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Author: Gretchen Martin
Publisher: Peter Lang
ISBN: 9780820488110
Category : Art
Languages : en
Pages : 152
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Book Description
In the antebellum South, the «plain folk» maintained social norms, ideals of honor, justice, gender, and liberty that were significantly distinct from town and planter gentility, and the humorists of the Old South captured this important distinction. Southwest humor flourished from the 1830s through the Civil War and this book provides a thorough investigation of the unique and innovative contributions of these humorists to the field of American literary realism, such as use of vernacular authenticity, complex character portraits, and the narrative technique of disclosure. Thus, when the Southwest humorists «tell about the South, » they provide an endlessly entertaining and realistic representation of the vast complexities of the antebellum South and illustrate that the roots of literary realism were sown and nurtured on the southwestern frontier.
Author: Gretchen Martin
Publisher: Peter Lang
ISBN: 9780820488110
Category : Art
Languages : en
Pages : 152
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Book Description
In the antebellum South, the «plain folk» maintained social norms, ideals of honor, justice, gender, and liberty that were significantly distinct from town and planter gentility, and the humorists of the Old South captured this important distinction. Southwest humor flourished from the 1830s through the Civil War and this book provides a thorough investigation of the unique and innovative contributions of these humorists to the field of American literary realism, such as use of vernacular authenticity, complex character portraits, and the narrative technique of disclosure. Thus, when the Southwest humorists «tell about the South, » they provide an endlessly entertaining and realistic representation of the vast complexities of the antebellum South and illustrate that the roots of literary realism were sown and nurtured on the southwestern frontier.
Author: Gretchen Martin
Publisher: Univ. Press of Mississippi
ISBN: 1496804163
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
The extensive influence of the creative traditions derived from slave culture, particularly black folklore, in the work of nineteenth- and twentieth-century black authors, such as Ralph Ellison and Toni Morrison, has become a hallmark of African American scholarship. Yet similar inquiries regarding white authors adopting black aesthetic techniques have been largely overlooked. Gretchen Martin examines representative nineteenth-century works to explore the influence of black-authored (or narrated) works on well-known white-authored texts, particularly the impact of black oral culture evident by subversive trickster figures in John Pendleton Kennedy's Swallow Barn, Harriet Beecher Stowe's Uncle Tom's Cabin, Herman Melville's Benito Cereno, Joel Chandler Harris's short stories, as well as Mark Twain's Adventures of Huckleberry Finn and Pudd'nhead Wilson. As Martin indicates, such white authors show themselves to be savvy observers of the many trickster traditions and indeed a wide range of texts suggest stylistic and aesthetic influences representative of the artistry, subversive wisdom, and subtle humor in these black figures of ridicule, resistance, and repudiation. The black characters created by these white authors are often dismissed as little more than limited, demeaning stereotypes of the minstrel tradition, yet by teasing out important distinctions between the wisdom and humor signified by trickery rather than minstrelsy, Martin probes an overlooked aspect of the nineteenth-century American literary canon and reveals the extensive influence of black aesthetics on some of the most highly regarded work by white American authors.
Author: Frank H. Goodyear (III)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
Faces of the Frontier showcases more than 120 photographic portraits of leaders, statesmen, soldiers, laborers, activists, criminals, and others, all posed before the cameras that made their way to nearly every mining shanty-town and frontier outpost on the prairie. Drawing primarily on the collection of the National Portrait Gallery, this book depicts many of the people who helped transform the West between the end of the Mexican War and passage of the Indian Citizenship Act.
Author: Lorie Watkins
Publisher: Univ. Press of Mississippi
ISBN: 1496811909
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
With contributions by Ted Atkinson, Robert Bray, Patsy J. Daniels, David A. Davis, Taylor Hagood, Lisa Hinrichsen, Suzanne Marrs, Greg O'Brien, Ted Ownby, Ed Piacentino, Claude Pruitt, Thomas J. Richardson, Donald M. Shaffer, Theresa M. Towner, Terrence T. Tucker, Daniel Cross Turner, Lorie Watkins, and Ellen Weinauer Mississippi is a study in contradictions. One of the richest states when the Civil War began, it emerged as possibly the poorest and remains so today. Geographically diverse, the state encompasses ten distinct landform regions. As people traverse these, they discover varying accents and divergent outlooks. They find pockets of inexhaustible wealth within widespread, grinding poverty. Yet the most illiterate, disadvantaged state has produced arguably the nation's richest literary legacy. Why Mississippi? What does it mean to write in a state of such extremes? To write of racial and economic relations so contradictory and fraught as to defy any logic? Willie Morris often quoted William Faulkner as saying, "To understand the world, you must first understand a place like Mississippi." What Faulkner (or more likely Morris) posits is that Mississippi is not separate from the world. The country's fascination with Mississippi persists because the place embodies the very conflicts that plague the nation. This volume examines indigenous literature, Southwest humor, slave narratives, and the literature of the Civil War. Essays on modern and contemporary writers and the state's changing role in southern studies look at more recent literary trends, while essays on key individual authors offer more information on luminaries including Faulkner, Eudora Welty, Richard Wright, Tennessee Williams, and Margaret Walker. Finally, essays on autobiography, poetry, drama, and history span the creative breadth of Mississippi's literature. Written by literary scholars closely connected to the state, the volume offers a history suitable for all readers interested in learning more about Mississippi's great literary tradition.
Author: Kathryn B. McKee
Publisher: LSU Press
ISBN: 0807170615
Category : Literary Criticism
Languages : en
Pages : 385
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Book Description
Kathryn B. McKee’s Reading Reconstruction situates Mississippi writer Katharine Sherwood Bonner McDowell (1849–1883) as an astute cultural observer throughout the 1870s and 1880s who portrayed the discord and uneasiness of the Reconstruction era in her fiction and nonfiction works. McKee reveals conflicts in Bonner’s writing as her newfound feminism clashes with her resurgent racism, two forces widely prevalent and persistently oppositional throughout the late nineteenth century. Reading Reconstruction begins by tracing the historical contexts that defined Bonner’s life in postwar Holly Springs. McKee explores how questions of race, gender, and national citizenship permeated Bonner’s social milieu and provided subject matter for her literary works. Examining Bonner’s writing across multiple genres, McKee finds that the author’s wry but dark humor satirizes the foibles and inconsistencies of southern culture. Bonner’s travel letters, first from Boston and then from the capitals of Europe, show her both embracing and performing her role as a southern woman, before coming to see herself as simply “American” when abroad. Like unto Like, the single novel she published in her lifetime, directly engages with Mississippi’s postbellum political life, especially its racial violence and the rise of Lost Cause ideology. Her two short story collections, including the raucously comic pieces in Dialect Tales and the more nostalgic Suwanee River Tales, indicate her consistent absorption in the debates of her time, as she ponders shifting definitions of citizenship, questions the evolving rhetoric of postwar reconciliation, and readily employs humor to disrupt conventional domestic scenarios and gender roles. In the end, Bonner’s writing offers a telling index of the paradoxes and irresolution of the period, advocating for a feminist reinterpretation of traditional gender hierarchies, but verging only reluctantly on the questions of racial equality that nonetheless unsettle her plots. By challenging traditional readings of postbellum southern literature, McKee offers a long-overdue reassessment of Sherwood Bonner’s place in American literary history.
Author: Brooks E. Hefner
Publisher: University of Virginia Press
ISBN: 0813940427
Category : Literary Criticism
Languages : en
Pages : 371
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Book Description
From the hard-boiled detective stories of Dashiell Hammett to the novels of Claude McKay, The Word on the Streets examines a group of writers whose experimentation with the vernacular argues for a rethinking of American modernism—one that cuts across traditional boundaries of class, race, and ethnicity. The dawn of the modernist era witnessed a transformation of popular writing that demonstrated an experimental practice rooted in the language of the streets. Emerging alongside more recognized strands of literary modernism, the vernacular modernism these writers exhibited lays bare the aesthetic experiments inherent in American working-class and ethnic language, forging an alternative pathway for American modernist practice. Brooks Hefner shows how writers across a variety of popular genres—from Gertrude Stein and William Faulkner to humorist Anita Loos and ethnic memoirist Anzia Yezierska—employed street slang to mount their own critique of genteel realism and its classist emphasis on dialect hierarchies, the result of which was a form of American experimental writing that resonated powerfully across the American cultural landscape of the 1910s and 1920s.
Author: Gretchen Martin
Publisher: Cambridge Scholars Publishing
ISBN: 1443864366
Category : Literary Collections
Languages : en
Pages : 125
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Book Description
Mark Twain utilized a unique literary device throughout his fiction by routinely omitting or suspending crucial information in terms of plot, character portraits, descriptive events, chronology, and other aspects from his texts. Twain often introduces characters with very few details regarding their personal histories; while, other information is withheld in terms of the narrative’s chronology or not addressed at all, thus producing gaps in the narrative. For example, Twain does not provide any significant information about the mothers of two of his most well-known characters, Huckleberry Finn and Tom Sawyer, nor does he provide detailed information regarding Jim’s personal history, such as how and when he became Miss Watson’s property or specific information regarding the personal history of his relationship with his wife. There are also often substantial chronological gaps in the pace Twain utilizes. There are omissions of several years at a time in Pudd’nhead Wilson and No. 44, The Mysterious Stranger, which also create gaps in the plot, particularly regarding information Twain refers to that occurred during the chronological gap, such as an account of the wedding between Morgan and Sandy in A Connecticut Yankee in King Arthur’s Court. Identifying and exploring gaps in the context of Twain’s fiction yields, as these essays demonstrate, overlooked or under-explored information, ironically generated out of these narrative omissions. The six essays included in this collection explore these issues in A Connecticut Yankee in King Arthur’s Court, No. 44, The Mysterious Stranger, Pudd’nhead Wilson, “The Man that Corrupted Hadleyburg,” and Twain’s masterpiece, Adventures of Huckleberry Finn. The authors draw from a wide range of theoretical and interpretive perspectives, ranging from reader-response theory to historical and culture studies.
Author: Silas Kaine Ezell
Publisher: Routledge
ISBN: 131711941X
Category : Social Science
Languages : en
Pages : 178
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Book Description
This book examines contemporary American animated humor, focusing on popular animated television shows in order to explore the ways in which they engage with American culture and history, employing a peculiarly American way of using humor to discuss important cultural issues. With attention to the work of American humorists, such as the Southwest humorists, Mark Twain, Dorothy Parker, and Kurt Vonnegut, and the question of the extent to which modern animated satire shares the qualities of earlier humor, particularly the use of setting, the carnivalesque, collective memory, racial humor, and irony, Humor and Satire on Contemporary Television concentrates on a particular strand of American humor: the use of satire to expose the gap between the American ideal and the American experience. Taking up the notion of ’The Great American Joke’, the author examines the discursive humor of programmes such as The Simpsons, South Park , Family Guy , King of the Hill, Daria, American Dad!, The Boondocks, The PJs and Futurama . A study of how animated television programmes offer a new discourse on a very traditional strain of American humor, this book will appeal to scholars and students of popular culture, television and media studies, American literature and visual studies, and contemporary humor and satire.
Author: Thomas B. Connery
Publisher: Northwestern University Press
ISBN: 0810127334
Category : Language Arts & Disciplines
Languages : en
Pages : 314
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Book Description
A paradigm of actuality -- Searching for the real and actual -- Stirrings and roots: urban sketches and America's flaneur -- The storytellers -- Picturing the present -- Carving out the real -- Experiments in reality -- Documenting time and place.
Author: Salvatore Attardo
Publisher: SAGE Publications
ISBN: 148334617X
Category : Language Arts & Disciplines
Languages : en
Pages : 985
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Book Description
The Encyclopedia of Humor: A Social History explores the concept of humor in history and modern society in the United States and internationally. This work’s scope encompasses the humor of children, adults, and even nonhuman primates throughout the ages, from crude jokes and simple slapstick to sophisticated word play and ironic parody and satire. As an academic social history, it includes the perspectives of a wide range of disciplines, including sociology, child development, social psychology, life style history, communication, and entertainment media. Readers will develop an understanding of the importance of humor as it has developed globally throughout history and appreciate its effects on child and adult development, especially in the areas of health, creativity, social development, and imagination. This two-volume set is available in both print and electronic formats. Features & Benefits: The General Editor also serves as Editor-in-Chief of HUMOR: International Journal of Humor Research for The International Society for Humor Studies. The book’s 335 articles are organized in A-to-Z fashion in two volumes (approximately 1,000 pages). This work is enhanced by an introduction by the General Editor, a Foreword, a list of the articles and contributors, and a Reader’s Guide that groups related entries thematically. A Chronology of Humor, a Resource Guide, and a detailed Index are included. Each entry concludes with References/Further Readings and cross references to related entries. The Index, Reader’s Guide themes, and cross references between and among related entries combine to provide robust search-and-browse features in the electronic version. This two-volume, A-to-Z set provides a general, non-technical resource for students and researchers in such diverse fields as communication and media studies, sociology and anthropology, social and cognitive psychology, history, literature and linguistics, and popular culture and folklore.
