Author: Society of Motion Picture and Television Engineers
Publisher:
ISBN:
Category :
Languages : en
Pages : 998
Book Description
Transactions of the Society of Motion Picture Engineers
Author: Society of Motion Picture and Television Engineers
Publisher:
ISBN:
Category :
Languages : en
Pages : 998
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 998
Book Description
Transactions of the Society of Motion Picture Engineers
Author: Society of Motion Picture and Television Engineers
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 1288
Book Description
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 1288
Book Description
Transactions of the Society of Motion Picture Engineers
Author: Society of Motion Picture Engineers
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 28
Book Description
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 28
Book Description
Post-Production and the Invisible Revolution of Filmmaking
Author: George Larkin
Publisher: Routledge
ISBN: 0429960654
Category : Performing Arts
Languages : en
Pages : 239
Book Description
Post-Production and the Invisible Revolution of Filmmaking studies the discourses surrounding post-production, as well as the aesthetic effects of its introduction during the 1920s and 1930s, by exploring the philosophies and issues faced by practitioners during this transitional, transformative period. The introduction of post-production during the transition from silent cinema to the synchronized sound era in the 1920s American studio system resulted in what has been a previously unheralded and invisible revolution in filmmaking. Thereafter, a film no longer arose from a live and variable combination of audio and visual in the theater, as occurred during the silent film era, where each exhibition was a singular event. The new system of post-production effectively shifted control of a film’s final form from the theater to the editing room. With this new process, filmmakers could obtain and manipulate an array of audio elements and manufacture a permanent soundtrack. This transition made possible a product that could be easily mass-produced, serving both to transform and homogenize film presentation, fundamentally creating a new art form. With detailed research and analysis and nearly 50 illustrations, this book is the ideal resource for students and researchers of film history and post-production.
Publisher: Routledge
ISBN: 0429960654
Category : Performing Arts
Languages : en
Pages : 239
Book Description
Post-Production and the Invisible Revolution of Filmmaking studies the discourses surrounding post-production, as well as the aesthetic effects of its introduction during the 1920s and 1930s, by exploring the philosophies and issues faced by practitioners during this transitional, transformative period. The introduction of post-production during the transition from silent cinema to the synchronized sound era in the 1920s American studio system resulted in what has been a previously unheralded and invisible revolution in filmmaking. Thereafter, a film no longer arose from a live and variable combination of audio and visual in the theater, as occurred during the silent film era, where each exhibition was a singular event. The new system of post-production effectively shifted control of a film’s final form from the theater to the editing room. With this new process, filmmakers could obtain and manipulate an array of audio elements and manufacture a permanent soundtrack. This transition made possible a product that could be easily mass-produced, serving both to transform and homogenize film presentation, fundamentally creating a new art form. With detailed research and analysis and nearly 50 illustrations, this book is the ideal resource for students and researchers of film history and post-production.
Journal of the Society of Motion Picture and Television Engineers
Author: Society of Motion Picture and Television Engineers
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 858
Book Description
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 858
Book Description
Stereoscopic Cinema and the Origins of 3-D Film, 1838-1952
Author: Ray Zone
Publisher: University Press of Kentucky
ISBN: 0813172713
Category : Performing Arts
Languages : en
Pages : 234
Book Description
This is a comprehensive history of the stereoscopic motion picture. Ray Zone not only discusses technological innovation and its cultural context, but also examines the aesthetic aspects of stereoscopic cinema in its first century of production.
Publisher: University Press of Kentucky
ISBN: 0813172713
Category : Performing Arts
Languages : en
Pages : 234
Book Description
This is a comprehensive history of the stereoscopic motion picture. Ray Zone not only discusses technological innovation and its cultural context, but also examines the aesthetic aspects of stereoscopic cinema in its first century of production.
NIST Serial Holdings
Author: National Institute of Standards and Technology (U.S.)
Publisher:
ISBN:
Category : Engineering
Languages : en
Pages : 268
Book Description
Publisher:
ISBN:
Category : Engineering
Languages : en
Pages : 268
Book Description
NIST Serial Holdings, 1990
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 264
Book Description
Biographical Dictionary of the History of Technology
Author: Lance Day
Publisher: Routledge
ISBN: 1134650191
Category : History
Languages : en
Pages : 1527
Book Description
This Biographical Dictionary seeks to put the world of technology in the context of those who have made the most important contribution to it. For the first time information has been gathered on the people who have made the most significant advances in technology. From ancient times to the present day, the major inventors, discoverers and entrepreneurs from around the world are profiled, and their contribution to society explained and assessed. Structure The Dictionary presents descriptive and analytical biographies of its subjects in alphabetical order for ease of reference. Each entry provides detailed information on the individual's life, work and relevance to their particular field. * in the first part of the entry, the information will include the dates and places of the subject's birth and death, together with their nationality and their field of activity * in the main body of the entry there follows an account of their principal achievements and their significance in the history of technology, along with full details of appointments and honours * finally an annotated bibliography will direct the reader to the subject's principal writings and publications and to the most important secondary works which the reader can consult for further information. Special Features: * The first work in existence to examine technologists in detail * Contains over 1,500 entries giving detailed information * Extensive cross-references enable the reader to compare subjects and build up a picture of technological advance^ * Figures drawn from fields such as Aeronautics, Telecommunications, Architecture, Photography and Textiles
Publisher: Routledge
ISBN: 1134650191
Category : History
Languages : en
Pages : 1527
Book Description
This Biographical Dictionary seeks to put the world of technology in the context of those who have made the most important contribution to it. For the first time information has been gathered on the people who have made the most significant advances in technology. From ancient times to the present day, the major inventors, discoverers and entrepreneurs from around the world are profiled, and their contribution to society explained and assessed. Structure The Dictionary presents descriptive and analytical biographies of its subjects in alphabetical order for ease of reference. Each entry provides detailed information on the individual's life, work and relevance to their particular field. * in the first part of the entry, the information will include the dates and places of the subject's birth and death, together with their nationality and their field of activity * in the main body of the entry there follows an account of their principal achievements and their significance in the history of technology, along with full details of appointments and honours * finally an annotated bibliography will direct the reader to the subject's principal writings and publications and to the most important secondary works which the reader can consult for further information. Special Features: * The first work in existence to examine technologists in detail * Contains over 1,500 entries giving detailed information * Extensive cross-references enable the reader to compare subjects and build up a picture of technological advance^ * Figures drawn from fields such as Aeronautics, Telecommunications, Architecture, Photography and Textiles
Engineering Hollywood
Author: Luci Marzola
Publisher: Oxford University Press
ISBN: 0190885602
Category : Performing Arts
Languages : en
Pages : 352
Book Description
Engineering Hollywood tells the story of the formation of the Hollywood studio system not as the product of a genius producer, but as an industry that brought together creative practices and myriad cutting-edge technologies in ways that had never been seen before. Using extensive archival research, this book examines the role of technicians, engineers, and trade organizations in creating a stable technological infrastructure on which the studio system rested for decades. Here, the studio system is seen as a technology-dependent business with connections to the larger American industrial world. By focusing on the role played by technology, we see a new map of the studio system beyond the backlots of Los Angeles and the front offices in New York. In this study, Hollywood includes the labs of industrial manufacturers, the sales routes of independent firms, the garages of tinkerers, and the clubhouses of technicians' societies. Rather than focusing on the technical improvements in any particular motion picture tool, this book centers on the larger systems and infrastructures for dealing with technology in this creative industry. Engineering Hollywood argues that the American industry was stabilized and able to dominate the motion picture field for decades through collaboration over technologies of everyday use. Hollywood's relationship to its essential technology was fundamentally one of interdependence and cooperation-with manufacturers, trade organizations, and the competing studios. As such, Hollywood could be defined as an industry by participation in a closed system of cooperation that allowed a select group of producers and manufacturers to dominate the motion picture business for decades.
Publisher: Oxford University Press
ISBN: 0190885602
Category : Performing Arts
Languages : en
Pages : 352
Book Description
Engineering Hollywood tells the story of the formation of the Hollywood studio system not as the product of a genius producer, but as an industry that brought together creative practices and myriad cutting-edge technologies in ways that had never been seen before. Using extensive archival research, this book examines the role of technicians, engineers, and trade organizations in creating a stable technological infrastructure on which the studio system rested for decades. Here, the studio system is seen as a technology-dependent business with connections to the larger American industrial world. By focusing on the role played by technology, we see a new map of the studio system beyond the backlots of Los Angeles and the front offices in New York. In this study, Hollywood includes the labs of industrial manufacturers, the sales routes of independent firms, the garages of tinkerers, and the clubhouses of technicians' societies. Rather than focusing on the technical improvements in any particular motion picture tool, this book centers on the larger systems and infrastructures for dealing with technology in this creative industry. Engineering Hollywood argues that the American industry was stabilized and able to dominate the motion picture field for decades through collaboration over technologies of everyday use. Hollywood's relationship to its essential technology was fundamentally one of interdependence and cooperation-with manufacturers, trade organizations, and the competing studios. As such, Hollywood could be defined as an industry by participation in a closed system of cooperation that allowed a select group of producers and manufacturers to dominate the motion picture business for decades.