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Author: Lawrence Kumpf
Publisher: Blank Forms Editions
ISBN: 9781733723589
Category : Art
Languages : en
Pages : 0
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Book Description
Avant-garde jazz trumpeter Don Cherry and textile artist Moki Cherry (née Karlsson) met in Sweden in the late sixties. They began to live and perform together, dubbing their mix of communal art, social and environmentalist activism, children's education, and pan-ethnic expression Organic Music. Organic Music Societies, Blank Forms' sixth anthology, is a special issue released in conjunction with an exhibition of the same name devoted to the couple's multimedia collaborations. The first English-language publication on either figure, the book highlights models for collectivism and pedagogy deployed in the Cherrys' interpersonal and artistic work through the presentation of archival documents alongside newly translated and commissioned writings by musicians, scholars, and artists alike. Beginning with an overview by Blank Forms Artistic Director Lawrence Kumpf and Don Cherry biographer Magnus Nygren, this volume further explores Don's work of the period through a piece on his Relativity Suite by Ben Young and an essay on the diasporic quality of his music by Fumi Okiji. Ruba Katrib emphasizes the domestic element of Moki's practice in a biographical survey accompanied by full-color reproductions of Moki's vivid tapestries, paintings, and sculptures, which were used as performance environments by Don's ensembles during the Sweden years and beyond. Two selections of Moki's unpublished writings--consisting of autobiography, observations, illustrations, and diary entries, as well as poetry and aphorisms--are framed by tributes from her daughter Neneh Cherry and granddaughter Naima Karlsson. Swedish Cherry collaborator Christer Bothén contributes period travelogues from Morocco, Mali, and New York, providing insight into the cross-cultural communication that would soon come to be called world music.
Author: Lawrence Kumpf
Publisher: Blank Forms Editions
ISBN: 9781733723589
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Avant-garde jazz trumpeter Don Cherry and textile artist Moki Cherry (née Karlsson) met in Sweden in the late sixties. They began to live and perform together, dubbing their mix of communal art, social and environmentalist activism, children's education, and pan-ethnic expression Organic Music. Organic Music Societies, Blank Forms' sixth anthology, is a special issue released in conjunction with an exhibition of the same name devoted to the couple's multimedia collaborations. The first English-language publication on either figure, the book highlights models for collectivism and pedagogy deployed in the Cherrys' interpersonal and artistic work through the presentation of archival documents alongside newly translated and commissioned writings by musicians, scholars, and artists alike. Beginning with an overview by Blank Forms Artistic Director Lawrence Kumpf and Don Cherry biographer Magnus Nygren, this volume further explores Don's work of the period through a piece on his Relativity Suite by Ben Young and an essay on the diasporic quality of his music by Fumi Okiji. Ruba Katrib emphasizes the domestic element of Moki's practice in a biographical survey accompanied by full-color reproductions of Moki's vivid tapestries, paintings, and sculptures, which were used as performance environments by Don's ensembles during the Sweden years and beyond. Two selections of Moki's unpublished writings--consisting of autobiography, observations, illustrations, and diary entries, as well as poetry and aphorisms--are framed by tributes from her daughter Neneh Cherry and granddaughter Naima Karlsson. Swedish Cherry collaborator Christer Bothén contributes period travelogues from Morocco, Mali, and New York, providing insight into the cross-cultural communication that would soon come to be called world music.
Author: Mark Slobin
Publisher: University of Pennsylvania Press
ISBN: 1512807516
Category : Social Science
Languages : en
Pages : 600
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Book Description
The original publications of the 1930s are scarcely to be found. The posthumous 1962 volume in the Soviet Union was limited to a tiny edition. Yet the work of the man who has been called "the foremost authority on Jewish folk music before the Holocaust," Moshe Beregovski, survives and is now available for the first time to the English-speaking world. As a member of the Jewish community as well as an ethnomusicologist in prewar Russia, Beregovski had not only the inspiration to preserve the spirit and vitality of the music that filled the lives of his people but also the professional training to document his findings to exacting standards. The first section of SIobin's book contains translations of some of Beregovski's responses to Jewish folk music in its living context during the 1930s. He raises important questions about ethnicity in his essay on interaction between Ukrainian and Jewish musical influences. His work on klezmer music. the music of the Jewish folk instrumental bands, is the most authoritative on the subject and includes his complete guide to fieldworkers in folk music. In another essay Beregovski analyzes an unmistakable trademark of Jewish folk music, the "altered Dorian" scale, and its symbolism in Eastern European Jewish culture. The second section constitutes Beregovski's anthologies of hundreds of folk songs with full Yiddish and English song texts. Each song is carefully notated exactly as it was sung and is accompanied by Beregovski's notes on origins and variants. Beregovski's essays and transcriptions form a pat and a symbol of what was lost in the mass destruction of Eastern European Jewish culture in this century. They form a cultural record of deep significance not only for the Jewish people, but also for folklorists and scholars as evidence of a distinctive music culture that interacted with—and influenced—the folk musics of Eastern Europe.
Author: Eddie Lewis
Publisher: Lulu.com
ISBN: 1365732649
Category : Art
Languages : en
Pages : 116
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Book Description
Trumpet players! Do you need to improve your range, endurance, flexibility or sound? Daily Routines is a proven approach which has helped thousands of trumpet players grow in strength without having to resort to annoying high note methods. Daily Routines is NOT a high note method. Yet, most of its users have greater range than people who call themselves "screamers". The difference is that Daily Routines does not work on range separately from other aspects of trumpet playing. Range is a by-product of strength, and strength comes from very specific daily practice habits. With the Daily Routines book, you can play higher with greater endurance AND produce a quality sound. The systematic design of the routines makes the progress automatic. There is no need to stress over physical mechanics. The book is designed so that playing the exercises in the correct order automatically leads to proper physical technique.
Author: John Masefield
Publisher:
ISBN:
Category : England
Languages : en
Pages : 284
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Book Description
This autographed edition ... is limited to two hundred and fifty copies, of which this is numbered 66.
Author: Robert Louis Stevenson
Publisher:
ISBN:
Category :
Languages : en
Pages : 362
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Book Description
Author: David Kalakaua
Publisher: CHARLES L. WEBSTER & CO.
ISBN:
Category :
Languages : en
Pages : 266
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Book Description
The legends following are of a group of sunny islands lying almost midway between Asia and America—a cluster of volcanic craters and coral-reefs, where the mountains are mantled in perpetual green and look down upon valleys of eternal spring; where for two-thirds of the year the trade-winds, sweeping down from the northwest coast of America and softened in their passage southward, dally with the stately cocoas and spreading palms, and mingle their cooling breath with the ever-living fragrance of fruit and blossom. Deeply embosomed in the silent wastes of the broad Pacific, with no habitable land nearer than two thousand miles, these islands greet the eye of the approaching mariner like a shadowy paradise, suddenly lifted from the blue depths by the malicious spirits of the world of waters, either to lure him to his destruction or disappear as he drops his anchor by the enchanted shore. The legends are of a little archipelago which was unknown to the civilized world until the closing years of the last century, and of a people who for many centuries exchanged no word or product with the rest of mankind; who had lost all knowledge, save the little retained by the dreamiest of legends, of the great world beyond their island home; whose origin may be traced to the ancient Cushites of Arabia, and whose legends repeat the story of the Jewish genesis; who developed and passed through an age of chivalry somewhat more barbarous, perhaps, but scarcely less affluent in deeds of enterprise and valor than that which characterized the contemporaneous races of the continental world; whose chiefs and priests claimed kinship with the gods, and step by step told back their lineage not only to him who rode the floods, but to the sinning pair whose re-entrance to the forfeited joys of Paradise was prevented by the large, white bird of Kane; who fought without shields and went to their death without fear; whose implements of war and industry were of wood, stone and bone, yet who erected great temples to their gods, and constructed barges and canoes which they navigated by the stars; who peopled the elements with spirits, reverenced the priesthood, bowed to the revelations of their prophets, and submitted without complaint to the oppressions of the tabu; who observed the rite of circumcision, built places of refuge after the manner of the ancient Israelites, and held sacred the religious legends of the priests and chronological meles of the chiefs. As the mind reverts to the past of the Hawaiian group, and dwells for a moment upon the shadowy history of its people, mighty forms rise and disappear—men of the stature of eight or nine feet, crowned with helmets of feathers and bearing spears thirty feet in length. Such men were Kiha, and Liloa, and Umi, and Lono, all kings of Hawaii during the fifteenth and sixteenth centuries; and little less in bulk and none the less in valor was the great Kamehameha, who conquered and consolidated the several islands under one government, and died as late as 1819. And beside Umi, whose life was a romance, stands his humble friend Maukaleoleo, who, with his feet upon the ground, could reach the cocoanuts of standing trees; and back of him in the past is seen Kana, the son of Hina, whose height was measured by paces. To be continue in this ebook...
Author: Taylor Swift
Publisher: Hal Leonard Corporation
ISBN: 1495017206
Category : Music
Languages : en
Pages : 15
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Book Description
(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line. It also includes access to online recordings of professionally-recorded backing tracks.
Author: Ralph Ellison
Publisher: Penguin Books Limited
ISBN: 9780241970560
Category : Fiction
Languages : en
Pages : 0
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Book Description
The invisible man is the unnamed narrator of this impassioned novel of black lives in 1940s America. Embittered by a country which treats him as a non-being he retreats to an underground cell.
Author: Sir William Frederick Travers O'Connor
Publisher:
ISBN: 9788177692020
Category : Folklore
Languages : en
Pages : 176
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Book Description
Author: W. C. Handy
Publisher: Da Capo Press
ISBN: 9780306804212
Category : Music
Languages : en
Pages : 340
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Book Description
W. C. Handy's blues—“Memphis Blues," "Beale Street Blues," "St. Louis Blues"—changed America's music forever. In Father of the Blues, Handy presents his own story: a vivid picture of American life now vanished. W. C. Handy (1873–1958) was a sensitive child who loved nature and music; but not until he had won a reputation did his father, a preacher of stern Calvinist faith, forgive him for following the "devilish" calling of black music and theater. Here Handy tells of this and other struggles: the lot of a black musician with entertainment groups in the turn-of-the-century South; his days in minstrel shows, and then in his own band; how he made his first 100 from "Memphis Blues"; how his orchestra came to grief with the First World War; his successful career in New York as publisher and song writer; his association with the literati of the Harlem Renaissance.Handy's remarkable tale—pervaded with his unique personality and humor—reveals not only the career of the man who brought the blues to the world's attention, but the whole scope of American music, from the days of the old popular songs of the South, through ragtime to the great era of jazz.
