Author: James J. Farrell
Publisher: Psychology Press
ISBN: 9780415913867
Category : History
Languages : en
Pages : 374
Book Description
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
The Spirit of the Sixties
Author: James J. Farrell
Publisher: Psychology Press
ISBN: 9780415913867
Category : History
Languages : en
Pages : 374
Book Description
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Psychology Press
ISBN: 9780415913867
Category : History
Languages : en
Pages : 374
Book Description
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Civil Rights Music
Author: Reiland Rabaka
Publisher: Lexington Books
ISBN: 1498531792
Category : Social Science
Languages : en
Pages : 273
Book Description
While there have been a number of studies that have explored African American “movement culture” and African American “movement politics,” rarely has the mixture of black music and black politics or, rather, black music an as expression of black movement politics, been explored across several genres of African American “movement music,” and certainly not with a central focus on the major soundtracks of the Civil Rights Movement: gospel, freedom songs, rhythm & blues, and rock & roll. Here the mixture of music and politics emerging out of the Civil Rights Movement is critically examined as an incredibly important site and source of spiritual rejuvenation, social organization, political education, and cultural transformation, not simply for the non-violent civil rights soldiers of the 1950s and 1960s, but for organic intellectual-artist-activists deeply committed to continuing the core ideals and ethos of the Civil Rights Movement in the twenty-first century. Civil Rights Music: The Soundtracks of the Civil Rights Movement is primarily preoccupied with that liminal, in-between, and often inexplicable place where black popular music and black popular movements meet and merge. Black popular movements are more than merely social and political affairs. Beyond social organization and political activism, black popular movements provide much-needed spaces for cultural development and artistic experimentation, including the mixing of musical and other aesthetic traditions. “Movement music” experimentation has historically led to musical innovation, and musical innovation in turn has led to new music that has myriad meanings and messages—some social, some political, some cultural, some spiritual and, indeed, some sexual. Just as black popular movements have a multiplicity of meanings, this book argues that the music that emerges out of black popular movements has a multiplicity of meanings as well.
Publisher: Lexington Books
ISBN: 1498531792
Category : Social Science
Languages : en
Pages : 273
Book Description
While there have been a number of studies that have explored African American “movement culture” and African American “movement politics,” rarely has the mixture of black music and black politics or, rather, black music an as expression of black movement politics, been explored across several genres of African American “movement music,” and certainly not with a central focus on the major soundtracks of the Civil Rights Movement: gospel, freedom songs, rhythm & blues, and rock & roll. Here the mixture of music and politics emerging out of the Civil Rights Movement is critically examined as an incredibly important site and source of spiritual rejuvenation, social organization, political education, and cultural transformation, not simply for the non-violent civil rights soldiers of the 1950s and 1960s, but for organic intellectual-artist-activists deeply committed to continuing the core ideals and ethos of the Civil Rights Movement in the twenty-first century. Civil Rights Music: The Soundtracks of the Civil Rights Movement is primarily preoccupied with that liminal, in-between, and often inexplicable place where black popular music and black popular movements meet and merge. Black popular movements are more than merely social and political affairs. Beyond social organization and political activism, black popular movements provide much-needed spaces for cultural development and artistic experimentation, including the mixing of musical and other aesthetic traditions. “Movement music” experimentation has historically led to musical innovation, and musical innovation in turn has led to new music that has myriad meanings and messages—some social, some political, some cultural, some spiritual and, indeed, some sexual. Just as black popular movements have a multiplicity of meanings, this book argues that the music that emerges out of black popular movements has a multiplicity of meanings as well.
Everybody Says Freedom
Author: Pete Seeger
Publisher: W. W. Norton & Company
ISBN: 9780393306040
Category : History
Languages : en
Pages : 292
Book Description
Montgomery, Alabama, 1955--the civil rights movement has begun. The authors build a narrative from the words of the people, their photographs and their songs to form an emphasis on triumph in an uncertain age. Photos and music.
Publisher: W. W. Norton & Company
ISBN: 9780393306040
Category : History
Languages : en
Pages : 292
Book Description
Montgomery, Alabama, 1955--the civil rights movement has begun. The authors build a narrative from the words of the people, their photographs and their songs to form an emphasis on triumph in an uncertain age. Photos and music.
The Battle Hymn of the Republic
Author: John Stauffer
Publisher: Oxford University Press
ISBN: 0199837449
Category : History
Languages : en
Pages : 391
Book Description
It was sung at Ronald Reagan's funeral, and adopted with new lyrics by labor radicals. John Updike quoted it in the title of one of his novels, and George W. Bush had it performed at the memorial service in the National Cathedral for victims of September 11, 2001. Perhaps no other song has held such a profoundly significant--and contradictory--place in America's history and cultural memory than the "The Battle Hymn of the Republic." In this sweeping study, John Stauffer and Benjamin Soskis show how this Civil War tune has become an anthem for cause after radically different cause. The song originated in antebellum revivalism, with the melody of the camp-meeting favorite, "Say Brothers, Will You Meet Us." Union soldiers in the Civil War then turned it into "John Brown's Body." Julia Ward Howe, uncomfortable with Brown's violence and militancy, wrote the words we know today. Using intense apocalyptic and millenarian imagery, she captured the popular enthusiasm of the time, the sense of a climactic battle between good and evil; yet she made no reference to a particular time or place, allowing it to be exported or adapted to new conflicts, including Reconstruction, sectional reconciliation, imperialism, progressive reform, labor radicalism, civil rights movements, and social conservatism. And yet the memory of the song's original role in bloody and divisive Civil War scuttled an attempt to make it the national anthem. The Daughters of the Confederacy held a contest for new lyrics, but admitted that none of the entries measured up to the power of the original. "The Battle Hymn" has long helped to express what we mean when we talk about sacrifice, about the importance of fighting--in battles both real and allegorical--for the values America represents. It conjures up and confirms some of our most profound conceptions of national identity and purpose. And yet, as Stauffer and Soskis note, the popularity of the song has not relieved it of the tensions present at its birth--tensions between unity and discord, and between the glories and the perils of righteous enthusiasm. If anything, those tensions became more profound. By following this thread through the tapestry of American history, The Battle Hymn of the Republic illuminates the fractures and contradictions that underlie the story of our nation.
Publisher: Oxford University Press
ISBN: 0199837449
Category : History
Languages : en
Pages : 391
Book Description
It was sung at Ronald Reagan's funeral, and adopted with new lyrics by labor radicals. John Updike quoted it in the title of one of his novels, and George W. Bush had it performed at the memorial service in the National Cathedral for victims of September 11, 2001. Perhaps no other song has held such a profoundly significant--and contradictory--place in America's history and cultural memory than the "The Battle Hymn of the Republic." In this sweeping study, John Stauffer and Benjamin Soskis show how this Civil War tune has become an anthem for cause after radically different cause. The song originated in antebellum revivalism, with the melody of the camp-meeting favorite, "Say Brothers, Will You Meet Us." Union soldiers in the Civil War then turned it into "John Brown's Body." Julia Ward Howe, uncomfortable with Brown's violence and militancy, wrote the words we know today. Using intense apocalyptic and millenarian imagery, she captured the popular enthusiasm of the time, the sense of a climactic battle between good and evil; yet she made no reference to a particular time or place, allowing it to be exported or adapted to new conflicts, including Reconstruction, sectional reconciliation, imperialism, progressive reform, labor radicalism, civil rights movements, and social conservatism. And yet the memory of the song's original role in bloody and divisive Civil War scuttled an attempt to make it the national anthem. The Daughters of the Confederacy held a contest for new lyrics, but admitted that none of the entries measured up to the power of the original. "The Battle Hymn" has long helped to express what we mean when we talk about sacrifice, about the importance of fighting--in battles both real and allegorical--for the values America represents. It conjures up and confirms some of our most profound conceptions of national identity and purpose. And yet, as Stauffer and Soskis note, the popularity of the song has not relieved it of the tensions present at its birth--tensions between unity and discord, and between the glories and the perils of righteous enthusiasm. If anything, those tensions became more profound. By following this thread through the tapestry of American history, The Battle Hymn of the Republic illuminates the fractures and contradictions that underlie the story of our nation.
A Companion to African History
Author: William H. Worger
Publisher: John Wiley & Sons
ISBN: 047065631X
Category : History
Languages : en
Pages : 549
Book Description
Covers the history of the entire African continent, from prehistory to the present day A Companion to African History embraces the diverse regions, subject matter, and disciplines of the African continent, while also providing chronological and geographical coverage of basic historical developments. Two dozen essays by leading international scholars explore the challenges facing this relatively new field of historical enquiry and present the dynamic ways in which historians and scholars from other fields such as archaeology, anthropology, political science, and economics are forging new directions in thinking and research. Comprised of six parts, the book begins with thematic approaches to African history—exploring the environment, gender and family, medical practices, and more. Section two covers Africa’s early history and its pre-colonial past—early human adaptation, the emergence of kingdoms, royal power, and warring states. The third section looks at the era of the slave trade and European expansion. Part four examines the process of conquest—the discovery of diamonds and gold, military and social response, and more. Colonialism is discussed in the sixth section, with chapters on the economy transformed due to the development of agriculture and mining industries. The last section studies the continent from post World War II all the way up to modern times. Aims at capturing the enthusiasms of practicing historians, and encouraging similar passion in a new generation of scholars Emphasizes linkages within Africa as well as between the continent and other parts of the world All chapters include significant historiographical content and suggestions for further reading Written by a global team of writers with unique backgrounds and views Features case studies with illustrative examples In a field traditionally marked by narrow specialisms, A Companion to African History is an ideal book for advanced students, researchers, historians, and scholars looking for a broad yet unique overview of African history as a whole.
Publisher: John Wiley & Sons
ISBN: 047065631X
Category : History
Languages : en
Pages : 549
Book Description
Covers the history of the entire African continent, from prehistory to the present day A Companion to African History embraces the diverse regions, subject matter, and disciplines of the African continent, while also providing chronological and geographical coverage of basic historical developments. Two dozen essays by leading international scholars explore the challenges facing this relatively new field of historical enquiry and present the dynamic ways in which historians and scholars from other fields such as archaeology, anthropology, political science, and economics are forging new directions in thinking and research. Comprised of six parts, the book begins with thematic approaches to African history—exploring the environment, gender and family, medical practices, and more. Section two covers Africa’s early history and its pre-colonial past—early human adaptation, the emergence of kingdoms, royal power, and warring states. The third section looks at the era of the slave trade and European expansion. Part four examines the process of conquest—the discovery of diamonds and gold, military and social response, and more. Colonialism is discussed in the sixth section, with chapters on the economy transformed due to the development of agriculture and mining industries. The last section studies the continent from post World War II all the way up to modern times. Aims at capturing the enthusiasms of practicing historians, and encouraging similar passion in a new generation of scholars Emphasizes linkages within Africa as well as between the continent and other parts of the world All chapters include significant historiographical content and suggestions for further reading Written by a global team of writers with unique backgrounds and views Features case studies with illustrative examples In a field traditionally marked by narrow specialisms, A Companion to African History is an ideal book for advanced students, researchers, historians, and scholars looking for a broad yet unique overview of African history as a whole.
We Will Get to the Promised Land
Author: Hak Joon Lee
Publisher: Wipf and Stock Publishers
ISBN: 1725238497
Category : Religion
Languages : en
Pages : 238
Book Description
In We Will Get to the Promised Land, Lee explores the entire scope of Martin Luther King, Jr.'s spirituality, tracing its roots to African communal religious traditions and African Americans' fight for racial justice. He presents communal-political spirituality as constituting the heart of King's multifaceted spirituality. Lee reinterprets King's personal journey, theology, and ethics, as well as the Civil Rights Movement, in light of this communal-political spirituality, while assessing its ongoing importance for the common life in the twenty-first century, with particular attention to the war on terror and interreligious ecumenism.
Publisher: Wipf and Stock Publishers
ISBN: 1725238497
Category : Religion
Languages : en
Pages : 238
Book Description
In We Will Get to the Promised Land, Lee explores the entire scope of Martin Luther King, Jr.'s spirituality, tracing its roots to African communal religious traditions and African Americans' fight for racial justice. He presents communal-political spirituality as constituting the heart of King's multifaceted spirituality. Lee reinterprets King's personal journey, theology, and ethics, as well as the Civil Rights Movement, in light of this communal-political spirituality, while assessing its ongoing importance for the common life in the twenty-first century, with particular attention to the war on terror and interreligious ecumenism.
The American Experiment
Author: James MacGregor Burns
Publisher: Open Road Media
ISBN: 148043020X
Category : History
Languages : en
Pages : 2468
Book Description
The Pulitzer Prize–winning author’s stunning trilogy of American history, spanning the birth of the Constitution to the final days of the Cold War. In these three volumes, Pulitzer Prize– and National Book Award–winner James MacGregor Burns chronicles with depth and narrative panache the most significant cultural, economic, and political events of American history. In The Vineyard of Liberty, he combines the color and texture of early American life with meticulous scholarship. Focusing on the tensions leading up to the Civil War, Burns brilliantly shows how Americans became divided over the meaning of Liberty. In The Workshop of Democracy, Burns explores more than a half-century of dramatic growth and transformation of the American landscape, through the addition of dozens of new states, the shattering tragedy of the First World War, the explosion of industry, and, in the end, the emergence of the United States as a new global power. And in The Crosswinds of Freedom, Burns offers an articulate and incisive examination of the US during its rise to become the world’s sole superpower—through the Great Depression, the Second World War, the Cold War, and the rapid pace of technological change that gave rise to the “American Century.”
Publisher: Open Road Media
ISBN: 148043020X
Category : History
Languages : en
Pages : 2468
Book Description
The Pulitzer Prize–winning author’s stunning trilogy of American history, spanning the birth of the Constitution to the final days of the Cold War. In these three volumes, Pulitzer Prize– and National Book Award–winner James MacGregor Burns chronicles with depth and narrative panache the most significant cultural, economic, and political events of American history. In The Vineyard of Liberty, he combines the color and texture of early American life with meticulous scholarship. Focusing on the tensions leading up to the Civil War, Burns brilliantly shows how Americans became divided over the meaning of Liberty. In The Workshop of Democracy, Burns explores more than a half-century of dramatic growth and transformation of the American landscape, through the addition of dozens of new states, the shattering tragedy of the First World War, the explosion of industry, and, in the end, the emergence of the United States as a new global power. And in The Crosswinds of Freedom, Burns offers an articulate and incisive examination of the US during its rise to become the world’s sole superpower—through the Great Depression, the Second World War, the Cold War, and the rapid pace of technological change that gave rise to the “American Century.”
Musical Democracy
Author: Nancy S. Love
Publisher: State University of New York Press
ISBN: 0791481247
Category : Social Science
Languages : en
Pages : 180
Book Description
Musical metaphors abound in political theory and music often accompanies political movements, yet music is seldom regarded as political communication. In this groundbreaking book, Nancy S. Love explores how music functions as metaphor and model for democracy in the work of political theorists and activist musicians. She examines deliberative democratic theorists—Jürgen Habermas and John Rawls—who employ musical metaphors to express the sense of justice that animates their discourse ideals. These metaphors also invoke embodied voices that enter their public discourse only in translation, as rational arguments for legal rights. Love posits that the music of activists from the feminist and civil rights movements—Holly Near and Bernice Johnson Reagon—engages deeper, more fluid energies of civil society by modeling a democratic conversation toward which deliberative democrats' metaphors merely suggest. To omit movement music from politics is, Love argues, to refuse the challenges it poses to modern, rational, secular, Western democracy. In conclusion, Musical Democracy proposes that a more radical—and more musical—democracy would embrace the spirit of humanity which moves a politics dedicated to the pursuit of justice.
Publisher: State University of New York Press
ISBN: 0791481247
Category : Social Science
Languages : en
Pages : 180
Book Description
Musical metaphors abound in political theory and music often accompanies political movements, yet music is seldom regarded as political communication. In this groundbreaking book, Nancy S. Love explores how music functions as metaphor and model for democracy in the work of political theorists and activist musicians. She examines deliberative democratic theorists—Jürgen Habermas and John Rawls—who employ musical metaphors to express the sense of justice that animates their discourse ideals. These metaphors also invoke embodied voices that enter their public discourse only in translation, as rational arguments for legal rights. Love posits that the music of activists from the feminist and civil rights movements—Holly Near and Bernice Johnson Reagon—engages deeper, more fluid energies of civil society by modeling a democratic conversation toward which deliberative democrats' metaphors merely suggest. To omit movement music from politics is, Love argues, to refuse the challenges it poses to modern, rational, secular, Western democracy. In conclusion, Musical Democracy proposes that a more radical—and more musical—democracy would embrace the spirit of humanity which moves a politics dedicated to the pursuit of justice.
Ella Baker and the Black Freedom Movement, Second Edition
Author: Barbara Ransby
Publisher: UNC Press Books
ISBN: 1469681358
Category : Biography & Autobiography
Languages : en
Pages : 711
Book Description
One of the most important African American leaders of the twentieth century and perhaps the most influential woman in the civil rights movement, Ella Baker (1903–1986) was an activist whose remarkable career spanned fifty years and touched thousands of lives. A gifted grassroots organizer, Baker shunned the spotlight in favor of vital behind-the-scenes work that helped power the Black freedom struggle. Making her way in predominantly male circles while maintaining relationships with a vibrant group of women, students, and activists, Baker was a national officer and key figure in the NAACP, a founder of the Southern Christian Leadership Conference, and a prime mover in the creation of the Student Nonviolent Coordinating Committee. In this definitive biography, Barbara Ransby chronicles Baker’s long and rich career, revealing her complexity, radical democratic worldview, and enduring influence on group-centered, grassroots activism. Beyond documenting an extraordinary life, Ransby paints a vivid picture of the African American fight for justice and its intersections with other progressive struggles worldwide throughout the twentieth century.
Publisher: UNC Press Books
ISBN: 1469681358
Category : Biography & Autobiography
Languages : en
Pages : 711
Book Description
One of the most important African American leaders of the twentieth century and perhaps the most influential woman in the civil rights movement, Ella Baker (1903–1986) was an activist whose remarkable career spanned fifty years and touched thousands of lives. A gifted grassroots organizer, Baker shunned the spotlight in favor of vital behind-the-scenes work that helped power the Black freedom struggle. Making her way in predominantly male circles while maintaining relationships with a vibrant group of women, students, and activists, Baker was a national officer and key figure in the NAACP, a founder of the Southern Christian Leadership Conference, and a prime mover in the creation of the Student Nonviolent Coordinating Committee. In this definitive biography, Barbara Ransby chronicles Baker’s long and rich career, revealing her complexity, radical democratic worldview, and enduring influence on group-centered, grassroots activism. Beyond documenting an extraordinary life, Ransby paints a vivid picture of the African American fight for justice and its intersections with other progressive struggles worldwide throughout the twentieth century.
Pullman Porters and the Rise of Protest Politics in Black America, 1925-1945
Author: Beth Tompkins Bates
Publisher: Univ of North Carolina Press
ISBN: 9780807849293
Category : Business & Economics
Languages : en
Pages : 310
Book Description
Examines the Brotherhood of Sleeping Car Porters (BSCP) as a social movement, discussing the new black working-class radicalism of the time and labor union's efforts to confront discrimination.
Publisher: Univ of North Carolina Press
ISBN: 9780807849293
Category : Business & Economics
Languages : en
Pages : 310
Book Description
Examines the Brotherhood of Sleeping Car Porters (BSCP) as a social movement, discussing the new black working-class radicalism of the time and labor union's efforts to confront discrimination.