas of classical music--establishing Berlioz in the canon, perfecting the orchestral work of Debussy and Ravel, and leading the world to Roussel, Honegger, and Dutilleux. This is the first full biography of a giant of twentieth-century music, tracing his dramatic survival in occupied Paris, his triumphant arrival at the Boston Symphony Orchestra, and his later years, when he was a leading cultural figure in the United States, a man known and admired by Presidents Truman, Eisenhower, and Kennedy.
