The English Quarterly

The English Quarterly PDF Author:
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 334

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The English Quarterly

The English Quarterly PDF Author:
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 334

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Book Description


The English Review, Or, Quarterly Journal of Ecclesiastical and General Literature

The English Review, Or, Quarterly Journal of Ecclesiastical and General Literature PDF Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 546

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A Dictionary of the English Language

A Dictionary of the English Language PDF Author: Noah Webster
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 942

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The English Catalogue of Books ...

The English Catalogue of Books ... PDF Author: Sampson Low
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 934

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Volumes for 1898-1968 include a directory of publishers.

The English catalogue of books

The English catalogue of books PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 936

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Quarterly Bulletin

Quarterly Bulletin PDF Author: Nebraska. State Teachers College, Kearney
Publisher:
ISBN:
Category :
Languages : en
Pages : 138

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A Dictionnary of the English Language

A Dictionnary of the English Language PDF Author: Samuel Johnson
Publisher:
ISBN:
Category :
Languages : en
Pages : 602

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The new and complete dictionary of the English language

The new and complete dictionary of the English language PDF Author: John Ash
Publisher:
ISBN:
Category :
Languages : en
Pages : 620

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Everything and Less

Everything and Less PDF Author: Mark McGurl
Publisher: Verso Books
ISBN: 1839763876
Category : Literary Criticism
Languages : en
Pages : 337

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Book Description
National Book Critics Circle Award Finalist Best Book of Fall (Esquire) and a Most Anticipated Book of 2021 (Lit Hub) What Has Happened to Fiction in the Age of Platform Capitalism? Since it was first launched in 1994, Amazon has changed the world of literature. The “Everything Store” has not just transformed how we buy books; it has affected what we buy, and even what we read. In Everything and Less, acclaimed critic Mark McGurl explores this new world where writing is no longer categorized as high or lowbrow, literature or popular fiction. Charting a course spanning from Henry James to E. L. James, McGurl shows that contemporary writing has less to do with writing per se than with the manner of its distribution. This consumerist logic—if you like this, you might also like ...—has reorganized the fiction universe so that literary prize-winners sit alongside fantasy, romance, fan fiction, and the infinite list of hybrid genres and self-published works. This is an innovation to be cautiously celebrated. Amazon’s platform is not just a retail juggernaut but an aesthetic experiment driven by an unseen algorithm rivaling in the depths of its effects any major cultural shift in history. Here all fiction is genre fiction, and the niches range from the categories of crime and science fiction to the more refined interests of Adult Baby Diaper Lover erotica. Everything and Less is a hilarious and insightful map of both the commanding heights and sordid depths of fiction, past and present, that opens up an arresting conversation about why it is we read and write fiction in the first place.

Desire and Domestic Fiction

Desire and Domestic Fiction PDF Author: Nancy Armstrong
Publisher: Oxford University Press
ISBN: 0199879036
Category : Literary Criticism
Languages : en
Pages : 317

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Desire and Domestic Fiction argues that far from being removed from historical events, novels by writers from Richardson to Woolf were themselves agents of the rise of the middle class. Drawing on texts that range from 18th-century female conduct books and contract theory to modern psychoanalytic case histories and theories of reading, Armstrong shows that the emergence of a particular form of female subjectivity capable of reigning over the household paved the way for the establishment of institutions which today are accepted centers of political power. Neither passive subjects nor embattled rebels, the middle-class women who were authors and subjects of the major tradition of British fiction were among the forgers of a new form of power that worked in, and through, their writing to replace prevailing notions of "identity" with a gender-determined subjectivity. Examining the works of such novelists as Samuel Richardson, Jane Austen, and the Brontës, she reveals the ways in which these authors rewrite the domestic practices and sexual relations of the past to create the historical context through which modern institutional power would seem not only natural but also humane, and therefore to be desired.