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Author: Henry Parkes
Publisher: Cambridge University Press
ISBN: 1316240827
Category : History
Languages : en
Pages : 277
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Book Description
This highly original study examines the history and religious life of the Ottonian Church through its ritual books. With forensic attention to the writing and design of four important manuscripts from the city of Mainz - a musician's troper, a priest's ritual handbook, a bishop's pontifical and a copy of the enigmatic compilation now known as the 'Romano-German Pontifical' - Henry Parkes transforms liturgical sources into eloquent witnesses to the ecclesiastical history of early medieval Germany. He also presents the first comprehensive revision of Michel Andrieu's influential 'Romano-German Pontifical' theory, from the dual perspective of Mainz's cathedral of St Martin and its Benedictine monastery of St Alban. Challenging long-held assumptions about the geographies of Ottonian power, in particular the central role of Mainz and its archbishops, the book opens up important new ways of understanding how religious ritual was organised, transmitted and perceived.
Author: Henry Parkes
Publisher: Cambridge University Press
ISBN: 1316240827
Category : History
Languages : en
Pages : 277
Get Book Here
Book Description
This highly original study examines the history and religious life of the Ottonian Church through its ritual books. With forensic attention to the writing and design of four important manuscripts from the city of Mainz - a musician's troper, a priest's ritual handbook, a bishop's pontifical and a copy of the enigmatic compilation now known as the 'Romano-German Pontifical' - Henry Parkes transforms liturgical sources into eloquent witnesses to the ecclesiastical history of early medieval Germany. He also presents the first comprehensive revision of Michel Andrieu's influential 'Romano-German Pontifical' theory, from the dual perspective of Mainz's cathedral of St Martin and its Benedictine monastery of St Alban. Challenging long-held assumptions about the geographies of Ottonian power, in particular the central role of Mainz and its archbishops, the book opens up important new ways of understanding how religious ritual was organised, transmitted and perceived.
Author: Emma Hornby
Publisher: Boydell & Brewer
ISBN: 1843835355
Category : Music
Languages : en
Pages : 366
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Book Description
Articles on English music, from the medieval period to the present day, centred on four of the major areas of scholarly enquiry. The major themes of the essays in this collection reflect the work of the distinguished scholar John Caldwell, professor of music at Oxford University and a composer in his own right. There is a strong focus on early music, with contributions considering the medieval carol, sources for seventeenth- and eighteenth-century harpsichord music, and the transmission of fifteenth-century English music to the Continent; but they range right up to the twentieth century, with an examination of music in Oxford. All are concerned in one way or another with themes which recur in Professor Caldwell's scholarship: sources; style; performance; and historiography. Contributors: SALLY HARPER, DAVID HILEY, EMMA HORNBY, HARRY JOHNSTONE, MARGARET BENT, DAVID MAW, MATTHIAS RANGE, REINHARD STROHM, PETER WRIGHT, MAGNUS WILLIAMSON, JOHN HARPER, SIMON MCVEIGH, CHRISTOPHER PAGE, OWEN REES, SUSAN WOLLENBERG, JOHN ARTHUR SMITH, BENNETT ZON, DAVID MAW. To subscribe to the Tabula Gratulatoria for this volume, CLICK HERE
Author: Kay Brainerd Slocum
Publisher: University of Toronto Press
ISBN: 9780802036506
Category : Literary Criticism
Languages : en
Pages : 404
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Book Description
Slocum analyzes the image of Thomas Becket as presented in the liturgies composed in his honour, and examines these within the context of the political and social history of the late twelfth and early thirteenth centuries.
Author: Benjamin David Brand
Publisher: Oxford University Press, USA
ISBN: 019935135X
Category : Music
Languages : en
Pages : 321
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Book Description
Holy Treasure and Sacred Song explores the complex interplay between relic cults and the liturgy in medieval Tuscany. Drawing on documentary, literary and visual evidence rarely considered together, it reveals that liturgical texts, music, and ritual were integral to the clergy's well-informed promotion of saints buried in their churches.
Author: Malcolm Godden
Publisher: Cambridge University Press
ISBN: 0521194067
Category : History
Languages : en
Pages : 361
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Book Description
Anglo-Saxon England was the first publication to consistently embrace all the main aspects of study of Anglo-Saxon history and culture - linguistic, literary, textual, palaeographic, religious, intellectual, historical, archaeological and artistic - and which promotes the more unusual interests - in music or medicine or education, for example. Articles in volume 38 include: The Passio Andreae and The Dream of the Rood by Thomas D. Hill, Beowulf off the Map by Alfred Hiatt, Numerical Composition and Beowulf: A Re-consideration by Yvette Kisor, 'The Landed Endowment of the Anglo-Saxon Minster at Hanbury (Worcs.) by Steven Bassett, Scapegoating the Secular Clergy: The Hermeneutic Style as a Form of Monastic Self-Definition by Rebecca Stephenson, Understanding Numbers in MS London, British Library Harley by Daniel Anlezark, Tudor Antiquaries and the Vita 'dwardi Regis by Henry Summerso and Earl Godwine's Ship by Simon Keynes and Rosalind Love. A comprehensive bibliography concludes the volume, listing publications on Anglo-Saxon England during 2008.
Author: Mark Everist
Publisher: Cambridge University Press
ISBN: 1108577075
Category : Music
Languages : en
Pages :
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Book Description
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Author: John Bergsagel
Publisher: Museum Tusculanum Press
ISBN: 8763542609
Category : History
Languages : en
Pages : 350
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Book Description
This volume collects the proceedings of a symposium on the manuscript Kiel, University Library S. H. 8 A. 80, which contains the earliest copy of the so-called “Roskilde Chronicle” as well as the complete monastic Offices and Masses of the Danish saint Knud Lavard. Thirteen scholars offer a variety of analyses of the manuscript, including studies of the crusades and crusaders in the liturgy, kingship and sanctity in the lives of British and Scandinavian saints, and the writing of patriotic history.
Author: Helmut Gneuss
Publisher: University of Toronto Press
ISBN: 1442648236
Category : Literary Criticism
Languages : en
Pages : 961
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Book Description
Anglo-Saxon Manuscripts is the first publication to list every surviving manuscript or manuscript fragment written in Anglo-Saxon England between the seventh and the eleventh centuries or imported into the country during that time. Each of the 1,291 entries in Helmut Gneuss and Michael Lapidge's Bibliographical Handlist not only details the origins, contents, current location, script, and decoration of the manuscript, but also provides bibliographic entries that list facsimiles, editions, linguistic analyses, and general studies relevant to that manuscript. A general bibliography, designed to provide full details of author-date references cited in the individual entries, includes more than 4,000 items. Compiled by two of the field's greatest living scholars, the Gneuss-Lapidge Bibliographical Handlist stands to become the most important single-volume research tool to appear in the field since Greenfield and Robinson's Bibliography of Publications on Old English Literature. Their achievement in the present book will endure for many decades and serve as a catalyst for new research across several disciplines.
Author: Svetlana Kujumdzieva
Publisher: Routledge
ISBN: 1351581848
Category : History
Languages : en
Pages : 195
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Book Description
The Tropologion is considered the earliest known extant chant book from the early Christian world which was in use until the twelfth century. The study of this book is still in its infancy. It has generally been believed that the book has survived in Georgian translation under the name ‘ladgari’ but similar books have been discovered in Greek, Syriac and Armenian. All the copies clearly show that the spread and the use of the book were much greater than we had previously assumed and the Georgian ladgari is only one of its many versions. The study of these issues unquestionably confirms the earliest stage of the compilation of the book, in Jerusalem or its environs, and shows its uninterrupted development from Jerusalem to the Stoudios monastery, the most important monastery of Constantinople. Over time many new pieces and new authors were added to the Tropologion. It is almost certain that it was the Stoudios school of poet-composers that divided the content of the Tropologion and compiled separate collections of books, each one containing a major liturgical cycle. In the beginning all of the volumes kept the old title but in the tenth century the copies of the book were renamed, probably according to the liturgical repertory included, and by the thirteenth century the title ‘Tropologion’ is no longer found in the Greek sources as it became superfluous, and fell out of use.
Author: Craig A. Monson
Publisher: Boydell & Brewer
ISBN: 1580464165
Category : History
Languages : en
Pages : 338
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Book Description
Fresh and innovative takes on the dissemination of music in manuscript, print, and, now, electronic formats, revealing how the world has experienced music from the sixteenth century to the present. This collection of essays examines the diverse ways in which music and ideas about music have been disseminated in print and other media from the sixteenth century onward. Contributors look afresh at unfamiliar facets of the sixteenth-century book trade and the circulation of manuscript and printed music in the seventeenth to nineteenth centuries. They also analyze and critique new media forms, showing how a dizzying array of changing technologies has influenced what we hear, whom we hear, and how we hear. The repertoires considered include Western art music -- from medieval to contemporary -- as well as popular music and jazz. Assembling contributions from experts in a wide range of fields, such as musicology, music theory, music history, and jazz and popular music studies, Music in Print and Beyond: Hildegard von Bingen to The Beatles sets new standards for the discussion of music's place in Western cultural life. Contributors: Joseph Auner, Bonnie J. Blackburn, Gabriela Cruz, Bonnie Gordon, Ellen T. Harris, Lewis Lockwood, Paul S. Machlin, Roberta Montemorra Marvin, Honey Meconi, Craig A. Monson, Kate van Orden, Sousan L. Youens. Roberta Montemorra Marvin teaches at the University of Iowa and is the author of Verdi the Student -- Verdi the Teacher (Istituto Nazionale di Studi Verdiani, 2010) and editor of The Cambridge Verdi Encyclopedia (Cambridge University Press, 2013). Craig A. Monson is Professor of Musicology at Washington University (St Louis, Missouri) and is the author of Divas in the Convent: Nuns, Music, and Defiance in Seventeenth-Century Italy (University of Chicago Press, 2012).
