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Author: Christopher Hart
Publisher: Lulu.com
ISBN: 1910481009
Category : History
Languages : en
Pages : 188
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Book Description
A collection of original essays from leading academics on the media during and after World War 2. The chapters in this volume address both contemporary and post-war uses of World War 2 - with contributions from television, journalism, cinema, popular music, radio and popular memory studies.
Author: Christopher Hart
Publisher: Lulu.com
ISBN: 1910481009
Category : History
Languages : en
Pages : 188
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Book Description
A collection of original essays from leading academics on the media during and after World War 2. The chapters in this volume address both contemporary and post-war uses of World War 2 - with contributions from television, journalism, cinema, popular music, radio and popular memory studies.
Author: Allan Bérubé
Publisher: Univ of North Carolina Press
ISBN: 080789964X
Category : Social Science
Languages : en
Pages : 416
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Book Description
During World War II, as the United States called on its citizens to serve in unprecedented numbers, the presence of gay Americans in the armed forces increasingly conflicted with the expanding antihomosexual policies and procedures of the military. In Coming Out Under Fire, Allan Berube examines in depth and detail these social and political confrontation--not as a story of how the military victimized homosexuals, but as a story of how a dynamic power relationship developed between gay citizens and their government, transforming them both. Drawing on GIs' wartime letters, extensive interviews with gay veterans, and declassified military documents, Berube thoughtfully constructs a startling history of the two wars gay military men and women fough--one for America and another as homosexuals within the military. Berube's book, the inspiration for the 1995 Peabody Award-winning documentary film of the same name, has become a classic since it was published in 1990, just three years prior to the controversial "don't ask, don't tell" policy, which has continued to serve as an uneasy compromise between gays and the military. With a new foreword by historians John D'Emilio and Estelle B. Freedman, this book remains a valuable contribution to the history of World War II, as well as to the ongoing debate regarding the role of gays in the U.S. military.
Author: Geoffrey Hayes
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554586461
Category : History
Languages : en
Pages : 684
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Book Description
Terry Copp’s tireless teaching, research, and writing has challenged generations of Canadian veterans, teachers, and students to discover an informed memory of their country’s role in the Second World War. This collection, drawn from the work of Terry’s colleagues and former students, considers Canada and the Second World War from a wealth of perspectives. Social, cultural, and military historians address topics under five headings: The Home Front, The War of the Scientists, The Mediterranean Theatre, Normandy/Northwest Europe, and The Aftermath. The questions considered are varied and provocative: How did Canadian youth and First Nations peoples understand their wartime role? What position did a Canadian scientist play in the Allied victory and in the peace? Were veterans of the Mediterranean justified in thinking theirs was the neglected theatre? How did the Canadians in Normandy overcome their opponents but not their historians? Why was a Cambridge scholar attached to First Canadian Army to protect monuments? And why did Canadians come to commemorate the Second World War in much the same way they commemorated the First? The study of Canada in the Second World War continues to challenge, confound, and surprise. In the questions it poses, the evidence it considers, and the conclusions it draws, this important collection says much about the lasting influence of the work of Terry Copp. Foreword by John Cleghorn.
Author: Pamela M. Potter
Publisher: Indiana University Press
ISBN: 0253052505
Category : Music
Languages : en
Pages : 305
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Book Description
A collection of essays examining the roles played by music in American and European society during the Second World War. Global conflicts of the twentieth century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. Music in World War II explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war’s musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of “war music” in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, examining how music in these environments played a crucial role in maintaining ties to an idealized “home” and constructing politicized notions of national and ethnic identity. This fascinating, well-constructed volume of essays builds understanding of the role and importance of music during periods of conflict and highlights the unique aspects of music during World War II. “A collection that offers deeply informed, interdisciplinary, and original views on a myriad of musical practices in Europe, Great Britain, and the United States during the period.” —Gayle Magee, co-editor of Over Here, Over There: Transatlantic Conversations on the Music of World War I
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Publisher: BRILL
ISBN: 9004398090
Category : Education
Languages : en
Pages : 219
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Book Description
Popular representations of teachers and teaching are easy to take for granted precisely because they are so accessible and pervasive. Our lives are intertextual in the way lived experiences overlap with the stories of others presented to us through mass media. It is this set of connected narratives that we bring into classrooms and into discussions of educational policy. In this day and time—with public education under siege by forces eager to deprofessionalize teaching and transfer public funds to benefit private enterprises—we ignore the dominant discourse about education and the patterns of representation that typify educator characters at our peril. This edited volume offers a fresh take on educator characters in popular culture and also includes important essays about media texts that have not been addressed adequately in the literature previously. The 15 chapters cover diverse forms from literary classics to iconic teacher movies to popular television to rock ‘n’ roll. Topics explored include pedagogy through the lenses of gender, sexuality, race, disability, politics, narrative archetypes, curriculum, teaching strategies, and liberatory praxis. The various perspectives represented in this volume come from scholars and practitioners of education at all levels of schooling. This book is especially timely in an era when public education in the United States is under assault from conservative political forces and undervalued by the general public. Contributors are: Steve Benton, Naeemah Clark, Kristy Liles Crawley, Elizabeth Currin, Mary M. Dalton, Jill Ewing Flynn, Chad E. Harris, Gary Kenton, Mark A. Lewis, Ian Parker Renga, Stephanie Schroeder, Roslin Smith, Jeff Spanke, and Andrew Wirth.
Author: Debra Ramsay
Publisher: Routledge
ISBN: 1317617908
Category : Performing Arts
Languages : en
Pages : 228
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Book Description
For three generations of Americans, World War II has been a touchstone for the understanding of conflict and of America’s role in global affairs. But if World War II helped shape the perception of war for Americans, American media in turn shape the understanding and memory of World War II. Concentrating on key popular films, television series, and digital games from the last two decades, this book explores the critical influence World War II continues to exert on a generation of Americans born over thirty years after the conflict ended. It explains how the war was configured in the media of the wartime generation and how it came to be repurposed by their progeny, the Baby Boomers. In doing so, it identifies the framework underpinning the mediation of World War II memory in the current generation’s media and develops a model that provides insight into the strategies of representation that shape the American perspective of war in general.
Author: Robert Boyce
Publisher: Bloomsbury Publishing
ISBN: 1350317438
Category : History
Languages : en
Pages : 260
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Book Description
No issue in modern history has been more intensively studied, or subject to wider interpretation, than the origins of the Second World War. A conflict involving three - arguably four - major aggressor Powers, operating simultaneously but largely separately on two continents, inevitably raises complex theories and debates. Each participating power has its own history, and each one must take account of various influences upon the behaviour of its soldiers and statesmen. His wide-ranging collection of original essays, each by an international expert in their field, covers all aspects of the subject and highlights the controversy that continues to characterise current thinking on the origins of the war. Going beyond the usual Eurocentric approach, Part I examines the roles of all seven of the Great Powers (including Japan and the USA), as well as the parts played by several of the lesser Powers, such as Czechoslovakia, Poland and China. Part II contains chapters which explore key themes that cannot be fully understood within the context of any single country. These themes include the role of ideology, propaganda, intelligence, armaments, economics, diplomacy, the neutral states, peace movements, and the social science approach to war. Written in clear, jargon-free prose, together these essays provide a comprehensive single-volume text for students and teachers, and are essential reading for all with an interest in the debates surrounding the causes of World War Two.
Author: Richard Stites
Publisher: Indiana University Press
ISBN: 9780253209498
Category : History
Languages : en
Pages : 228
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Book Description
"This lively and often moving collection of essays is an important contribution to Western scholarship on Soviet society and culture during the Second World War. . . . [a] straightforward but lively description of cultural life, unhampered by excessive interpretation or cultural theory. For all those who love Russia's cultural heritage, these essays cast a welcome spotlight on some of the people and pockets of life from that tragic but compelling time." —Canadian Slavonic Papers "Enjoyable to read and accessible to the nonspecialist, Culture and Entertainment is not only an indispensable addition to any Soviet studies library but will prove valuable to anyone interested in or teaching courses on World War II, propaganda and popular culture, homefront politics, or the interacation between cultural creation and governmental power." —Journal of Modern History "This comprehensive recollection of articles goes beyond cultural history, and provides an original approach to the study of war. War, we learn, is fought on many fronts, and the cultural one should not be underestimated." —SAIS Review " . . . takes the reader to the heart of the patriotic struggle, to the cultural and spiritual imperatives that roused Russian resistance." —Canadian Military History "This collection . . . furthers knowledge of Soviet high and popular culture, and also demonstrates the extremely important role that cultural productions played in helping to maintain Soviet spirits in the midst of the Nazi onslaught." —Choice "This anthology of scholarly articles provides surprising insights into Soviet cultural propaganda during the Great Patriotic War." —War, Literature and the Arts ". . . the essays here provide much food for thought and constitute a valuable addition to a relatively neglected area of study." —The Slavonic Review World War II (The Great Patriotic War) had a pronounced cultural and emotional impact on the Russian people. The subjects of these essays range from the Moscow press to frontline correspondents, from entertainment brigades to amateur songs by fighting men and women, from symphonic compositions to revivals of literary classics, and from Moscow stages to folk ensembles on the battlefield—the cultural outpourings in the hearts and souls of ordinary Russians at war.
Author: Joshua Malitsky
Publisher: John Wiley & Sons
ISBN: 1119116309
Category : Performing Arts
Languages : en
Pages : 544
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Book Description
This volume offers a new and expanded history of the documentary form across a range of times and contexts, featuring original essays by leading historians in the field In a contemporary media culture suffused with competing truth claims, documentary media have become one of the most significant means through which we think in depth about the past. The most rigorous collection of essays on nonfiction film and media history and historiography currently available, A Companion to Documentary Film History offers an in-depth, global examination of central historical issues and approaches in documentary, and of documentary's engagement with historical and contemporary topics, debates, and themes. The Companion's twenty original essays by prominent nonfiction film and media historians challenge prevalent conceptions of what documentary is and was, and explore its growth, development, and function over time. The authors provide fresh insights on the mode's reception, geographies, authorship, multimedia contexts, and movements, and address documentary's many aesthetic, industrial, historiographical, and social dimensions. This authoritative volume: Offers both historical specificity and conceptual flexibility in approaching nonfiction and documentary media Explores documentary's multiple, complex geographic and geopolitical frameworks Covers a diversity of national and historical contexts, including Revolution-era Soviet Union, post-World War Two Canada and Europe, and contemporary China Establishes new connections and interpretive contexts for key individual films and film movements, using new primary sources Interrogates established assumptions about documentary authorship, audiences, and documentary's historical connection to other media practices. A Companion to Documentary Film History is an ideal text for undergraduate and graduate courses covering documentary or nonfiction film and media, an excellent supplement for courses on national or regional media histories, and an important new resource for all film and media studies scholars, particularly those in nonfiction media.
Author: Friedrich Kittler
Publisher: Duke University Press
ISBN: 1478013184
Category : Social Science
Languages : en
Pages : 195
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Book Description
Operation Valhalla collects eighteen texts by German media theorist Friedrich Kittler on the close connections between war and media technology. In these essays, public lectures, interviews, literary analyses, and autobiographical musings, Kittler outlines how war has been a central driver of media's evolution, from Prussia's wars against Napoleon to the so-called War on Terror. Covering an eclectic array of topics, he charts the intertwined military and theatrical histories of the searchlight and the stage lamp, traces the microprocessor's genealogy back to the tank, shows how rapid-fire guns brought about new standards for optics and acoustics, and reads Thomas Pynchon's Gravity's Rainbow to upset established claims about the relationship between war, technology, and history in the twentieth century. Throughout, Operation Valhalla foregrounds the outsize role of war in media history as well as Kittler's importance as a daring and original thinker.
