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Author: Dirk C. Gibson
Publisher: Bloomsbury Publishing USA
ISBN: 0313080984
Category : Law
Languages : en
Pages : 257
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Book Description
The Axman of New Orleans specialized in killing grocers of Italian descent in the 1910s, apparently to promote jazz music. Dorothea Puente was a little old landlady who murdered her tenants, but kept cashing their government checks. The Manson Family terrorized California in the 1960s, as did the Hillside Stranglers a decade later. Twelve serial murder cases, occurring in eight decades between the 1890s and 1990s, had one thing in common: significant presence of the mass media. This book examines these specific cases of serial murder, and the way the media became involved in the investigations and trials of each. Gibson argues that the American media plays a multidimensional and integral role in serial killings and their investigation—and that this role is not generally a positive one. Serial murder cases motivate the media in unfortunate ways, and the result is that even typically respectable media organizations can be involved in such things as document theft, or in interfering with the capture of serial murderers on the run. This link between multiple murderers and mass communication is not accidental or coincidental; rather, the relationship between the press and serial killers is one of extraordinary importance to both parties. Gibson examines the role of the media in serial murder cases; the body of knowledge on serial murder as seen through the lens of mass communication; the effectiveness of law enforcement responses to serial murderers and how they might be improved if the mass communication influence was better understood; the magnitude of the serial murder problem; and the interaction between the media, the killers, and serial murder investigations. Specific examples and numerous quotes are provided throughout to illustrate this strange and detrimental relationship between media and serial murderers.
Author: Dirk C. Gibson
Publisher: Bloomsbury Publishing USA
ISBN: 0313080984
Category : Law
Languages : en
Pages : 257
Get Book Here
Book Description
The Axman of New Orleans specialized in killing grocers of Italian descent in the 1910s, apparently to promote jazz music. Dorothea Puente was a little old landlady who murdered her tenants, but kept cashing their government checks. The Manson Family terrorized California in the 1960s, as did the Hillside Stranglers a decade later. Twelve serial murder cases, occurring in eight decades between the 1890s and 1990s, had one thing in common: significant presence of the mass media. This book examines these specific cases of serial murder, and the way the media became involved in the investigations and trials of each. Gibson argues that the American media plays a multidimensional and integral role in serial killings and their investigation—and that this role is not generally a positive one. Serial murder cases motivate the media in unfortunate ways, and the result is that even typically respectable media organizations can be involved in such things as document theft, or in interfering with the capture of serial murderers on the run. This link between multiple murderers and mass communication is not accidental or coincidental; rather, the relationship between the press and serial killers is one of extraordinary importance to both parties. Gibson examines the role of the media in serial murder cases; the body of knowledge on serial murder as seen through the lens of mass communication; the effectiveness of law enforcement responses to serial murderers and how they might be improved if the mass communication influence was better understood; the magnitude of the serial murder problem; and the interaction between the media, the killers, and serial murder investigations. Specific examples and numerous quotes are provided throughout to illustrate this strange and detrimental relationship between media and serial murderers.
Author: Ian Cummins
Publisher: Springer
ISBN: 3030048764
Category : Law
Languages : en
Pages : 214
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Book Description
This book examines the media and cultural responses to the awful crimes of Brady and Hindley, whose murders provided a template for future media reporting on serial killers. It explores a wide variety of topics relating to the Moors Murders case including: the historical and geographical context of the murders, the reporting of the case and the unique features which have become standard for other murder cases e.g. nicknames for the serial killers, and it discusses the nature of evil and psychopaths and how they are represented in film, drama, novels and art. It also questions the ethics of the “serial killing industry” and how the modern cultural fixation on celebrity has extended to serial killers, and it explores the impact on the journalists and police officers from being involved in such cases including some interviews with them. The treatment of Brady and Hindley by the media also raises profound questions about the nature of punishment including the links between mental illness and crime and whether there is ever the prospect of redemption. This book draws on cultural studies, criminology, sociology and socio-legal studies to offers a multi-dimensional analysis of the impact of this case and then uses this as a basis for the analysis of more recent cases such as the crimes of Peter Sutcliffe and Harold Shipman.
Author: Dirk C. Gibson
Publisher: Bentham Science Publishers
ISBN: 1608058425
Category : True Crime
Languages : en
Pages : 208
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Book Description
Serial Killers Around the World: The Global Dimensions of Serial Murder compiles serial murder case studies from several countries - from Australia to Great Britain, and from Japan to Pakistan. The author has covered accounts on a wide array of serial killers including some well known felons namely Jack the Ripper, The Butcher of Mons, Martin & Marie Dumollard, as well as some of the lesser known serial slayers such as Daisy DeMelker, Yoshio Kodaira, Javed Iqbal and many more. The book highlights six dimensions of each case: the killer(s), the serial murders, other crimes, communication, the investigation and trial and punishment of the accused. Readers, both general and aspiring criminologists alike, will find Serial Killers Around the World an interesting resource for critical information on serial murders committed in nations around the world.
Author: Steve Hall
Publisher: Routledge
ISBN: 1843929147
Category : Law
Languages : en
Pages : 378
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Book Description
Steve Hall is Professor of Criminology at the Social Futures Institute, Teesside University, UK. He is the co-author of Violent Night (Berg, 2006), his recent co-authored book Criminal Identities and Consumer Culture (Willan/Routledge, 2008) has been described as ' an important landmark in criminology' and he is also the author of Theorizing Crime and Deviance: A New Perspective (Sage, 2012).
Author: Dirk Cameron Gibson
Publisher:
ISBN:
Category : Mass media and crime
Languages : en
Pages : 0
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Book Description
Author: Judith May Fathallah
Publisher: mediastudies.press
ISBN: 1951399250
Category : Social Science
Languages : en
Pages : 259
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Book Description
Killer Fandom is the first long-form treatment of serial killer fandom. Fan studies have mostly ignored this most moralized form of fandom, as a stigmatized Bad Other in implicit tension with the field’s successful campaign to recuperate the broader fan category. Yet serial killer fandom, as Judith May Fathallah shows in the book, can be usefully studied with many of the field’s leading analytic frameworks. After tracing the pre-digital history of fans, mediated celebrity, and killers, Fathallah examines contemporary fandom through the lens of textual poaching, affective community, subcultural capital, and play. With close readings of fan posts, comments, and mashups on Tumblr, TikTok, and YouTube, alongside documentaries, podcasts, and a thriving “murderabilia” industry, Killer Fandom argues that this fan culture is, in many ways, hard to distinguish from more “mainstream” fandoms. Fan creations around Aileen Wuornos, Jeffrey Dahmer, Ted Bundy, and Richard Ramirez, among others, demonstrate a complex and shifting stance toward their objects—marked by parodic humor and irony in many cases. Killer Fandom ultimately questions—given our crime-and violence-saturated media culture—whether it makes sense to set Dahmer and Wuornos “fans” apart from the rest of us.
Author: Sarah E. Fanning
Publisher: Springer Nature
ISBN: 3031178122
Category : Social Science
Languages : en
Pages : 391
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Book Description
This book explores the representation of real-life serial murders as adapted for the screen and popular culture. Bringing together a selection of essays from international scholars, Serial Killing on Screen: Adaptation, True Crime and Popular Culture examines the ways in which the screen has become a crucial site through which the most troubling of real-life crimes are represented, (re)constructed and made accessible to the public. Situated at the nexus of film and screen studies, theatre studies, cultural studies, criminology and sociology, this interdisciplinary collection raises questions about, and implications for, thinking about the adaptation and representation of true crime in popular culture, and the ideologies at stake in such narratives. It discusses the ways in which the adaptation of real-life serial murder intersects with other markers of cultural identity (gender, race, class, disability), as well as aspects of criminology (offenders, victims, policing, and profiling) and psychology (psychopathy, sociopathy, and paraphilia). This collection is unique in its combined focus on the adaptation of crimes committed by real-life criminal figures who have gained international notoriety for their plural offences, including, for example, Ted Bundy, Ian Brady and Myra Hindley, Aileen Wuornos, Jack the Ripper, and the Zodiac, and for situating the tales of these crimes and their victims’ stories within the field of adaptation studies.
Author: Dirk C. Gibson
Publisher: Bentham Science Publishers
ISBN: 1608057518
Category : True Crime
Languages : en
Pages : 242
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Book Description
The story of the unidentified serial killer in London’s Whitechapel district - known as Jack The Ripper – has been the subject of interest to researchers for over 120 years. The name ascribed to the individual was from a letter sent to the Central News Agency in London on 27 September 1888. Initially thought to be a hoax, the letter gained much publicity when the writer’s promise of clipping a lady’s ears off manifested after the discovery of the body of Catherine Eddowes with an ear lobe severed, 3 days after the letter was received. Several letters followed this and borrowed elements from the earlier correspondences. Jack the Writer: A Verbal & Visual Analysis of the Ripper Correspondence is a different approach to the subject of ‘Ripperology’. In this book, the author, Dirk Gibson, provides a quantitative content analysis of the letters. Gibson first grounds this study of the Jack the Ripper letters in an analysis of the legitimacy of the documents. The dialectic method is used to carefully consider the authenticity of these letters. The largest extant collection of Jack the Ripper letters is provided in this book, approximately 250 in number. The most significant part of this book is a trio of content analyses quantifying the themes, subjects, people and linguistic mannerisms mentioned in the Ripper letters; the analyses describe precisely what was and was not in these missives. The letters are described and presented in the context of their content, with the valid letters presented in chronological order. Jack the Writer: A Verbal & Visual Analysis of the Ripper Correspondence will give readers, whether generally interested in the ripper correspondence or undertaking courses in criminology or abnormal psychology, a glimpse of the cultural context of a serial murderer’s communication with the public and the press in Victorian times.
Author: Dean A. Dabney
Publisher: Aspen Publishing
ISBN: 1454828455
Category : Law
Languages : en
Pages : 466
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Book Description
Blending original text with research, Crime Types: A Text Reader provides a conceptually driven examination of the major types of modern crime: homicide and assault; violent sex crimes; robbery, burglary, and property crime; public order crime; and crimes within complex organizations. The author, known for his publications as well as his scholarship, uses engaging original text to introduce and conclude chapters as well as headnotes to highlight major themes, findings, and links to the broader framework. This innovative conceptual framework helps students understand the behavioral, cognitive, cultural, and social facets of different types of crime. Twenty-five selected readings from diverse voices bring the concepts to life and provide in-depth applications of the text's material. Features: full description and dynamic readings on the crime types of most concern to society homicide and assault violent sex crimes robbery, burglary, property crime public order crime crimes within complex organization provocative conceptual framework for understanding of patterns of offending, victimization, crime settings, and societal responses diverse voices and compelling writing add real-life immediacy and authenticity to the study of the dominant social, behavioral, cognitive, and cultural dimensions of crime headnotes to each reading highlight major conceptual themes, findings, and links to the broader framework discussion questions engage readers in broader questions of cause, response, and prevention key terms included for each chapter wide-ranging references to major resources for further reading and research stellar authorship widely published and highly regarded scholar special interests in criminal justice, organizational culture within law enforcement agencies, forms of deviance and criminal behaviors in organizational settings, and qualitative research methods
Author: Denise L. Bissler
Publisher: McFarland
ISBN: 0786491353
Category : Performing Arts
Languages : en
Pages : 262
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Book Description
A scan of today's television programming reveals numerous media stories, factual and fictional, featuring some aspect of crime. These depictions can stray far from reality, with the effect of creating and reinforcing distorted impressions. This collection offers a sociological analysis of race, class, and gender stereotypes within crime media. Essays discuss particular examples of inequalities and stereotypes, consider the implications of such portrayals, and demonstrate how they influence the public's expectations and beliefs about real-world crime.
