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Author: Kentridges, Eliza
Publisher: Modjaji Books
ISBN: 192059079X
Category : Poetry
Languages : en
Pages : 146
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Book Description
Eliza Kentridges's poems are autobiographical. She was born in Johannesburg, the daughter of two lawyers who fought apartheid. In her twenties she left South Africa for England, where she became an artist. Against the dramatic background of her home country's history, her focus is quieted, small and interior. With her mother afflicted by a serious neurological illness, she writes about family, love and place, as a woman who vividly recalls her girlhood self, gently and almost incidentally approaching one of the biggest questions: how does one live a life?
Author: Kentridges, Eliza
Publisher: Modjaji Books
ISBN: 192059079X
Category : Poetry
Languages : en
Pages : 146
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Book Description
Eliza Kentridges's poems are autobiographical. She was born in Johannesburg, the daughter of two lawyers who fought apartheid. In her twenties she left South Africa for England, where she became an artist. Against the dramatic background of her home country's history, her focus is quieted, small and interior. With her mother afflicted by a serious neurological illness, she writes about family, love and place, as a woman who vividly recalls her girlhood self, gently and almost incidentally approaching one of the biggest questions: how does one live a life?
Author: Muzi Guan
Publisher: Design Media Publishing (Uk) Limited
ISBN: 9781910596661
Category : Design
Languages : en
Pages : 0
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Book Description
Sign design for exhibitions usually deals with lots of texts. The book looks into creative ways to visualize and simplify large amounts of information.
Author: Mary Jane Jacob
Publisher: Mit Press
ISBN: 9780262071192
Category : Art
Languages : en
Pages : 176
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Book Description
A Forest of Signs documents a major exhibition of critical art in the last decade, one that marks a change in the art world, perhaps even in the broader culture. The thread of representation ties together the work of the 30 artists included in the book, encompassing such issues as allegory, appropriation, and commodification, the role of the artist, and the functions of authorship and originality in vesting meaning in art. Much of the work is provocative, challenging the way we look at art, the way we talk about it, where we see it, and how we buy it. The development of these issues and their role in shifting the focus of much recent art from insistence on the art as object, to a host of representations is addressed in four essays and a section of "artists' pages." In the first essay, exhibition co-organizer Ann Goldstein discusses the individual artists and points to key issues and methods in their art. The artists themselves are represented by a 60 page portfolio of their works. Designed by the artists, these pages include personal statements, the remarks of others, works made specifically for the book and works using the tools of mechanical reproduction. In the three essays that follow, Anne Rorimer, former Curator of 20th Century Painting and Sculpture at the Art Institute of Chicago, traces the roots of recent American art to the development of international conceptualism in the 1960s and early 1970s; Mary Jane Jacob, exhibition co-organizer and MOCA Chief Curator, places the artists within the current trends of European as well as American art; and editor and critic Howard Singerman examines the relationship of recent art to its circle of critics and to the emergence of critical theory. Copublished with the Museum of Contemporary Art, Los Angeles. The Artists Richard Baim, Thomas Lawson, Judith Barry, Sherrie Levine, Ericka Beckman, Robert Longo, Gretchen Bender, Allan McCollum, Dara Birnbaum, Matt Mullican, Barbara Bloom, Peter Nagy, Troy Brauntuch, Stephen Prina, Sarah Charlesworth, Richard Prince, Jack Goldstein, Cindy Sherman, Jenny Holzer, Laurie Simmons, Larry Johnson, Haim Steinbach, Ronald Jones, Mitchell Syrop, Mike Kelley, James Welling, Jeff Koons, Christopher Williams, Barbara Kruger, Louise Lawler
Author: New York (City). Downtown Gallery
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 19
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Book Description
Author: Taft Museum
Publisher:
ISBN:
Category : Signs and symbols
Languages : en
Pages : 16
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Book Description
Author:
Publisher:
ISBN: 9781881337485
Category : Photography
Languages : en
Pages : 120
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Book Description
Traffic signs, sandwich boards and posters: Friedlander's portrait of words in the world For more than five decades, Lee Friedlander has repeatedly been drawn to the signs that inscribe the American landscape, from hand-lettered ads to storefront windows to massive billboards. Incorporating these markings with precision and sly humor, Friedlander's photographs record a kind of found poetry of desire and commerce. Focusing on one of the artist's key motifs, Lee Friedlander: Signs presents a cacophony of wheat-paste posters, Coca-Cola ads, prices for milk, road signs, stop signs, neon lights, movie marquees and graffiti. The book collects 144 photographs made in New York and other places across the US, and features self-portraits, street photographs and work from series including The American Monument and America by Car, among others. Illegible or plainspoken, crude or whimsical, Friedlander's signs are an unselfconscious portrait of modern life. Lee Friedlander (born 1934) began photographing in 1948. Among his many monographs are Sticks and Stones, Self-Portrait, Letters from the People, Cherry Blossom Time in Japan and At Work, among others. His work was included in the influential 1967 exhibition New Documents at the Museum of Modern Art, New York, curated by John Szarkowski. Among the most important living photographers, Friedlander is in the collections of museums around the world.
Author:
Publisher: Damiani Limited
ISBN: 9788862086998
Category : Art
Languages : en
Pages : 120
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Book Description
Alexey Titarenko created the series of collages and photomontages that became Nomenklatura of Signs from 1986-1991, under the strict Soviet rule. This new publication presents the series in its entirety for the first time. Working in secret, Titarenko conceived the project as a way to translate the visual reality of Soviet life into a language that expressed its absurdity, in a hierarchy of symbols that, together, formed a nomenclature -- or, in Russian, nomenklatura, a term for the system by which government posts were filled in the Soviet Union. Drawing inspiration from the aesthetics of Kazimir Malevich, Aleksandr Rodchenko, and other artists of the early 20th century Russian avant-garde, Titarenko captures an uncanny, darkly comic world in which language is controlled and subverted much like the Newspeak of George Orwell's novel 1984. The book includes an introduction by writer Jean-Jacques Mari and art historian Gabriel Bauret, as well as a critical interpretation of the series by art historian Ksenia Nouril. The book is designed by Kelly Doe Studio, NYC.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 76
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Book Description
Author: Museum of Contemporary Art (Los Angeles)
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 176
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Book Description
Author: Institution of Gas Engineers (London).
Publisher:
ISBN:
Category :
Languages : en
Pages : 170
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Book Description
