Author: William Warburton
Publisher: Thoemmes
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 414
Book Description
William Warburton (1698-1779) was one of the most influential 18th century British thinkers about the nature of language and metaphor. His work thus played a central role in that late 18th century reappraisal of the value of metaphor which paved the way for Romanticism, influencing continental linguistic theorists such as Rousseau, Condillac, Michaelis, Lichtenberg and Hamann, as well as British thinkers such as Robert Lowth and Thomas Reid. This new facsimile edition is based mainly on Warburton's disciple Richard Hurd's edition of his collected works in twelve octavo volumes, supplemented by a collection of tracts omitted from Hurd's collected works published by Samuel Parr.
The Collected Works of William Warburton
Author: William Warburton
Publisher: Thoemmes
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 414
Book Description
William Warburton (1698-1779) was one of the most influential 18th century British thinkers about the nature of language and metaphor. His work thus played a central role in that late 18th century reappraisal of the value of metaphor which paved the way for Romanticism, influencing continental linguistic theorists such as Rousseau, Condillac, Michaelis, Lichtenberg and Hamann, as well as British thinkers such as Robert Lowth and Thomas Reid. This new facsimile edition is based mainly on Warburton's disciple Richard Hurd's edition of his collected works in twelve octavo volumes, supplemented by a collection of tracts omitted from Hurd's collected works published by Samuel Parr.
Publisher: Thoemmes
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 414
Book Description
William Warburton (1698-1779) was one of the most influential 18th century British thinkers about the nature of language and metaphor. His work thus played a central role in that late 18th century reappraisal of the value of metaphor which paved the way for Romanticism, influencing continental linguistic theorists such as Rousseau, Condillac, Michaelis, Lichtenberg and Hamann, as well as British thinkers such as Robert Lowth and Thomas Reid. This new facsimile edition is based mainly on Warburton's disciple Richard Hurd's edition of his collected works in twelve octavo volumes, supplemented by a collection of tracts omitted from Hurd's collected works published by Samuel Parr.
A Forgotten Christian Deist
Author: Jan van den Berg
Publisher: Routledge
ISBN: 1000417859
Category : History
Languages : en
Pages : 250
Book Description
This is a cultural and intellectual biography of a neglected but important figure, Thomas Morgan (1671/2–1743). Educated at Bridgewater Academy, he was active as Presbyterian preacher, medical practitioner, and one of the first who called himself a Christian Deist. Morgan was not only a harbinger of the disparagement of the Old Testament, but also a prolific pamphleteer about things religious, and a publisher of medical books. He received praise for his medical work, but a negative press for his theological visions, and he ended as a forgotten figure in history; this book restores an overlooked writer to his due place in history. It is the first modern biography of Morgan and its readership comprises historians of deism, the enlightenment, the eighteenth century, theology and the church, Presbyterianism, and medical history.
Publisher: Routledge
ISBN: 1000417859
Category : History
Languages : en
Pages : 250
Book Description
This is a cultural and intellectual biography of a neglected but important figure, Thomas Morgan (1671/2–1743). Educated at Bridgewater Academy, he was active as Presbyterian preacher, medical practitioner, and one of the first who called himself a Christian Deist. Morgan was not only a harbinger of the disparagement of the Old Testament, but also a prolific pamphleteer about things religious, and a publisher of medical books. He received praise for his medical work, but a negative press for his theological visions, and he ended as a forgotten figure in history; this book restores an overlooked writer to his due place in history. It is the first modern biography of Morgan and its readership comprises historians of deism, the enlightenment, the eighteenth century, theology and the church, Presbyterianism, and medical history.
The complete works of Shakspere, with a memoir, and essay, by Barry Cornwall. Historical and critical studies of Shakspere's text [&c.] by R.G. White, R.H. Horne, and other writers
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 838
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 838
Book Description
Romantic Empiricism
Author: Gavin Budge
Publisher: Associated University Presse
ISBN: 9780838757123
Category : Literary Collections
Languages : en
Pages : 214
Book Description
"Romantic Empiricism is a collection of essays by established and emerging scholars, which represents a paradigm shift for the study of British Romanticism. The volume challenges the received view that German Idealist philosophy constitutes the main intellectual reference point for British Romantic writers, arguing instead that the tradition of Scottish Common Sense philosophy, largely overlooked by literary scholars, is a significant influence on Romantic thought. The essays in the collection examine a variety of canonical and non-canonical Romantic authors in the light of this fresh interpretative context, ranging from Charlotte Smith and Elizabeth Hamilton to Robert Burns and S. T. Coleridge. The volume is prefaced by a substantial theoretical introduction, which sets out the historical and interpretative case for the relevance of Common Sense philosophy for the study of British Romanticism."--BOOK JACKET.
Publisher: Associated University Presse
ISBN: 9780838757123
Category : Literary Collections
Languages : en
Pages : 214
Book Description
"Romantic Empiricism is a collection of essays by established and emerging scholars, which represents a paradigm shift for the study of British Romanticism. The volume challenges the received view that German Idealist philosophy constitutes the main intellectual reference point for British Romantic writers, arguing instead that the tradition of Scottish Common Sense philosophy, largely overlooked by literary scholars, is a significant influence on Romantic thought. The essays in the collection examine a variety of canonical and non-canonical Romantic authors in the light of this fresh interpretative context, ranging from Charlotte Smith and Elizabeth Hamilton to Robert Burns and S. T. Coleridge. The volume is prefaced by a substantial theoretical introduction, which sets out the historical and interpretative case for the relevance of Common Sense philosophy for the study of British Romanticism."--BOOK JACKET.
The Making of the English Literary Canon
Author: Trevor Thornton Ross
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773520806
Category : Literary Criticism
Languages : en
Pages : 412
Book Description
It is widely accepted among literary scholars that canon-formation began in the eighteenth century when scholarly editions and critical treatments of older works, designed to educate readers about the national literary heritage, appeared for the first time. In The Making of the English Literary Canon Trevor Ross challenges this assumption, arguing that canon-formation was going on well before the eighteenth century but was based on a very different set of literary and cultural values. Covering a period that extends from the Middle Ages to the institutionalisation of literature in the eighteenth century, Ross's comprehensive history traces the evolution of cultural attitudes toward literature in English society, highlighting the diverse interests and assumptions that defined and shaped the literary canon. An indigenous canon of letters, Ross argues, had been both the hope and aim of English authors since the Middle Ages. Early authors believed that promoting the idea of a national literature would help publicise their work and favour literary production in the vernacular. Ross places these early gestures toward canon-making in the context of the highly rhetorical habits of thought that dominated medieval and Renaissance culture, habits that were gradually displaced by an emergent rationalist understanding of literary value. He shows that, beginning in the late seventeenth century, canon-makers became less concerned with how English literature was produced than with how it was read and received. By showing that canon-formation has served different functions in the past, The Making of the English Literary Canon is relevant not only to current debates over the canon but also as an important corrective to prevailing views of early modern English literature and of how it was first evaluated, promoted, and preserved. It is widely accepted among literary scholars that canon-formation began in the eighteenth century when scholarly editions and critical treatments of older works, designed to educate readers about the national literary heritage, appeared for the first time. In The Making of the English Literary Canon Trevor Ross challenges this assumption, arguing that canon- formation was going on well before the eighteenth century but was based on a very different set of literary and cultural values. Covering a period that extends from the Middle Ages to the institutionalisation of literature in the eighteenth century, Ross's comprehensive history traces the evolution of cultural attitudes toward literature in English society, highlighting the diverse interests and assumptions that defined and shaped the literary canon. An indigenous canon of letters, Ross argues, had been both the hope and aim of English authors since the Middle Ages. Early authors believed that promoting the idea of a national literature would help publicise their work and favour literary production in the vernacular. Ross places these early gestures toward canon-making in the context of the highly rhetorical habits of thought that dominated medieval and Renaissance culture, habits that were gradually displaced by an emergent rationalist understanding of literary value. He shows that, beginning in the late seventeenth century, canon-makers became less concerned with how English literature was produced than with how it was read and received. By showing that canon-formation has served different functions in the past, The Making of the English Literary Canon is relevant not only to current debates over the canon but also as an important corrective to prevailing views of early modern English literature and of how it was first evaluated, promoted, and preserved.
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773520806
Category : Literary Criticism
Languages : en
Pages : 412
Book Description
It is widely accepted among literary scholars that canon-formation began in the eighteenth century when scholarly editions and critical treatments of older works, designed to educate readers about the national literary heritage, appeared for the first time. In The Making of the English Literary Canon Trevor Ross challenges this assumption, arguing that canon-formation was going on well before the eighteenth century but was based on a very different set of literary and cultural values. Covering a period that extends from the Middle Ages to the institutionalisation of literature in the eighteenth century, Ross's comprehensive history traces the evolution of cultural attitudes toward literature in English society, highlighting the diverse interests and assumptions that defined and shaped the literary canon. An indigenous canon of letters, Ross argues, had been both the hope and aim of English authors since the Middle Ages. Early authors believed that promoting the idea of a national literature would help publicise their work and favour literary production in the vernacular. Ross places these early gestures toward canon-making in the context of the highly rhetorical habits of thought that dominated medieval and Renaissance culture, habits that were gradually displaced by an emergent rationalist understanding of literary value. He shows that, beginning in the late seventeenth century, canon-makers became less concerned with how English literature was produced than with how it was read and received. By showing that canon-formation has served different functions in the past, The Making of the English Literary Canon is relevant not only to current debates over the canon but also as an important corrective to prevailing views of early modern English literature and of how it was first evaluated, promoted, and preserved. It is widely accepted among literary scholars that canon-formation began in the eighteenth century when scholarly editions and critical treatments of older works, designed to educate readers about the national literary heritage, appeared for the first time. In The Making of the English Literary Canon Trevor Ross challenges this assumption, arguing that canon- formation was going on well before the eighteenth century but was based on a very different set of literary and cultural values. Covering a period that extends from the Middle Ages to the institutionalisation of literature in the eighteenth century, Ross's comprehensive history traces the evolution of cultural attitudes toward literature in English society, highlighting the diverse interests and assumptions that defined and shaped the literary canon. An indigenous canon of letters, Ross argues, had been both the hope and aim of English authors since the Middle Ages. Early authors believed that promoting the idea of a national literature would help publicise their work and favour literary production in the vernacular. Ross places these early gestures toward canon-making in the context of the highly rhetorical habits of thought that dominated medieval and Renaissance culture, habits that were gradually displaced by an emergent rationalist understanding of literary value. He shows that, beginning in the late seventeenth century, canon-makers became less concerned with how English literature was produced than with how it was read and received. By showing that canon-formation has served different functions in the past, The Making of the English Literary Canon is relevant not only to current debates over the canon but also as an important corrective to prevailing views of early modern English literature and of how it was first evaluated, promoted, and preserved.
The Cambridge History of English Literature
Author: Sir Adolphus William Ward
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 696
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 696
Book Description
The Cambridge History of English Literature: From Steele and Addison to Pope and Swift
Author: Sir Adolphus William Ward
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 640
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 640
Book Description
The Collected Works of Ralph Waldo Emerson
Author: Ralph Waldo Emerson
Publisher: Harvard University Press
ISBN: 9780674139800
Category : American literature
Languages : en
Pages : 434
Book Description
Publisher: Harvard University Press
ISBN: 9780674139800
Category : American literature
Languages : en
Pages : 434
Book Description
The Collected Works of William Hazlitt: Table talk and Conversations of James Northcote, esq., R.A
Author: William Hazlitt
Publisher:
ISBN:
Category : English essays
Languages : en
Pages : 536
Book Description
Publisher:
ISBN:
Category : English essays
Languages : en
Pages : 536
Book Description
The Collected Works of William Hazlitt
Author: William Hazlitt
Publisher:
ISBN:
Category :
Languages : en
Pages : 546
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 546
Book Description