Author: Margaret Cavendish
Publisher: ReadHowYouWant.com
ISBN: 1442936053
Category : Fiction
Languages : en
Pages : 170
Book Description
The moral lesson that women as the weaker sex should be accompanied by elder people or male relatives is presented in this work. A justification of the customs of those days, the chivalry of gentlemen and the politeness of ladies is the motif. A charming depiction of the lives of men and women that borders on fairytale atmosphere.
Assaulted and Pursued Chastity
Author: Margaret Cavendish
Publisher: ReadHowYouWant.com
ISBN: 1442936053
Category : Fiction
Languages : en
Pages : 170
Book Description
The moral lesson that women as the weaker sex should be accompanied by elder people or male relatives is presented in this work. A justification of the customs of those days, the chivalry of gentlemen and the politeness of ladies is the motif. A charming depiction of the lives of men and women that borders on fairytale atmosphere.
Publisher: ReadHowYouWant.com
ISBN: 1442936053
Category : Fiction
Languages : en
Pages : 170
Book Description
The moral lesson that women as the weaker sex should be accompanied by elder people or male relatives is presented in this work. A justification of the customs of those days, the chivalry of gentlemen and the politeness of ladies is the motif. A charming depiction of the lives of men and women that borders on fairytale atmosphere.
Menacing Virgins
Author: Kathleen Coyne Kelly
Publisher: University of Delaware Press
ISBN: 9780874136494
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
The essays in Menacing Virgins: Representing Virginity in the Middle Ages and the Renaissance examine the nexus of religious, political, economic, and aesthetic values that produce the Western European myth of virginity, and explore how those complex cultural forces animate, empower, discipline, disclose, mystify, and menace the virginal body. As the title suggests, the virgin can be seen alternately or even simultaneously as menaced or menacing. To chart the history of virginity as a steady, evolutionary progression from a religious ideal in the Middle Ages toward a more secularized or sovereign ideal in the Renaissance would obscure how unstable a concept chastity is in both periods. What this collection demonstrates is that medieval and early modern attitudes toward virginity are not general and evolutionary, but specific, changeable, and often conflicted.
Publisher: University of Delaware Press
ISBN: 9780874136494
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
The essays in Menacing Virgins: Representing Virginity in the Middle Ages and the Renaissance examine the nexus of religious, political, economic, and aesthetic values that produce the Western European myth of virginity, and explore how those complex cultural forces animate, empower, discipline, disclose, mystify, and menace the virginal body. As the title suggests, the virgin can be seen alternately or even simultaneously as menaced or menacing. To chart the history of virginity as a steady, evolutionary progression from a religious ideal in the Middle Ages toward a more secularized or sovereign ideal in the Renaissance would obscure how unstable a concept chastity is in both periods. What this collection demonstrates is that medieval and early modern attitudes toward virginity are not general and evolutionary, but specific, changeable, and often conflicted.
The Blazing World and Other Writings
Author: Margaret Cavendish
Publisher: Penguin UK
ISBN: 0141904828
Category : Fiction
Languages : en
Pages : 320
Book Description
Flamboyant, theatrical and ambitious, Margaret Cavendish was one of the seventeenth century's most striking figures: a woman who ventured into the male spheres of politics, science, philosophy and literature. The Blazing World is a highly original work: part Utopian fiction, part feminist text, it tells of a lady shipwrecked on the Blazing World where she is made Empress and uses her power to ensure that it is free of war, religious division and unfair sexual discrimination. This volume also includes The Contract, a romance in which love and law work harmoniously together, and Assaulted and Pursued Chastity, which explores the power and freedom a woman can achieve in the disguise of a man.
Publisher: Penguin UK
ISBN: 0141904828
Category : Fiction
Languages : en
Pages : 320
Book Description
Flamboyant, theatrical and ambitious, Margaret Cavendish was one of the seventeenth century's most striking figures: a woman who ventured into the male spheres of politics, science, philosophy and literature. The Blazing World is a highly original work: part Utopian fiction, part feminist text, it tells of a lady shipwrecked on the Blazing World where she is made Empress and uses her power to ensure that it is free of war, religious division and unfair sexual discrimination. This volume also includes The Contract, a romance in which love and law work harmoniously together, and Assaulted and Pursued Chastity, which explores the power and freedom a woman can achieve in the disguise of a man.
Authorial Conquests
Author: Line Cottegnies
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838639832
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
Cottegnies (English literature, University of Paris 8-Saint Denis) and Weitz (University of Oxford) offer a collection of essays on Margaret Cavendish's innovative use of genre. These interdisciplinary and multinational contributions present a variety of critical approaches to the problem of placing Cavendish's writing in the context of contemporary literary and philosophical history. The book is distributed by Associated University Presses. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838639832
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
Cottegnies (English literature, University of Paris 8-Saint Denis) and Weitz (University of Oxford) offer a collection of essays on Margaret Cavendish's innovative use of genre. These interdisciplinary and multinational contributions present a variety of critical approaches to the problem of placing Cavendish's writing in the context of contemporary literary and philosophical history. The book is distributed by Associated University Presses. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
Rape and the Rise of the Author
Author: Amy Greenstadt
Publisher: Routledge
ISBN: 1317071522
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
Contending that early modern fictional portrayals of sexual violence identify the position of the author with that of the chaste woman threatened with rape, Amy Greenstadt challenges the prevalent scholarly view that this period's concept of 'The Author' was inherently masculine. Instead, she argues, the analogy between rape and writing centrally informed ideas of literary intention that emerged during the English Renaissance. Analyzing works by Milton, Sidney, Shakespeare and Cavendish, Greenstadt shows how the figure of 'The Author' - and by extension ideas of the modern individual--derived from a paradigm of female virtue and vulnerability. This volume supplements the growing body of studies that address the relationship between early modern textual representation and notions of gender and sexuality; it also adds a new dimension in considering the wider origins of modern concepts of selfhood and individual rights.
Publisher: Routledge
ISBN: 1317071522
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
Contending that early modern fictional portrayals of sexual violence identify the position of the author with that of the chaste woman threatened with rape, Amy Greenstadt challenges the prevalent scholarly view that this period's concept of 'The Author' was inherently masculine. Instead, she argues, the analogy between rape and writing centrally informed ideas of literary intention that emerged during the English Renaissance. Analyzing works by Milton, Sidney, Shakespeare and Cavendish, Greenstadt shows how the figure of 'The Author' - and by extension ideas of the modern individual--derived from a paradigm of female virtue and vulnerability. This volume supplements the growing body of studies that address the relationship between early modern textual representation and notions of gender and sexuality; it also adds a new dimension in considering the wider origins of modern concepts of selfhood and individual rights.
The Blazing World
Author: Margaret Cavendish
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6052259256
Category : Biography & Autobiography
Languages : en
Pages : 151
Book Description
The Blazing World, is a Description of a New World, Called The Blazing-World, better known as The Blazing World, is a 1666 work of prose fiction by English writer Margaret Cavendish, the Duchess of Newcastle. It has been described as an early fore-runner of science fiction.Here on this Figure Cast a Glance.But so as if it were by Chance,Your eyes not fixt, they must not Stay,Since this like Shadowes to the DayIt only represent's; for Still,Her Beauty's found beyond the SkillOf the best Paynter, to ImbraceThese lovely Lines within her face.View her Soul's Picture, Judgment, witt,Then read those Lines which Shee hath writt,By Phancy's Pencill drawne aloneWhich Peces but Shee, can justly owne.To The Duchesse of Newcastle,On Her New Blazing-World.Our Elder World, with all their Skill and Arts,Could but divide the World into three Parts:Columbus, then for Navigation fam'd,Found a new World, America 'tis nam'd;Now this new World was found, it was not made,Onely discovered, lying in Time's shade.Then what are You, having no Chaos foundTo make a World, or any such least ground?But your Creating Fancy, thought it fitTo make your World of Nothing, but pure Wit.Your Blazing-World, beyond the Stars mounts higher,Enlightens all with a Clestial Fier.William Newcastle.
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6052259256
Category : Biography & Autobiography
Languages : en
Pages : 151
Book Description
The Blazing World, is a Description of a New World, Called The Blazing-World, better known as The Blazing World, is a 1666 work of prose fiction by English writer Margaret Cavendish, the Duchess of Newcastle. It has been described as an early fore-runner of science fiction.Here on this Figure Cast a Glance.But so as if it were by Chance,Your eyes not fixt, they must not Stay,Since this like Shadowes to the DayIt only represent's; for Still,Her Beauty's found beyond the SkillOf the best Paynter, to ImbraceThese lovely Lines within her face.View her Soul's Picture, Judgment, witt,Then read those Lines which Shee hath writt,By Phancy's Pencill drawne aloneWhich Peces but Shee, can justly owne.To The Duchesse of Newcastle,On Her New Blazing-World.Our Elder World, with all their Skill and Arts,Could but divide the World into three Parts:Columbus, then for Navigation fam'd,Found a new World, America 'tis nam'd;Now this new World was found, it was not made,Onely discovered, lying in Time's shade.Then what are You, having no Chaos foundTo make a World, or any such least ground?But your Creating Fancy, thought it fitTo make your World of Nothing, but pure Wit.Your Blazing-World, beyond the Stars mounts higher,Enlightens all with a Clestial Fier.William Newcastle.
Rape and the Rise of the Author
Author: Dr Amy Greenstadt
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409476103
Category : Literary Criticism
Languages : en
Pages : 214
Book Description
Contending that early modern fictional portrayals of sexual violence identify the position of the author with that of the chaste woman threatened with rape, Amy Greenstadt challenges the prevalent scholarly view that this period's concept of 'The Author' was inherently masculine. Instead, she argues, the analogy between rape and writing centrally informed ideas of literary intention that emerged during the English Renaissance. Analyzing works by Milton, Sidney, Shakespeare and Cavendish, Greenstadt shows how the figure of 'The Author' - and by extension ideas of the modern individual--derived from a paradigm of female virtue and vulnerability. This volume supplements the growing body of studies that address the relationship between early modern textual representation and notions of gender and sexuality; it also adds a new dimension in considering the wider origins of modern concepts of selfhood and individual rights.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409476103
Category : Literary Criticism
Languages : en
Pages : 214
Book Description
Contending that early modern fictional portrayals of sexual violence identify the position of the author with that of the chaste woman threatened with rape, Amy Greenstadt challenges the prevalent scholarly view that this period's concept of 'The Author' was inherently masculine. Instead, she argues, the analogy between rape and writing centrally informed ideas of literary intention that emerged during the English Renaissance. Analyzing works by Milton, Sidney, Shakespeare and Cavendish, Greenstadt shows how the figure of 'The Author' - and by extension ideas of the modern individual--derived from a paradigm of female virtue and vulnerability. This volume supplements the growing body of studies that address the relationship between early modern textual representation and notions of gender and sexuality; it also adds a new dimension in considering the wider origins of modern concepts of selfhood and individual rights.
Penelope Voyages
Author: Karen R. Lawrence
Publisher: Cornell University Press
ISBN: 1501732498
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
Looking at travel writing by British women from the seventeenth century on, Karen R. Lawrence asks an intriguing question: What happens when, instead of waiting patiently for Odysseus, Penelope voyages and records her journey—when the woman who is expected to waitsets forth herself and traces an itinerary of her own? Lawrence ranges widely, discussing both fiction and nonfiction and traversing the genres of travel letters, realistic and sentimental novels, ethnography, fantasy, and postmodern narrative. In examining works as dissimilar as Margaret Cavendish's rendition of the Renaissance adventure narrative and Christine Brooke-Rose's postmodernist Between, she explores not only the significance of gender for travel writing, but also the value of travel itself for testing the limits of women's social freedoms and restraints. Lawrence shows how writings by Frances Burney, Mary Wollstonecraft, Sarah Lee, Mary Kingsley, Virginia Woolf, and Brigid Brophy reconceive the meanings of femininity in relation to such apparent oppositions as travel/home, other/self, and foreign/domestic. Despite the differences-historical, generic, political-among these writers, Lawrence maintains, they share common insights. Their accounts overturn the dichotomy between adventure and domesticity, demonstrating something illusory within both the stability of home and the freedom of travel.
Publisher: Cornell University Press
ISBN: 1501732498
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
Looking at travel writing by British women from the seventeenth century on, Karen R. Lawrence asks an intriguing question: What happens when, instead of waiting patiently for Odysseus, Penelope voyages and records her journey—when the woman who is expected to waitsets forth herself and traces an itinerary of her own? Lawrence ranges widely, discussing both fiction and nonfiction and traversing the genres of travel letters, realistic and sentimental novels, ethnography, fantasy, and postmodern narrative. In examining works as dissimilar as Margaret Cavendish's rendition of the Renaissance adventure narrative and Christine Brooke-Rose's postmodernist Between, she explores not only the significance of gender for travel writing, but also the value of travel itself for testing the limits of women's social freedoms and restraints. Lawrence shows how writings by Frances Burney, Mary Wollstonecraft, Sarah Lee, Mary Kingsley, Virginia Woolf, and Brigid Brophy reconceive the meanings of femininity in relation to such apparent oppositions as travel/home, other/self, and foreign/domestic. Despite the differences-historical, generic, political-among these writers, Lawrence maintains, they share common insights. Their accounts overturn the dichotomy between adventure and domesticity, demonstrating something illusory within both the stability of home and the freedom of travel.
The Natural Philosophy of Margaret Cavendish
Author: Lisa T. Sarasohn
Publisher: JHU Press
ISBN: 0801898633
Category : Science
Languages : en
Pages : 266
Book Description
Honorable Mention, Typographic Covers, Large Nonprofit Publishers, 2010 Washington Book Publishers Show Margaret Cavendish, Duchess of Newcastle, led a remarkable—and controversial—life, writing poetry and prose and philosophizing on the natural world at a time when women were denied any means of a formal education. Lisa T. Sarasohn acutely examines the brilliant work of this untrained mind and explores the unorthodox development of her natural philosophy. Cavendish wrote copiously on such wide-ranging topics as gender, power, manners, scientific method, and animal rationality. The first woman to publish her own natural philosophy, Cavendish was not afraid to challenge the new science and even ridiculed the mission of the Royal Society. Her philosophy reflected popular culture and engaged with the most radical philosophies of her age. To understand Cavendish’s scientific thought, Sarasohn explains, is to understand the reception of new knowledge through both insider and outsider perspectives in early modern England. In close readings of Cavendish’s writings—poetry, treatises, stories, plays, romances, and letters—Sarasohn explores the fantastic and gendered elements of her natural philosophy. Cavendish saw knowledge as a continuum between reason and fancy, and her work integrated imaginative speculation and physical science. Because she was denied the university education available to her male counterparts, she embraced an epistemology that favored contemplation and intuition over logic and empiricism. The Natural Philosophy of Margaret Cavendish serves as a guide to the unusual and complex philosophy of one of the seventeenth century’s most intriguing minds. It not only celebrates Cavendish as a true figure of the scientific age but also contributes to a broader understanding of the contested nature of the scientific revolution.
Publisher: JHU Press
ISBN: 0801898633
Category : Science
Languages : en
Pages : 266
Book Description
Honorable Mention, Typographic Covers, Large Nonprofit Publishers, 2010 Washington Book Publishers Show Margaret Cavendish, Duchess of Newcastle, led a remarkable—and controversial—life, writing poetry and prose and philosophizing on the natural world at a time when women were denied any means of a formal education. Lisa T. Sarasohn acutely examines the brilliant work of this untrained mind and explores the unorthodox development of her natural philosophy. Cavendish wrote copiously on such wide-ranging topics as gender, power, manners, scientific method, and animal rationality. The first woman to publish her own natural philosophy, Cavendish was not afraid to challenge the new science and even ridiculed the mission of the Royal Society. Her philosophy reflected popular culture and engaged with the most radical philosophies of her age. To understand Cavendish’s scientific thought, Sarasohn explains, is to understand the reception of new knowledge through both insider and outsider perspectives in early modern England. In close readings of Cavendish’s writings—poetry, treatises, stories, plays, romances, and letters—Sarasohn explores the fantastic and gendered elements of her natural philosophy. Cavendish saw knowledge as a continuum between reason and fancy, and her work integrated imaginative speculation and physical science. Because she was denied the university education available to her male counterparts, she embraced an epistemology that favored contemplation and intuition over logic and empiricism. The Natural Philosophy of Margaret Cavendish serves as a guide to the unusual and complex philosophy of one of the seventeenth century’s most intriguing minds. It not only celebrates Cavendish as a true figure of the scientific age but also contributes to a broader understanding of the contested nature of the scientific revolution.
The Renaissance of Lesbianism in Early Modern England
Author: Valerie Traub
Publisher: Cambridge University Press
ISBN: 9780521448857
Category : Literary Criticism
Languages : en
Pages : 516
Book Description
The Renaissance of Lesbianism in Early Modern England is the eagerly-awaited study by the feminist scholar who was among the first to address the issue of early modern female homoeroticism. Valerie Traub analyzes the representation of female-female love, desire and eroticism in a range of early modern discourses, including poetry, drama, visual arts, pornography and medicine. Contrary to the silence and invisibility typically ascribed to lesbianism in the Renaissance, Traub argues that the early modern period witnessed an unprecedented proliferation of representations of such desire. By means of sophisticated interpretations of a comprehensive set of texts, the book not only charts a crucial shift in representations of female homoeroticism over the course of the seventeenth century, but also offers a provocative genealogy of contemporary lesbianism. A contribution to the history of sexuality and to feminist and queer theory, the book addresses current theoretical preoccupations through the lens of historical inquiry.
Publisher: Cambridge University Press
ISBN: 9780521448857
Category : Literary Criticism
Languages : en
Pages : 516
Book Description
The Renaissance of Lesbianism in Early Modern England is the eagerly-awaited study by the feminist scholar who was among the first to address the issue of early modern female homoeroticism. Valerie Traub analyzes the representation of female-female love, desire and eroticism in a range of early modern discourses, including poetry, drama, visual arts, pornography and medicine. Contrary to the silence and invisibility typically ascribed to lesbianism in the Renaissance, Traub argues that the early modern period witnessed an unprecedented proliferation of representations of such desire. By means of sophisticated interpretations of a comprehensive set of texts, the book not only charts a crucial shift in representations of female homoeroticism over the course of the seventeenth century, but also offers a provocative genealogy of contemporary lesbianism. A contribution to the history of sexuality and to feminist and queer theory, the book addresses current theoretical preoccupations through the lens of historical inquiry.