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Author: Sarah Kennedy
Publisher: Cambridge University Press
ISBN: 1108687881
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy's study of Eliot's poetics seeks out those images most striking in their resonance and recurrence: the 'sea-change', the 'light invisible' and the 'dark ghost'. She makes the case for these sustained metaphors as constitutive of the poet's imagination and art. Eliot was haunted by recurrence. His work is full of moments of luminous recognitions, moments in which a writer discovers both subject and appropriate image. This book examines such moments of recognition and invocation by reference to three clusters of imagery, drawing on the contemporary languages of literary criticism, psychology, physics and anthropology. Eliot's transposition of these registers, at turns wary and beguiled, interweaves modern understandings of originary processes in the human and natural world with a poet's preoccupation with language. The metaphors arising from these intersections generate the imaginative logic of Eliot's poetry.
Author: Sarah Kennedy
Publisher: Cambridge University Press
ISBN: 1108687881
Category : Literary Criticism
Languages : en
Pages : 272
Get Book Here
Book Description
How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy's study of Eliot's poetics seeks out those images most striking in their resonance and recurrence: the 'sea-change', the 'light invisible' and the 'dark ghost'. She makes the case for these sustained metaphors as constitutive of the poet's imagination and art. Eliot was haunted by recurrence. His work is full of moments of luminous recognitions, moments in which a writer discovers both subject and appropriate image. This book examines such moments of recognition and invocation by reference to three clusters of imagery, drawing on the contemporary languages of literary criticism, psychology, physics and anthropology. Eliot's transposition of these registers, at turns wary and beguiled, interweaves modern understandings of originary processes in the human and natural world with a poet's preoccupation with language. The metaphors arising from these intersections generate the imaginative logic of Eliot's poetry.
Author: Sarah Kennedy
Publisher: Cambridge University Press
ISBN: 1108425216
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
A wide-ranging and novel study of metaphor as the generative principle giving shape and substance to Eliot's poetic imagination.
Author: Jewel Spears Brooker
Publisher: JHU Press
ISBN: 1421426536
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
What principles connect—and what distinctions separate—“The Love Song of J. Alfred Prufrock,” The Waste Land, and Four Quartets? The thought-tormented characters in T. S. Eliot’s early poetry are paralyzed by the gap between mind and body, thought and action. The need to address this impasse is part of what drew Eliot to philosophy, and the failure of philosophy to appease his disquiet is the reason he gave for abandoning it. In T. S. Eliot’s Dialectical Imagination, Jewel Spears Brooker argues that two of the principles that Eliot absorbed as a PhD student at Harvard and Oxford were to become permanent features of his mind, grounding his lifelong quest for wholeness and underpinning most of his subsequent poetry. The first principle is that contradictions are best understood dialectically, by moving to perspectives that both include and transcend them. The second is that all truths exist in relation to other truths. Together or in tandem, these two principles—dialectic and relativism—constitute the basis of a continual reshaping of Eliot’s imagination. The dialectic serves as a kinetic principle, undergirding his impulse to move forward by looping back, and the relativism supports his ingrained ambivalence. Brooker considers Eliot’s poetry in three blocks, each represented by a signature masterpiece: “The Love Song of J. Alfred Prufrock,” The Waste Land, and Four Quartets. She correlates these works with stages in the poet’s intellectual and spiritual life: disjunction, ambivalence, and transcendence. Using a methodology that is both inductive—moving from texts to theories—and comparative—juxtaposing the evolution of Eliot’s mind as reflected in his philosophical prose and the evolution of style as seen in his poetry—Brooker integrates cultural and biographical contexts. The first book to read Eliot’s poems alongside all of his prose and letters, T. S. Eliot’s Dialectical Imagination will revise received readings of his mind and art, as well as of literary modernism.
Author: John D. Morgenstern
Publisher: Liverpool University Press
ISBN: 1949979091
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Volume 3 features a special forum on “Eliot and Green Modernism,” edited by Julia E. Daniel, as well as a special forum titled “First Readings of the Eliot–Hale Archive,” edited by John Whittier-Ferguson.
Author: Jason Harding
Publisher: Cambridge University Press
ISBN: 1139500155
Category : Literary Criticism
Languages : en
Pages : 433
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Book Description
T. S. Eliot's work demands much from his readers. The more the reader knows about his allusions and range of cultural reference, the more rewarding are his poems, essays and plays. This book is carefully designed to provide an authoritative and coherent examination of those contexts essential to the fullest understanding of his challenging and controversial body of work. It explores a broad range of subjects relating to Eliot's life and career; key literary, intellectual, social and historical contexts; as well as the critical reception of his oeuvre. Taken together, these chapters sharpen critical appreciation of Eliot's writings and present a comprehensive, composite portrait of one of the twentieth century's pre-eminent men of letters. Drawing on original research, T. S. Eliot in Context is a timely contribution to an exciting reassessment of Eliot's life and works, and will provide a valuable resource for scholars, teachers, students and general readers.
Author: A. David Moody
Publisher: Cambridge University Press
ISBN: 1107493706
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
In this Companion, an international team of leading T. S. Eliot scholars contribute studies of different facets of the writer's work to build up a carefully co-ordinated and fully rounded introduction. Five chapters give a complete account of Eliot's poems and plays from several distinct points of view. The major aspects and issues of his life and thought are assessed: his American origins and his becoming English; his position as a philosopher; his literary, social, and political criticism; and the evolution of his religious sense. Later chapters place his work in a number of historical perspectives; and the final chapter provides an expert review of the whole field of Eliot studies and is supplemented by a listing of the most significant publications. There is a useful chronological outline. Taken as a whole, the Companion comprises an essential handbook for students and other readers of Eliot.
Author: Thalia Trigoni
Publisher: Routledge
ISBN: 100022659X
Category : Literary Collections
Languages : en
Pages : 223
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Book Description
This book reassesses the philosophical, psychological and, above all, the literary representations of the unconscious in the early twentieth century. This period is distinctive in the history of responses to the unconscious because it gave rise to a line of thought according to which the unconscious is an intelligent agent able to perform judgements and formulate its own thoughts. The roots of this theory stretch back to nineteenth-century British physiologists. Despite the production of a number of studies on modernist theories of the relation of the unconscious to conscious cognition, the degree to which the notion of the intelligent unconscious influenced modernist thinkers and writers remains understudied. This study seeks to look back at modernism from beyond the Freudian model. It is striking that although we tend not to explore the importance of this way of thinking about the unconscious and its relationship to consciousness during this period, modernist writers adopted it widely. The intelligent unconscious was particularly appealing to literary authors as it is intertwined with creativity and artistic novelty through its ability to move beyond discursive logic. The book concentrates primarily on the works of D. H. Lawrence, Virginia Woolf and T.S. Eliot, authors who engaged the notion of the intelligent unconscious, reworked it and offered it for the consumption of the general populace in varied ways and for different purposes, whether aesthetic, philosophical, societal or ideological. Shortlisted for the Modernist Studies Association (MSA) First Book Prize and for the 2021 British Society for Literature and Science Book Prize.
Author: Lyndall Gordon
Publisher: W. W. Norton & Company
ISBN: 1324002816
Category : Biography & Autobiography
Languages : en
Pages : 382
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Book Description
Longlisted for the 2023 PEN/Jacqueline Bograd Weld Award for Biography "The most brilliant and incisive new book on Eliot." —Colm Tóibín, Irish Times Winner of the Nobel Prize in Literature, T.S. Eliot was considered the greatest English-language poet of his generation. His poems The Waste Land and Four Quartets are classics of the modernist canon, while his essays influenced a school of literary criticism. Raised in St. Louis, shaped by his youth in Boston, he reinvented himself as an Englishman after converting to the Anglican Church. Like the authoritative yet restrained voice in his prose, he was the epitome of reserve. But there was another side to Eliot, as acclaimed biographer Lyndall Gordon reveals in her new biography, The Hyacinth Girl. While married twice, Eliot had an almost lifelong love for Emily Hale, an American drama teacher to whom he wrote extensive, illuminating, deeply personal letters. She was the source of “memory and desire” in The Waste Land. She was his hidden muse. That correspondence—some 1,131 letters—released by Princeton University’s Firestone Library only in 2020—shows us in exquisite detail the hidden Eliot. Gordon plumbs the archive to recast Hale’s role as the first and foremost woman of the poet’s life, tracing the ways in which their ardor and his idealization of her figured in his art. For Eliot’s relationships, as Gordon explains, were inextricable from his poetry, and Emily Hale was not the sole woman who entered his work. Gordon sheds new light on Eliot’s first marriage to the flamboyant Vivienne; re-creates his relationship with Mary Trevelyan, a wartime woman of action; and finally, explores his marriage to the young Valerie Fletcher, whose devotion to Eliot and whose physical ease transformed him into a man “made for love.” This stunning portrait of Eliot will compel not only a reassessment of the man—judgmental, duplicitous, intensely conflicted, and indubitably brilliant—but of the role of the choice women in his life and his writings. And at the center was Emily Hale in a love drama that Eliot conceived and the inspiration for the poetry he wrote that would last beyond their time. She was his “Hyacinth Girl."
Author: Megan Quigley
Publisher: Bloomsbury Publishing
ISBN: 1350173940
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
Over a dozen new volumes of T. S. Eliot's poetry, prose, and letters have been published in the past decade. This collection presents unabashedly fresh approaches to Eliot, while simultaneously guiding readers through the new materials that are available for the first time outside of restricted archives. Eliot, the figurehead of literary modernism, continues to be someone whom critics love to hate (Misogynist! Reactionary! Anti-Semite!) and readers love to devour (Profound! Revolutionary! Resonant!). Why does one artist elicit such different responses? Eliot Now collects new and established voices in Eliot studies, integrating contemporary critical approaches with careful attention to the newly published materials. Whether grappling with the controversial new two-volume Poems, narrating the experience of opening Eliot's letters in the Emily Hale papers (until 2020 the “most famous sealed archive in the world”), or rereading his works through ecocritical or trans studies lenses, Eliot Now shows how this most effusively celebrated and heatedly criticized 20th-century writer continues to change the way we read literature in the 21st century. The collection concludes with six award-winning contemporary poets considering the influence of The Waste Land on poetry today.
Author: Matthew Hollis
Publisher: W. W. Norton & Company
ISBN: 0393651835
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
A riveting account of the making of T. S. Eliot’s celebrated poem The Waste Land on its centenary. Renowned as one of the world’s greatest poems, The Waste Land has been said to describe the moral decay of a world after war and the search for meaning in a meaningless era. It has been labeled the most truthful poem of its time; it has been branded a masterful fake. A century after its publication in 1922, T. S. Eliot’s enigmatic masterpiece remains one of the most influential works ever written, and yet one of the most mysterious. In a remarkable feat of biography, Matthew Hollis reconstructs the intellectual creation of the poem and brings the material reality of its charged times vividly to life. Presenting a mosaic of historical fragments, diaries, dynamic literary criticism, and illuminating new research, he reveals the cultural and personal trauma that forged The Waste Land through the lives of its protagonists—of Ezra Pound, who edited it; of Vivien Eliot, who sustained it; and of T. S. Eliot himself, whose private torment is woven into the seams of the work. The result is an unforgettable story of lives passing in opposing directions and the astounding literary legacy they would leave behind.
