Author: Jon Fitzgerald
Publisher:
ISBN: 9781615932771
Category : Performing Arts
Languages : en
Pages : 0
Book Description
"Storytelling through entertainment is one of the most powerful forms of mass communication--informing, enlightening, and inspiring audiences to get involved. Filmmaking for Change shows artists how to produce movies that matter--from story ideas to production, film festivals to distribution."--Back cover.
Filmmaking for Change, 2nd Edition
Author: Jon Fitzgerald
Publisher:
ISBN: 9781615932771
Category : Performing Arts
Languages : en
Pages : 0
Book Description
"Storytelling through entertainment is one of the most powerful forms of mass communication--informing, enlightening, and inspiring audiences to get involved. Filmmaking for Change shows artists how to produce movies that matter--from story ideas to production, film festivals to distribution."--Back cover.
Publisher:
ISBN: 9781615932771
Category : Performing Arts
Languages : en
Pages : 0
Book Description
"Storytelling through entertainment is one of the most powerful forms of mass communication--informing, enlightening, and inspiring audiences to get involved. Filmmaking for Change shows artists how to produce movies that matter--from story ideas to production, film festivals to distribution."--Back cover.
Filmmaking for Change
Author: Jon Fitzgerald
Publisher:
ISBN: 9781615931217
Category : Documentary films
Languages : en
Pages : 0
Book Description
"Storytelling through entertainment is one of the most powerful forms of mass communication--informing, enlightening, and inspiring audiences to get involved. Filmmaking for Change shows artists how to produce movies that matter--from story ideas to production, film festivals to distribution."--Back cover.
Publisher:
ISBN: 9781615931217
Category : Documentary films
Languages : en
Pages : 0
Book Description
"Storytelling through entertainment is one of the most powerful forms of mass communication--informing, enlightening, and inspiring audiences to get involved. Filmmaking for Change shows artists how to produce movies that matter--from story ideas to production, film festivals to distribution."--Back cover.
Digital Filmmaking
Author: Thomas Ohanian
Publisher: Taylor & Francis
ISBN: 1136053530
Category : Performing Arts
Languages : en
Pages : 668
Book Description
Digital Filmmaking has been called the bible for professional filmmakers in the digital age. It details all of the procedural, creative, and technical aspects of pre-production, production, and post-production within a digital filmmaking environment. It examines the new digital methods and techniques that are redefining the filmmaking process, and how the evolution into digital filmmaking can be used to achieve greater creative flexibility as well as cost and time savings. The second edition includes updates and new information, including four new chapters that examine key topics like digital television and high definition television,making films using digital video, 24 P and universal mastering, and digital film projection. Digital Filmmaking provides a clear overview of the traditional filmmaking process, then goes on to illuminate the ways in which new methods can accomplish old tasks. It explains vital concepts, including digitization, compression, digital compositing, nonlinear editing, and on-set digital production and relates traditional film production and editing processes to those of digital techniques. Various filmmakers discuss their use of digital techniques to enhance the creative process in the "Industry Viewpoints" sections in each chapter .
Publisher: Taylor & Francis
ISBN: 1136053530
Category : Performing Arts
Languages : en
Pages : 668
Book Description
Digital Filmmaking has been called the bible for professional filmmakers in the digital age. It details all of the procedural, creative, and technical aspects of pre-production, production, and post-production within a digital filmmaking environment. It examines the new digital methods and techniques that are redefining the filmmaking process, and how the evolution into digital filmmaking can be used to achieve greater creative flexibility as well as cost and time savings. The second edition includes updates and new information, including four new chapters that examine key topics like digital television and high definition television,making films using digital video, 24 P and universal mastering, and digital film projection. Digital Filmmaking provides a clear overview of the traditional filmmaking process, then goes on to illuminate the ways in which new methods can accomplish old tasks. It explains vital concepts, including digitization, compression, digital compositing, nonlinear editing, and on-set digital production and relates traditional film production and editing processes to those of digital techniques. Various filmmakers discuss their use of digital techniques to enhance the creative process in the "Industry Viewpoints" sections in each chapter .
Get Close
Author: Rustin Thompson
Publisher: Oxford University Press
ISBN: 0190909927
Category : Performing Arts
Languages : en
Pages : 345
Book Description
A refreshing new practical approach to documentary filmmaking, Get Close: Lean Team Documentary Filmmaking equips new and veteran filmmakers with the knowhow to make artistically rewarding documentaries for less money, less hassle, and less time. Author and veteran filmmaker Rustin Thompson shows that by stripping away, sidestepping, or reassessing the entrenched industry hurdles-long waits for funding, the unwieldy crews, the unnecessary gear, the gauntlet of film festivals, pitch forums, and distribution networks-filmmakers can move quickly from idea to execution to finished film. Throughout the book, Thompson demystifies and de-clutters the way docs are produced today, illustrating the use of a few simple and accessible tools and techniques while still engaging with the aesthetic possibilities of the medium, its creative opportunities and its satisfying rewards of giving back to the world. Using the essential lessons in Get Close, filmmakers will learn to eliminate physical and financial barriers between themselves and their subject matter, ultimately leading them to tell more artful, illuminating stories and find the joy in documentary filmmaking.
Publisher: Oxford University Press
ISBN: 0190909927
Category : Performing Arts
Languages : en
Pages : 345
Book Description
A refreshing new practical approach to documentary filmmaking, Get Close: Lean Team Documentary Filmmaking equips new and veteran filmmakers with the knowhow to make artistically rewarding documentaries for less money, less hassle, and less time. Author and veteran filmmaker Rustin Thompson shows that by stripping away, sidestepping, or reassessing the entrenched industry hurdles-long waits for funding, the unwieldy crews, the unnecessary gear, the gauntlet of film festivals, pitch forums, and distribution networks-filmmakers can move quickly from idea to execution to finished film. Throughout the book, Thompson demystifies and de-clutters the way docs are produced today, illustrating the use of a few simple and accessible tools and techniques while still engaging with the aesthetic possibilities of the medium, its creative opportunities and its satisfying rewards of giving back to the world. Using the essential lessons in Get Close, filmmakers will learn to eliminate physical and financial barriers between themselves and their subject matter, ultimately leading them to tell more artful, illuminating stories and find the joy in documentary filmmaking.
Producing with Passion
Author: Dorothy Fadiman
Publisher:
ISBN: 9781932907445
Category : Documentary films
Languages : en
Pages : 0
Book Description
Documentary filmmaker Fadiman chronicles her more than 30 years of experience searching out practical approaches to get her productions funded, finished, and seen, balancing inspiration and commitment with financing, shooting, editing, and promotion.
Publisher:
ISBN: 9781932907445
Category : Documentary films
Languages : en
Pages : 0
Book Description
Documentary filmmaker Fadiman chronicles her more than 30 years of experience searching out practical approaches to get her productions funded, finished, and seen, balancing inspiration and commitment with financing, shooting, editing, and promotion.
Digital Film-making Revised Edition
Author: Mike Figgis
Publisher: Faber & Faber
ISBN: 0571305067
Category : Computers
Languages : en
Pages : 146
Book Description
In this indispensable guide to digital film-making, leading film-maker Mike Figgis offers the reader a step-by-step tutorial in how to use digital technology so as to get the best from it. Mike Figgis, with experience from films such as Miss Julie and Leaving Las Vegas - for which he received two Oscar nominations - is an authoritative and insightful guide through the details of film-making. He outlines the equipment and its uses, and provides an authoritative guide to the shooting process - from working with actors to lighting, framing, and camera movement. He further dispenses wisdom on the editing process and the use of sound and music, all the while establishing a sound aesthetic basis for the digital format. This handbook is essential whether your goal is to make no-budget movies, or simply to put your video camera to more use than just holidays and weddings.
Publisher: Faber & Faber
ISBN: 0571305067
Category : Computers
Languages : en
Pages : 146
Book Description
In this indispensable guide to digital film-making, leading film-maker Mike Figgis offers the reader a step-by-step tutorial in how to use digital technology so as to get the best from it. Mike Figgis, with experience from films such as Miss Julie and Leaving Las Vegas - for which he received two Oscar nominations - is an authoritative and insightful guide through the details of film-making. He outlines the equipment and its uses, and provides an authoritative guide to the shooting process - from working with actors to lighting, framing, and camera movement. He further dispenses wisdom on the editing process and the use of sound and music, all the while establishing a sound aesthetic basis for the digital format. This handbook is essential whether your goal is to make no-budget movies, or simply to put your video camera to more use than just holidays and weddings.
Kill the Documentary
Author: Jill Godmilow
Publisher: Columbia University Press
ISBN: 0231554702
Category : Performing Arts
Languages : en
Pages : 140
Book Description
Can the documentary be useful? Can a film change how its viewers think about the world and their potential role in it? In Kill the Documentary, the award-winning director Jill Godmilow issues an urgent call for a new kind of nonfiction filmmaking. She critiques documentary films from Nanook of the North to the recent Ken Burns/Lynn Novick series The Vietnam War. Tethered to what Godmilow calls the “pedigree of the real” and the “pornography of the real,” they fail to activate their viewers’ engagement with historical or present-day problems. Whether depicting the hardships of poverty or the horrors of war, conventional documentaries produce an “us-watching-them” mode that ultimately reinforces self-satisfaction and self-absorption. In place of the conventional documentary, Godmilow advocates for a “postrealist” cinema. Instead of offering the faux empathy and sentimental spectacle of mainstream documentaries, postrealist nonfiction films are acts of resistance. They are experimental, interventionist, performative, and transformative. Godmilow demonstrates how a film can produce meaningful, useful experience by forcefully challenging ways of knowing and how viewers come to understand the world. She considers her own career as a filmmaker as well as the formal and political strategies of artists such as Luis Buñuel, Georges Franju, Harun Farocki, Trinh T. Minh-ha, Rithy Panh, and other directors. Both manifesto and guidebook, Kill the Documentary proposes provocative new ways of making and watching films.
Publisher: Columbia University Press
ISBN: 0231554702
Category : Performing Arts
Languages : en
Pages : 140
Book Description
Can the documentary be useful? Can a film change how its viewers think about the world and their potential role in it? In Kill the Documentary, the award-winning director Jill Godmilow issues an urgent call for a new kind of nonfiction filmmaking. She critiques documentary films from Nanook of the North to the recent Ken Burns/Lynn Novick series The Vietnam War. Tethered to what Godmilow calls the “pedigree of the real” and the “pornography of the real,” they fail to activate their viewers’ engagement with historical or present-day problems. Whether depicting the hardships of poverty or the horrors of war, conventional documentaries produce an “us-watching-them” mode that ultimately reinforces self-satisfaction and self-absorption. In place of the conventional documentary, Godmilow advocates for a “postrealist” cinema. Instead of offering the faux empathy and sentimental spectacle of mainstream documentaries, postrealist nonfiction films are acts of resistance. They are experimental, interventionist, performative, and transformative. Godmilow demonstrates how a film can produce meaningful, useful experience by forcefully challenging ways of knowing and how viewers come to understand the world. She considers her own career as a filmmaker as well as the formal and political strategies of artists such as Luis Buñuel, Georges Franju, Harun Farocki, Trinh T. Minh-ha, Rithy Panh, and other directors. Both manifesto and guidebook, Kill the Documentary proposes provocative new ways of making and watching films.
Sea Change
Author: Aimee Friedman
Publisher: Scholastic Inc.
ISBN: 0545231981
Category : Young Adult Fiction
Languages : en
Pages : 217
Book Description
Bestselling author Aimee Friedman is back, with her signature combination of warmth and humor. And with this book, she adds a touch of fantasy. . . Lifetime Original Movie!New York Times bestselling author Aimee Friedman is back, with her signature combination of warmth and humor. And with this book, she adds a touch of fantasy. . .Sixteen-year-old Miranda Merchant is great at science. . .and not so great with boys. After major drama with her boyfriend and (now ex) best friend, she's happy to spend the summer on small, mysterious Selkie Island, helping her mother sort out her late grandmother's estate.There, Miranda finds new friends and an island with a mysterious, mystical history, presenting her with facts her logical, scientific mind can't make sense of. She also meets Leo, who challenges everything she thought she knew about boys, friendship. . .and reality.
Publisher: Scholastic Inc.
ISBN: 0545231981
Category : Young Adult Fiction
Languages : en
Pages : 217
Book Description
Bestselling author Aimee Friedman is back, with her signature combination of warmth and humor. And with this book, she adds a touch of fantasy. . . Lifetime Original Movie!New York Times bestselling author Aimee Friedman is back, with her signature combination of warmth and humor. And with this book, she adds a touch of fantasy. . .Sixteen-year-old Miranda Merchant is great at science. . .and not so great with boys. After major drama with her boyfriend and (now ex) best friend, she's happy to spend the summer on small, mysterious Selkie Island, helping her mother sort out her late grandmother's estate.There, Miranda finds new friends and an island with a mysterious, mystical history, presenting her with facts her logical, scientific mind can't make sense of. She also meets Leo, who challenges everything she thought she knew about boys, friendship. . .and reality.
Reinventing Hollywood
Author: David Bordwell
Publisher: University of Chicago Press
ISBN: 022648775X
Category : Language Arts & Disciplines
Languages : en
Pages : 583
Book Description
Introduction: the way Hollywood told it -- The frenzy of five fat years; Interlude: Spring 1940: lessons from our town
Publisher: University of Chicago Press
ISBN: 022648775X
Category : Language Arts & Disciplines
Languages : en
Pages : 583
Book Description
Introduction: the way Hollywood told it -- The frenzy of five fat years; Interlude: Spring 1940: lessons from our town
Reform Cinema in Iran
Author: Blake Atwood
Publisher: Columbia University Press
ISBN: 023154314X
Category : Performing Arts
Languages : en
Pages : 274
Book Description
It is nearly impossible to separate contemporary Iranian cinema from the Islamic revolution that transformed film production in the country in the late 1970s. As the aims of the revolution shifted and hardened once Khomeini took power and as an eight-year war with Iraq dragged on, Iranian filmmakers confronted new restrictions. In the 1990s, however, the Reformist Movement, led by Mohammad Khatami, and the film industry, developed an unlikely partnership that moved audiences away from revolutionary ideas and toward a discourse of reform. In Reform Cinema in Iran, Blake Atwood examines how new industrial and aesthetic practices created a distinct cultural and political style in Iranian film between 1989 and 2007. Atwood analyzes a range of popular, art, and documentary films. He provides new readings of internationally recognized films such as Abbas Kiarostami's Taste of Cherry (1997) and Mohsen Makhmalbaf's Time for Love (1990), as well as those by Rakhshan Bani, Masud Kiami, and other key Iranian directors. At the same time, he also considers how filmmakers and the film industry were affected by larger political and religious trends that took shape during Mohammad Khatami's presidency (1997-2005). Atwood analyzes political speeches, religious sermons, and newspaper editorials and pays close attention to technological developments, particularly the rise of video, to determine their role in democratizing filmmaking and realizing the goals of political reform. He concludes with a look at the legacy of reform cinema, including films produced under Mahmoud Ahmadinejad, whose neoconservative discourse rejected the policies of reform that preceded him.
Publisher: Columbia University Press
ISBN: 023154314X
Category : Performing Arts
Languages : en
Pages : 274
Book Description
It is nearly impossible to separate contemporary Iranian cinema from the Islamic revolution that transformed film production in the country in the late 1970s. As the aims of the revolution shifted and hardened once Khomeini took power and as an eight-year war with Iraq dragged on, Iranian filmmakers confronted new restrictions. In the 1990s, however, the Reformist Movement, led by Mohammad Khatami, and the film industry, developed an unlikely partnership that moved audiences away from revolutionary ideas and toward a discourse of reform. In Reform Cinema in Iran, Blake Atwood examines how new industrial and aesthetic practices created a distinct cultural and political style in Iranian film between 1989 and 2007. Atwood analyzes a range of popular, art, and documentary films. He provides new readings of internationally recognized films such as Abbas Kiarostami's Taste of Cherry (1997) and Mohsen Makhmalbaf's Time for Love (1990), as well as those by Rakhshan Bani, Masud Kiami, and other key Iranian directors. At the same time, he also considers how filmmakers and the film industry were affected by larger political and religious trends that took shape during Mohammad Khatami's presidency (1997-2005). Atwood analyzes political speeches, religious sermons, and newspaper editorials and pays close attention to technological developments, particularly the rise of video, to determine their role in democratizing filmmaking and realizing the goals of political reform. He concludes with a look at the legacy of reform cinema, including films produced under Mahmoud Ahmadinejad, whose neoconservative discourse rejected the policies of reform that preceded him.