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Author: Frédérick Hadley
Publisher: Pen and Sword
ISBN: 1473822645
Category : History
Languages : en
Pages : 374
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Book Description
Until the arrival of radio and television, and despite the influence of newspapers, posters were the major medium for mass communication. During the Great War all the belligerent nations produced an extraordinary variety of them - and they did so on a massive scale. As the 200 wartime and immediate post-war posters selected for this book reveal, they were one of the most potent, and memorable, ways of conveying news, information and propaganda. In the most graphic and colourful fashion they promoted values such as patriotism and sacrifice. By using rallying symbols such as flags as well as historical and mythical models, they sought to maintain morale and draw people together by stirring up anger against the enemy. Today their remarkable variety of styles give us an instant insight into the themes and messages the military and civilian authorities wished to publicize.The sheer inventiveness of the poster artists is demonstrated as they focused on key aspects of the propaganda campaign in Britain, France, Germany, America and Russia. The diversity of their work is displayed here in chapters that cover recruitment, money raising, the soldier, the enemy, the family and the home front, films and the post-war world. A century ago, when these images were first viewed, they must have been even more striking in contrast to the poor-quality newspaper photographs and postcards that were available at the time. The Great War was to change that forever. It introduced a means of propaganda that was novel, persuasive and above all, powerful. It was the first media war, and the poster played a key role in it.
Author: Frédérick Hadley
Publisher: Pen and Sword
ISBN: 1473822645
Category : History
Languages : en
Pages : 374
Get Book Here
Book Description
Until the arrival of radio and television, and despite the influence of newspapers, posters were the major medium for mass communication. During the Great War all the belligerent nations produced an extraordinary variety of them - and they did so on a massive scale. As the 200 wartime and immediate post-war posters selected for this book reveal, they were one of the most potent, and memorable, ways of conveying news, information and propaganda. In the most graphic and colourful fashion they promoted values such as patriotism and sacrifice. By using rallying symbols such as flags as well as historical and mythical models, they sought to maintain morale and draw people together by stirring up anger against the enemy. Today their remarkable variety of styles give us an instant insight into the themes and messages the military and civilian authorities wished to publicize.The sheer inventiveness of the poster artists is demonstrated as they focused on key aspects of the propaganda campaign in Britain, France, Germany, America and Russia. The diversity of their work is displayed here in chapters that cover recruitment, money raising, the soldier, the enemy, the family and the home front, films and the post-war world. A century ago, when these images were first viewed, they must have been even more striking in contrast to the poor-quality newspaper photographs and postcards that were available at the time. The Great War was to change that forever. It introduced a means of propaganda that was novel, persuasive and above all, powerful. It was the first media war, and the poster played a key role in it.
Author:
Publisher:
ISBN:
Category : World War, 1914-1918
Languages : en
Pages :
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Book Description
Author: Pearl James
Publisher: U of Nebraska Press
ISBN: 0803226950
Category : History
Languages : en
Pages : 416
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Book Description
Essays by Jay Winter, Jeffrey T. Schnapp, Jennifer D. Keene, and others reveal the centrality of visual media, particularly the poster, within the specific national contexts of Britain, France, Germany, Russia, and the United States during World War I.℗¡Ultimately, posters were not merely representations of popular understanding of the war, but instruments influencing the.
Author: Dover Publications, Inc.
Publisher: Courier Dover Publications
ISBN: 1606600958
Category : Art
Languages : en
Pages : 212
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Book Description
From the heyday of poster art comes this choice selection of 100 full-page color reproductions accompanied by detailed captions. Magnificent hardcover edition features posters by Lyendecker, Christy, Flagg, Brangwyn, Steinlen, others.
Author: John Christopher
Publisher: Amberley Publishing Limited
ISBN: 1445633302
Category : History
Languages : en
Pages : 321
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Book Description
Feel the full force of the propaganda that surrounded the British public during the First World War in this full-colour book exploring the art, themes and psychology of over 200 authentic posters from the period.
Author: Maurice Rickards
Publisher:
ISBN:
Category : War posters
Languages : en
Pages : 136
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Book Description
Author: Joseph Darracott
Publisher:
ISBN: 9780486229799
Category : History
Languages : en
Pages : 23
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Book Description
Reprints recruiting, loyalty, and fund raising posters printed in Britain, Italy, Russia, Germany, France, Austria, and the U.S. during the Great War
Author: Martin Hardie
Publisher: Courier Dover Publications
ISBN: 0486816184
Category : Art
Languages : en
Pages : 161
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Book Description
Eighty color and black-and-white posters, issued from 1914 to 1919, feature the work of Steinlen, Biró, Paul Nash, and other noted artists. An informative Introduction details the historical role of wartime posters.
Author: James Aulich
Publisher: National Geographic Books
ISBN: 0500288968
Category : History
Languages : en
Pages : 0
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Book Description
"A lush catalog… exquisitely conceived and rendered."—The New York Times This essential publication features a wide selection of the most eye-catching and iconic examples from the internationally renowned poster collection at the Imperial War Museum in London. More than 300 superb full-color illustrations of hard-hitting propaganda and groundbreaking graphic art encompass unforgettable images such as Alfred Leete’s “Your Country Needs You” as well as documentary photographs and additional material drawn from the world of advertising. Through these posters, James Aulich, an international expert on posters and graphic design, examines the social, political, ethnic, and cultural aspirations of America, Britain, Northern Ireland, Germany, France, the Netherlands, Belgium, Russia, Austria, Hungary, and the Czech Republic. Covering topics as diverse as advertising in World War I, the Bolshevik Revolution, the Spanish Civil War, Germany and Occupied Europe in World War II, anti-nuclear campaigns, and Vietnam, the book is a comprehensive and invaluable resource for anyone interested in graphic design or modern history.
Author: Jonathan H. Ebel
Publisher: Princeton University Press
ISBN: 0691162182
Category : History
Languages : en
Pages : 269
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Book Description
Faith in the Fight tells a story of religion, soldiering, suffering, and death in the Great War. Recovering the thoughts and experiences of American troops, nurses, and aid workers through their letters, diaries, and memoirs, Jonathan Ebel describes how religion--primarily Christianity--encouraged these young men and women to fight and die, sustained them through war's chaos, and shaped their responses to the war's aftermath. The book reveals the surprising frequency with which Americans who fought viewed the war as a religious challenge that could lead to individual and national redemption. Believing in a "Christianity of the sword," these Americans responded to the war by reasserting their religious faith and proclaiming America God-chosen and righteous in its mission. And while the war sometimes challenged these beliefs, it did not fundamentally alter them. Revising the conventional view that the war was universally disillusioning, Faith in the Fight argues that the war in fact strengthened the religious beliefs of the Americans who fought, and that it helped spark a religiously charged revival of many prewar orthodoxies during a postwar period marked by race riots, labor wars, communist witch hunts, and gender struggles. For many Americans, Ebel argues, the postwar period was actually one of "reillusionment." Demonstrating the deep connections between Christianity and Americans' experience of the First World War, Faith in the Fight encourages us to examine the religious dimensions of America's wars, past and present, and to work toward a deeper understanding of religion and violence in American history.
