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Author: American Commission for the Protection and Salvage of Artistic and Historic Monuments in War Areas
Publisher:
ISBN:
Category : Art treasures in war
Languages : en
Pages : 266
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Book Description
Author: American Commission for the Protection and Salvage of Artistic and Historic Monuments in War Areas
Publisher:
ISBN:
Category : Art treasures in war
Languages : en
Pages : 266
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Archives
Languages : en
Pages : 76
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Book Description
![Report of the American Commission for the Protection and Salvage of Artistic and Historic Monuments in War Areas. [With Illustrations.]. PDF](https://books.google.com/books/content/images/frontcover/kbTd0AEACAAJ?fife=w80-h100)
Author: American Commission for the Protection and Salvage of Artistic and Historic Monuments in War Areas
Publisher:
ISBN:
Category : Art treasures in war
Languages : en
Pages : 0
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Book Description
Author: Jacques Schuhmacher
Publisher: UCL Press
ISBN: 180008689X
Category : Art
Languages : en
Pages : 196
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Book Description
When we look at the artworks on display in museums, there is always a real possibility that some of these objects once belonged to victims of the Nazis – a possibility that has remained unacknowledged for far too long. Countless artworks were seized or forcibly sold, with many ending up in museum collections around the world, even in countries which actively fought to defeat Nazi Germany. Nazi-Era Provenance of Museum Collections equips readers with the knowledge and strategies essential for confronting the shadow of the Nazi past in museum collections. Jacques Schuhmacher provides the vital historical orientation required to understand the Nazis’ complex campaign of systematic dispossession and extermination, and highlights the current environment in which museum-based Nazi-era provenance research takes place. This book introduces readers to the research methods and resources that can be used to reveal the moving stories behind the objects, highlighting the absorbing work of provenance researchers as it plays out in practice. Provenance research not only seeks to recover erased names and experiences and to reinsert them into a historical record, but also to ensure that the Nazis’ actions and worldview do not remain unchallenged in the galleries and storerooms of our museums today. Praise for Nazi-Era Provenance of Museum Collections ‘Jacques Schuhmacher has written a hugely powerful, instructive and important book, tracing the historic responsibility of the museum world in addressing the legacy of Nazi-era loot. Fluently combining extensive historical scholarship with his expert understanding of investigative tools, this study uses compelling examples of restitution cases to show how provenance research should be done and, crucially, why it must be done.’ Dr Tristram Hunt, Director of the V&A ‘A timely work drawing upon first-hand experience in Nazi-era provenance research, providing a unique insight into the difficulties thrown up by the period. This book is sure to become a point of reference for those working in the field.’ His Honour Judge Baumgartner, Deputy Chair, UK Spoliation Advisory Panel ‘It is crucially important that we continue researching the history of ownership of our museum collections. Only then can historic wrongs begin to be rectified. By providing both a broad overview and individual case studies, Schuhmacher offers invaluable guidance on the complexities of Nazi-era provenance research’. Gabriele Finaldi, Director of the National Gallery ‘A timely and user-friendly addition to the Provenance literature. Schuhmacher provides a how-to manual (complete with website addresses) and a much-needed clarification of immediate post-war restitution efforts. A must-have for all museum and art-world professionals.’ Lynn H. Nicholas, author of The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War ‘Allowing readers to understand the complex world of Nazi-era provenance research, this book is both a guide and a moving work of research in its own right. Jacques Schuhmacher is uniquely placed to write this book and to further the goal of material restitution.’ Professor Dan Stone, Director of the Holocaust Research Institute, Royal Holloway University of London ‘This is the place to start for anyone wanting to know about provenance research into looted Nazi-era works of art, or wanting to do the research themselves.’ Lord Inglewood, Chairman of the UK Advisory Group on Spoliation Matters
Author:
Publisher: Oxford University Press
ISBN: 0197610587
Category : Law
Languages : en
Pages : 497
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Book Description
Conflict over cultural heritage has increasingly become a standard part of war. Today, systematic exploitation, manipulation, attacks, and destruction of cultural heritage by state and non-state actors form part of most violent conflicts across the world. Such acts are often intentional and based on well-planned strategies for inflicting harm on groups of people and communities. With this increasing awareness of the role cultural heritage plays in war, scholars and practitioners have progressed from seeing conflict-related destruction of cultural heritage as a cultural tragedy to understanding it as a vital national security issue. There is also a shift from the desire to protect cultural property for its own sake to viewing its protection as connected to broader agendas of peace and security. Concerns about cultural heritage have thus migrated beyond the cultural sphere to worries about the protection of civilians, the financing of terrorism, societal resilience, post-conflict reconciliation, hybrid warfare, and the geopolitics of territorial conflicts. This volume seeks to deepen public understanding of the evolving nexus between cultural heritage and security in the twenty-first century. Drawing on a variety of disciplines and perspectives, the chapters in this volume examine a complex set of relationships between the deliberate destruction and misuse of cultural heritage in times of conflict, on the one hand, and basic societal values, legal principles, and national security, on the other.
Author: Arthur J. McLaughlin, Jr.
Publisher: McFarland
ISBN: 1476644837
Category : Art
Languages : en
Pages : 229
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Book Description
This first comprehensive analysis of the Third Reich's efforts to confiscate, loot, censor and influence art begins with a brief history of the looting of artworks in Western history. The artistic backgrounds of Adolf Hitler and Hermann Goring are examined, along with the various Nazi art looting organizations, and Nazi endeavors to both censor and manipulate the arts for propaganda purposes. Long-held beliefs about the Nazi destruction of "degenerate art" are examined, drawing on recently developed university databases, new translations of original documents and recently discovered information. Theft and destruction of artworks by the Allies and looting by Soviet trophy brigades are also documented.
Author:
Publisher:
ISBN:
Category : Archives
Languages : en
Pages : 860
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Book Description
Includes sections "Reviews of books" and "Abstracts of archive publications (Western and Eastern Europe)."
Author: Kathleen Berrin
Publisher: Rowman & Littlefield
ISBN: 1538134098
Category : Art
Languages : en
Pages : 389
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Book Description
The uneasy relationship between the arts, US art museums, and the federal government has not been thoroughly explored by scholars. This book focuses on the development of “national diplomacy exhibitions” during World War II and the early Cold War and explains how the War provided the government with an impetus to create a national arts policy. It discusses how national diplomacy exhibitions on US soil were deployed as persuasive tools to influence public opinion, to reconcile discrepancies between high art and democracy, and to resolve America’s lagging art status and difficulties with “the foreign.” The type of soft diplomacy that art museums provide by initiating national diplomacy exhibitions has not received emphasis in the scholarly community and art museums have essentially been ignored in cultural studies of the early Cold War. Scholarly analysis of museum exhibitions in the last quarter of the 20th century is now a popular topic, but investigations of exhibitions between 1939-1960 have been thin. By scrutinizing major exhibitions during those formative years this book takes a new perspective and examines the foundational development of the so-called “blockbuster” exhibition stimulated by World War II. The book will interest readers in visual studies, history, museums, cultural affairs, government, and international diplomacy.
Author: Laurie Watson Rush
Publisher: Boydell Press
ISBN: 1843837528
Category : Art
Languages : en
Pages : 242
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Book Description
From Lawrence of Arabia to the Monuments Men to the contributors within this volume, academic scholars have found themselves engaged in conflict areas, in topics involving conflict, and in unlikely partnerships with military professionals. Motives and methods have varied dramatically over the years, but the over-riding theme of this volume is stewardship. In each case, an author has encountered a situation where their expertise has offered the potential to help save archaeological properties, historical structures, and sacred places - or has documented the process. Drawing on major contributions from seven armed forces, amongst others, this book aims to set out the obligations to protect cultural heritage under international Conventions; provide a series of case studies of current military practice; and outline the current efforts to enhance this. Overall, it offers examples, anecdotes, and lessons learned that can be used for consideration in planning future efforts for global archaeological stewardship.--Résumé de l'éditeur.
Author: Jeffry M. Diefendorf
Publisher: Oxford University Press
ISBN: 0195361091
Category : History
Languages : en
Pages : 424
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Book Description
In 1945 Germany's cities lay in ruins, destroyed by Allied bombers `hat left major architectural monuments badly damaged and much of the housing stock reduced to rubble. At the war's end, observers thought that it would take forty years to rebuild, but by the late 1950s West Germany's cities had risen anew. The housing crisis had been overcome and virtually all important monuments reconstructed, and the cities had reclaimed their characteristic identities. Everywhere there was a mixture of old and new: historic churches and town halls stood alongside new housing and department stores; ancient street layouts were crossed or encircled by wide arteries; old city centers were balanced by garden suburbs laid out according to modern planning principles. In this book, Diefendorf examines the questions raised by this remarkable feat of urban reconstruction. He explains who was primarily responsible, what accounted for the speed of rebuilding, and how priorities were set and decisions acted upon. He argues that in such crucial areas as architectural style, urban planning, historic preservation, and housing policy, the Germans drew upon personnel, ideas, institutions, and practical experiences from the Nazi and pre-Nazi periods. Diefendorf shows how the rebuilding of West Germany's cities after 1945 can only be understood in terms of long-term continuities in urban development.
