Vinaya Texts: The Mahâvagga, V-X. The Kullavagga, I-III PDF Download
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Languages : en
Pages : 500
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Languages : en
Pages : 500
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Publisher: Atlantic Publishers & Distri
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Category :
Languages : en
Pages : 402
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Author: Archana Verma
Publisher: Cambridge Scholars Publishing
ISBN: 1443828327
Category : History
Languages : en
Pages : 165
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This book deals with various aspects of performance in India; especially that related to dance and dance-drama. Rather than being a description of the various dance forms of India, it attempts to discuss the social equations and cultural ideas that a performance attempts to portray. In this sense, a performance is a narrative. At the same time, performances also deal with well-known narratives from the religious traditions of India, often redefining and recounting them in the process of performance. A study of these aspects is important to understand the kind of equations that define these discourses on the performance narratives. Chapter I shows the different forms of dances that are described in the iconographic canons and also the famous dance treatise the Natyashastra, correlating them with the sculptures of dance available in the temples. Here, the temples of south India datable to 6th- 13th centuries have been studied for this purpose. Attempt is made to study the gender equations that are expounded through these dance images and texts, as also the correlation between the audience and the performance and how these ideas are intertwined with the religious images. Chapter II deals with four Sanskrit burlesque plays written in the ancient period, which reverse social equations and classical dramatic representations through the genre of satire. Almost every elite-class person, generally idealized in the classical Sanskrit plays, is lampooned here. Issues of audience perception and the reception of this kind of reversed images of the ideal figures of the society are discussed in this chapter. Chapter III deals with the aesthetics of eroticism that form the basis of many Indian classical dances, how they are intertwined with the notion of devotionalism in Hinduism and how they are negotiated in the Indian classical dances in our contemporary period. A case study is done here of Odissi, the classical dance from the eastern state of Orissa, which draws extensively from the temple sculptures of dance. Chapter IV shows that sacred narrative in India is not always a means of glorifying the divine. Rather, sometimes it is also used to satirize the established notions of religiosity and of divinity. This forms the basis of this very interesting semi-classical dance-drama form called Ottan Thullal from the southern state of Kerala. Kathakali, the classical dance-drama and Mohiniattam, the classical dance from Kerala have dominated the scene so much that this form of dance-drama has been overshadowed and it is little known to the world outside Kerala, even in India. There is not much scholarship on Ottan Thullal. This chapter deals with this form and the manner in which it uses the idiom of satire to narrate the religious legends. Chapter V is a study of the Mithila narratives from the eastern region of Mithila in Bihar to understand the ways in which gender equations in the Mithila society influence the making of these narratives. There is a discussion of the nature of “folk narratives” in this chapter. Chapter VI takes some folk forms of performance and visual narratives from different states of India to show how social equations such as power hierarchy, gender and caste dimensions are negotiated. All these use the traditional religious space to work out these equations. Chapter VII on one hand is a comparative study of two Hindi films made in 1960s, based on the lives of two women dancers from ancient India. One of them is a historical figure and the other is a figure. On the other hand, this is an attempt o show how the narratives of these women dancers are remodeled in literary as well as the cinematic medium, every time these narratives are retold. Effort is made to show how the cultural memory of the ancient history of India that the modern narrators of these stories have been received as a process of acculturation, which influences this recasting of narratives in literature as well as in film. It is also shown that this process of narration through cultural memory is not a new phenomenon, since it occurred even in the ancient period when narrative was being remodeled to present in a new form before the audience.
Author: Arie L. Molendijk
Publisher: Oxford University Press
ISBN: 0198784236
Category : Religion
Languages : en
Pages : 247
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A study of The Sacred Books of the East, a fifty-volume series of translations of Asian religious writings edited by the German-born philologist and scholar of religions, Friedrich Max Muller (1823-1900), and published by Oxford University Press between 1879 and 1910.
Author: Bryan G. Levman
Publisher: Cambridge Scholars Publishing
ISBN: 1527576876
Category : Religion
Languages : en
Pages : 490
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This book is a collection of essays on the history and evolution of the Pāli language, which preserves the earliest record of the Buddha’s teaching. Although only the Pāli record has survived, it argues that the Buddha also taught in several of the indigenous languages of northern India, including Dravidian, probably Munda and possibly others. Pāli was derived from a koiné or common language for inter-dialect communication between the different dialects spoken by the Indo-Aryan immigrants, but was also strongly influenced by the languages of the indigenous peoples, Dravidian and Munda. The language of the Buddha’s native clan, the Sakyas, was probably Dravidian, which had a Munda substrate. The Buddha was bi- or multilingual and taught in the Indo Aryan koiné of the immigrants, but also in the local language(s) of his people, whose impact may be found in extensive word and cultural borrowing from these languages into Indo-Aryan, and a significant phonological, morphological and syntactical imprint on Pāli and other Indo-Aryan languages. The book examines this influence and other factors of language change over time in the context of current theories of comparative philology.
Author: Sangharakshita (Bhikshu)
Publisher: Windhorse Publications
ISBN: 9780904766714
Category : Religion
Languages : en
Pages : 70
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The author answers criticisms made of his reflections in Forty-Three Years Ago concerning the true value of the bhikkhu ordination, and asks some further searching questions: Is it possible that a bad monk might be a better Buddhist that a good one?; What does it really mean to venerate the robe?; How does the laity's reverence affect the spiritual health of a bhikkhu?; Do women need to resurrect the bhikkuni sangha in order to lead spiritual lives?
Author: Sangharakshita
Publisher: Windhorse Publications
ISBN: 1911407341
Category : Religion
Languages : en
Pages : 717
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The nine texts in this volume, composed over a period of more than thirty years, show‚ Sangharakshita's unfolding insight into the meaning, significance and centrality of Going for Refuge.
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Category : Law
Languages : en
Pages : 324
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Author: Bhikkhu Sujato
Publisher: SuttaCentral
ISBN:
Category : Religion
Languages : en
Pages : 2401
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SuttaCentral has published an entirely new translation of the four Pali nikāyas by Bhikkhu Sujato, which is the first complete and consistent English translation of these core texts. This is an ebook version of Bhikkhu Sujato's translation of the Saṁyutta Nikāya, which can also be read at SuttaCentral website. The “Linked” or “Connected” Discourses (Saṁyutta Nikāya, abbreviated SN) is a collection of over a thousand short discourses in the Pali canon. The word “linked” refers to the fact that the texts are collected and organized by topic. In most cases the organizing principle is a particular theme of Dhamma, for example, the five aggregates, dependent origination, the noble eightfold path, mindfulness meditation, or the four noble truths. This collection contains the most extensive range of texts on these core themes. In other cases chapters are organized according to the person or kind of person who speaks. This collection has a full parallel in the Saṁyuktāgama (SA) of the Sarvāstivāda school in Chinese translation. In addition, there are two partial collections in Chinese (SA-2 and SA-3) as well as a number of miscellaneous or fragmentary texts in Chinese, Sanskrit, and Tibetan. Much of the organizational structure of SN is shared with SA, suggesting that this structure preceded the split between these two collections. This translation of Saṁyutta Nikāya was updated on March 8th, 2023.
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Category : Buddhist monasticism and religious orders
Languages : en
Pages :
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