Author: Janet Esser
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 448

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Author: Christopher John Murray
Publisher: Routledge
ISBN: 1135455791
Category : History
Languages : en
Pages : 1303

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Book Description
In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.

Author: Hector Berlioz
Publisher: Indiana University Press
ISBN: 9780253311641
Category : Music
Languages : en
Pages : 302

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Book Description
A Travers Chants is the collection of writings selected from his thirty-odd years of musical journalism. These essays cover a wide spectrum of intellectual inquiry: Beethoven's nine symphonies and his opera, Fidelio; Wagner and the partisans of the "Music of the Future"; Berlioz's idols - Gluck, Weber, and Mozart. There is an eloquent plea to stop the constant rise in concert pitch (an issue still discussed today), a serious piece on the place of music in church, and a humorous and imaginative account of musical customs in China.

Author: Paul Fryer
Publisher: McFarland
ISBN: 078646075X
Category : Performing Arts
Languages : en
Pages : 239

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Book Description
This collection of new essays explores the role played by women practitioners in the arts during the period often referred to as the Belle Epoque, a turn of the century period in which the modern media (audio and film recording, broadcasting, etc.) began to become a reality. Exploring the careers and creative lives of both the famous (Sarah Bernhardt) and the less so (Pauline Townsend) across a remarkable range of artistic activity from composition through oratory to fine art and film directing, these essays attempt to reveal, in some cases for the first time, women's true impact on the arts at the turn of the 19th century.

Author: Helen Julia Minors
Publisher: Routledge
ISBN: 1351331094
Category : Music
Languages : en
Pages : 243

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Book Description
This book appraises the contribution of Paul Dukas (1865–1935) to a wide variety of French musical practices. As a composer, critic, artistic collaborator and teacher, Dukas was central to the fin de siècle and early twentieth-century Paris musical scene (and more broadly to the French scene). Significantly, his compositional style mediated tradition through the modern language of his present, while his critical writings pioneered a new mode of musical discourse in the French press. Of further interest are Dukas’s professional relationships with iconic figures such as Gabriel Fauré and Claude Debussy, and his role in fostering the next generation of French composers. In addition to mentoring famous names such as Olivier Messiaen and Tony Aubin, he staunchly supported his female students, notably Elsa Barraine, Claude Arrieu and Yvonne Desportes. This unique essay collection offers a panoramic perspective on a comparatively neglected French musician. Paul Dukas: Legacies of a French Musician traces two aspects of his work: Part I treats Dukas as a composer, thinker and artistic collaborator; Part II constructs his intellectual legacy as seen in his creative and pedagogic endeavours. This book is essential reading for anyone interested in fin de siècle and early twentieth-century French music, women in French music, music criticism and composition education in the Paris Conservatoire.

Author: Robert Shapiro
Publisher: Peter Owen Publishers
ISBN: 072061774X
Category : Music
Languages : en
Pages : 638

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Book Description
The absorbing, comprehensive story of an absolutely unique experiment in classical music, involving many key figures of the Dada and Surrealist movements Les Six were a group of talented composers who came together in a unique collaboration that has never been matched in classical music, and here their remarkable story is told for the first time. A musical experiment originally conceived by Erik Satie and then built upon by Jean Cocteau, Les Six were also born out of the shock of the German invasion of France in 1914—an avant-garde riposte to German romanticism and Wagnerism. Les Six were all—and still are—respected in music circles, but under the aegis of Cocteau, they found themselves moving among a whole new milieu: the likes of Picasso, René Clair, Blaise Cendrars, and Maurice Chevalier all appear in the story. But the story of Les Six goes on long after the heyday of Bohemian Paris—the group never officially disbanded and it was only in the last 20 years that the last member died; moreover, their spouses, descendents, and associates are still active, ensuring that the remarkable legacy of this unique group survives.

Author: Oscar Thompson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 2506

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Author: Rachelle Taylor
Publisher: Routledge
ISBN: 1351254944
Category : Music
Languages : en
Pages : 337

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Book Description
The twentieth-century revival of early music unfolded in two successive movements rooted respectively in nineteenth-century antiquarianism and in rediscovery of the value of original instruments. The present volume is a collection of insights reflecting the principal concerns of the second of those revivals, focusing on early keyboards, and beginning in the 1950s. The volume and its authors acknowledge Canadian harpsichordist Kenneth Gilbert (b. 1931) as one of this revival’s leaders. The content reflects international research on early keyboard music, sources, instruments, theory, editing, and discography. Considerations that echo throughout the book are the problematics of source attributions, progressive institutionalization of early music, historical instruments as agents of artistic change and education, antecedents and networks of the revival seen as a social phenomenon, the impact of historical performance and the quest for understanding style and genre. The chapters cover historical performance practice, source studies, edition, theory and form, and instrument curating and building. Among their authors are prominent figures in performance, music history, editing, instrument building and restoration, and theory, some of whom engaged with the early keyboard revival as it was happening.

Author: Deborah Mawer
Publisher: Boydell & Brewer
ISBN: 1837650322
Category : Music
Languages : en
Pages : 383

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Book Description
Brings new insights to the music of well-known European composers by telling a fascinating, little-known story about French music publishing, specifically through the lens of Jacques Durand's Édition Classique. French composers, performers and musicologists acted as editors of eighteenth- and nineteenth-century European 'classics', primarily for piano. Among these editors were Fauré, Saint-Saëns, Debussy, Ravel and Dukas; the objects of their enquiries included core works by Rameau, Bach, Mozart, Beethoven, Mendelssohn, Schumann and Chopin. Presenting six composer-editor case studies, the volume shows that the French 'accent', both musical and cultural, upon this predominantly Austro-German music was highly varied. Editorial responses range from scholarly approaches to those directed by performance or compositional agendas, and from pan-European to strongly patriotic stances. Intriguing intersections are revealed between old and new, and between French and cross-European canons. Beyond editing, the book explores the Édition's role in pedagogy and performance, including by pianists Robert Casadesus and Yvonne Loriod, and in the reassertion of contemporary French composition, especially regarding innovation around neoclassicism. It will interest a wide readership, including musicologists, performers and concert-goers, cultural historians and other humanities scholars.

Author: Abigail Fine
Publisher:
ISBN: 9780355233896
Category :
Languages : en
Pages : 427

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Book Description
This dissertation shows how material practices of composer-veneration--such as the sanctification of composers' bodily remains as relics and their houses as shrines--served as a powerful cultural force that shaped understandings of these composers' music. In Germany and Austria, it was common in the late nineteenth and early twentieth centuries to cherish locks of hair or autograph manuscripts as relics, to visit birth- and death-sites on pilgrimage, and to idealize pathology as if artists were suffering saints. The same listeners who idealized music as transcendent found themselves fascinated by traces of the composer's body, a form of secular object-fetishism that was expressed with the vocabulary of Catholicism. Art-religion (Kunstreligion ) was not only a philosophy that made art spiritual in an age of secularism; it was also practiced by music-lovers who endowed objects and spaces with sacred meaning. My case studies on the relics and houses of Beethoven and Mozart reveal that transcendent sound and material bodies served essentially the same function: both were tickets into literate society for a German middle class that defined itself by Bildung, which promised upward mobility through self-cultivation. While musicologists have made casual references to saintly composers and hagiographic biographies, the discipline has tended to dismiss these popular practices as ephemera on the fringes of music history. I argue that the impulse to collect or consecrate material traces encouraged a biographical form of listening that sought the composer's presence in the work.