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Author: Andrea Brady
Publisher: Cambridge University Press
ISBN: 110884572X
Category : Literary Criticism
Languages : en
Pages : 437
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Book Description
Offering a new theory of poetic constraint, this book analyses contributions of bound people to the history of the lyric.
Author: Andrea Brady
Publisher: Cambridge University Press
ISBN: 110884572X
Category : Literary Criticism
Languages : en
Pages : 437
Get Book
Book Description
Offering a new theory of poetic constraint, this book analyses contributions of bound people to the history of the lyric.
Author: Andrea Brady
Publisher: Cambridge University Press
ISBN: 1108997511
Category : Literary Criticism
Languages : en
Pages : 437
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Book Description
Poetry and Bondage is a groundbreaking and comprehensive study of the history of poetic constraint. For millennia, poets have compared verse to bondage – chains, fetters, cells, or slavery. Tracing this metaphor from Ovid through the present, Andrea Brady reveals the contributions to poetics of people who are actually in bondage. How, the book asks, does our understanding of the lyric – and the political freedoms and forms of human being it is supposed to epitomise – change, if we listen to the voices of enslaved and imprisoned poets? Bringing canonical and contemporary poets into dialogue, from Thomas Wyatt to Rob Halpern, Emily Dickinson to M. NourbeSe Philip, and Phillis Wheatley to Lisa Robertson, the book also examines poetry that emerged from the plantation and the prison. This book is a major intervention in lyric studies and literary criticism, interrogating the whiteness of those disciplines and exploring the possibilities for committed poetry today.
Author: Erika DeSimone
Publisher: NewSouth Books
ISBN: 1588382982
Category : Poetry
Languages : en
Pages : 352
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Book Description
Slaves in chains, toiling on master’s plantation. Beatings, bloodied whips. This is what many of us envision when we think of 19th century African Americans; source materials penned by those who suffered in bondage validate this picture. Yet slavery was not the only identity of 19th century African Americans. Whether they were freeborn, self-liberated, or born in the years after the Emancipation, African Americans had a rich cultural heritage all their own, a heritage largely subsumed in popular history and collective memory by the atrocity of slavery. The early 19th century birthed the nation’s first black-owned periodicals, the first media spaces to provide primary outlets for the empowerment of African American voices. For many, poetry became this empowerment. Almost every black-owned periodical featured an open call for poetry, and African Americans, both free and enslaved, responded by submitting droves of poems for publication. Yet until now, these poems -- and an entire literary movement -- have been lost to modern readers. The poems in Voices Beyond Bondage address the horrific and the mundane, the humorous and the ordinary and the extraordinary. Authors wrote about slavery, but also about love, morality, politics, perseverance, nature, and God. These poems evidence authors who were passionate, dedicated, vocal, and above all resolute in a bravery which was both weapon and shield against a world of prejudice and inequity. These authors wrote to be heard; more than 150 years later it is at last time for us to listen.
Author: C. S. Lewis
Publisher: Cosimo, Inc.
ISBN: 1596053720
Category : Poetry
Languages : en
Pages : 89
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Book Description
@Published in 1919 when Lewis was only twenty, these early poems give an insight into the author's youthful agnosticism. The poems are written in various metrical forms, but are unified by a central idea, expressing his conviction that nature was malevolent and beauty the only true spirituality. Preface by Walter Hooper.@@
Author: Vincent Carretta
Publisher: University Press of Kentucky
ISBN: 0813183200
Category : Literary Criticism
Languages : en
Pages : 419
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Book Description
Until fairly recently, critical studies and anthologies of African American literature generally began with the 1830s and 1840s. Yet there was an active and lively transatlantic black literary tradition as early as the 1760s. Genius in Bondage situates this literature in its own historical terms, rather than treating it as a sort of prologue to later African American writings. The contributors address the shifting meanings of race and gender during this period, explore how black identity was cultivated within a capitalist economy, discuss the impact of Christian religion and the Enlightenment on definitions of freedom and liberty, and identify ways in which black literature both engaged with and rebelled against Anglo-American culture.
Author: Andrea Brady
Publisher: Uea Publishing Project
ISBN: 9781913861339
Category :
Languages : en
Pages : 0
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Book Description
Author: Clive Staples Lewis
Publisher:
ISBN:
Category : Epic poetry, English
Languages : en
Pages : 130
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Book Description
Author: Vincent Carretta
Publisher: University of Georgia Press
ISBN: 0820346640
Category : Biography & Autobiography
Languages : en
Pages : 318
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Book Description
Carretta offers the first full-length biography of Phillis Wheatley (1753?-1784), who became the first English-speaking person of African descent to publish a book and only the second woman--of any race or background--to do so in America.
Author: Andrea Brady
Publisher: Wesleyan University Press
ISBN: 0819580449
Category : Poetry
Languages : en
Pages : 105
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Book Description
The Blue Split Compartments is a complex and powerful sequence of lyric poems exploring the relationships between military drone operators and their victims. Drawing on chatroom logs, military policy manuals, pattern of life archives, and accounts by witnesses around the world, these poems document the consequences of the perpetual and 'everywhere war.' With its sophisticated interplay of diction, rhetoric, syntax, positioning, allusion, and sonic quality, this book offers a linguistically virtuosic and deeply humane x-ray of the discursive and militaristic systems that join us in mutual dissolution. Excerpt from "Opened" This is the box, frozen against hierarchy at a value of some $10m, simply a form of being; surgeon's box, patient's wound, an idea of enclosure that can fit any medium. The gaze is on the side of things. The angel of evil could not have done that. A child is in heaven. The box is empty, saying nothing but "construction." It really is like swatting flies; we can do it forever easily and you feel nothing.
Author: Claude McKay
Publisher: Graphic Arts Books
ISBN: 151322350X
Category : Poetry
Languages : en
Pages : 41
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Book Description
Spring in New Hampshire and Other Poems (1920) is a poetry collection by Claude McKay. Published toward the beginning of the Harlem Renaissance, Spring in New Hampshire and Other Poems is the first of McKay’s collections to appear in the United States. As a committed leftist, McKay—who grew up in Jamaica—captures the life of African Americans from a realist’s point of view, lamenting their exposure to poverty, racism, and violence while celebrating their resilience and cultural achievement. Several years before T. S. Eliot’s The Waste Land (1922) and William Carlos Williams’ Spring and All (1923), modernist poet Claude McKay troubles the traditional symbol of springtime to accommodate the hardships of an increasingly industrialized world. In “Spring in New Hampshire,” the poet gives voice to a desperate laborer, for whom the beauty and harmony of the season of rebirth are not only sickening, but altogether inaccessible: “Too green the springing April grass, / Too blue the silver-speckled sky, / For me to linger here, alas, / While happy winds go laughing by, / Wasting the golden hours indoors, / Washing windows and scrubbing floors.” A master of traditional forms, McKay brings his experience as a black man to bear on a poem otherwise dedicated to descriptions of natural beauty, challenging the very tradition his language and style invoke. In “The Lynching,” he calls on the reader to witness the brutality of American racism while exposing the complicity of those who would look without feeling: “[S]oon the mixed crowds came to view / The ghastly body swaying in the sun: / The women thronged to look, but never a one / Showed sorrow in her eyes of steely blue...” As children dance around the victim’s body, “lynchers that were to be,” McKay raises a terrible, timeless question: how long will such violence endure? With a beautifully designed cover and professionally typeset manuscript, this edition of Claude McKay’s Spring in New Hampshire and Other Poems is a classic of Jamaican literature reimagined for modern readers.
