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The Poverty of Television

Author: Jonathan Corpus Ong
Publisher: Anthem Press
ISBN: 1783084448
Category : Social Science
Languages : en
Pages : 227

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Book Description
Based on a 20-month ethnographic study of television and audiences in class-divided Philippines, this is the first book to take a bottom-up approach in considering how people respond to images and narratives of suffering and poverty on television. The book aims to contribute to the broader project of de-Westernizing media studies and explore the tension between ethical prescription and anthropological description in the social sciences and humanities. Winner of the 2016 Philippine Social Science Council Excellence in Research Award.

The Poverty of Television

Author: Jonathan Corpus Ong
Publisher: Anthem Press
ISBN: 1783084081
Category : Performing Arts
Languages : en
Pages : 226

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Book Description
Based on an extensive ethnographic study of television and audiences in class-divided Philippines, this is the first book to take a bottom-up approach in considering how people respond to images and narratives of suffering and poverty on television. Arguing for an anthropological ethics of media, this book challenges existing work in media studies and sociology that focuses solely on textual analysis and philosophical approaches to the question of representing vulnerable others. Current questions in media ethics, such as whether to portray sufferers as humane and empowered individuals or show them ‘at their worst’ have so far used textual and visual analyses to convey the researcher’s own moral position on the matter. In contrast, this book, inspired by the anthropology of moralities, accounts for the different interpretations and moral positions of audiences, who are positioned in various degrees of social and moral proximity to those they see and hear on television. Winner of the 2016 Philippine Social Science Council Excellence in Research Award.

Bearing the Cross

Author: Irv Cross
Publisher: Simon and Schuster
ISBN: 1683581180
Category : Sports & Recreation
Languages : en
Pages : 235

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Book Description
Born into poverty in Hammond, Indiana, not much was expected from Irvin Acie Cross. But with much hard work and dedication, he put together one of the most incredible life stories imaginable. After being drafted by the Philadelphia Eagles in 1961 out of Northwestern University, Cross went on to have a nine-year career in the NFL, appearing in two Pro Bowls. After retiring, he joined the Eagles as a coach, and did so until 1971 when a rare opportunity came along. With his player career over and without any experience, Cross hired by CBS sports as an analyst and commentator, becoming the first African American to work full-time as a sports analyst on national television. He then joined NFL Today in 1975 with Brent Musburger, former Miss America Phyllis George, and sports bookie Jimmy “The Greek” Snyder, and the show would go on to win thirteen Emmy Awards that first year. Throughout his life, Irv Cross has shown off his signature smile. With his strong spiritual belief, he has accomplished more than most people could ever dream of. His hard work and dedication have led him on a storied journey, and in 2009 we was awarded the Pete Rozelle Radio and TV Award from the Pro Football Hall of Fame. Bearing the Cross is Irv at his finest. From childhood to retirement, he shares an incredible life; the friends he’s made, the people he’s helped, and the lives he’s changed. With the help from longtime journalist Clifton Brown, Bearing the Cross will not only give you an inside look into this incredible man, but teach you the life lessons that have warmed his life.

Framing Class

Author: Diana Kendall
Publisher: Rowman & Littlefield Publishers
ISBN: 1442202254
Category : Social Science
Languages : en
Pages : 312

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Book Description
Framing Class explores how the media, including television, film, and news, depict wealth and poverty in the United States. Fully updated and revised throughout, the second edition of this groundbreaking book now includes discussions of new media, updated media sources, and provocative new examples from movies and television, such as The Real Housewives series and media portrayals of the new poor and corporate executives in the recent recession. The book introduces the concepts of class and media framing to students and analyzes how the media portray various social classes, from the elite to the very poor. Its accessible writing and powerful examples make it an ideal text or supplement for courses in sociology, American studies, and communications.

America's New War on Poverty

Author: Robert Lavelle
Publisher: KQED Books & Tapes
ISBN:
Category : Political Science
Languages : en
Pages : 296

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Book Description
This companion to PBS-TV's upcoming America's War On Poverty series offers a profound look at one of America's most pressing problems. Through gripping interviews, stories, essays, profiles and first-person accounts, this book helps readers share what it is like to be poor in America, and also offers ideas for action against poverty.

Mediated Shame of Class and Poverty Across Europe

Author: Irena Reifová
Publisher: Springer Nature
ISBN: 3030735435
Category : Social Science
Languages : en
Pages : 265

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Book Description
The key concepts of the book are media, class, poverty, and shaming. The contributors to this book examine how certain social relations and their cultural meanings in the media, namely class and poverty, are transformed into factual or moral attributes of people and situations. Class and poverty are not understood as certain things and actions, or concepts and numbers; both class and poverty are assumed to be, above all, particular social relationships or a set of relations between people, things and symbols. Without denying that contempt for the destitute Other is an affect found throughout history and in various socioeconomic contexts, the chapters in this book – through their concern with the mediated gaze on class – narrate predominantly the challenges brought about by the media’s spectacular take on poverty and low status as they (at least) coincide with the neoliberal era. This volume will be essential reading for the scholars specialising in the study of media and social inequalities form the vantage points of Media Studies, Sociology, Anthropology or European Studies.

Poverty in American Popular Culture

Author: Wylie Lenz
Publisher: McFarland
ISBN: 1476664226
Category : Social Science
Languages : en
Pages : 283

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Book Description
In 1964, President Lyndon Johnson declared an "unconditional war" on poverty in the form of sweeping federal programs to assist millions of Americans. Two decades later, President Reagan drastically cut such programs, claiming that welfare encouraged dependency and famously quipping, "Some years ago, the federal government declared war on poverty, and poverty won." These opposing policy positions and the ideologies informing them have been well studied. Here, the focus turns to the influence of popular art and entertainment on beliefs about poverty's causes and potential cures. These new essays interrogate the representation of poverty in film, television, music, photography, painting, illustration and other art forms from the late 19th century to the present. They map when, how, and why producers of popular culture represent--or ignore--poverty, and what assumptions their works make and encourage.

The Black Image in the White Mind

Author: Robert M. Entman
Publisher: University of Chicago Press
ISBN: 0226210774
Category : Social Science
Languages : en
Pages : 326

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Book Description
Living in a segregated society, white Americans learn about African Americans not through personal relationships but through the images the media show them. The Black Image in the White Mind offers the most comprehensive look at the intricate racial patterns in the mass media and how they shape the ambivalent attitudes of Whites toward Blacks. Using the media, and especially television, as barometers of race relations, Robert Entman and Andrew Rojecki explore but then go beyond the treatment of African Americans on network and local news to incisively uncover the messages sent about race by the entertainment industry-from prime-time dramas and sitcoms to commercials and Hollywood movies. While the authors find very little in the media that intentionally promotes racism, they find even less that advances racial harmony. They reveal instead a subtle pattern of images that, while making room for Blacks, implies a racial hierarchy with Whites on top and promotes a sense of difference and conflict. Commercials, for example, feature plenty of Black characters. But unlike Whites, they rarely speak to or touch one another. In prime time, the few Blacks who escape sitcom buffoonery rarely enjoy informal, friendly contact with White colleagues—perhaps reinforcing social distance in real life. Entman and Rojecki interweave such astute observations with candid interviews of White Americans that make clear how these images of racial difference insinuate themselves into Whites' thinking. Despite its disturbing readings of television and film, the book's cogent analyses and proposed policy guidelines offer hope that America's powerful mediated racial separation can be successfully bridged. "Entman and Rojecki look at how television news focuses on black poverty and crime out of proportion to the material reality of black lives, how black 'experts' are only interviewed for 'black-themed' issues and how 'black politics' are distorted in the news, and conclude that, while there are more images of African-Americans on television now than there were years ago, these images often don't reflect a commitment to 'racial comity' or community-building between the races. Thoroughly researched and convincingly argued."—Publishers Weekly "Drawing on their own research and that of a wide array of other scholars, Entman and Rojecki present a great deal of provocative data showing a general tendency to devalue blacks or force them into stock categories."—Ben Yagoda, New Leader Winner of the Frank Luther Mott Award for best book in Mass Communication and the Robert E. Lane Award for best book in political psychology.

The Poverty Industry

Author: Daniel L. Hatcher
Publisher: NYU Press
ISBN: 1479874728
Category : Business & Economics
Languages : en
Pages : 287

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Book Description
"Hatcher [posits that] state governments and their private industry partners are profiting from the social safety net, turning America's most vulnerable populations into sources of revenue"--

The Battle for the Bs

Author: Blair Davis
Publisher: Rutgers University Press
ISBN: 0813553245
Category : Performing Arts
Languages : en
Pages : 275

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Book Description
The emergence of the double-bill in the 1930s created a divide between A-pictures and B-pictures as theaters typically screened packages featuring one of each. With the former considered more prestigious because of their larger budgets and more popular actors, the lower-budgeted Bs served largely as a support mechanism to A-films of the major studios—most of which also owned the theater chains in which movies were shown. When a 1948 U.S. Supreme Court antitrust ruling severed ownership of theaters from the studios, the B-movie soon became a different entity in the wake of profound changes to the corporate organization and production methods of the major Hollywood studios. In The Battle for the Bs, Blair Davis analyzes how B-films were produced, distributed, and exhibited in the 1950s and demonstrates the possibilities that existed for low-budget filmmaking at a time when many in Hollywood had abandoned the Bs. Made by newly formed independent companies, 1950s B-movies took advantage of changing demographic patterns to fashion innovative marketing approaches. They established such genre cycles as science fiction and teen-oriented films (think Destination Moon and I Was a Teenage Werewolf) well before the major studios and also contributed to the emergence of the movement now known as underground cinema. Although frequently proving to be multimillion-dollar box-office draws by the end of the decade, the Bs existed in opposition to the cinematic mainstream in the 1950s and created a legacy that was passed on to independent filmmakers in the decades to come.