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Author: Line Cottegnies
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838639832
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
Cottegnies (English literature, University of Paris 8-Saint Denis) and Weitz (University of Oxford) offer a collection of essays on Margaret Cavendish's innovative use of genre. These interdisciplinary and multinational contributions present a variety of critical approaches to the problem of placing Cavendish's writing in the context of contemporary literary and philosophical history. The book is distributed by Associated University Presses. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
Author: Line Cottegnies
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838639832
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
Cottegnies (English literature, University of Paris 8-Saint Denis) and Weitz (University of Oxford) offer a collection of essays on Margaret Cavendish's innovative use of genre. These interdisciplinary and multinational contributions present a variety of critical approaches to the problem of placing Cavendish's writing in the context of contemporary literary and philosophical history. The book is distributed by Associated University Presses. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
Author: Pilar Cuder-Dominguez
Publisher: Cambria Press
ISBN: 1604978821
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
This book examines the theories and practices of narrative and drama in England between 1650 and 1700, a period that, in bridging the Renaissance and the Enlightenment, has been comparatively neglected, and on which, at the time of writing, there is a dearth of new approaches. Critical consensus over these two genres has failed to account for its main features and evolution throughout the period in at least two ways. First, most approaches omit the manifold contradictions between the practice and the theory of a genre. Writers were generally aware of working within a tradition of representation which they nevertheless often challenged, even while the theory was being drafted (e.g., by John Dryden). The ideal and the real were in unacknowledged conflict. Second, critical readings of these late Stuart texts have fitted them proactively into a neat evolutionary pattern that reached eighteenth-century genres without detours or disjunctions, or else they have oversimplified the wealth of generic conventions deployed in the period, so that to the present-day reader, for instance, Restoration drama consists only of either city comedies or Dryden's tragedies. A cursory survey of the critical history of seventeenth-century drama and fiction confirms these views. Although the 1970s and 1980s brought about a crop of interesting reassessments of the field, fiction continues to be seen as a genre that emerged in the eighteenth century. Most critics still treat earlier manifestations as marginal or as prenovelistic experiments; and in most instances it is even possible to discern a sexist bias to justify this treatment, as these works were written by women, unlike much of the canonical fiction of the eighteenth century. A revision of the critical foundations hitherto held and a re-evaluation of the works of fiction written in the seventeenth century is therefore in order. This study adopts, as a basic and essential methodological tenet, the need to decenter the analysis of Restoration fiction and drama from the traditional canon, too limited and conservative and featuring works that are not always suitable as paradigmatic instances of the literary production of the period. These studies have thus been based on a larger than usual--if not on a full--corpus of works produced within the period, and have sought to ascertain the role played in the development of each of the genres under consideration by works, topics, or even by authors hitherto somewhat outside mainstream literary criticism. This opens the field of English literature further through the framing of new questions or revising of old ones, as well as to beginning a dialogue, yet again, as to the meanings of these literary works and also to their circulation from their inception up to the present time. In addition, the rare attention given to works by women makes this all the more an important book for collections in English literature of the period.
Author: Sara H. Mendelson
Publisher: Routledge
ISBN: 1351964844
Category : Literary Criticism
Languages : en
Pages : 430
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Book Description
A maverick in her own time, Margaret Cavendish, Duchess of Newcastle (1623-1673) was dismissed for three centuries as an eccentric crank. Yet the past few decades have witnessed a true renaissance in Cavendish studies, as scholars from diverse academic disciplines produce books, articles and theses on every aspect of her oeuvre. Cavendish's literary creations hold a wide appeal for modern readers because of her talent for thinking outside the rigid box that delimited the hierarchies of class, race and gender in seventeenth-century Europe. In so doing, she challenged the ultimate building blocks of early modern society, whether the tenets of Christianity, the social and political imperatives of patriarchy, or the arrogant claims of the new Baconian science. At the same time, Cavendish offers keen insights into current social issues. Her works have become a springboard for critical discourse on such topics as the nature of gender difference and the role of science in human life. Sara Mendelson's aim in compiling this volume is to convey to readers some idea of the scope and variety of scholarship on Cavendish, not only in terms of dominant themes, but of critical controversies and intriguing new pathways for investigation.
Author: Karen Bamford
Publisher: Routledge
ISBN: 1317099400
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
Though recent scholarship has focused both on motherhood and on romance literature in early modern England, until now, no full length volume has addressed the notable intersections between the two topics. This collection contributes to the scholarly investigation of maternity in early modern England by scrutinizing romance narratives in various forms, considering motherhood not as it was actually lived, but as it was figured in the fantasy world of romance by authors ranging from Edmund Spenser to Margaret Cavendish. Contributors explore the traditional association between romance and women, both as readers of fiction and as tellers of ’old wives’ tales,’ as well as the tendency of romance plots, with their emphasis on the family and its reproduction, to foreground matters of maternity. Collectively, the essays in this volume invite reflection on the uses to which Renaissance culture put maternal stereotypes (the virgin mother, the cruel step-dame), as well as the powerful fears and desires that mothers evoke, assuage and sometimes express in the fantasy world of romance.
Author: Hero Chalmers
Publisher: OUP Oxford
ISBN: 0191515175
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Royalist Women Writers aims to put women back on the map of seventeenth-century royalist literature from which they have habitually been marginalised. Looking in detail at the work of Margaret Cavendish, Katherine Philips, and Aphra Behn, it argues that their writings inaugurate a more assertive model of the Englishwoman as literary author, which is crucially enabled by their royalist affiliations. Chalmers reveals new political sub-texts in the three writers' work and shows how these inflect their representations of gender. In this way both their texts and manner of presenting themselves as authors emerges as freshly pertinent to their male and female royalist contemporaries for whom supporting them could be an act of political self-definition.
Author: John Morillo
Publisher: Rowman & Littlefield
ISBN: 1611496748
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
The Rise of Animals and the Descent of Man illuminates compelling historical connections between a current fascination with animal life and the promotion of the moral status of non-human animals as ethical subjects deserving our attention and respect, and a deep interest in the animal as agent in eighteenth-century literate culture. It explores how writers, including well-known poets, important authors who mixed art and science, and largely forgotten writers of sermons and children’s stories all offered innovative alternatives to conventional narratives about the meaning of animals in early modern Europe. They question Descartes’ claim that animals are essentially soulless machines incapable of thought or feelings. British writers from 1660-1800 remain informed by Cartesianism, but often counter it by recognizing that feelings are as important as reason when it comes to defining animal life and its relation to human life. This British line of thought deviates from Descartes by focusing on fine feeling as a register of moral life empowered by sensibility and sympathy, but this very stance is complicated by cultural fears that too much kindness to animals can entail too much kinship with them—fears made famous in the later reaction to Darwinian evolution. The Riseof Animals uncovers ideological tensions between sympathy for animals and a need to defend the special status of humans from the rapidly developing Darwinian perspective. The writers it examines engage in complex negotiations with sensibility and a wide range of philosophical and theological traditions. Their work anticipates posthumanist thought and the challenges it poses to traditional humanist values within the humanities and beyond. The Rise of Animals is a sophisticated intellectual history of the origins of our changing attitudes about animals that at the same time illuminates major currents of eighteenth-century British literary culture.
Author: Jenny C. Mann
Publisher: Cornell University Press
ISBN: 0801464102
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular language to serve its burgeoning national community. Thus, one of the main cultural projects of Renaissance rhetoricians was that of producing a "common" vernacular eloquence, mindful of its classical origins yet self-consciously English in character. The process of vernacularization began during Henry VIII's reign and continued, with fits and starts, late into the seventeenth century. However, as Jenny C. Mann shows in Outlaw Rhetoric, this project was beset with problems and conflicts from the start. Outlaw Rhetoric examines the substantial and largely unexplored archive of vernacular rhetorical guides produced in England between 1500 and 1700. Writers of these guides drew on classical training as they translated Greek and Latin figures of speech into an everyday English that could serve the ends of literary and national invention. In the process, however, they confronted aspects of rhetoric that run counter to its civilizing impulse. For instance, Mann finds repeated references to Robin Hood, indicating an ongoing concern that vernacular rhetoric is "outlaw" to the classical tradition because it is common, popular, and ephemeral. As this book shows, however, such allusions hint at a growing acceptance of the nonclassical along with a new esteem for literary production that can be identified as native to England. Working across a range of genres, Mann demonstrates the effects of this tension between classical rhetoric and English outlawry in works by Spenser, Shakespeare, Sidney, Jonson, and Cavendish. In so doing she reveals the political stakes of the vernacular rhetorical project in the age of Shakespeare.
Author: David Cunning
Publisher: Routledge
ISBN: 1317329511
Category : Philosophy
Languages : en
Pages : 322
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Book Description
Margaret Cavendish (1623 - 1673) was a philosopher, poet, scientist, novelist, and playwright of the seventeenth century. Her work is important for a number of reasons. It presents an early and compelling version of the naturalism that is found in current-day philosophy; it offers important insights that bear on recent discussions of the nature and characteristics of intelligence and the question of whether or not the bodies that surround us are intelligent or have an intelligent cause; it anticipates some of the central views and arguments that are more commonly associated with figures like Thomas Hobbes and David Hume. This is the first full account of Cavendish’s philosophy and covers the whole span of her work. David Cunning begins with an overview of Cavendish’s life and work before assessing her contribution to a wide range of philosophical subjects, including her arguments concerning materialism, experimentation, the existence of God, social and political philosophy and free will and compatibilism. Setting Cavendish in both historical and philosophical context, he argues that like Spinoza she builds on central tenets of Descartes’ philosophy and develops them in a direction that Descartes himself would avoid. She defends a plenum metaphysics according to which all individuals are causally interdependent, and according to which the physical universe is a larger individual that constitutes all of reality. Cavendish is essential reading for students of seventeenth-century philosophy, early modern philosophy and seventeenth-century literature.
Author: Lisa Walters
Publisher: Cambridge University Press
ISBN: 1108806252
Category : Literary Criticism
Languages : en
Pages : 327
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Book Description
Margaret Cavendish's prolific and wide-ranging contributions to seventeenth-century intellectual culture are impossible to contain within the discrete confines of modern academic disciplines. Paying attention to the innovative uses of genre through which she enhanced and complicated her writings both within literature and beyond, this collection addresses her oeuvre and offers the most comprehensive and multidisciplinary resource on Cavendish's works to date. The astonishing breadth of her varied intellectual achievements is reflected through elegantly arranged sections on History of Science, Philosophy, Literature, Politics and Reception, and New Directions, together with an Afterword by award-winning novelist Siri Hustvedt. The first book to cover nearly all of Cavendish's major works in a single volume, this collection brings together a variety of expert perspectives to illuminate the remarkable ideas and achievements of one of the most fascinating and prolific figures of the early modern period.
Author: Frédéric Regard
Publisher: Université de Saint-Etienne
ISBN: 9782862722696
Category : Authors, English
Languages : en
Pages : 404
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Book Description
