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Author: Shannon Hengen
Publisher: Routledge
ISBN: 113438565X
Category : Performing Arts
Languages : en
Pages : 316
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Book Description
First Published in 1998. This lively volume explores comedy as a place where gender and sexuality, through performance, challenge sexist and heteronormative forces in Western culture. The contributors investigate the effects of gender, sexuality, sexual identity, race, class and nationality on humor and comedic performance. Each chapter, distinct in its voice and content, addresses how particular historical periods seem to affect who laughs at what, why, and with what consequences. This book not only spans a broad range of historical and literary periods, it also engages in a critical conversation with past and present thinkers to articulate the political, cultural and social effects of comedy.
Author: Shannon Hengen
Publisher: Routledge
ISBN: 113438565X
Category : Performing Arts
Languages : en
Pages : 316
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Book Description
First Published in 1998. This lively volume explores comedy as a place where gender and sexuality, through performance, challenge sexist and heteronormative forces in Western culture. The contributors investigate the effects of gender, sexuality, sexual identity, race, class and nationality on humor and comedic performance. Each chapter, distinct in its voice and content, addresses how particular historical periods seem to affect who laughs at what, why, and with what consequences. This book not only spans a broad range of historical and literary periods, it also engages in a critical conversation with past and present thinkers to articulate the political, cultural and social effects of comedy.
Author: Joanne R. Gilbert
Publisher: Wayne State University Press
ISBN: 9780814328033
Category : Biography & Autobiography
Languages : en
Pages : 260
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Book Description
An academic study of stand-up comedy performed by females. This will aid in the understanding of power structures in our society.
Author: Shannon Hengen
Publisher: Routledge
ISBN: 1134385587
Category : Performing Arts
Languages : en
Pages : 306
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Book Description
First Published in 1998. This lively volume explores comedy as a place where gender and sexuality, through performance, challenge sexist and heteronormative forces in Western culture. The contributors investigate the effects of gender, sexuality, sexual identity, race, class and nationality on humor and comedic performance. Each chapter, distinct in its voice and content, addresses how particular historical periods seem to affect who laughs at what, why, and with what consequences. This book not only spans a broad range of historical and literary periods, it also engages in a critical conversation with past and present thinkers to articulate the political, cultural and social effects of comedy.
Author: Martin Revermann
Publisher: Cambridge University Press
ISBN: 0521760283
Category : Drama
Languages : en
Pages : 523
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Book Description
This book provides a unique panorama of this challenging area of Greek literature, combining literary perspectives with historical issues and material culture.
Author: George Lewis
Publisher: Oxford University Press
ISBN: 0195370937
Category : Music
Languages : en
Pages : 617
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Book Description
V. 1. Cognitions -- v. 2. Critical theories
Author: Regina Barreca
Publisher: Routledge Library Editions: Comedy
ISBN: 9781032226804
Category : Humor
Languages : en
Pages : 0
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Book Description
First published in 1992, the twenty-one original essays in this volume explore the way women have used humor to break down cultural stereotypes between the genders, using examples from literature and the performing arts.
Author: Yael Kohen
Publisher: Macmillan
ISBN: 0374287236
Category : Biography & Autobiography
Languages : en
Pages : 338
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Book Description
Kohen assembles America's most prominent comediennes to piece together an oral history about the revolution that happened to (and by) women in American comedy.
Author: Sam Beale
Publisher: Springer Nature
ISBN: 3030479412
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
This book explores the comedy and legacy of women working as performers on the music-hall stage from 1880–1920, and examines the significance of their previously overlooked contributions to British comic traditions. Focusing on the under-researched female ‘serio-comic’, the study includes six micro-histories detailing the acts of Ada Lundberg, Bessie Bellwood, Maidie Scott, Vesta Victoria, Marie Lloyd and Nellie Wallace. Uniquely for women in the late-nineteenth and early-twentieth centuries, these pioneering performers had public voices. The extent to which their comedy challenged Victorian and Edwardian perceptions of women is revealed through explorations of how they connected with popular audiences while also avoiding censorship. Their use of techniques such as comic irony and stereotyping, self-deprecation, and comic innuendo are considered alongside the work of contemporary stand-up comedians and performance artists including Bridget Christie, Bryony Kimmings, Sara Pascoe, Shazia Mirza and Sarah Silverman.
Author: Caty Borum Chattoo
Publisher: University of California Press
ISBN: 0520299760
Category : Social Science
Languages : en
Pages : 295
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Book Description
Comedy is a powerful contemporary source of influence and information. In the still-evolving digital era, the opportunity to consume and share comedy has never been as available. And yet, despite its vast cultural imprint, comedy is a little-understood vehicle for serious public engagement in urgent social justice issues – even though humor offers frames of hope and optimism that can encourage participation in social problems. Moreover, in the midst of a merger of entertainment and news in the contemporary information ecology, and a decline in perceptions of trust in government and traditional media institutions, comedy may be a unique force for change in pressing social justice challenges. Comedians who say something serious about the world while they make us laugh are capable of mobilizing the masses, focusing a critical lens on injustices, and injecting hope and optimism into seemingly hopeless problems. By combining communication and social justice frameworks with contemporary comedy examples, authors Caty Borum Chattoo and Lauren Feldman show us how comedy can help to serve as a vehicle of change. Through rich case studies, audience research, and interviews with comedians and social justice leaders and strategists, A Comedian and an Activist Walk Into a Bar: The Serious Role of Comedy in Social Justice explains how comedy – both in the entertainment marketplace and as cultural strategy – can engage audiences with issues such as global poverty, climate change, immigration, and sexual assault, and how activists work with comedy to reach and empower publics in the networked, participatory digital media age.
Author: Gail Finney
Publisher: Routledge
ISBN: 1134304730
Category : Performing Arts
Languages : en
Pages : 378
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Book Description
First Published in 1994. Look Who's Laughing belies the notion that in a joke the only place for a woman is in the butt, Rather than analysing women's humor in isolation, Gail Finney and twenty scholars map the terrain that the genders share and the areas that each hold exclusively. Their essays investigate witty heroines, sexual parodies, domestic humor and romantic power. They focus on comic drama and fiction, stand-up comedy, cartoons, and film describing the roles gender has played in the creation, reception and interpretation of comedy from the sixteenth century to present. They consider works by Shakespeare, Oscar Wilde, Zora Neale Hurston and Virginia Woolf, whilst discussing characters such as V.I. Warshawski, Molly Bloom and Elizabeth Bennet. The book's emphasis on comedy's diverse sources uncovers critical prejudices and defines new contexts enabling men and women to understand more about each other's attitudes towards humor, its means and ends.
