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Author: Joyce Henri Robinson
Publisher: Penn State Press
ISBN: 9780911209471
Category : Art
Languages : en
Pages : 36
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Book Description
A painter, sculptor, and printmaker, Honor&é Daumier (1808&–1879) was one of the most prolific and important artists of nineteenth-century France. He played a leading role in shaping the new realism brought to the portrayal of everyday life, but he is now best known for the thousands of caricatures he published in magazines and newspapers such as Le Charivari, a daily with satirical articles and a wide circulation. Musical Notes by Honor&é Daumier, which accompanied an exhibition of prints from the Collection of Egon and Belle Gartenberg, focuses on Daumier's vivid records of the musical life of Paris. Although not himself a musician, Daumier had a keen interest in the amateur practice of the art as well as in grand opera and the celebrated performers and composers of his day. Hector Berlioz, Franz Liszt, Gioacchino Rossini, and Niccol&ò Paganini are among the &"greats&" lampooned in the lithographs in Musical Notes by Honor&é Daumier. Other prints offer satirical glimpses into the music making of everyday Parisians&—from squawking clarinets to flirtatious piano teachers and straining tenors. In these lithographs, as in most of the prints Daumier produced during his long career, he discloses the foibles and follies of a society facing rapid changes in its cultural norms.
Author: Joyce Henri Robinson
Publisher: Penn State Press
ISBN: 9780911209471
Category : Art
Languages : en
Pages : 36
Get Book
Book Description
A painter, sculptor, and printmaker, Honor&é Daumier (1808&–1879) was one of the most prolific and important artists of nineteenth-century France. He played a leading role in shaping the new realism brought to the portrayal of everyday life, but he is now best known for the thousands of caricatures he published in magazines and newspapers such as Le Charivari, a daily with satirical articles and a wide circulation. Musical Notes by Honor&é Daumier, which accompanied an exhibition of prints from the Collection of Egon and Belle Gartenberg, focuses on Daumier's vivid records of the musical life of Paris. Although not himself a musician, Daumier had a keen interest in the amateur practice of the art as well as in grand opera and the celebrated performers and composers of his day. Hector Berlioz, Franz Liszt, Gioacchino Rossini, and Niccol&ò Paganini are among the &"greats&" lampooned in the lithographs in Musical Notes by Honor&é Daumier. Other prints offer satirical glimpses into the music making of everyday Parisians&—from squawking clarinets to flirtatious piano teachers and straining tenors. In these lithographs, as in most of the prints Daumier produced during his long career, he discloses the foibles and follies of a society facing rapid changes in its cultural norms.
Author: Marilyn Fabe
Publisher: Univ of California Press
ISBN: 0520279972
Category : Performing Arts
Languages : en
Pages : 312
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Book Description
"Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch"--Page [4] of cover.
Author: Honore Daumier
Publisher: Da Capo Press, Incorporated
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
Author: Colta Feller Ives
Publisher: Metropolitan Museum of Art
ISBN: 0870996533
Category : Caricatures and cartoons
Languages : en
Pages : 282
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Book Description
By combining Daumier's drawings with selected examples of his paintings, prints, and bronzes, this book traces the evolution of the artist's succinct and emphatically expressive style from its roots in the European tradition exemplified by Rembrandt, Rubens, and Fragonard to its modern manifestations in the works of Degas, Cezanne, Toulouse-Lautrec, and Beckmann. In the course of his long and productive career Daumier returned again and again to favorite themes, often after considerable lapses of time. Thus the works here are grouped by their subject matter into six sections: studies of individual figures and faces; narrative scenes inspired by history or literature; views of contemporary urban and domestic life; dramatic portrayals of lawyers in court; depictions of street performers; and episodes in the wanderings of Don Quixote and Sancho Panza.
Author: Theodore Reff
Publisher: Metropolitan Museum of Art
ISBN: 0870991469
Category : Painting, French
Languages : en
Pages : 354
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Book Description
"More than any other artist in the Impressionist group, Degas was fascinated by ideas and consciously based his work on them. "What I do is the result of reflection and study of the great masters," he once confessed, "of inspiration, spontaneity, temperament I know nothing." Yet his work has been understood very inadequately from that point of view. Publications on him, once dominated by memoirs inspired by his remarkable personality, are now concerned with cataloguing and studying limited aspects of his complex art. Its intellectual power and originality, which were evident to contemporary writers like Duranty and Valery, have not been studied sufficiently by more recent critics. It is this side of Degas's art--as seen in his ingenious pictorial strategies and technical innovations, his use of motifs like the window, the mirror, and the picture within the picture, his invention of striking, psychologically compelling compositions, and his creation of a sculptural idiom at once formal and vernacular--that is the subject of these essays. Inevitably, given the range of his intellectual interests, the essays are also concerned with his contacts with leading novelists and poets of his time and his efforts to illustrate or draw inspiration from their works. Throughout, the author makes use of an important, largely unpublished source, the material in Degas's notebooks, on which he has recently published a complete catalogue"--Publisher's description.
Author: Sarah Symmons
Publisher: Chaucer Press
ISBN:
Category : French wit and humor, Pictorial
Languages : en
Pages : 136
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Book Description
Ranked alongside Ingres by Baudelaire as the finest draughtsman in Paris and matched as a political caricaturist in the nineteenth century only by Goya, Honoré Daumier worked for opposition newspapers throughout the Second Empire, one of the most corrupt and flamboyant periods in French history. He won fame, notoriety, and so a prison sentence, for his prodigious output of caricatures of prominent politicians and his relentless lampooning of the hypocrisy and pretentions of contemporary Parisian moeurs. Sarah Symmons both examines Daumier's role as a professional newspaper artist and explores his more personal body of work, which remained largely unknown during his lifetime. Investigating his series of watercolours and oils of the ordinary citizens of Paris, of the railway travellers, mounte-banks and washerwomen who also people his caricatures, she finds a tragic monumentality far removed from the journalistic cynicism of much of his newspaper work. This quality they share with his more ambitious studies of the dispossessed, of fugitives and emigrants, and of the heroically absurd wanderings of Don Quixote. Often choosing to paint the simple everyday life he saw around him, Daumier was a model example of le peintre de la vie moderne, while his use of pictorial understatement and his painstaking search for absolute simplicity gave many of his pictures an experimental, 'unfinished' quality, which discouraged official recognition, but led to such artists as Picasso, Steinlen and Paul Klee to study his work closely during their formative years. Sarah Symmons has produced a comprehensive analysis of Daumier's career as a painter, sculptor and caricaturist, documenting his striving for the stark and truthful simplicity which gives his finest work an air of universality and permanence, while reflecting the anxieties and insecurity of his own life and times.
Author: Sabine Lichtenstein
Publisher: Rodopi
ISBN: 9401210551
Category : Literary Criticism
Languages : en
Pages : 505
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Book Description
A libretto is an indispensable part of an opera as a musical genre: with few exceptions, operas have been the subject of musicological studies, and instrumental versions of sung or unsung opera numbers may be heard, but we never listen to libretto texts being performed without the music. Thus as a literary form the libretto is a highly specific genre with its own particular attributes. This volume offers an approach to the libretto through the discussion of these attributes in many different examples. It explores what may be expected of a librettist in response to the demands of the genre’s characteristics, his trials and tribulations, his exchanges with the composer while adapting or converting a source, almost always a literary source, into the eventual libretto, and about the different musical ways of dealing with the text. In this way the volume clarifies the fundamental differences between the libretto and other literary genres.
Author: Honoré Daumier
Publisher: Vilo
ISBN: 9780914427247
Category : Humor
Languages : en
Pages : 121
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Book Description
Reproduces the lithographs created by a nineteenth-century French caricaturist to parody the language, morals, and courtroom antics of lawyers
Author: Billy Kluver
Publisher: MIT Press
ISBN: 9780262611473
Category : Art
Languages : en
Pages : 120
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Book Description
In 1978, while collecting documentary photographs of the artists' community in Montparnasse from the first decades of the century, Billy Klüver discovered that some previously unassociated photographs fell into significant groupings. One group in particular, showing Picasso, Max Jacob, Moïse Kisling, Modigliani, and others at the Café de la Rotonde and on Boulevard du Montparnasse, all seemed to have been taken on the same day. The people were wearing the same clothes in each shot and had the same accessories. Their ties were knotted the same way and their collars had the same wrinkles. A total of twenty-four photographs—four rolls of film with six photographs each—were eventually found. With the challenge of identifying the date, photographer, and circumstances, Klüver embarked on an inquiry that would illuminate the minute texture of that time and place. Biographical research into the subjects' lives led Klüver to focus on the summer of 1916 as the likely time the photos were taken. He then measured buildings and plotted angles and lengths of shadows in the photographs to narrow the time frame to a spread of three weeks. Further investigation eventually allowed Klüver to identify the photographer as Jean Cocteau and to determine the day that Cocteau had taken the photographs: August 12, 1916. A computer printout of the sun's positions on that date, obtained from the Bureau des Longitudes, together with the length of the shadows, enabled Klver to calculate the time of day of each photograph, and thus to put them in proper sequence. In a tour de force of art historical research, Klüver then reconstructed a scenario of the events of the four hours depicted in the photographs. With evocative attention to detail—noting when Picasso is no longer carrying an envelope or Max Jacob has acquired a decoration in his lapel—Klüver recreates a single afternoon in the lives of Picasso and friends, a group of remarkable people in early twentieth-century Paris. Besides the central "portfolio" of photographs by Cocteau, the book contains additional photographs and drawings, short biographies of all the subjects, and a historical section on the events and activities in the Paris art world at the time.
Author: Elizabeth C. Childs
Publisher: Peter Lang
ISBN: 9780820469454
Category : Art
Languages : en
Pages : 276
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Book Description
Best known as a satirist of Parisian politics and daily life, Honoré Daumier (1808-1879) was a prolific caricaturist. This book is the first to examine the role of exoticism in his art, and to offer a detailed history of the journal Le Charivari in which the lithographs appeared. These satires of China, Haiti, the United States, Africa, and the Middle East not only target the theater of international politics, but also draw on a broad range of physical stereotypes supported by contemporary ideas about race and cultural difference. In an art of comic inversion, Daumier used the exotic to expose the foibles and pretensions of the Parisian bourgeoisie. A pacifist and a Republican, Daumier also satirized the non-European world in order to covertly attack the imperialism of Napoléon III in an age of press censorship. Idealistic as well as pragmatic, he used humor to stage political critique as well as to envision a more unified and compassionate world.
