The Rules of the Game in Paris PDF Download
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Author: Nathan Leites
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Nathan Leites
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Nathan Leites
Publisher:
ISBN: 9780608125633
Category :
Languages : en
Pages : 365
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Book Description
Author: Nathan Leites
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 376
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Book Description
Author: Nathan Leites
Publisher:
ISBN:
Category :
Languages : en
Pages : 379
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Book Description
Author: Nathan Leites
Publisher:
ISBN:
Category :
Languages : en
Pages : 355
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Book Description
Author: Diagram Group
Publisher: Taylor & Francis
ISBN:
Category : Athletics
Languages : en
Pages : 320
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Book Description
Author: Jack Botermans
Publisher: Sterling Publishing Company
ISBN: 9781402742217
Category : Games & Activities
Languages : en
Pages : 744
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Book Description
This lavishly illustrated 736-page reference provides a lifetime of entertainment! It contains complete rules, playing tips, and instructive move-by-move examples of 65 fun and diverse games. They range from Senat, a pastime enjoyed by King Tut, to Hex, invented by a 20th-century mathematician; from strategy games like Siege of Paris to dice games like Chuck-a-Luck to chase games like Pachisi; from Asian Shogi to African Wari; and from traditional Chess and Go to modern creations like Mastermind and Othello. Colorful illustrations show old-time and modern players, game boards, and equipment alongside fascinating anecdotes and curious facts about games throughout history. For every player, this one’s a sure winner!
Author: Peter Wollen
Publisher: Verso Books
ISBN: 1789608155
Category : Performing Arts
Languages : en
Pages : 485
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Book Description
In this new collection of essays on film, all written over the last ten years, Peter Wollen explores an extraordinarily wide range of topics, stretching from an analysis of 'Time in Film and Video Art' to a study of 'Riff-Raff Realism' in British films. There are provocative discussions of the works of established auteur directors such as Howard Hawks and Alfred Hitchcock and of the film-making careers of such experimental movie-makers as William Burroughs and Viking Eggeling, the dadaist pioneer of abstract film. The collection also includes fascinating studies of a number of film classics, such as John Huston's Freud, Jean Renoir's Rules of the Game and Ridley Scott's Blade Runner. Other essays deal with the relationship of film to the other arts, such as dance and architecture, and explore the interaction between film and anthropology. This is not a theoretical book but it is one that suggests many new approaches to thinking about film and many unexpected connections between film studies and the history of such strangely related activities as espionage, psychoanalysis, Stalinism, love of speed and digital technology. Full of fascinating new insights, Peter Wollen's new book is based on the premise that there are no fixed ways of writing about film but, rather, a plethora of paths leading in very different directions, each contributing to a new understanding of the twentieth century's major art-form.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 526
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Book Description
Author: Michel Leiris
Publisher: Yale University Press
ISBN: 0300227833
Category : Biography & Autobiography
Languages : en
Pages : 272
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Book Description
A dazzling translation by Lydia Davis of the first volume of Michel Leiris’s masterwork, perhaps the most important French autobiographical enterprise of the twentieth century Michel Leiris, a French intellectual whose literary works inspired high praise from the likes of Simone de Beauvoir and Claude Lévi-Strauss, began the first volume of his autobiographical project at the age of 40. It was the beginning of an endeavor that ultimately required 35 years and three additional volumes. In Volume 1, Scratches, Leiris proposes to discover a savoir vivre, a mode of living that would have a place for both his poetics and his personal morality. “I can scarcely see the literary use of speech as anything but a means of sharpening one’s consciousness in order to be more—and in a better way—alive," he declares. He begins the project of uncovering memories, returning to moments and images of childhood—his father’s recording machine, the letters of the alphabet coming to life—and then of his later life—Paris under the Occupation, a journey to Africa, and a troubling fear of death.
