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Author: Society of Motion Picture and Television Engineers
Publisher:
ISBN:
Category :
Languages : en
Pages : 284
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Book Description
Author: Society of Motion Picture and Television Engineers
Publisher:
ISBN:
Category :
Languages : en
Pages : 284
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Book Description
Author: Society of Motion Picture and Television Engineers
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 1288
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Author: Society of Motion Picture Engineers
Publisher: Legare Street Press
ISBN: 9781013879050
Category :
Languages : en
Pages : 236
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Society of Motion Picture and Television Engineers
Publisher:
ISBN:
Category :
Languages : en
Pages : 998
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Author: Ray Zone
Publisher: University Press of Kentucky
ISBN: 0813172713
Category : Performing Arts
Languages : en
Pages : 234
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Book Description
This is a comprehensive history of the stereoscopic motion picture. Ray Zone not only discusses technological innovation and its cultural context, but also examines the aesthetic aspects of stereoscopic cinema in its first century of production.
Author: Society of Motion Picture and Television Engineers
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 858
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Author: George Larkin
Publisher: Routledge
ISBN: 0429960646
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
Post-Production and the Invisible Revolution of Filmmaking studies the discourses surrounding post-production, as well as the aesthetic effects of its introduction during the 1920s and 1930s, by exploring the philosophies and issues faced by practitioners during this transitional, transformative period. The introduction of post-production during the transition from silent cinema to the synchronized sound era in the 1920s American studio system resulted in what has been a previously unheralded and invisible revolution in filmmaking. Thereafter, a film no longer arose from a live and variable combination of audio and visual in the theater, as occurred during the silent film era, where each exhibition was a singular event. The new system of post-production effectively shifted control of a film’s final form from the theater to the editing room. With this new process, filmmakers could obtain and manipulate an array of audio elements and manufacture a permanent soundtrack. This transition made possible a product that could be easily mass-produced, serving both to transform and homogenize film presentation, fundamentally creating a new art form. With detailed research and analysis and nearly 50 illustrations, this book is the ideal resource for students and researchers of film history and post-production.
Author: Donald G. Godfrey
Publisher: University of Illinois Press
ISBN: 0252096150
Category : Biography & Autobiography
Languages : en
Pages : 305
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Book Description
This is the first biography of the important but long-forgotten American inventor Charles Francis Jenkins (1867-1934). Historian Donald G. Godfrey documents the life of Jenkins from his childhood in Indiana and early life in the West to his work as a prolific inventor whose productivity was cut short by an early death. Jenkins was an inventor who made a difference. As one of America's greatest independent inventors, Jenkins's passion was to meet the needs of his day and the future. In 1895 he produced the first film projector able to show a motion picture on a large screen, coincidentally igniting the first film boycott among his Quaker viewers when the film he screened showed a woman's ankle. Jenkins produced the first American television pictures in 1923, and developed the only fully operating broadcast television station in Washington, D.C. transmitting to ham operators from coast to coast as well as programming for his local audience. Godfrey's biography raises the profile of C. Francis Jenkins from his former place in the footnotes to his rightful position as a true pioneer of today's film and television. Along the way, it provides a window into the earliest days of both motion pictures and television as well as the now-vanished world of the independent inventor.
Author: Society of Motion Picture and Television Engineers
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 500
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Author: Raymond Fielding
Publisher: Univ of California Press
ISBN: 9780520004115
Category : Cinematography
Languages : en
Pages : 274
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Book Description
