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Author: Raul Salinas
Publisher: Arte Publico Press
ISBN: 9781611923216
Category : Poetry
Languages : en
Pages : 196
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Book Description
Here is the long-awaited second edition of a pioneer work of Chicano literature, originally published as a collection in 1980 after individual poems by Salinas had appeared in numerous magazines, newspapers, and anthologies from the 1960s through the 1970s. These fifteen years of poetry forged in the heat of the Chicano movement (a period Salinas spent, in part, in prison) reveal the growing politicization of intelligent and talented minority convicts incarcerated at a time when their communities were marching forward. As with Ricardo Sànchez and Jimmy Santiago Baca, prison bars were not strong enough to limit SalinasÍs highly lyric, even rhapsodic calls for liberationpoems inspired by jazz, the Beat writers, nature, and political skirmishes. Un Trip through the Mind Jail will stand for generations as a seminal text of Chicano and U. S. minority literature.
Author: Raul Salinas
Publisher: Arte Publico Press
ISBN: 9781611923216
Category : Poetry
Languages : en
Pages : 196
Get Book Here
Book Description
Here is the long-awaited second edition of a pioneer work of Chicano literature, originally published as a collection in 1980 after individual poems by Salinas had appeared in numerous magazines, newspapers, and anthologies from the 1960s through the 1970s. These fifteen years of poetry forged in the heat of the Chicano movement (a period Salinas spent, in part, in prison) reveal the growing politicization of intelligent and talented minority convicts incarcerated at a time when their communities were marching forward. As with Ricardo Sànchez and Jimmy Santiago Baca, prison bars were not strong enough to limit SalinasÍs highly lyric, even rhapsodic calls for liberationpoems inspired by jazz, the Beat writers, nature, and political skirmishes. Un Trip through the Mind Jail will stand for generations as a seminal text of Chicano and U. S. minority literature.
Author: Raúl Salinas
Publisher: Arte Publico Press
ISBN: 1558852751
Category : Poetry
Languages : en
Pages : 192
Get Book Here
Book Description
Here is the long-awaited second edition of a pioneer work of Chicano literature, originally published as a collection in 1980 after individual poems by Salinas had appeared in numerous magazines, newspapers, and anthologies from the 1960s through the 1970s. These fifteen years of poetry forged in the heat of the Chicano Movement (a period Salinas spent, in part, in prison) reveal the growing politicization of intelligent and talented minority convicts incarcerated at a time when their communities were marching forward. As with Ricardo Sanchez and Jimmy Santiago Baca, prison bars were not strong enough to limit Salinas's highly lyric, even rhapsodic calls for liberation -- poems inspired by jazz, the Beat writers, nature, and political skirmishes. Un Trip through the Mind Jail will stand for generations as a seminal text of Chicano and U. S. minority literature.
Author: Raúlrsalinas
Publisher:
ISBN:
Category : Imprisonment
Languages : en
Pages : 190
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Book Description
Author: Raúl Salinas
Publisher: University of Texas Press
ISBN: 029275616X
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
Raúl R. Salinas is regarded as one of today's most important Chicano poets and human rights activists, but his passage to this place of distinction took him through four of the most brutal prisons in the country. His singular journey from individual alienation to rage to political resistance reflected the social movements occurring inside and outside of prison, making his story both personal and universal. This groundbreaking collection of Salinas' journalism and personal correspondence from his years of incarceration and following his release provides a unique perspective into his spiritual, intellectual, and political metamorphosis. The book also offers an insider's view of the prison rebellion movement and its relation to the civil rights and anti-war movements of the 1960s and 1970s. The numerous letters between Salinas and his family, friends, and potential allies illustrate his burgeoning political awareness of the cause and conditions of his and his comrades' incarceration and their link to the larger political and historical web of social relations between dominant and subaltern groups. These collected pieces, as well as two interviews with Salinas—one conducted upon his release from prison in 1972, the second more than two decades later—reveal to readers the transformation of Salinas from a street hipster to a man seeking to be a part of something larger than himself. Louis Mendoza has painstakingly compiled a body of work that is autobiographical, politically insurgent, and representative.
Author: Rachel Lee Rubin
Publisher: Bloomsbury Publishing USA
ISBN: 150133722X
Category : Political Science
Languages : en
Pages : 357
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Book Description
This collection brings together interviews with a compelling range of musicians, artists, and activists from around the globe. What does it mean for an artist to be “political”? Moving away from a narrow idea about politics that is organized around elections, advocacy groups, or concrete manifestos, the subjects of Creative Activism do their work through song, poetry, painting, and other arts. The interviews take us from Oakland to London to Johannesburg and from the Occupy movement to the coal mines of Appalachia to the fantasy worlds created by some of our most fascinating writers of spectacular fiction. Listening to the important “cultural workers” of our time challenges any idea that some other time was the golden age of political art: Creative Activism gives us a front-row seat to the thrilling artistic activism of our own moment.
Author: B. V. Olguín
Publisher: University of Texas Press
ISBN: 0292778856
Category : Social Science
Languages : en
Pages : 336
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Book Description
In this groundbreaking study based on archival research about Chicana and Chicano prisoners—known as Pintas and Pintos—as well as fresh interpretations of works by renowned Pinta and Pinto authors and activists, B. V. Olguín provides crucial insights into the central roles that incarceration and the incarcerated have played in the evolution of Chicana/o history, cultural paradigms, and oppositional political praxis. This is the first text on prisoners in general, and Chicana/o and Latina/o prisoners in particular, that provides a range of case studies from the nineteenth century to the present. Olguín places multiple approaches in dialogue through the pairing of representational figures in the history of Chicana/o incarceration with specific themes and topics. Case studies on the first nineteenth-century Chicana prisoner in San Quentin State Prison, Modesta Avila; renowned late-twentieth-century Chicano poets Raúl Salinas, Ricardo Sánchez, and Jimmy Santiago Baca; lesser-known Chicana pinta and author Judy Lucero; and infamous Chicano drug baron and social bandit Fred Gómez Carrasco are aligned with themes from popular culture such as prisoner tattoo art and handkerchief art, Hollywood Chicana/o gangxploitation and the prisoner film American Me, and prisoner education projects. Olguín provides a refreshing critical interrogation of Chicana/o subaltern agency, which too often is celebrated as unambiguously resistant and oppositional. As such, this study challenges long-held presumptions about Chicana/o cultures of resistance and proposes important explorations of the complex and contradictory relationship between Chicana/o agency and ideology.
Author: B. V. Olguín
Publisher: Oxford University Press, USA
ISBN: 0198863098
Category : Literary Criticism
Languages : en
Pages : 407
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Book Description
Violentologies explores how different forms of violence shape identity and political vision in both familiar and unexpected ways using Latina/o writers and performers as case-studies.
Author: Manuel Luis Martinez
Publisher: Univ of Wisconsin Press
ISBN: 0299192830
Category : Literary Criticism
Languages : en
Pages : 366
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Book Description
Rebelling against bourgeois vacuity and taking their countercultural critique on the road, the Beat writers and artists have long symbolized a spirit of freedom and radical democracy. Manuel Martinez offers an eye-opening challenge to this characterization of the Beats, juxtaposing them against Chicano nationalists like Raul Salinas, Jose Montoya, Luis Valdez, and Oscar Acosta and Mexican migrant writers in the United States, like Tomas Rivera and Ernesto Galarza. In an innovative rereading of American radical politics and culture of the 1950s and 1960s, Martinez uncovers reactionary, neoromantic, and sometimes racist strains in the Beats’ vision of freedom, and he brings to the fore the complex stances of Latinos on participant democracy and progressive culture. He analyzes the ways that Beats, Chicanos, and migrant writers conceived of and articulated social and political perspectives. He contends that both the Beats’ extreme individualism and the Chicano nationalists’ narrow vision of citizenship are betrayals of the democratic ideal, but that the migrant writers presented a distinctly radical and inclusive vision of democracy that was truly countercultural.
Author: Nicolás Kanellos
Publisher: Bloomsbury Publishing USA
ISBN: 0313017298
Category : Literary Criticism
Languages : en
Pages : 326
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Book Description
Providing a detailed historical overview of Hispanic literature in the United States from the Spanish colonial period to the present, this extensive chronology provides the context within which such writers as Sandra Cisneros, Rodolfo Anaya, and Oscar Hijuelos have worked. Hispanic literature in the United States is covered from the Spanish colonial period to the present. A detailed historical overview and a separate survey of Hispanic drama provide researchers and general readers with indispensable information and insight into Hispanic literature. An extensive chronology traces the development of Hispanic literature and culture in the United States from 1492 to 2002, providing the context within which such Hispanic writers such as Sandra Cisneros, Rodolfo Anaya, and Oscar Hijuelos have worked. Topics include an overview and chronology of Hispanic literature in the United States, a who's who of Hispanic authors, significant trends, movements, and themes, publishing trends, an overview of Hispanic drama, adn the 100 essential Hispanic literary works. Biographical entries describe the careers, importance, and major works of notable Hispanic novelists, poets, and playwrights writing in English or Spanish. A comprehensive, up-to-date bibliography lists primary sources. Essays detail the most important past and current trends in Hispanic literature, including bilingualism, Chicano literature, children's literature, exile literature, folklore, immigrant literature, Nuyorican literature, poetry, and women and feminism in Hispanic literature. More than 100 exceptional illustrations of writers, plays in performance, and first editions of important works are included.
Author: Catherine S. Ramírez
Publisher: Duke University Press
ISBN: 0822388642
Category : Social Science
Languages : en
Pages : 258
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Book Description
The Mexican American woman zoot suiter, or pachuca, often wore a V-neck sweater or a long, broad-shouldered coat, a knee-length pleated skirt, fishnet stockings or bobby socks, platform heels or saddle shoes, dark lipstick, and a bouffant. Or she donned the same style of zoot suit that her male counterparts wore. With their striking attire, pachucos and pachucas represented a new generation of Mexican American youth, which arrived on the public scene in the 1940s. Yet while pachucos have often been the subject of literature, visual art, and scholarship, The Woman in the Zoot Suit is the first book focused on pachucas. Two events in wartime Los Angeles thrust young Mexican American zoot suiters into the media spotlight. In the Sleepy Lagoon incident, a man was murdered during a mass brawl in August 1942. Twenty-two young men, all but one of Mexican descent, were tried and convicted of the crime. In the Zoot Suit Riots of June 1943, white servicemen attacked young zoot suiters, particularly Mexican Americans, throughout Los Angeles. The Chicano movement of the 1960s–1980s cast these events as key moments in the political awakening of Mexican Americans and pachucos as exemplars of Chicano identity, resistance, and style. While pachucas and other Mexican American women figured in the two incidents, they were barely acknowledged in later Chicano movement narratives. Catherine S. Ramírez draws on interviews she conducted with Mexican American women who came of age in Los Angeles in the late 1930s, 1940s, and 1950s as she recovers the neglected stories of pachucas. Investigating their relative absence in scholarly and artistic works, she argues that both wartime U.S. culture and the Chicano movement rejected pachucas because they threatened traditional gender roles. Ramírez reveals how pachucas challenged dominant notions of Mexican American and Chicano identity, how feminists have reinterpreted la pachuca, and how attention to an overlooked figure can disclose much about history making, nationalism, and resistant identities.
