Literature and Artistic Practice in Sixteenth-Century Italy PDF Download
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Author: Angela Cerasuolo
Publisher: BRILL
ISBN: 900433534X
Category : History
Languages : en
Pages : 498
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Book Description
In Literature and Artistic Practice in the Sixteenth Century Angela Cerasuolo, art historian and restorer, tracks the technical processes of painting through the cross-analysis of literary texts and works of art. Having traced the critical fortunes of the texts of the authors—Leonardo, Vasari, Armenini, Borghini, Lomazzo—she compares the information on drawing and painting, analysing the specific terminology, and identifying the materials and methods. Central themes of the theoretical debate—‘disegno’, ‘invenzione’, the contrast between ‘prestezza’ and ‘diligenza’, the ‘paragone’—are examined in the light of their relationship with the techniques. On the basis of scientific studies on the technical execution of paintings, works from the Capodimonte Museum, Naples are analysed as case studies.
Author: Angela Cerasuolo
Publisher: BRILL
ISBN: 900433534X
Category : History
Languages : en
Pages : 498
Get Book Here
Book Description
In Literature and Artistic Practice in the Sixteenth Century Angela Cerasuolo, art historian and restorer, tracks the technical processes of painting through the cross-analysis of literary texts and works of art. Having traced the critical fortunes of the texts of the authors—Leonardo, Vasari, Armenini, Borghini, Lomazzo—she compares the information on drawing and painting, analysing the specific terminology, and identifying the materials and methods. Central themes of the theoretical debate—‘disegno’, ‘invenzione’, the contrast between ‘prestezza’ and ‘diligenza’, the ‘paragone’—are examined in the light of their relationship with the techniques. On the basis of scientific studies on the technical execution of paintings, works from the Capodimonte Museum, Naples are analysed as case studies.
Author: Robert Williams
Publisher: Cambridge University Press
ISBN: 9780521184335
Category : Art
Languages : en
Pages : 0
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Book Description
Art, Theory and Culture in Sixteenth-Century Italy offers a critical overview of the literature on the visual arts produced during the High and Late Renaissance. Analyzing and interpreting texts by such writers as Vasari, Lomazzo, Zuccaro, and Tasso, Robert Williams demonstrates how these works offer insight into the experience of contemporary viewers, thus permitting a clearer view of the relationship between abstract thought and lived experience. By focusing on a heretofore neglected, but important body of literature, Williams shows how an understanding of it can transform our knowledge and appreciation of the Renaissance.
Author: SUSAN AUDREY GRUNDY
Publisher: Susan Audrey Grundy
ISBN:
Category : Art
Languages : en
Pages : 131
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Book Description
Delving into reasons biographers assume Tuscan painter Leonardo da Vinci wrote the Notebooks, hunting down sources and original texts, South African art historian Susan Grundy uncovers it was only Leonardo’s young heir Milanese Francesco Melzi who said these were the artist's Notebooks. In the nineteenth century European scholars began to access these Notebooks in more depth, transcribing the arcane backwards Italian and translating them into English. They discovered a man who did not seem to be Tuscan Leoanrdo da Vinci, as he seemed to be a man from the East. Yet, this reality was closed down by researchers determined to continue with the myth of the self-educated genius from a farm in Tuscany.
Author: Sheila McTighe
Publisher: Amsterdam University Press
ISBN: 9048533260
Category : Art
Languages : en
Pages : 253
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Book Description
In drawing or painting from live models and real landscapes, more was at stake for artists in early modern Italy than achieving greater naturalism. To work with the model in front of your eyes, and to retain their identity in the finished work of art, had an impact on concepts of artistry and authorship, the authority of the image as a source of knowledge, the boundaries between repetition and invention, and even the relation of images to words. This book focuses on artists who worked in Italy, both native Italians and migrants from northern Europe. The practice of depicting from life became a self-conscious departure from the norms of Italian arts. In the context of court culture in Rome and Florence, works by artists ranging from Caravaggio to Claude Lorrain, Pieter van Laer to Jacques Callot, reveal new aspects of their artistic practice and its critical implications.
Author: Jim Pearce
Publisher: Camden House
ISBN: 1640140182
Category : History
Languages : en
Pages : 186
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Book Description
This year's volume offers many contributions on early modern drama alongside essays probing identity, iconography, and devotional imagery in religious spaces and artworks. Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2017 volume opens with a trio of essays probing identity, iconography, and devotional imagery in connection with the sacred spaces of St. Paul's Cathedral and of the Bichi Chapel frescoes in the Church of St. Agostino in Siena, as well as with Francisco de Zurburán's Crucifixion with a Painter. The majority of the volume'sessays concern early modern drama: botany and the body in Titus Andronicus; Ovidian sleep in Romeo and Juliet, The Winter's Tale, and Othello; chivalry in Richard II and 1 Henry IV; transhumanist discourse in Othello; obedience and devils in Dr. Faustus, and domesticity and commerce in A Chaste Maid in Cheapside. The focus then shifts to the non-dramatic with reconsiderations of the intertextualities in Shakespeare's The Rape of Lucrece and the paratextualities in Salve Deus Rex Judaeorum. The final essay, on the Faerie Queene, explores the intended and unintended literary consequences of pairing humor with death. Contributors: Jasmin W. Cyril, Lisandra Estevez, Tony Perrello, Emily Johnson Roberts, Rachel M. De Smith Roberts, Deneen M. Sensai, Margaret Simon, Elisha Sircy, Susan C. Staub, Frances Teague, John N.Wall, Lewis Walker. The journal is edited by Jim Pearce of North Carolina Central University and Ward J. Risvold of the University of California, San Diego.
Author: David Franklin
Publisher: Yale University Press
ISBN: 0300223897
Category : Art
Languages : en
Pages : 176
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Book Description
Polidoro da Caravaggio (c. 1500–1543), one of Raphael’s most influential and distinctive followers, has not been well treated by time. His significant early frescoes, which graced exterior palace facades in Rome, have perished almost without exception. A rare few are preserved but most are known only in copies. Consequently, the originality of Polidoro’s public work has been little explored, despite his once famous reputation and the association of his name with Raphael and Michelangelo. His move to Sicily later in life, a region with few surviving primary sources, further complicates the study of his work. Extant pieces by the artist from this period are unusually severe in content and technique, and their attribution has often been controversial. In this first account in English, Polidoro’s radical Sicilian paintings are considered through the lens of the religious life of the era and in relation to his early secular work. This much-needed investigation establishes Polidoro’s proper place in the canon of art history.
Author: David Young Kim
Publisher: Princeton University Press
ISBN: 0691231176
Category : Art
Languages : en
Pages : 264
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Book Description
An illuminating look at a fundamental yet understudied aspect of Italian Renaissance painting The Italian Renaissance picture is renowned for its depiction of the human figure, from the dramatic foreshortening of the body to create depth to the subtle blending of tones and colors to achieve greater naturalism. Yet these techniques rely on a powerful compositional element that often goes overlooked. Groundwork provides the first in-depth examination of the complex relationship between figure and ground in Renaissance painting. “Ground” can refer to the preparation of a work’s surface, the fictive floor or plane, or the background on which figuration occurs. In laying the material foundation, artists perform groundwork, opening the ground as a zone that can precede, penetrate, or fracture the figure. David Young Kim looks at the work of Gentile da Fabriano, Giovanni Bellini, Giovanni Battista Moroni, and Caravaggio, reconstructing each painter’s methods to demonstrate the intricacies involved in laying ground layers whose translucency and polychromy permeate the surface. He charts significant transitions from gold ground painting in the Trecento to the darkened grounds in Baroque tenebrism, and offers close readings of period texts to shed new light on the significance of ground forms such as rock face, wall, and cave. This beautifully illustrated book reconceives the Renaissance picture, revealing the passion and mystery of groundwork and discovering figuration beyond the human figure.
Author: Abigail Brundin
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754665557
Category : History
Languages : en
Pages : 280
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Book Description
This interdisciplinary volume gathers essays by leading international scholars in the fields of Italian Renaissance literature, music, history and history of art to address the fertile question of the relationship between religious change and shifting cultural forms in sixteenth-century Italy. Each contribution examines the effects of the profound religious changes that took place in the period on cultural forms, seeking to establish an 'aesthetics of reform' for the sixteenth century.
Author: Jenny Boulboullé
Publisher: Duke University Press
ISBN: 1478059982
Category : Social Science
Languages : en
Pages : 237
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Book Description
In Laboratory Epistemologies: A Hands-On Perspective, Jenny Boulboullé examines the significance of hands-on experiences in contemporary life sciences laboratories. Addressing the relationship between contemplation and manipulation in epistemology, Boulboullé combines participant observations in molecular genetics labs and microbiological cleanrooms with a longue durée study of the history and philosophy of science. She radically rereads Descartes’s key epistemological text Meditations on First Philosophy, reframing the philosopher as a hands-on knowledge maker. With this reading, Boulboullé subverts the pervasive modern conception of the disembodied knower and puts the hands-on experimenter at the heart of life sciences research. In so doing, she contributes a theoretical model for understanding how life processes on cellular and molecular levels are manually produced in today’s techno-scientific spaces. By reassessing the Cartesian legacy and arguing that epistemology should be grounded in the standpoint of a hands-on practitioner, Boulboullé offers the philosophical and historical foundation to understand and study contemporary life sciences research as multisensory embodied practices.
Author: Claire Farago
Publisher: BRILL
ISBN: 900435378X
Category : Art
Languages : en
Pages : 1371
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Book Description
The basis for our understanding of Leonardo’s theory of art was, for over 150 years, his Treatise on Painting, which was issued in 1651 in Italian and French. This present volume offers both the first scholarly edition of the Italian editio princeps as well as the first complete English translation of this seminal work. In addition, It provides a comprehensive study of the Italian first edition, documenting how each editorial campaign that lead to it produced a different understanding of the artist’s theory. What emerges is a rich cultural and textual history that foregrounds the transmission of artisanal knowledge from Leonardo’s workshop in the Duchy of Milan to Carlo Borromeo’s Milan, Cosimo I de’ Medici’s Florence, Urban VIII’s Rome, and Louis XIV’s Paris.
