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Author: Ruth Katz
Publisher: Pendragon Press
ISBN: 9780918728685
Category :
Languages : en
Pages : 822
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Book Description
Author: Ruth Katz
Publisher: Pendragon Press
ISBN: 9780918728685
Category :
Languages : en
Pages : 822
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Book Description
Author: Wehman Bros
Publisher:
ISBN:
Category :
Languages : en
Pages : 132
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Book Description
Author: Mary Victoria Cowden CLARKE
Publisher:
ISBN:
Category :
Languages : en
Pages : 868
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Book Description
Author: Gayla Amaral
Publisher: Barney Pub
ISBN: 9781570647222
Category : Dinosaurs
Languages : en
Pages : 20
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Book Description
A book about feelings featuring Barney, the purple dinosaur.
Author: Harry Witchel
Publisher: Algora Publishing
ISBN: 0875868061
Category : Music
Languages : en
Pages : 103
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Book Description
Pondering the musicality of everything from bird songs to the language he calls "motherese," Dr. Witchel illustrates the power of music and addresses the questions: Why do we have music? What does music do to our emotions? Can animals hear and understand music? What does music do to your brain? Why do people listen to sad music? Why do some people like classical but others only like heavy metal? Is there some essential feature to all music? You Are What You Hear is an erudite and entertaining study that is unique in many ways. No other book has thoroughly elaborated the connection between music and social territory in humans, although in other music-making species scientists have shown this connection to be clear-cut. Given the wealth of scientific evidence and historical narratives presented in You Are What You Hear , an intellectual investigation of this avenue is long overdue. Written by a psychobiologist, the work straddles hard science and psychology, approaching music from a unique interdisciplinary perspective. Successfully bridging these strands of evidence, You Are What You Hear elucidates the significance of territory not only in music but in daily life. This lively and engaging book will have a broad appeal - not only to the general public, but to students interested in the relationship between music and culture. Anyone from seventeen to ninety-seven will have the potential to gain something from this book.
Author: Jill L Levenson
Publisher: Routledge
ISBN: 1317696182
Category : Literary Criticism
Languages : en
Pages : 779
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Book Description
The Shakespearean World takes a global view of Shakespeare and his works, especially their afterlives. Constantly changing, the Shakespeare central to this volume has acquired an array of meanings over the past four centuries. "Shakespeare" signifies the historical person, as well as the plays and verse attributed to him. It also signifies the attitudes towards both author and works determined by their receptions. Throughout the book, specialists aim to situate Shakespeare’s world and what the world is because of him. In adopting a global perspective, the volume arranges thirty-six chapters in five parts: Shakespeare on stage internationally since the late seventeenth century; Shakespeare on film throughout the world; Shakespeare in the arts beyond drama and performance; Shakespeare in everyday life; Shakespeare and critical practice. Through its coverage, The Shakespearean World offers a comprehensive transhistorical and international view of the ways this Shakespeare has not only influenced but has also been influenced by diverse cultures during 400 years of performance, adaptation, criticism, and citation. While each chapter is a freshly conceived introduction to a significant topic, all of the chapters move beyond the level of survey, suggesting new directions in Shakespeare studies – such as ecology, tourism, and new media – and making substantial contributions to the field. This volume is an essential resource for all those studying Shakespeare, from beginners to advanced specialists.
Author: Alexander Whitelaw
Publisher:
ISBN:
Category : Ballads, Scots
Languages : en
Pages : 634
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Book Description
Author: Erin Minear
Publisher: Routledge
ISBN: 1317063724
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
In this study, Erin Minear explores the fascination of Shakespeare and Milton with the ability of music-heard, imagined, or remembered-to infiltrate language. Such infected language reproduces not so much the formal or sonic properties of music as its effects. Shakespeare's and Milton's understanding of these effects was determined, she argues, by history and culture as well as individual sensibility. They portray music as uncanny and divine, expressive and opaque, promoting associative rather than logical thought processes and unearthing unexpected memories. The title reflects the multiple and overlapping meanings of reverberation in the study: the lingering and infectious nature of musical sound; the questionable status of audible, earthly music as an echo of celestial harmonies; and one writer's allusions to another. Minear argues that many of the qualities that seem to us characteristically 'Shakespearean' stem from Shakespeare's engagement with how music works-and that Milton was deeply influenced by this aspect of Shakespearean poetics. Analyzing Milton's account of Shakespeare's 'warbled notes,' she demonstrates that he saw Shakespeare as a peculiarly musical poet, deeply and obscurely moving his audience with language that has ceased to mean, but nonetheless lingers hauntingly in the mind. Obsessed with the relationship between words and music for reasons of his own, including his father's profession as a composer, Milton would adopt, adapt, and finally reject Shakespeare's form of musical poetics in his own quest to 'join the angel choir.' Offering a new way of looking at the work of two major authors, this study engages and challenges scholars of Shakespeare, Milton, and early modern culture.
Author: Mary Cowden- Clarke
Publisher:
ISBN:
Category :
Languages : en
Pages : 878
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Book Description
Author: Alexander WHITELAW (Poetical Antiquary.)
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 644
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Book Description
