Thinking about Film PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Thinking about Film PDF full book. Access full book title Thinking about Film by Dean Duncan. Download full books in PDF and EPUB format.
Author: Dean Duncan
Publisher: Allyn & Bacon
ISBN: 9780205582204
Category : Performing Arts
Languages : en
Pages : 72
Get Book Here
Book Description
Perfect for the student who wants to learn to be a more active, intelligent film viewer, this supplement encourages critically thinking about films and also explains how to write a film review. The booklet also includes two helpful appendices, one with a list of essential films that serious movie watchers should see and the other with additional readings to help students keep learning.
Author: Dean Duncan
Publisher: Allyn & Bacon
ISBN: 9780205582204
Category : Performing Arts
Languages : en
Pages : 72
Get Book Here
Book Description
Perfect for the student who wants to learn to be a more active, intelligent film viewer, this supplement encourages critically thinking about films and also explains how to write a film review. The booklet also includes two helpful appendices, one with a list of essential films that serious movie watchers should see and the other with additional readings to help students keep learning.
Author: Thomas E. Wartenberg
Publisher: Routledge
ISBN: 1135975884
Category : Performing Arts
Languages : en
Pages : 205
Get Book Here
Book Description
Thinking on Screen: Film as Philosophy is an accessible and thought-provoking examination of the way films raise and explore complex philosophical ideas. Written in a clear and engaging style, Thomas Wartenberg examines films’ ability to discuss, and even criticize ideas that have intrigued and puzzled philosophers over the centuries such as the nature of personhood, the basis of morality, and epistemological skepticism. Beginning with a demonstration of how specific forms of philosophical discourse are presented cinematically, Wartenberg moves on to offer a systematic account of the ways in which specific films undertake the task of philosophy. Focusing on the films The Man Who Shot Liberty Valance, Modern Times, The Matrix, Eternal Sunshine of the Spotless Mind, The Third Man, The Flicker, and Empire, Wartenberg shows how these films express meaningful and pertinent philosophical ideas. This book is essential reading for students of philosophy with an interest in film, aesthetics, and film theory. It will also be of interest to film enthusiasts intrigued by the philosophical implications of film.
Author: José Manuel Martins
Publisher: Cambridge Scholars Publishing
ISBN: 1443879584
Category : Performing Arts
Languages : en
Pages : 315
Get Book Here
Book Description
Over the last few decades, film has increasingly become an issue of philosophical reflection from an ontological and epistemological perspective, and the claim “doing philosophy through film” has raised extensive discussion about its meaning. The mechanical reproduction of reality is one of the most prominent philosophical questions raised by the emergence of film at the end of the nineteenth century, inquiring into the ontological nature of both reality and film. Yet the nature of this audio-photographic and moving reproduction of reality constitutes an ontological puzzle, which has widely been disregarded as a main line of enquiry with direct consequences for philosophy. Regarding this background, this volume brings together the best papers from the Lisbon Conference on Philosophy and Film: Thinking Reality and Time through Film, held in 2014. What they all have in common is the discussion of new aspects and approaches of how philosophy relates to film. Whether by philosophizing through concrete examples of films or whether looking at film’s ontological reliance on time and image, or its intra-active entanglement with reality or truth, this book explores grasp film’s nature philosophically, and provides new insights for the film philosopher and the filmmaker, as well as for the freshman fascinated by film for philosophical reasons.
Author: Robert Sinnerbrink
Publisher: A&C Black
ISBN: 1441153438
Category : Philosophy
Languages : en
Pages : 258
Get Book Here
Book Description
A concise but comprehensive student guide to studying Emily Bronte's classic novel Wuthering Heights. It covers adaptations such as film and TV versions of the novel and student-friendly features include discussion points and a comprehensive guide to further reading.
Author: Stephen Mulhall
Publisher: Routledge
ISBN: 1134537999
Category : Performing Arts
Languages : en
Pages : 159
Get Book Here
Book Description
First published in 2002. Few movies have captured our imagination as deeply and enduringly as those of the 'Alien' quartet, which follow the odyssey of Sigourney Weaver's Flight Lieutenant Ellen Ripley. In this gripping and limpidly written book, Stephen Mulhall shows why these films fascinate us, by showing that they are compelling examples of philosophy in action. Bringing a philosopher's eye to cinema, he argues that the 'Alien' films take us deep into the question of what it is to be human. By developing the sexual significance of the aliens themselves and of Ripley's resistance to them, these films explore the relation of human identity to the body, in the context of a hyper-Darwinian universe which both sharpens and subverts the distinction between the natural and the technological, and which pits the hope of redemption against nihilism. The book also considers the nature of 'sequeldom· in contemporary cinema. What is the relation between each 'Alien· movie's distinctive plot and the overarching narrative of the 'Alien' universe? How does the work of each director who has contributed to the 'Alien· series relate to the themes of their other films, such as Ridley Scott's Bladerunner, James Cameron's Terminator and David Fincher's Se7en? On Film is essential reading for anyone interested in film, philosophy and cultural and visual studies, and in the way philosophy can enrich our understanding of cinema.
Author: L. Bolton
Publisher: Springer
ISBN: 0230308694
Category : Performing Arts
Languages : en
Pages : 243
Get Book Here
Book Description
Film and Female Consciousness analyses three contemporary films that offer complex and original representations of women's thoughtfulness and individuality: In the Cut (2003), Lost in Translation (2003) and Morvern Callar (2002). Lucy Bolton compares these recent works with well-known and influential films that offer more familiar treatments of female subjectivity: Klute (1971), The Seven Year Itch (1955) and Marnie (1964). Considering each of the older, celebrated films alongside the recent, unconventional works illustrates how contemporary filmmaking techniques and critical practices can work together to create provocative depictions of on-screen female consciousness. Bolton's approach demonstrates how the encounter between the philosophy of Luce Irigaray and cinema can yield a fuller understanding of the fundamental relationship between film and philosophy. Furthermore, the book explores the implications of this approach for filmmakers and spectators, and suggests Irigarayan models of authorship and spectatorship that reinvigorate the notion of women's cinema.
Author: Joyce E. Jesionowski
Publisher: Univ of California Press
ISBN: 9780520067929
Category : Performing Arts
Languages : en
Pages : 228
Get Book Here
Book Description
Thinking in Pictures shows for the first time, in rigorous shot-by-shot analyses, what Griffith really did--and allows us to understand the implications for film narrative in general. Anyone with an interest in early cinema will find the book compelling, but the text will also intrigue readers seeking understanding of film usages on a more general, theoretical level. When Griffith began making films, the shot had been recognized as a basic element of film, the camera had a certain amount of freedom, transitional effects had been explored, audiences displayed an appetite for narrative. It was the synthesis of these elements, as Jesionowski traces it, that was Griffith's great achievement--for which he has always been honored by other filmmakers, by critics, and by audiences who continue to be moved and excited by his films. Thinking in Pictures shows for the first time, in rigorous shot-by-shot analyses, what Griffith really did--and allows us to understand the implications for film narrative in general. Anyone with an interest in early cinema will find the book compelling, but the text will also intrigue readers seeking understanding of film usages on a more general, theoretical level. When Griffith began making films, the shot had been recognized as a basic element of film, the camera had a certain amount of freedom, transitional effects had been explored, audiences displayed an appetite for narrative. It was the synthesis of these elements, as Jesionowski traces it, that was Griffith's great achievement--for which he has always been honored by other filmmakers, by critics, and by audiences who continue to be moved and excited by his films.
Author: Hunter Vaughan
Publisher: Columbia University Press
ISBN: 0231161328
Category : Performing Arts
Languages : en
Pages : 262
Get Book Here
Book Description
The formal techniques two classic French filmmakers developed to explore cinema's philosophical potential.
Author: Robert B. Pippin
Publisher: University of Chicago Press
ISBN: 022667200X
Category : Philosophy
Languages : en
Pages : 313
Get Book Here
Book Description
With the rise of review sites and social media, films today, as soon as they are shown, immediately become the topic of debates on their merits not only as entertainment, but also as serious forms of artistic expression. Philosopher Robert B. Pippin, however, wants us to consider a more radical proposition: film as thought, as a reflective form. Pippin explores this idea through a series of perceptive analyses of cinematic masterpieces, revealing how films can illuminate, in a concrete manner, core features and problems of shared human life. Filmed Thought examines questions of morality in Almodóvar’s Talk to Her, goodness and naïveté in Hitchcock’s Shadow of a Doubt, love and fantasy in Sirk’s All That Heaven Allows, politics and society in Polanski’s Chinatown and Malick’s The Thin Red Line, and self-understanding and understanding others in Nicholas Ray’s In a Lonely Place and in the Dardennes brothers' oeuvre. In each reading, Pippin pays close attention to what makes these films exceptional as technical works of art (paying special attention to the role of cinematic irony) and as intellectual and philosophical achievements. Throughout, he shows how films offer a view of basic problems of human agency from the inside and allow viewers to think with and through them. Captivating and insightful, Filmed Thought shows us what it means to take cinema seriously not just as art, but as thought, and how this medium provides a singular form of reflection on what it is to be human.
Author: Maria Pramaggiore
Publisher: Pearson College Division
ISBN: 9780205645626
Category : Language Arts & Disciplines
Languages : en
Pages : 448
Get Book Here
Book Description
"Film: A Critical Introduction "provides a comprehensive framework for studying films, with an emphasis on writing as a means of exploring film's aesthetic and cultural significance. This text's consistent and comprehensive focus on writing allows students to master film vocabulary and concepts while learning to formulate rich interpretations. Part I introduces readers to the importance of film analysis, offering helpful strategies for discerning the way films produce meaning. Part II examines the fundamental elements of film, including narrative form, mise en scene, cinematography, editing, and sound, and shows how these concepts can be used to interpret films. Part III moves beyond textual analysis to explore film as a cultural institution and introduce students to essential areas of film studies research.
