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Author: Sarah M. Misemer
Publisher: Bucknell University Press
ISBN: 1611487986
Category : Performing Arts
Languages : en
Pages : 229
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Book Description
The economic crisis in Argentina in 2001-2002 that spilled over into Uruguay causing fiscal and political problems is the starting point for my research on space and theater, and it demonstrates why we must look at the River Plate in both global and local ways. Connections among monetary policies, industries, and legal, social, and political movements mean that national spaces like Uruguay’s are fraught with tensions that come from both within and outside of borders. Recent economic crises like the one that is occurring in Greece, further demonstrate how nation states and trade blocks must constantly negotiate power as they toggle between national and international pressures. Nation states are being prompted to reconceive perspectives on governance that fall away from the parameters of Westphalian autonomy and reconcile their views with trends that instead require thinking about power as a network with shifting centers. The introduction launches the study by addressing these political and economic trends, the spatial turn in theater and performance studies, the rise of multiculturalism, and also examines the Uruguayan historical context of the post-dictatorship and impunity laws that pit national sovereignty against international human rights laws. These crises are enacted on the Uruguayan stage and contextualized through networks and spatial topographies, intertextualties on the page, explorations of history and memory, and ultimately notions of identity in four areas: the postdramatic and economic realm (chapter one: Peveroni), cultural geography and pyschogeography (chapter two: Morena), midrash and questions of human rights and growing fascist trends (chapter three: Sanguinetti), and finally in mapmaking on the stage through mise-en-perf/performise and “wayfinding” through sites of contested power (chapter four: Calderón). The concluding chapter (Blanco) looks at the reinterpretation of Greek tragedy as a commentary on the messy process of democratization. Here, access to the polis and power are problematized through the lens of international sex trafficking and gendered roles that exclude portions of the populace from participation in the process of self-governance.
Author: Sarah M. Misemer
Publisher: Bucknell University Press
ISBN: 1611487986
Category : Performing Arts
Languages : en
Pages : 229
Get Book Here
Book Description
The economic crisis in Argentina in 2001-2002 that spilled over into Uruguay causing fiscal and political problems is the starting point for my research on space and theater, and it demonstrates why we must look at the River Plate in both global and local ways. Connections among monetary policies, industries, and legal, social, and political movements mean that national spaces like Uruguay’s are fraught with tensions that come from both within and outside of borders. Recent economic crises like the one that is occurring in Greece, further demonstrate how nation states and trade blocks must constantly negotiate power as they toggle between national and international pressures. Nation states are being prompted to reconceive perspectives on governance that fall away from the parameters of Westphalian autonomy and reconcile their views with trends that instead require thinking about power as a network with shifting centers. The introduction launches the study by addressing these political and economic trends, the spatial turn in theater and performance studies, the rise of multiculturalism, and also examines the Uruguayan historical context of the post-dictatorship and impunity laws that pit national sovereignty against international human rights laws. These crises are enacted on the Uruguayan stage and contextualized through networks and spatial topographies, intertextualties on the page, explorations of history and memory, and ultimately notions of identity in four areas: the postdramatic and economic realm (chapter one: Peveroni), cultural geography and pyschogeography (chapter two: Morena), midrash and questions of human rights and growing fascist trends (chapter three: Sanguinetti), and finally in mapmaking on the stage through mise-en-perf/performise and “wayfinding” through sites of contested power (chapter four: Calderón). The concluding chapter (Blanco) looks at the reinterpretation of Greek tragedy as a commentary on the messy process of democratization. Here, access to the polis and power are problematized through the lens of international sex trafficking and gendered roles that exclude portions of the populace from participation in the process of self-governance.
Author: M. Grzegorczyk
Publisher: Springer
ISBN: 1403978638
Category : Social Science
Languages : en
Pages : 197
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Book Description
In Private Topographies, Grzegorczyk identifies and analyzes the types of postcolonial subjectivity prevalent among the Creole (Euro-American) ruling classes in post-independence, nineteenth-century century Latin America as articulated through their relation to their surroundings. Exactly how did creole elites change their self-conception in the wake of independence? In what ways and why did they feel compelled to restructure their personal space? What contradictions did they respond to? Where and how were the boundaries between public and private constructed? How were the categories of race and gender relevant to this process? For the first time, this book links together political transitions (the end of the colonial period in Latin America) with "implacements" - attempts that people make to reorganize the space around them. By looking at cartographies of states and regions, the structure of towns, and appearance and lay-out of homes in literature from Mexico, Argentina and Brazil from this nineteenth century period of transition, Grzegorczyk sheds new light on the ways a culture remakes itself and the mechanisms through which subjectivities shift during periods of political change.
Author: Markus Hallensleben
Publisher: Brill Rodopi
ISBN: 9789042031937
Category : Art
Languages : en
Pages : 250
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Book Description
The human body as cultural object always has and is a performing subject, which binds the political with the theatrical, shows the construction of ethnicity and technology, unveils private and public spaces, transgresses race and gender, and finally becomes a medium that overcomes the borders of art and life. Since there cannot be a universal definition of the human body due to its culturally performative role as a producer of interactive social spaces, this volume discusses body images from diverse cultural, historical, and disciplinary perspectives, such as art history, human kinetics and performance studies. The fourteen case studies reach from Asian to European studies, from 19th century French culture to 20th century German literature, from Polish Holocaust memoirs to contemporary dance performances, from Japanese avant-garde theatre to Makeover Reality TV shows. This volume is of interest for performance studies artists as well. By focusing on the intersection of body and space, all contributions aim to bridge the gap between art practices and theories of performativity. The innovative impulse of this approach lies in the belief that there is no distinction between performing, discussing, and theorizing the human body, and thus fosters a unique transdisciplinary and international collaboration around the theme performative body spaces. (I. Biopolitical Choreographies, II. Transcultural Topographies, III. Corporal Mediations, IV. Controlled Interfaces.)
Author: Joanne Pettitt
Publisher: Routledge
ISBN: 1351789651
Category : History
Languages : en
Pages : 333
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Book Description
Seventy years on from the liberation of Auschwitz, the contributions collected in this volume each attempt, in various ways and from various perspectives, to trace the relationship between Nazi-occupied spaces and Holocaust memory, considering the multitude of ways in which the passing of time impacts upon, or shapes, cultural constructions of space. Accordingly, this volume does not consider topographies merely in relation to geographical landscapes but, rather, as markers of allusions and connotations that must be properly eked out. Since space and time are intertwined, if not, in fact, one and the same, an investigation of the spaces – the locations of horror – in relation to the passing of time might provide some manner of comprehension of one of the most troubling moments in human history. It is with this understanding of space, as fluid sites of memory that the contributors of this volume engage: these are the kind of shifting topographies that we are seeking to trace. This book was originally published as a special issue of Holocaust Studies: A Journal of Culture and History.
![Bibliotheca Histrionica. A catalogue of the theatrical and miscellaneous library of Mr. J. Field ... which will be sold by auction, etc. [With the prices in MS.] PDF](https://books.google.com/books/content/images/frontcover/a3tZAAAAcAAJ?fife=w80-h100)
Author: John FIELD (Collector of Dramatic Literature.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 106
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Book Description
Author: John Field (dramatic collector.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
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Book Description
Author: Fabio Vighi
Publisher: Lexington Books
ISBN: 0739188364
Category : Social Science
Languages : en
Pages : 222
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Book Description
Between Urban Topographies and Political Spaces: Threshold Experiences uses the term “threshold” as a means to understand the relationship between Self and Other, as well as relationships between different cultures. The concept of “threshold” defines the relationship between inside and outside not in oppositional terms, but as complementaries. This book discusses the cultural and social “border areas” of modernity, which are to be understood not as “zones” in a territorial sense, but as “spaces in between” in which different languages and cultures operate. The essays in Between Urban Topographies and Political Spaces identify the dimension in urban topographies and political spaces where we are able to locate paradigmatic experiences of thresholds. Because these spaces are characterized by contradictions, conflicts, and aporias, we propose to rethink those hermeneutic categories that imply a sharp opposition between inside and outside. This means that the theoretical definition of threshold put forward in these essays—whether applied to history, philosophy, law, art, or cultural studies—embodies new juridical and political stances.
Author: P. Reed
Publisher: Springer
ISBN: 0230622712
Category : Performing Arts
Languages : en
Pages : 257
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Book Description
Rogue Performances recovers eighteenth and nineteenth-century American culture s fascination with outcast and rebellious characters. Highwaymen, thieves, beggars, rioting mobs, rebellious slaves, and mutineers dominated the stage in the period s most popular plays. Peter Reed also explores ways these characters helped to popularize theatrical forms such as ballad opera, patriotic spectacle, blackface minstrelsy, and melodrama. Reed shows how both on and offstage, these paradoxically powerful, persistent, and troubling figures reveal the contradictions of class and the force of the disempowered in the American theatrical imagination. Through analysis of both well known and lesser known plays and extensive archival research, this book challenges scholars to re-think their assumptions about the role of class in antebellum American drama.
Author: Paola S. Hernández
Publisher: Routledge
ISBN: 1000522490
Category : Performing Arts
Languages : en
Pages : 232
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Book Description
Fifty Key Figures in Latinx and Latin American Theatre is a critical introduction to the most influential and innovative theatre practitioners in the Americas, all of whom have been pioneers in changing the field. The chosen artists work through political, racial, gender, class, and geographical divides to expand our understanding of Latin American and Latinx theatre while at the same time offering a space to discuss contested nationalities and histories. Each entry considers the artist’s or collective’s body of work in its historical, cultural, and political context and provides a brief biography and suggestions for further reading. The volume covers artists from the present day to the 1960s—the emergence of a modern theatre that was concerned with Latinx and Latin American themes distancing themselves from an European approach. A deep and enriching resource for the classroom and individual study, this is the first book that any student of Latinx and Latin American theatre should read.
Author: Gail Bulman
Publisher: UNC Press Books
ISBN: 1469667444
Category : Drama
Languages : en
Pages : 354
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Book Description
Feeling the Gaze explores the visual elements in eight contemporary Argentine and Chilean theater performances. Gail A. Bulman shows how staged images can awaken spectators' emotions to activate their intellect, provoking nuanced and deep contemplation of social, historical, and political themes. Ranging from simple props, costumes, body movements and spatial constructions to integrated media and digital images, the aesthetic components in these pieces engage to forge multifaceted storytelling, stimulate the public's relation to memory, and create affective bonds that help build individual and collective social consciousness. Recent innovations in Southern Cone theatre aesthetics have been shifting traditional performance/spectator relationships and animating ideological discussions. The various works presented here give readers a holistic understanding of the emerging prominence of visuality and affect as a vehicle for political advocacy in Latin American theatre and performance. The book asks us to consider the formation of new spectator-performance bonds as authors, directors, and theatre groups increasingly turn toward alternative settings for their work. Lingering visual memories of the performances, together with the feelings that the performative experience stirs up, provide spectators with an enduring focal point through which to reflect on and judge what is "beyond" the performed scenes. Staged live in the Southern Cone and internationally since 2014, these plays demonstrate the transgressive power of the visual to make spectators see, feel, and potentially act against injustices and violence. This study offers comprehensive critical discussions of Teatro Banda's O'Higgins: un hombre en pedazos; Teatro Nino Proletario's Fulgor; Mario, Luiggi y sus fantasmas's Manual de carrona; Agustin Leon Pruzzo's En la sombra de la cupula; Teatro la Maria's Los millonarios; Claudio Tolcachir's Proximo; Sergio Blanco's Tebas Land; and Lola Arias's Doble de Riesgo.
