The Art and Technique of Driving. [With Plates, Including Portraits.]. PDF Download
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Author: afterwards CARLSSON MOSS (and CARLSSON (Erik Hilding), Patricia Ann)
Publisher:
ISBN:
Category :
Languages : en
Pages : 191
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![The Art and Technique of Driving. [With Plates, Including Portraits.]. PDF](https://books.google.com/books/content/images/frontcover/Z8UdzQEACAAJ?fife=w80-h100)
Author: afterwards CARLSSON MOSS (and CARLSSON (Erik Hilding), Patricia Ann)
Publisher:
ISBN:
Category :
Languages : en
Pages : 191
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Book Description
![The Art and Technique of Driving. [With Plates, Including Portraits.]. PDF](https://books.google.com/books/content/images/frontcover/BOOpOwAACAAJ?fife=w80-h100)
Author: Pat Moss
Publisher:
ISBN:
Category :
Languages : en
Pages : 191
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Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 568
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Author: British Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 516
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Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1354
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Author: William Crookes
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 1106
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Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 568
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Author: Henry Sotheran Ltd
Publisher:
ISBN:
Category :
Languages : en
Pages : 474
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Author: British Library (London)
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 536
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Author: Stephanie Schrader
Publisher: Getty Publications
ISBN: 1606065521
Category : Art
Languages : en
Pages : 162
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This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.
