Author: Frederick Delius
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 254
Book Description
Romeo und Julia auf dem Dorfe
Author: Frederick Delius
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 254
Book Description
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 254
Book Description
Village Romeo and Juliet
Author: Keller Gottfried
Publisher: Alma Books
ISBN: 0714547735
Category : Fiction
Languages : en
Pages : 129
Book Description
"e;A Village Romeo and Juliet"e; is a bitter-sweet tragedy telling the tale of two young lovers kept apart by a family feud. Inspired by the suicides of two real-life sweethearts and set in rural Switzerland, it evokes the overwhelming beauty of young love and nature, but is ultimately pessimistic about the possibility of such beauty surviving in the real world. Although it attracted controversy when it was first published in 1856, Keller's timeless story has now rightfully entered the canon of world literature and is widely considered as one of the finest examples of nineteenth-century poetic realism.
Publisher: Alma Books
ISBN: 0714547735
Category : Fiction
Languages : en
Pages : 129
Book Description
"e;A Village Romeo and Juliet"e; is a bitter-sweet tragedy telling the tale of two young lovers kept apart by a family feud. Inspired by the suicides of two real-life sweethearts and set in rural Switzerland, it evokes the overwhelming beauty of young love and nature, but is ultimately pessimistic about the possibility of such beauty surviving in the real world. Although it attracted controversy when it was first published in 1856, Keller's timeless story has now rightfully entered the canon of world literature and is widely considered as one of the finest examples of nineteenth-century poetic realism.
Romeo and Juliet in European Culture
Author: Juan F. Cerdá
Publisher: John Benjamins Publishing Company
ISBN: 9027264783
Category : Literary Criticism
Languages : en
Pages : 345
Book Description
With its roots deep in ancient narrative and in various reworkings from the late medieval and early modern period, Shakespeare’s Romeo and Juliet has left a lasting trace on modern European culture. This volume aims to chart the main outlines of this reception process in the broadest sense by considering not only critical-scholarly responses but also translations, adaptations, performances and various material and digital interventions which have, from the standpoint of their specific local contexts, contributed significantly to the consolidation of Romeo and Juliet as an integral part of Europe’s cultural heritage. Moving freely across Europe’s geography and history, and reflecting an awareness of political and cultural backgrounds, the volume suggests that Shakespeare’s tragedy of youthful love has never ceased to impose itself on us as a way of articulating connections between the local and the European and the global in cases where love and hatred get in each other’s way. The book is concluded by a selective timeline of the play’s different materialisations.
Publisher: John Benjamins Publishing Company
ISBN: 9027264783
Category : Literary Criticism
Languages : en
Pages : 345
Book Description
With its roots deep in ancient narrative and in various reworkings from the late medieval and early modern period, Shakespeare’s Romeo and Juliet has left a lasting trace on modern European culture. This volume aims to chart the main outlines of this reception process in the broadest sense by considering not only critical-scholarly responses but also translations, adaptations, performances and various material and digital interventions which have, from the standpoint of their specific local contexts, contributed significantly to the consolidation of Romeo and Juliet as an integral part of Europe’s cultural heritage. Moving freely across Europe’s geography and history, and reflecting an awareness of political and cultural backgrounds, the volume suggests that Shakespeare’s tragedy of youthful love has never ceased to impose itself on us as a way of articulating connections between the local and the European and the global in cases where love and hatred get in each other’s way. The book is concluded by a selective timeline of the play’s different materialisations.
Scott, Dickens, Eliot, Hardy
Author: Adrian Poole
Publisher: Bloomsbury Publishing
ISBN: 1441107509
Category : Literary Criticism
Languages : en
Pages : 379
Book Description
Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. In this volume, leading scholars assess the contribution of Sir Walter Scott, Charles Dickens, George Eliot and Thomas Hardy to the afterlife and reception of Shakespeare and his plays. Each substantial contribution assesses the double impact of Shakespeare on the figure covered and of the figure on the understanding, interpretation and appreciation of Shakespeare, provide a sketch of their subject's intellectual and professional biography and an account of the wider cultural context, including comparison with other figures or works within the same field.
Publisher: Bloomsbury Publishing
ISBN: 1441107509
Category : Literary Criticism
Languages : en
Pages : 379
Book Description
Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. In this volume, leading scholars assess the contribution of Sir Walter Scott, Charles Dickens, George Eliot and Thomas Hardy to the afterlife and reception of Shakespeare and his plays. Each substantial contribution assesses the double impact of Shakespeare on the figure covered and of the figure on the understanding, interpretation and appreciation of Shakespeare, provide a sketch of their subject's intellectual and professional biography and an account of the wider cultural context, including comparison with other figures or works within the same field.
The Oxford Dictionary of Musical Works
Author: Alison Latham
Publisher: Oxford University Press, USA
ISBN: 0198610203
Category : Music
Languages : en
Pages : 222
Book Description
Anyone who listens to or plays classical music often wants to put the pieces they encounter in context - to check information ranging from who wrote the piece, or the date of its first performance, to how it acquired its title, or whether it was commissioned for a specific person or occasion. General dictionaries of music only cover a limited number of musical works, and include very little detail. The new Oxford Dictionary of Musical Works provides short articles on over 1750 musical works from earliest times to the present day, providing a comprehensive but handy reference. Entries encompass a broad spectrum of genres - from opera, ballet, choral and vocal music, orchestral, chamber and instrumental pieces, to nicknamed works, collections, national anthems, hymn tunes, and traditional melodies. Each entry outlines the genre to which the piece belongs; the librettist or author of the text, including any literary source; the number of acts or movements; the scoring - includingdetails of the instrumentalists and vocalists needed to perform the piece; how it came to be commissioned; the place and date of its first performance; any subsequent arrangements or revisions; and any additional important or entertaining information.
Publisher: Oxford University Press, USA
ISBN: 0198610203
Category : Music
Languages : en
Pages : 222
Book Description
Anyone who listens to or plays classical music often wants to put the pieces they encounter in context - to check information ranging from who wrote the piece, or the date of its first performance, to how it acquired its title, or whether it was commissioned for a specific person or occasion. General dictionaries of music only cover a limited number of musical works, and include very little detail. The new Oxford Dictionary of Musical Works provides short articles on over 1750 musical works from earliest times to the present day, providing a comprehensive but handy reference. Entries encompass a broad spectrum of genres - from opera, ballet, choral and vocal music, orchestral, chamber and instrumental pieces, to nicknamed works, collections, national anthems, hymn tunes, and traditional melodies. Each entry outlines the genre to which the piece belongs; the librettist or author of the text, including any literary source; the number of acts or movements; the scoring - includingdetails of the instrumentalists and vocalists needed to perform the piece; how it came to be commissioned; the place and date of its first performance; any subsequent arrangements or revisions; and any additional important or entertaining information.
Frederick Delius
Author: Lionel Carley
Publisher: Routledge
ISBN: 0429849192
Category : Biography & Autobiography
Languages : en
Pages : 318
Book Description
First published in 1998, Carley collates twelve essays by an international group of contributors reflects the truly cosmopolitan nature of Delius’s life and his music. They reveal the manner in which he absorbed the culture of the nations he came to know, their music, art and literature, and the influences they brought to bare on his own work. Also discussed are some of the often mixed, but rarely equivocal reactions that performances of his music have reactions over the years, with Lionel Carley’s in-depth study of the first production of Foleraadet in 1897, and a wide ranging analysis by Don Gillespie and Robert Beckhard of the critical reception of Delius’s music in the United States between 1909 and 1920.
Publisher: Routledge
ISBN: 0429849192
Category : Biography & Autobiography
Languages : en
Pages : 318
Book Description
First published in 1998, Carley collates twelve essays by an international group of contributors reflects the truly cosmopolitan nature of Delius’s life and his music. They reveal the manner in which he absorbed the culture of the nations he came to know, their music, art and literature, and the influences they brought to bare on his own work. Also discussed are some of the often mixed, but rarely equivocal reactions that performances of his music have reactions over the years, with Lionel Carley’s in-depth study of the first production of Foleraadet in 1897, and a wide ranging analysis by Don Gillespie and Robert Beckhard of the critical reception of Delius’s music in the United States between 1909 and 1920.
Handbook of Intermediality
Author: Gabriele Rippl
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110393786
Category : Literary Criticism
Languages : en
Pages : 850
Book Description
This handbook offers students and researchers compact orientation in their study of intermedial phenomena in Anglophone literary texts and cultures by introducing them to current academic debates, theoretical concepts and methodologies. By combining theory with text analysis and contextual anchoring, it introduces students and scholars alike to a vast field of research which encompasses concepts such as intermediality, multi- and plurimediality, intermedial reference, transmediality, ekphrasis, as well as related concepts such as visual culture, remediation, adaptation, and multimodality, which are all discussed in connection with literary examples. Hence each of the 30 contributions spans both a theoretical approach and concrete analysis of literary texts from different centuries and different Anglophone cultures.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110393786
Category : Literary Criticism
Languages : en
Pages : 850
Book Description
This handbook offers students and researchers compact orientation in their study of intermedial phenomena in Anglophone literary texts and cultures by introducing them to current academic debates, theoretical concepts and methodologies. By combining theory with text analysis and contextual anchoring, it introduces students and scholars alike to a vast field of research which encompasses concepts such as intermediality, multi- and plurimediality, intermedial reference, transmediality, ekphrasis, as well as related concepts such as visual culture, remediation, adaptation, and multimodality, which are all discussed in connection with literary examples. Hence each of the 30 contributions spans both a theoretical approach and concrete analysis of literary texts from different centuries and different Anglophone cultures.
Frederick Delius
Author: Mary Christison Huismann
Publisher: Routledge
ISBN: 1135848971
Category : Music
Languages : en
Pages : 398
Book Description
Frederick Delius is among the most celebrated English composers of the 20th century. Widely studied and performed, his works are considered models of the British impressionist school and continue to fascinate students and scholars centuries later. This research guide serves as a ready reference for students and scholars, but will also be interesting to read and useful for anyone who wants to know where to begin to learn more about this important composer.
Publisher: Routledge
ISBN: 1135848971
Category : Music
Languages : en
Pages : 398
Book Description
Frederick Delius is among the most celebrated English composers of the 20th century. Widely studied and performed, his works are considered models of the British impressionist school and continue to fascinate students and scholars centuries later. This research guide serves as a ready reference for students and scholars, but will also be interesting to read and useful for anyone who wants to know where to begin to learn more about this important composer.
The Music of Frederick Delius
Author: Jeremy Dibble
Publisher: Boydell & Brewer
ISBN: 1783275774
Category : Music
Languages : en
Pages : 565
Book Description
This book examines Delius's individual approaches to genre, form, harmony, orchestration and literary texts which gave the composer's musical style such a unique voice.
Publisher: Boydell & Brewer
ISBN: 1783275774
Category : Music
Languages : en
Pages : 565
Book Description
This book examines Delius's individual approaches to genre, form, harmony, orchestration and literary texts which gave the composer's musical style such a unique voice.
Interlinguicity, Internationality, and Shakespeare
Author: Michael Saenger
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773596909
Category : Literary Criticism
Languages : en
Pages : 291
Book Description
Languages have become more mobile than ever before, producing translations, transplantations, and cohabitations of all kinds. The early modern period also witnessed profound linguistic transformation, but in very different ways. Interlinguicity, Internationality, and Shakespeare undoes the illusion that Shakespeare wrote in what we now think of as English. In a series of essays approaching Shakespeare from unique and thought-provoking perspectives, contributors from history, performance criticism, and comparative literature look at "interlinguicity," the condition of being between languages, and "internationality," the condition of being between countries. Each essay focuses on local issues, such as community identification in the Netherlands of Shakespeare’s time and the appropriation of Shakespeare in German literature in the nineteenth century, to suggest that Shakespeare never wrote "in" English because English was not then, nor is it now, an intact, knowable system. Many languages existed in sixteenth-century London, and English did not have clear limits. Interlinguicity, Internationality, and Shakespeare helps to explain the hybridity that Shakespeare embraced in all his writing. Contributors include Paula Blank (College of William and Mary), Lauren Coker (Saint Louis University), Brian Gingrich (Princeton University), Alexa Huang (George Washington University), James Loehlin (University of Texas at Austin), Scott Newstok (Rhodes College), Patricia Parker (Stanford University), Elizabeth Pentland (York University), Philip Schwyzer (University of Exeter), Gary Waite (University of New Brunswick), and Robert N. Watson (University of California, Los Angeles)
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773596909
Category : Literary Criticism
Languages : en
Pages : 291
Book Description
Languages have become more mobile than ever before, producing translations, transplantations, and cohabitations of all kinds. The early modern period also witnessed profound linguistic transformation, but in very different ways. Interlinguicity, Internationality, and Shakespeare undoes the illusion that Shakespeare wrote in what we now think of as English. In a series of essays approaching Shakespeare from unique and thought-provoking perspectives, contributors from history, performance criticism, and comparative literature look at "interlinguicity," the condition of being between languages, and "internationality," the condition of being between countries. Each essay focuses on local issues, such as community identification in the Netherlands of Shakespeare’s time and the appropriation of Shakespeare in German literature in the nineteenth century, to suggest that Shakespeare never wrote "in" English because English was not then, nor is it now, an intact, knowable system. Many languages existed in sixteenth-century London, and English did not have clear limits. Interlinguicity, Internationality, and Shakespeare helps to explain the hybridity that Shakespeare embraced in all his writing. Contributors include Paula Blank (College of William and Mary), Lauren Coker (Saint Louis University), Brian Gingrich (Princeton University), Alexa Huang (George Washington University), James Loehlin (University of Texas at Austin), Scott Newstok (Rhodes College), Patricia Parker (Stanford University), Elizabeth Pentland (York University), Philip Schwyzer (University of Exeter), Gary Waite (University of New Brunswick), and Robert N. Watson (University of California, Los Angeles)