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Author: Robert Von Hallberg
Publisher: Deep Vellum Publishing
ISBN: 1628974265
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Monogamy elaborates an ideology of romance from extraordinary poems and songs, one by one. Poems and popular songs are still the main medium for preserving the rules of romance. Each chapter is a meditation on one of eight commonplaces about love: that it makes one monogamous, sentimental, vulnerable; that its force is immediate and transformative; or that it is a fickle force, but cannot be bought, and yet endures. Strong poets and lyricists bend these notions, as lovers do too. Great poems and songs come from interstices between celebrated commonplaces, felt desires and second-thoughts. The Book of Love is heterogeneous, complicated. Some love poems reach significant numbers through books and anthologies, and eventually classroom textbooks, and are held in memory by generations of admirers. Many popular songs, however, have reached extremely large audiences, beginning with Broadway musicals, and continuing in the recordings of later jazz vocalists. They are not read, but they are firmly lodged in memory. They are the only poems known by most audiences. Canonical poems are imitated by aspiring poets and versifiers. The actual verse culture is layered with light verse, song lyrics, and Shakespeare’s sonnets. To understand what poems effectively teach—about romance, in particular—one should attend closely to songs too, particularly in the U.S. since 1920.
Author: Robert Von Hallberg
Publisher: Deep Vellum Publishing
ISBN: 1628974265
Category : Literary Criticism
Languages : en
Pages : 240
Get Book Here
Book Description
Monogamy elaborates an ideology of romance from extraordinary poems and songs, one by one. Poems and popular songs are still the main medium for preserving the rules of romance. Each chapter is a meditation on one of eight commonplaces about love: that it makes one monogamous, sentimental, vulnerable; that its force is immediate and transformative; or that it is a fickle force, but cannot be bought, and yet endures. Strong poets and lyricists bend these notions, as lovers do too. Great poems and songs come from interstices between celebrated commonplaces, felt desires and second-thoughts. The Book of Love is heterogeneous, complicated. Some love poems reach significant numbers through books and anthologies, and eventually classroom textbooks, and are held in memory by generations of admirers. Many popular songs, however, have reached extremely large audiences, beginning with Broadway musicals, and continuing in the recordings of later jazz vocalists. They are not read, but they are firmly lodged in memory. They are the only poems known by most audiences. Canonical poems are imitated by aspiring poets and versifiers. The actual verse culture is layered with light verse, song lyrics, and Shakespeare’s sonnets. To understand what poems effectively teach—about romance, in particular—one should attend closely to songs too, particularly in the U.S. since 1920.
Author: Gregory Sherl
Publisher:
ISBN: 9781892061430
Category : Prose poems, American
Languages : en
Pages : 0
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Book Description
Poetry. MONOGAMY SONGS is some kind of new beast. Maybe it's a memoir. Or a book of prose poems. Or maybe those "poems" are really mini-snapshots of true, horny, heartbroken, frustrated, medicated, nervous, passionate, jealous, sweaty domesticity. Sherl's language in this book is spiked and unguarded, sometimes in shocking ways. It's also breathtakingly beautiful. MONOGAMY SONGS is the most personal book so far by this exciting young writer. "Being in love is finding a person to be lonely through, and when that person goes to the hospital, stuffing that hole of loneliness with a ball of bright red construction paper. 'I'm dying,' you'll say, with the paper everywhere, stuck with sweat to the walls where you fucked someone else, taped to the bottom of the bathtub. Gregory Sherl's MONOGAMY SONGS is a book of lies. Everything is a lie, even this. And it's one of the truest books I've read."—Zachary Schomburg
Author: Sue Miller
Publisher: HarperCollins
ISBN: 0062969676
Category : Fiction
Languages : en
Pages : 352
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Book Description
NEW YORK TIMES NOTABLE BOOK OF 2020! NPR BEST BOOK OF 2020 PEOPLE MAGAZINE TOP TEN BOOKS OF THE YEAR BOOKPAGE BEST BOOK OF 2020 GOOD HOUSEKEEPING BEST BOOK OF 2020 “A sensual and perceptive novel. . . . With humor and humanity, Miller resists the simple scorned-wife story and instead crafts a revelatory tale of the complexities—and the absurdities—of love, infidelity, and grief.” —O, the Oprah Magazine A brilliantly insightful novel, engrossing and haunting, about marriage, love, family, happiness and sorrow, from New York Times bestselling author Sue Miller. Graham and Annie have been married for nearly thirty years. Their seemingly effortless devotion has long been the envy of their circle of friends and acquaintances. By all appearances, they are a golden couple. Graham is a bookseller, a big, gregarious man with large appetites—curious, eager to please, a lover of life, and the convivial host of frequent, lively parties at his and Annie’s comfortable house in Cambridge. Annie, more reserved and introspective, is a photographer. She is about to have her first gallery show after a six-year lull and is worried that the best years of her career may be behind her. They have two adult children; Lucas, Graham’s son with his first wife, Frieda, works in New York. Annie and Graham’s daughter, Sarah, lives in San Francisco. Though Frieda is an integral part of this far-flung, loving family, Annie feels confident in the knowledge that she is Graham’s last and greatest love. When Graham suddenly dies—this man whose enormous presence has seemed to dominate their lives together—Annie is lost. What is the point of going on, she wonders, without him? Then, while she is still mourning Graham intensely, she discovers a ruinous secret, one that will spiral her into darkness and force her to question whether she ever truly knew the man who loved her.
Author: Richard Reuben Tenaza
Publisher:
ISBN:
Category :
Languages : en
Pages : 258
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Book Description
Author: Ulrich H. Reichard
Publisher: Cambridge University Press
ISBN: 9780521525770
Category : Psychology
Languages : en
Pages : 282
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Book Description
This book explores the biological roots of social, sexual and reproductive monogamy in birds, mammals and humans.
Author: Michael Haas
Publisher: Yale University Press
ISBN: 0300274602
Category : Music
Languages : en
Pages : 268
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Book Description
What happens to a composer when persecution and exile means their true music no longer has an audience? In the 1930s, composers and musicians began to flee Hitler’s Germany to make new lives across the globe. The process of exile was complex: although some of their works were celebrated, these composers had lost their familiar cultures and were forced to navigate xenophobia as well as entirely different creative terrain. Others, far less fortunate, were in a kind of internal exile—composing under a ruthless dictatorship or in concentration camps and ghettos. Michael Haas sensitively records the experiences of this musical diaspora. Torn between cultures and traditions, these composers produced music that synthesized old and new worlds, some becoming core portions of today’s repertoire, some relegated to the desk drawer. Encompassing the musicians interned as enemy aliens in the United Kingdom, the brilliant Hollywood compositions of Erich Wolfgang Korngold, and the Brecht-inspired theater music of Kurt Weill, Haas shows how these musicians shaped the twentieth-century soundscape—and offers a moving record of the incalculable effects of war on culture.
Author: Alexander G. Ophir
Publisher: Frontiers Media SA
ISBN: 2889638022
Category :
Languages : en
Pages : 242
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Book Description
Author: David Jenness
Publisher: Routledge
ISBN: 1136797459
Category : Music
Languages : en
Pages : 406
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Book Description
Classic American Popular Song: The Second Half-Century, 1950-2000 addresses the question: What happened to American popular song after 1950? There are numerous books available on the so-called Golden Age of popular song, but none that follow the development of popular song styles in the second half of the 20th century. While 1950 is seen as the end of an era, the tap of popular song creation hardly ran dry after that date. Many of the classic songwriters continued to work through the following decades: Porter was active until 1958; Rodgers until the later 1970s; Arlen until 1976. Some of the greatest lyricists of the classic era continued to do outstanding and successful work: Johnny Mercer and Dorothy Fields, for example, continued to produce lyrics through the early '70s. These works could be explained as simply the Golden Age's last stand, a refusal of major figures to give in to a new reality. But then, how can we explain the outstanding careers of Frank Loesser, Cy Coleman, Jerry Herman, Jerry Bock and Sheldon Harnick, Fred Kander and John Ebb, Jule Styne, Alan Jay Lerner and Frederick Loewe, and several other major figures? Where did Stephen Sondheim come from? For anyone interested in the development of American popular song -- and its survival -- this book will make fascinating reading.
Author: Justin L. Clardy
Publisher: Taylor & Francis
ISBN: 1000850951
Category : Philosophy
Languages : en
Pages : 106
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Book Description
The downsides of monogamy are felt by most people engaged in long-term relationships, including restrictions on self-discovery, limits on friendship, sexual boredom, and a circumscribed understanding of intimacy. Yet, a "happily ever after" monogamy is assumed to be the ideal form of romantic love in many modern societies: a relationship that is morally ideal and will bring the most happiness to its two partners. In Why It’s OK to Not Be Monogamous, Justin L. Clardy deeply questions these assumptions. He rejects the claim that non-monogamy among honest, informed and consenting adults is morally impermissible. He shows instead how polyamorous relationships can actually be exemplars of moral virtue. The book discusses how social and political forces sustain and reward monogamous relationships. The book defines non-monogamy as a privative concept; a negation of monogamy. Looking at its prevalence in the United States, the book explains how common criticisms of non-monogamy come up short. Clardy argues, as some researchers have recently shown—monogamy relies on continually demonizing non-monogamy to sustain its moral status. Finally, the book concludes with a focus on equality, asking what justice for polyamorous individuals might look like.
Author: Emiel Maliepaard
Publisher: Routledge
ISBN: 1000220761
Category : Social Science
Languages : en
Pages : 212
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Book Description
Bisexuality in Europe offers an accessible and diverse overview of research on bisexuality and bi+ people in Europe, providing a foundation for theorising and empirical work on plurisexual orientations and identities, and the experiences and realities of people who desire more than one sex or gender Counteracting the predominance of work on bisexuality based in Ango-American contexts, this collection of fifteen contributions from both early-career and more senior academics reflects the current state of research in Europe on bisexuality and people who desire more than one sex or gender. The book is structured around three interlinked themes that resonate well with the international research frontiers of bisexual theorising: bisexual citizenship, intimate relationships, and bisexual+ identities. This book is the first of its kind in bringing together research from various European countries including Austria, Finland, Italy, the Netherlands, and Scandinavian countries, as well as from Europe as a wider geographical region.. Topics include pansexual identity, non-monogomies, asylum seekers and youth cultures. This is an essential collection for students, early career researchers, and more senior academics in Gender Studies, LGBTQI Studies and Sexuality Studies.
