Portrait d'homme: demi-figure; habit noir et col rabattu. Cadre sculpté et doré. Toile. Haut. 52 cent.; larg. 44 cent

Portrait d'homme: demi-figure; habit noir et col rabattu. Cadre sculpté et doré. Toile. Haut. 52 cent.; larg. 44 cent PDF Author: Anonymous
Publisher:
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Category :
Languages : it
Pages : 0

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Beau portrait d'un personnage vu en demi-figure. Il porte de longs cheveux, un laige chapeau noir et un col blanc rabattu bordé de fines dentelles; la main gauche, posée sur la poitrine se détache sur la robe noire. Beau coloris et exécution soignée. Cadre sculpté et doré. Toile. Haut. 71 cent.; larg. 60 cent

Beau portrait d'un personnage vu en demi-figure. Il porte de longs cheveux, un laige chapeau noir et un col blanc rabattu bordé de fines dentelles; la main gauche, posée sur la poitrine se détache sur la robe noire. Beau coloris et exécution soignée. Cadre sculpté et doré. Toile. Haut. 71 cent.; larg. 60 cent PDF Author: Flemish school
Publisher:
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Category :
Languages : it
Pages : 0

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Portrait d'homme, en buste; robe noire et col blanc. Cadre noir et or. Toile rapportée sur bois. Haut. 52 cent.; larg. 38 cent

Portrait d'homme, en buste; robe noire et col blanc. Cadre noir et or. Toile rapportée sur bois. Haut. 52 cent.; larg. 38 cent PDF Author: Anonymous
Publisher:
ISBN:
Category :
Languages : it
Pages : 0

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Gustave Courbet

Gustave Courbet PDF Author: Georges Riat
Publisher: Parkstone Press
ISBN:
Category : Art
Languages : en
Pages : 266

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Book Description
Child of materialism and positivism, Courbet was without a doubt one of the most complex painters of the nineteenth century. Symbolising the rejection of traditions, Courbet did not hesitate to confront the public with the truth by liberating painting of conventional rules. He became from then on the leader of pictorial realism.

Dictionary of Pastellists Before 1800

Dictionary of Pastellists Before 1800 PDF Author: Neil Jeffares
Publisher: Unicorn Publishing Group
ISBN:
Category : Art
Languages : en
Pages : 768

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Book Description
*Records of some 20,000 pastels in public collections or known from exhibition and auction catalogues, including pastels by anonymous artists*Entries on 1250 named artists*5000 reproductions (2000 in color), many never before published, and references to all known reproductions of other pastels*A survey placing the major artists of the various schools in an historical context and explaining the technical features of the pastel*A list of exhibitions from 1704 to 2005, including livrets and contemporary criticism for the major exhibitions in Paris, London and elsewhere before 1800*A topographical index locating pastels in public collections worldwide*An index of some 7000 sittersPastels are lluminous and beautiful beyond all other pictures, wrote the English eighteenth century pastelist Francis Cotes, describingthe sensual appeal of this special dust rubbed into paper which has enchanted connoisseurs ever since. But the history of pastels is one of compounded mistakes and misattributions: these intimate portraits, whose subjects range from dynasts to servants, have been neglected for the better researched areas of old master drawings and oil painting. This Dictionary sets out to establish, for the first time, a convincing body of knowledge to help identify and attribute works by both major artists and the obscure "petits-maStres." It is an essential academic resource for art historians, a vital tool for collectors and dealers, and a treasure-trove for anyone interested in costume or social and political history. Pastels from the French school account for more than half the Dictionary, representing most of the more important artists such as Vivien, Nattier, La Tour, Perronneau, Labille-Guiard and VigHe Le Brun. But there were other major pastelists, such as Copley, Russell, Mengs, Carriera and Liotard fro

Rethinking Boucher

Rethinking Boucher PDF Author: Melissa Lee Hyde
Publisher: Getty Publications
ISBN: 9780892368259
Category : Art
Languages : en
Pages : 304

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Book Description
"Unequivocally a modern, Francois Boucher (1703-70) defined the French artistic avant-garde throughout his career. Yet the triumph of modernist aesthetics - with its focus on the self-critical, the autonomous, and the intellectually challenging - has long discouraged art historians and other viewers from taking Boucher's playful and alluring works seriously. Rethinking Boucher revisits the cultural meanings and reception of his diverse oeuvre, inviting us to revise the interpretive cliches by which we have sought to tame this artist and his epoch."--BOOK JACKET.

Stranded

Stranded PDF Author: Joris-Karl Huysmans
Publisher: Dedalus European Classics
ISBN:
Category : Fiction
Languages : en
Pages : 274

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Book Description
Jacques' waking reveries and daydreams are balanced by a succession of dreams and nightmares that explore the seemingly irrational, often grotesque, world of unconscious desire, producing a series of images that challenges anything to be found in the fantasies of 'Against Nature', or the Satanic obsessions of 'La-Bas'."

Ligeia

Ligeia PDF Author: Edgar Allan Poe
Publisher: Leone Editore
ISBN: 8892967657
Category : Fiction
Languages : it
Pages : 49

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Book Description
Un anonimo narratore ci racconta del suo amore perduto Ligeia, una donna alta, dai capelli neri, estremamente intelligente, che credeva che la morte potesse essere sconfitta con la forza di volontà. Inoltre era innamorata in maniera ossessiva del marito, lo idolatrava, ricambiata. Quando lei muore lui è affranto. Qualche tempo dopo decide di andare avanti con la sua vita e si risposa. Strane cose cominciano ad accadere mentre il narratore continua a pensare sempre di più al suo primo amore, Ligeia…

En Route

En Route PDF Author: Joris-Karl Huysmans
Publisher:
ISBN:
Category : Catholic converts
Languages : en
Pages : 340

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Architectural Space in Eighteenth-Century Europe

Architectural Space in Eighteenth-Century Europe PDF Author: Meredith Martin
Publisher: Routledge
ISBN: 1351576062
Category : Art
Languages : en
Pages : 428

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Book Description
Architectural Space in Eighteenth-Century Europe: Constructing Identities and Interiors explores how a diverse, pan-European group of eighteenth-century patrons - among them bankers, bishops, bluestockings, and courtesans - used architectural space and décor to shape and express identity. Eighteenth-century European architects understood the client's instrumental role in giving form and meaning to architectural space. In a treatise published in 1745, the French architect Germain Boffrand determined that a visitor could "judge the character of the master for whom the house was built by the way in which it is planned, decorated and distributed." This interdisciplinary volume addresses two key interests of contemporary historians working in a range of disciplines: one, the broad question of identity formation, most notably as it relates to ideas of gender, class, and ethnicity; and two, the role played by different spatial environments in the production - not merely the reflection - of identity at defining historical and cultural moments. By combining contemporary critical analysis with a historically specific approach, the book's contributors situate ideas of space and the self within the visual and material remains of interiors in eighteenth-century Europe. In doing so, they offer compelling new insight not only into this historical period, but also into our own.