Dante's Comedy and the Ethics of Invective in Medieval Italy PDF Download
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Author: Nicolino Applauso
Publisher: Rowman & Littlefield
ISBN: 1498567797
Category : Literary Criticism
Languages : en
Pages : 351
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Book Description
Dante's Comedy and the Ethics of Invective in Medieval Italy proposes a new approach to invective and comic poetry in Italy during the thirteenth and fourteenth centuries and opens the way for an innovative understanding of Dante’s masterpiece. The Middle Ages in Italy offer a wealth of vernacular poetic invectives—polemical verses aimed at blaming specific wrongdoings of an individual, group, city or institution— that are both understudied and rarely juxtaposed. No study has yet provided a scholarly examination of the connection between this medieval invective tradition, and its elements of humor, derision, and reprehension in Dante’s Comedy. This book argues that these comic texts are rooted in and actively engaged with the social, political, and religious conflicts of their time. Political invective has a dynamic ethical orientation that is mediated by a humor that disarms excessive hostility against its individual targets, providing an opening for dialogue. While exploring medieval comic poems by Rustico Filippi (from Florence), Cecco Angiolieri (from Siena), and Folgore da San Gimignano, this study unveils new biographical data about these poets retrieved from Italian state archives (most of these data are published here in English for the very first time), and ultimately shows what the medieval invective tradition can add to our understanding of Dante’s Comedy.
Author: Nicolino Applauso
Publisher: Rowman & Littlefield
ISBN: 1498567797
Category : Literary Criticism
Languages : en
Pages : 351
Get Book Here
Book Description
Dante's Comedy and the Ethics of Invective in Medieval Italy proposes a new approach to invective and comic poetry in Italy during the thirteenth and fourteenth centuries and opens the way for an innovative understanding of Dante’s masterpiece. The Middle Ages in Italy offer a wealth of vernacular poetic invectives—polemical verses aimed at blaming specific wrongdoings of an individual, group, city or institution— that are both understudied and rarely juxtaposed. No study has yet provided a scholarly examination of the connection between this medieval invective tradition, and its elements of humor, derision, and reprehension in Dante’s Comedy. This book argues that these comic texts are rooted in and actively engaged with the social, political, and religious conflicts of their time. Political invective has a dynamic ethical orientation that is mediated by a humor that disarms excessive hostility against its individual targets, providing an opening for dialogue. While exploring medieval comic poems by Rustico Filippi (from Florence), Cecco Angiolieri (from Siena), and Folgore da San Gimignano, this study unveils new biographical data about these poets retrieved from Italian state archives (most of these data are published here in English for the very first time), and ultimately shows what the medieval invective tradition can add to our understanding of Dante’s Comedy.
Author: Albrecht Classen
Publisher: Routledge
ISBN: 1000205029
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
Every human being knows that we are walking through life following trails, whether we are aware of them or not. Medieval poets, from the anonymous composer of Beowulf to Marie de France, Hartmann von Aue, Gottfried von Strassburg, and Guillaume de Lorris to Petrarch and Heinrich Kaufringer, predicated their works on the notion of the trail and elaborated on its epistemological function. We can grasp here an essential concept that determines much of medieval and early modern European literature and philosophy, addressing the direction which all protagonists pursue, as powerfully illustrated also by the anonymous poets of Herzog Ernst and Sir Gawain and the Green Knight. Dante’s Divina Commedia, in fact, proves to be one of the most explicit poetic manifestations of the fundamental idea of the trail, but we find strong parallels also in powerful contemporary works such as Guillaume de Deguileville’s Pèlerinage de la vie humaine and in many mystical tracts.
Author: Fabian Alfie
Publisher: Rowman & Littlefield
ISBN: 1793621721
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
This collection of essays is the first comprehensive study on Dante and satire within his entire corpus that has been published. Its title evokes the moment when Virgil leads Dante through Limbo, the uppermost portion of Hell. There, they are joined by four classical poets, and Virgil describes one of them as “Horace the satirist” (“Orazio satiro,” 4:89). By applying the expression to Dante himself, this volume seeks to explore the satirical elements in his works. Although Dante is not typically described as a satirist, anyone familiar with his works will recognize the strong satirical element in his many writings. Ultimately, this study shows that Dante engages in satire in order to attain the primary literary tool at his disposal for his prophetic objectives: the castigation of vice.
Author: Albrecht Classen
Publisher: Rowman & Littlefield
ISBN: 1666917877
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
The Secret in Medieval Literature: Alternative Worlds in the Middle Ages explores the many strange phenomena, both in the Middle Ages and today, that do not find any good rational explanations. Those do not pertain to magic or to religion in the traditional sense of the word; they are secrets of an epistemological kind and tend to defy human rationality, without being marginal or irrelevant. At first sight, we might believe that we face elements from fairy tales, but the medieval cases discussed here go far beyond such a simplistic approach to the mysterious dimension of secrets. In fact, as this book argues, medieval poets commonly engaged with alternative forces and described their workings within the human context (both in the Latin West and in the East), without being able to come to terms with them critically. Those mysteries appear both in heroic epics and courtly romances, among other genres, and they figure more frequently than we might have assumed. On the one hand, we could conceive of those secrets as the product of literary liberties and imagination; on the other, those secrets prove to be rather serious agents intervening in the lives of the fictional protagonists. By the same token, our modern world is not all rationality and material conditions either. The study of secrets in the Middle Ages thus opens the pathway toward a new epistemology both for the people in the pre-modern age and us today.
Author: Fidel Fajardo-Acosta
Publisher: Rowman & Littlefield
ISBN: 1666926949
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
The Poetry of the Medieval Troubadour, William IX of Aquitaine: The Songs that Built Europe offers a new edition, translation, and critical discussion of the songs of the first European troubadour, William IX, Duke of Aquitaine. This book argues that William and his poetic works manifest the economic, political, and cultural forces that laid the foundations of modern Europe, including the subjectivities of modern westerners and the concerns and motifs of what later became the national literatures of France, Spain, England, Germany, and Italy. Encouraging personal freedoms, self-definition, and the pursuit of love and happiness, the culture of courtly love that William initiated is distinctly modern but can also be seen to have played a key role in the subjection of medieval Europeans to the then-emergent market economy, imperialist ambitions of the Church, and authority of proto-national kingdoms. As such subjection affected even the highest-ranking aristocrats, such as William, the road of liberation of desire appears to have been a fast lane to serfdom for everyone, perhaps the most pre-modern feature of the modern and postmodern conditions.
Author: Albrecht Classen
Publisher: Lexington Books
ISBN: 1666941220
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
Examining literary narratives from the tenth through the fifteenth centuries, this book explores how writers used their craft to voice harsh criticism of the ruling class and unearths a deep distrust of kings and other authority figures during the Middle Ages.
Author: Sophia Papaioannou
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110735660
Category : Literary Criticism
Languages : en
Pages : 319
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Book Description
This volume acknowledges the centrality of comic invective in a range of oratorical institutions (especially forensic and symbouleutic), and aspires to enhance the knowledge and understanding of how this technique is used in such con-texts of both Greek and Roman oratory. Despite the important scholarly work that has been done in discussing the patterns of using invective in Greek and Roman texts and contexts, there are still notable gaps in our knowledge of the issue. The introduction to, and the twelve chapters of, this volume address some understudied multi-genre and interdisciplinary topics: first, the ways in which comic invective in oratory draws on, or has implications for, comedy and other genres, or how these literary genres are influenced by oratorical theory and practice, and by contemporary socio-political circumstances, in articulating comic invective and targeting prominent individuals; second, how comic invective sustains relationships and promotes persuasion through unity and division; third, how it connects with sexuality, the human body and male/female physiology; fourth, what impact generic dichotomies, as, for example, public-private and defence-prosecution, may have upon using comic invective; and fifth, what the limitations in its use are, depending on the codes of honour and decency in ancient Greece and Rome.
Author: Albrecht Classen
Publisher: Rowman & Littlefield
ISBN: 1793648298
Category : Literary Criticism
Languages : en
Pages : 529
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Book Description
People in the Middle Ages and the early modern age more often suffered from imprisonment and enslavement than we might have assumed. Incarceration and Slavery in the Middle Ages and the Early Modern Age approaches these topics from a wide variety of perspectives and demonstrates collectively the great relevance of the issues involved. Both incarceration and slavery were (and continue to be) most painful experiences, and no one was guaranteed exemption from it. High-ranking nobles and royalties were often the victims of imprisonment and, at times, had to wait many years until their ransom was paid. Similarly, slavery existed throughout Christian Europe and in the Arab world. However, while imprisonment occasionally proved to be the catalyst for major writings and creativity, slaves in the Ottoman empire and in Egypt succeeded in rising to the highest position in society (Janissaries, Mamluks, and others).
Author: Julia Bolton Holloway
Publisher: Springer Nature
ISBN: 3031440935
Category :
Languages : en
Pages : 356
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Book Description
Author: Andrew Breeze
Publisher: Rowman & Littlefield
ISBN: 1666929557
Category : Literary Criticism
Languages : en
Pages : 165
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Book Description
The Historical Arthur and The Gawain Poet: Studies on Arthurian and Other Traditions delves into the origins of Arthur and reveals the author of the famous Gawain Manuscript. Its first part contains evidence for the Arthur of film and legend as a real person, a Celtic commander (not a king) who fought battles in North Britain during the terrible volcanic winter of 536-7, before dying a hero's death in a conflict on Hadrian's Wall. Its second part moves on to Sir Gawain and the Green Knight, an Arthurian poem on magic, near-death, and near-seduction. Its author has always been unknown, but Dr. Breeze uses arguments of the US scholar Ann W. Astell to date the text to 1387 and name the poet as Sir John Stanley (d. 1414), a Cheshire and Lancashire grandee. He can now be recognized as an artist of genius, comparable to Chaucer himself. What is said in this book on John Stanley and his circle thus allows the greatest advance in Arthurian Studies since 1934, when Walter Oakeshott discovered the Winchester Malory amongst manuscripts of an English school library.
