Music Publishing in Europe 1600-1900

Music Publishing in Europe 1600-1900 PDF Author: Rudolf Rasch
Publisher: BWV Verlag
ISBN: 3830503903
Category : Music
Languages : en
Pages : 322

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Book Description

Music Printing and Publishing

Music Printing and Publishing PDF Author: Donald William Krummel
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 648

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Book Description
Divided into three sections, this handbook covers a detailed survey of the history and techniques of music printing and publishing, including discussion of modern computer methods, with technical terms explained.

A Companion to the History of the Book

A Companion to the History of the Book PDF Author: Simon Eliot
Publisher: John Wiley & Sons
ISBN: 140519278X
Category : Literary Criticism
Languages : en
Pages : 617

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Book Description
A COMPANION TO THE HISTORY OF THE BOOK A COMPANION TO THE HISTORY OF THE BOOK Edited by Simon Eliot and Jonathan Rose “As a stimulating overview of the multidimensional present state of the field, the Companion has no peer.” Choice “If you want to understand how cultures come into being, endure, and change, then you need to come to terms with the rich and often surprising history Of the book ... Eliot and Rose have done a fine job. Their volume can be heartily recommended. “ Adrian Johns, Technology and Culture From the early Sumerian clay tablet through to the emergence of the electronic text, this Companion provides a continuous and coherent account of the history of the book. A team of expert contributors draws on the latest research in order to offer a cogent, transcontinental narrative. Many of them use illustrative examples and case studies of well-known texts, conveying the excitement surrounding this rapidly developing field. The Companion is organized around four distinct approaches to the history of the book. First, it introduces the variety of methods used by book historians and allied specialists, from the long-established discipline of bibliography to newer IT-based approaches. Next, it provides a broad chronological survey of the forms and content of texts. The third section situates the book in the context of text culture as a whole, while the final section addresses broader issues, such as literacy, copyright, and the future of the book. Contributors to this volume: Michael Albin, Martin Andrews, Rob Banham, Megan L Benton, Michelle P. Brown, Marie-Frangoise Cachin, Hortensia Calvo, Charles Chadwyck-Healey, M. T. Clanchy, Stephen Colclough, Patricia Crain, J. S. Edgren, Simon Eliot, John Feather, David Finkelstein, David Greetham, Robert A. Gross, Deana Heath, Lotte Hellinga, T. H. Howard-Hill, Peter Kornicki, Beth Luey, Paul Luna, Russell L. Martin Ill, Jean-Yves Mollier, Angus Phillips, Eleanor Robson, Cornelia Roemer, Jonathan Rose, Emile G. L Schrijver, David J. Shaw, Graham Shaw, Claire Squires, Rietje van Vliet, James Wald, Rowan Watson, Alexis Weedon, Adriaan van der Weel, Wayne A. Wiegand, Eva Hemmungs Wirtén.

Early Music Printing in German-Speaking Lands

Early Music Printing in German-Speaking Lands PDF Author: Andrea Lindmayr-Brandl
Publisher: Routledge
ISBN: 1315281430
Category : Music
Languages : en
Pages : 384

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Book Description
The book draws upon the rich information gathered for the online database Catalogue of early German printed music / Verzeichnis deutscher Musikfrühdrucke (vdm), the first systematic descriptive catalogue of music printed in the German-speaking lands between c. 1470 and 1540, allowing precise conclusions about the material production of these printed musical sources. Chapters 8 and 9 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Music and the Cultures of Print

Music and the Cultures of Print PDF Author: Kate van Orden
Publisher: Routledge
ISBN: 1135638055
Category : Music
Languages : en
Pages : 384

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Book Description
This collection of essays explores the cultures that coalesced around printed music in previous centuries. It focuses on the unique modes through which print organized the presentation of musical texts, the conception of written compositions, and the ways in which music was disseminated and performed. In highlighting the tensions that exist between musical print and performance this volume raises not only the question of how older scores can be read today, but also how music expressed its meanings to listeners in the past.

Early Printed Music and Material Culture in Central and Western Europe

Early Printed Music and Material Culture in Central and Western Europe PDF Author: Andrea Lindmayr-Brandl
Publisher: Routledge
ISBN: 1000387089
Category : Music
Languages : en
Pages : 423

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Book Description
This book presents a varied and nuanced analysis of the dynamics of the printing, publication, and trade of music in the sixteenth and early seventeenth centuries across Western and Northern Europe. Chapters consider dimensions of music printing in Britain, the Holy Roman Empire, the Netherlands, France, Spain and Italy, showing how this area of inquiry can engage a wide range of cultural, historical and theoretical issues. From the economic consequences of the international book trade to the history of women music printers, the contributors explore the nuances of the interrelation between the materiality of print music and cultural, aesthetic, religious, legal, gender and economic history. Engaging with the theoretical turns in the humanities towards material culture, mobility studies and digital research, this book offers a wealth of new insights that will be relevant to researchers of early modern music and early print culture alike.

Print Culture and Music in Sixteenth-century Venice

Print Culture and Music in Sixteenth-century Venice PDF Author: Jane A. Bernstein
Publisher: Oxford University Press, USA
ISBN: 0195141083
Category : Business & Economics
Languages : en
Pages : 248

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Book Description
This volume examines the commerce of music and its connection to the printing and publishing industry in mid-sixteenth century Venice. It presents a broad portrayal of the Venetial music booktrade and explores business strategies.

Music Printing in Renaissance Venice

Music Printing in Renaissance Venice PDF Author: Jane A. Bernstein
Publisher: Oxford University Press
ISBN: 019977160X
Category : Music
Languages : en
Pages : 1196

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Book Description
Venetian music print culture of the mid-sixteenth century is presented here through a study of the Scotto press, one of the foremost dynastic music publishers of the Renaissance. For over a century, the house of Scotto played a pivotal role in the international book trade, publishing in a variety of fields including philosophy, medicine, religion, and music. This book examines the mercantile activities of the firm through both a historical study, which illuminates the wide world of the Venetian music printing industry, and a catalog, which details the music editions brought out by the firm during its most productive period. A valuable reference work, this book not only enhances our understanding of the socioeconomic and cultural history of Renaissance Venice, it also helps to preserve our knowledge of a vast musical repertory.

Binding and Care of Printed Music

Binding and Care of Printed Music PDF Author: Alice Carli
Publisher: Scarecrow Press
ISBN: 1461656850
Category : Music
Languages : en
Pages : 196

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Book Description
This is a necessary reference for music librarians and composers who want to gain both specific skills and new perspectives on the central issues of binding and care.

Music Publishing in Europe 1600-1900

Music Publishing in Europe 1600-1900 PDF Author: Rudolf Rasch
Publisher: BWV Verlag
ISBN: 3830503903
Category : Music
Languages : en
Pages : 322

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Book Description


Studies in the Printing, Publishing and Performance of Music in the 16th Century

Studies in the Printing, Publishing and Performance of Music in the 16th Century PDF Author: Stanley Boorman
Publisher: Taylor & Francis
ISBN: 1000939154
Category : History
Languages : en
Pages : 330

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Book Description
The emergence of music printing and publishing in the early 16th century radically changed how music was circulated, and how the musical source (printed or manuscript) was perceived, and used in performance. This series of close studies of the structure and content of 16th-century and early 17th-century editions (and some manuscripts) of music draws conclusions in a number of areas - printing techniques for music; the habits of different type-setters and scribes, and their view of performing practice; publishers' approaches to the musical market and its abilities and interests; apparent changes of plan in preparing editions; questions of authorship; evidence in editions and manuscripts for interpreting different levels of notation; ways in which scribes could influence performers' decisions, and others by which composers could exploit unusual sonorities.