Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3385420776
Category :
Languages : en
Pages : 958
Book Description
Catalogue of the Private Library of the Late Henry Bright, Esq., of Northampton, Mass.
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3385420776
Category :
Languages : en
Pages : 958
Book Description
Publisher: BoD – Books on Demand
ISBN: 3385420776
Category :
Languages : en
Pages : 958
Book Description
Catalogue of the Library of the Peabody Institute of the City of Baltimore ...
Author: George Peabody Library
Publisher:
ISBN:
Category : Dictionary catalogs
Languages : en
Pages : 854
Book Description
Publisher:
ISBN:
Category : Dictionary catalogs
Languages : en
Pages : 854
Book Description
The National Union Catalog, Pre-1956 Imprints
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712
Book Description
Gustave Le Gray, 1820-1884
Author: Sylvie Aubenas
Publisher: Getty Publications
ISBN: 9780892366712
Category : Art
Languages : en
Pages : 402
Book Description
He occasionally made photographs until his death in poverty there in 1884, leaving behind some of the most dazzling photographic images of his era.".
Publisher: Getty Publications
ISBN: 9780892366712
Category : Art
Languages : en
Pages : 402
Book Description
He occasionally made photographs until his death in poverty there in 1884, leaving behind some of the most dazzling photographic images of his era.".
Catalogue of the Library of the Peabody Institute of the City of Baltimore
Author: Johns Hopkins University. Peabody Institute. Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 860
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 860
Book Description
Songs, Scribes, and Society
Author: Jane Alden
Publisher: Oxford University Press
ISBN: 0199700737
Category : Music
Languages : en
Pages :
Book Description
A new kind of songbook emerged in the later fifteenth century: personalized, portable, and lavishly decorated. Five closely related chansonniers, copied in the Loire Valley region of central France c. 1465-c. 1475, are the earliest surviving examples of this new genre. The Loire Valley Chansonniers preserve the music of such renowned composers as Guillaume Du Fay, Johannes Ockeghem, and Antoine Busnoys. But their importance as musical sources has overshadowed the significance of these manuscripts as artifacts in their own right. This book places the physical objects at center, investigating the means by which they were produced and the broader culture in which they circulated. Jane Alden performs a codicological autopsy upon the manuscripts and reveals the hitherto unrecognized role of scribes in shaping the transmission and reception of the chanson repertory. Alden also challenges the long-held belief that the Loire Valley Chansonniers were intended for royal or noble patrons. Instead, she argues that a rising class of bureaucrats--notaries, secretaries, and other court officials--commissioned these exquisite objects. Active as writers and participants in poetry competitions, these individuals may even have written some of the chansons' texts. The unique integration of image, text, and music found in chansonniers extends their appeal to a broad readership. But for the nineteenth-century scholars who rediscovered these manuscripts, the larger literary and visual resonances were not of primary interest. Alden documents the tangle of motivations--national identity, populist politics, and the rise of the musical masterwork--that informed the earliest writings on these books. Only now is their multifaceted structure the inspiration for a new generation of readers.
Publisher: Oxford University Press
ISBN: 0199700737
Category : Music
Languages : en
Pages :
Book Description
A new kind of songbook emerged in the later fifteenth century: personalized, portable, and lavishly decorated. Five closely related chansonniers, copied in the Loire Valley region of central France c. 1465-c. 1475, are the earliest surviving examples of this new genre. The Loire Valley Chansonniers preserve the music of such renowned composers as Guillaume Du Fay, Johannes Ockeghem, and Antoine Busnoys. But their importance as musical sources has overshadowed the significance of these manuscripts as artifacts in their own right. This book places the physical objects at center, investigating the means by which they were produced and the broader culture in which they circulated. Jane Alden performs a codicological autopsy upon the manuscripts and reveals the hitherto unrecognized role of scribes in shaping the transmission and reception of the chanson repertory. Alden also challenges the long-held belief that the Loire Valley Chansonniers were intended for royal or noble patrons. Instead, she argues that a rising class of bureaucrats--notaries, secretaries, and other court officials--commissioned these exquisite objects. Active as writers and participants in poetry competitions, these individuals may even have written some of the chansons' texts. The unique integration of image, text, and music found in chansonniers extends their appeal to a broad readership. But for the nineteenth-century scholars who rediscovered these manuscripts, the larger literary and visual resonances were not of primary interest. Alden documents the tangle of motivations--national identity, populist politics, and the rise of the musical masterwork--that informed the earliest writings on these books. Only now is their multifaceted structure the inspiration for a new generation of readers.
Catalogue of the Library of the Peabody Institute of the City of Baltimore
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 860
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 860
Book Description
Goethe's Faust I Outlined
Author: Evanghelia Stead
Publisher: BRILL
ISBN: 9004543015
Category : Literary Criticism
Languages : en
Pages : 482
Book Description
In a new approach to Goethe's Faust I, Evanghelia Stead extensively discusses Moritz Retzsch's twenty-six outline prints (1816) and how their spin-offs made the unfathomable play available to larger reader communities through copying and extensive distribution circuits, including bespoke gifts. The images amply transformed as they travelled throughout Europe and overseas, revealing differences between countries and cultures but also their pliability and resilience whenever remediated. This interdisciplinary investigation evidences the importance of print culture throughout the nineteenth and early twentieth centuries in nations involved in competition and conflict. Retzsch's foundational set crucially engenders parody, and inspires the stage, literature, and three-dimensional objects, well beyond common perceptions of print culture's influence. This book is available in open access thanks to an Institut Universitaire de France (IUF) grant.
Publisher: BRILL
ISBN: 9004543015
Category : Literary Criticism
Languages : en
Pages : 482
Book Description
In a new approach to Goethe's Faust I, Evanghelia Stead extensively discusses Moritz Retzsch's twenty-six outline prints (1816) and how their spin-offs made the unfathomable play available to larger reader communities through copying and extensive distribution circuits, including bespoke gifts. The images amply transformed as they travelled throughout Europe and overseas, revealing differences between countries and cultures but also their pliability and resilience whenever remediated. This interdisciplinary investigation evidences the importance of print culture throughout the nineteenth and early twentieth centuries in nations involved in competition and conflict. Retzsch's foundational set crucially engenders parody, and inspires the stage, literature, and three-dimensional objects, well beyond common perceptions of print culture's influence. This book is available in open access thanks to an Institut Universitaire de France (IUF) grant.
Secularism and Its Ambiguities
Author: Carlo Ginzburg
Publisher: Central European University Press
ISBN: 9633866421
Category : History
Languages : en
Pages : 143
Book Description
In the best micro-historical tradition, Carlo Ginzburg, himself one of the founders and icons of this genre of historiography, dissects four moments of European intellectual history. This book relives the experience that participants in the Natalie Zemon Davis Lecture Series at the Budapest campus of Central European University had in 2019 listening to Ginzburg's eloquent and engaging discourses. For the purposes of this volume he has re-edited and completed the leporello of cases charged with the inherent ambiguity between secularism and religions. Secularism is often identified with rejection or at least distancing from the sacred. However, if one assumes that secularism also appropriates and reworks the sacred, its ambiguities come to the fore. The dilemma accompanies the reception of La Boétie's Servitude volontaire between 1574 and today. Before Walter Benjamin, the lesser-known 19th-century Léon de Laborde defended the profanity of reproducing the arts. The tension around the secular pervades the case of the College de Sociologie (Paris, 1937-1939), an attempt to analyze the ideological components of fascism. The fourth lecture approaches a much-discussed contemporary phenomenon – fake news – from a long-term perspective. To what extent are some disturbing features of the world we live in the result of a long, tortuous, unpredictable trajectory?
Publisher: Central European University Press
ISBN: 9633866421
Category : History
Languages : en
Pages : 143
Book Description
In the best micro-historical tradition, Carlo Ginzburg, himself one of the founders and icons of this genre of historiography, dissects four moments of European intellectual history. This book relives the experience that participants in the Natalie Zemon Davis Lecture Series at the Budapest campus of Central European University had in 2019 listening to Ginzburg's eloquent and engaging discourses. For the purposes of this volume he has re-edited and completed the leporello of cases charged with the inherent ambiguity between secularism and religions. Secularism is often identified with rejection or at least distancing from the sacred. However, if one assumes that secularism also appropriates and reworks the sacred, its ambiguities come to the fore. The dilemma accompanies the reception of La Boétie's Servitude volontaire between 1574 and today. Before Walter Benjamin, the lesser-known 19th-century Léon de Laborde defended the profanity of reproducing the arts. The tension around the secular pervades the case of the College de Sociologie (Paris, 1937-1939), an attempt to analyze the ideological components of fascism. The fourth lecture approaches a much-discussed contemporary phenomenon – fake news – from a long-term perspective. To what extent are some disturbing features of the world we live in the result of a long, tortuous, unpredictable trajectory?
Dictionary Catalog of the Research Libraries of the New York Public Library, 1911-1971
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category :
Languages : en
Pages : 598
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 598
Book Description