The Figure in Composition PDF Download
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Author: Paul G. Braun
Publisher: Courier Corporation
ISBN: 0486298620
Category : Art
Languages : en
Pages : 66
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Book Description
A valuable tool for intermediate artists, this volume treats the figure as a unit in the overall composition of a sketch or drawing. Discusses light and shade, draped figures, folds, movement, much more.
Author: Paul G. Braun
Publisher: Courier Corporation
ISBN: 0486298620
Category : Art
Languages : en
Pages : 66
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Book Description
A valuable tool for intermediate artists, this volume treats the figure as a unit in the overall composition of a sketch or drawing. Discusses light and shade, draped figures, folds, movement, much more.
Author: Walt Reed
Publisher: North Light Books
ISBN: 9781440313301
Category : Drawing
Languages : en
Pages : 143
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Book Description
"From previous attempts you may have concluded that drawing the figure is difficult. This book will show you how to reduce complex figures into a variety of basic shapes that are easy to master, helping you to reach your goal of producing lifelike drawings. Tested through years of classroom use, the principles stressed here bring clear insights into drawing the human form. You'll find a logical, step-by-step method for mastering the construction and proportions of all figure types. First the basic forms are analyzed - the proportions of the various parts and their relations to the total figure. You'll then learn how these parts are connected and how they move and find exercises in drawing the complete figure in any position, engaged in a variety of activities. Also included are detailed studies of anatomy - examining bone and muscle structure - plus special instructions for drawing such intricate parts of the body as the head, hands and feet."--Publisher description.
Author: Margaret McCann
Publisher: National Geographic Books
ISBN: 0847843750
Category : Art
Languages : en
Pages : 0
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Book Description
INDIEFAB Book of the Year Awards -- 2014 GOLD Winner for Art This book is a celebration of figurative art, essential to those interested in both traditional techniques and the latest developments in the art of the figure. An expansive survey of contemporary figurative art, The Figure showcases work by acclaimed artists including Jenny Saville, Eric Fischl, and Will Cotton alongside emerging talents. Artists’ texts and essays by distinguished critics, writers, and thinkers chart the evolution of figurative techniques, from the atelier to the use of photography, Photoshop, and 3D-modeling programs. Centered on the renowned New York Academy of Art—where many of the featured artists are alumni or instructors—this collection reflects the institution’s mission to instill the rigorous training of past generations within the lively dialogue of the present day. Championed by artists, scholars, and patrons of the arts, including Andy Warhol, since its founding in 1982, the Academy continues to serve as a creative and intellectual center at the vanguard of representational art. With a wealth of imagery displaying some of the finest examples of the genre in all mediums, this richly illustrated volume attests to the enduring appeal of the art of the human figure.
Author: Felipe De Jesus Legarreta-Castillo
Publisher: Augsburg Fortress Publishers
ISBN: 1451470010
Category : Bibles
Languages : en
Pages : 229
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Book Description
It is widely recognized that in some of his letters, Paul develops a Christology based on a comparison between Adam and Christ, and that this Christology has antecedents in Jewish interpretation of Genesis 1-4. Felipe Legarreta gives careful attention to patterns of exegesis in Second-Temple Judaism and identifies, for the first time, a number of motifs by which Jews drew ethical implications from the story of Adam and his expulsion from Eden. He then demonstrates that throughout the "Christological" passages in Romans and 1 Corinthians, Paul is taking part in a wider Jewish exegetical and ethical discussion regarding life in the new creation.
Author: Genevieve Love
Publisher: Bloomsbury Publishing
ISBN: 1350017221
Category : Drama
Languages : en
Pages : 225
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Book Description
What work did physically disabled characters do for the early modern theatre? Through a consideration of a range of plays, including Doctor Faustus and Richard III, Genevieve Love argues that the figure of the physically disabled prosthetic body in early modern English theatre mediates a set of related 'likeness problems' that structure the theatrical, textual, and critical lives of the plays of Shakespeare and his contemporaries. The figure of disability stands for the relationship between actor and character: prosthetic disabled characters with names such as Cripple and Stump capture the simultaneous presence of thefictional and the material, embodied world of the theatre. When the figure of the disabled body exits the stage, it also mediates a second problem of likeness, between plays in their performed and textual forms. While supposedly imperfect textual versions of plays have been characterized as 'lame', the dynamic movement of prosthetic disabled characters in the theatre expands the figural role which disability performs in the relationship between plays on the stage and on the page. Early Modern Theatre and the Figure of Disability reveals how attention to physical disability enriches our understanding of early modern ideas about how theatre works, while illuminating in turn how theatre offers a reframing of disability as metaphor.
Author: Jeffrey S. Librett
Publisher: Fordham Univ Press
ISBN: 0823262936
Category : Religion
Languages : en
Pages : 479
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Book Description
Orientalism and the Figure of the Jew proposes a new way of understanding modern Orientalism. Tracing a path of modern Orientalist thought in German across crucial writings from the late eighteenth to the mid–twentieth centuries, Librett argues that Orientalism and anti-Judaism are inextricably entangled. Librett suggests, further, that the Western assertion of “material” power, in terms of which Orientalism is often read, is overdetermined by a “spiritual” weakness: an anxiety about the absence of absolute foundations and values that coincides with Western modernity itself. The modern West, he shows, posits an Oriental origin as a fetish to fill the absent place of lacking foundations. This fetish is appropriated as Western through a quasi-secularized application of Christian typology. Further, the Western appropriation of the “good” Orient always leaves behind the remainder of the “bad,” inassimilable Orient. The book traces variations on this theme through historicist and idealist texts of the nineteenth century and then shows how high modernists like Buber, Kafka, Mann, and Freud place this historicist narrative in question. The book concludes with the outlines of a cultural historiography that would distance itself from the metaphysics of historicism, confronting instead its underlying anxieties.
Author: Emilia Wilton-Godberfforde
Publisher: Taylor & Francis
ISBN: 1317097424
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
The first book-length study devoted to this topic, Mendacity and the Figure of the Liar in Seventeenth-Century French Comedy offers an important contribution to scholarship on the theatre as well as on early modern attitudes in France, specifically on the subject of lying and deception. Unusually for a scholarly work on seventeenth-century theatre, it is particularly alert to plays as performed pieces and not simply printed texts. The study also distinguishes itself by offering original readings of Molière alongside innovative analyses of other playwrights. The chapters offer fresh insights on well-known plays by Molière and Pierre Corneille but also invite readers to discover lesser-known works of the time (by writers such as Benserade, Thomas Corneille, Dufresny and Rotrou). Through comparative and sustained close readings, including a linguistic and speech act approach, a historical survey of texts with an analysis of different versions and a study of irony, the reader is shown the manifest ways in which different playwrights incorporate the comedic tropes of lying and scheming, confusion and unmasking. Drawing particular attention to the levels of communicative or mis-communicative exchanges on the character-to-character axis and the character-to-audience axis, this work examines the process whereby characters in the comedies construct narratives designed to trick, misdirect, dazzle, confuse or exploit their interlocutors. In the different incarnations of seducer, parasite, cross-dresser, duplicitous narrator/messenger and deluded mythomaniac, the author underscores the way in which the figure of the liar both entertains and troubles, making it a fascinating subject worthy of detailed investigation.
Author: Nicole Brenez
Publisher: Anthem Press
ISBN: 1839987812
Category : Performing Arts
Languages : en
Pages : 179
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Book Description
Films fill our imagination with figures, figurines, and talismans. They ceaselessly rework the same archetypes and invent troubling prototypes – especially when they establish a deeper relationship to reality. How do we understand these presences that are both so characteristic and so diverse in cinema? How does film deal with bodies, movements, and gestures? Why are we so drawn to these shadows, silhouettes, and hypothetical beings? What organizes the figurative values at work in a film? How do cinematic creatures circulate from film to film and image to image? How does film articulate the links between the abstract and figurative? Is it possible to write a history of figurative forms? Starting from films themselves and works that are both classical (Sergei Eisenstein, Roberto Rossellini, Orson Welles) and contemporary (Abel Ferrara, Brian DePalma, Patricia Mazuy), celebrated (Robert Bresson, John Cassavetes, Ken Jacobs, Paul Sharits) and overlooked (Al Razutis, Jean Genet, Monte Hellman, and John Travolta), from auteurs as well as aesthetic questions (representations of dance, the naked body, character development...), the essays in this volume, most available for the first in English, aim to open a field that has been neglected by analysis, while also suggesting the tools necessary to understanding figurative phenomena specific to cinema.
Author: I. Todhunter
Publisher: BoD – Books on Demand
ISBN: 3368184083
Category : Fiction
Languages : en
Pages : 518
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Book Description
Reprint of the original, first published in 1873.
Author: Ruth Sheridan
Publisher: Bloomsbury Publishing
ISBN: 056769285X
Category : Religion
Languages : en
Pages : 413
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Book Description
In the Gospel of John, the character of Jesus repeatedly comes into conflict with a group pejoratively designated as 'the Jews'. In chapter 8 of the Gospel this conflict could be said to reach a head, with Jesus labeling the Jews as children 'of the devil' (8:44) - a verse often cited as epitomizing early Christian anti-Judaism. Using methods derived from modern and post-modern literary criticism Ruth Sheridan examines textual allusions to the biblical figures of Cain and Abraham in John 8:1-59. She pays particular attention to how these allusions give shape to the Gospel's alleged and infamous anti-Judaism (exemplified in John 8:44). Moreover, the book uniquely studies the subsequent reception in the Patristic and Rabbinic literature, not only of John 8, but also of the figures of Cain and Abraham. It shows how these figures are linked in Christian and Jewish imagination in the formative centuries in which the two religions came into definition.
