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Author: Stephen Bann
Publisher: Reaktion Books
ISBN: 9781861890078
Category : Art
Languages : en
Pages : 316
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Book Description
Paul Delaroche's works were heralded as masterpieces in the nineteenth century, and the man himself was lauded in 1853 by one Italian critic as "at the summit of all living painters." But while his paintings themselves are still familiar to many, Delaroche the artist fell into almost total obscurity during the twentieth century. Stephen Bann addresses this lacuna in art scholarship, presenting an in-depth examination of Delaroche's career. Bann situates Delaroche and his wide-ranging oeuvre in the context of early nineteenth-century visual culture. From his early historical paintings to experimental pieces influenced by photography, the book analyzes each stage of Delaroche's artistic development--as well as his major masterpieces such as The Execution of Lady Jane Grey and The Princes in the Tower. Bann also analyzes the numerous reproductions of Delaroche's works in a variety of visual mediums, including engravings by Mercuri and Henriquel-Dupont, lithographs, popular prints, and the photographs that illustrated Delaroche's first retrospective catalog. An unparalleled and lushly illustrated study, Paul Delaroche restores a neglected master to his rightful place in nineteenth-century European art.
Author: Stephen Bann
Publisher: Reaktion Books
ISBN: 9781861890078
Category : Art
Languages : en
Pages : 316
Get Book Here
Book Description
Paul Delaroche's works were heralded as masterpieces in the nineteenth century, and the man himself was lauded in 1853 by one Italian critic as "at the summit of all living painters." But while his paintings themselves are still familiar to many, Delaroche the artist fell into almost total obscurity during the twentieth century. Stephen Bann addresses this lacuna in art scholarship, presenting an in-depth examination of Delaroche's career. Bann situates Delaroche and his wide-ranging oeuvre in the context of early nineteenth-century visual culture. From his early historical paintings to experimental pieces influenced by photography, the book analyzes each stage of Delaroche's artistic development--as well as his major masterpieces such as The Execution of Lady Jane Grey and The Princes in the Tower. Bann also analyzes the numerous reproductions of Delaroche's works in a variety of visual mediums, including engravings by Mercuri and Henriquel-Dupont, lithographs, popular prints, and the photographs that illustrated Delaroche's first retrospective catalog. An unparalleled and lushly illustrated study, Paul Delaroche restores a neglected master to his rightful place in nineteenth-century European art.
Author: Patricia Smyth
Publisher: Liverpool University Press
ISBN: 1802070850
Category : Art
Languages : en
Pages : 264
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Book Description
Paul Delaroche: Painting and Popular Spectacle explores the connections between painting and an emergent popular visual culture in the early nineteenth century, which included new forms of optical entertainment such as Panoramas and Dioramas and innovation in fields such as illustration, art reproduction, and stage decor. Delaroche’s paintings caused a sensation at the Paris Salon, with critics comparing the emotional response they elicited to that of popular melodrama. Yet his appeal to a certain type of spectator lay behind the increasingly hostile criticism to which his works were subjected, and has in our own time led to his uncertain status in the art historical canon. This book focuses on Delaroche’s popularity with a newly expanded audience. Lacking in specialist knowledge, but nevertheless keen to engage with and deeply affected by art, the behaviour of this new public prompted lively discussions about who has the right to judge art and on what grounds. Working across disciplinary boundaries, this book proposes a new reading both of Delaroche and of the connections between the arts in this period. The artist emerges as a figure at the cutting edge of an emergent trans-medial popular visual culture in which we see the formation of modern spectatorship.
Author: Stephen Duffy
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 100
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Book Description
Paul Delaroche was a hugely popular painter during his lifetime, first making his name with a series of historical scenes which enjoyed great acclaim at the Paris Salon. His renown extended far beyond his native country. Honored by almost every major academy, his pictures were sought by collectors in Britain, Germany, and Russia. One of his British patrons, Richard Seymour Conway (1800-1870), 4th Marquis of Hertford, acquired ten of his oil paintings and two watercolors. This group, one of the most extensive outside France, is in The Wallace Collection, which houses Lord Hertford's collections in what was once his London residence. Curator Stephen Duffy discusses in detail the twelve works, and in an introductory essay examines the life and career of the artist, on whom there will be also an exhibition at the National Gallery, London, 2010.
Author: Eugène de Mirecourt
Publisher:
ISBN:
Category :
Languages : fr
Pages : 112
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Book Description
Author: Théophile Gautier
Publisher:
ISBN:
Category :
Languages : fr
Pages : 14
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Book Description
Author: Norman D. Ziff
Publisher:
ISBN: 9780824027414
Category : France
Languages : en
Pages : 410
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Book Description
Author: Jill Berk Jiminez
Publisher: Routledge
ISBN: 1135959145
Category : Social Science
Languages : en
Pages : 625
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Book Description
The first reference work devoted to their lives and roles, this book provides information on some 200 artists' models from the Renaissance to the present day. Most entries are illustrated and consist of a brief biography, selected works in which the model appears (with location), a list of further reading. This will prove an invaluable reference work for art historians, librarians, museum and gallery curators, as well as students and researchers.
Author: Raya Yotova
Publisher:
ISBN: 9781981818242
Category :
Languages : en
Pages : 60
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Book Description
Paul Delaroche was a French painter who achieved his greater successes painting history. He became famous in Europe for his melodramatic scenes that often portrayed subjects from English and French history. Delaroche aimed to depict his subjects and history with pragmatic realism. Delaroche was born into a generation that saw the stylistic conflicts between Romanticism and Davidian Classicism. Davidian Classicism was widely accepted and enjoyed by society so as a developing artist at the time of the introduction of Romanticism in Paris, Delaroche found his place between the two movements. Subjects from Delaroche's medieval and sixteenth and seventeenth-century history paintings appealed to Romantics while the accuracy of information along with the highly finished surfaces of his paintings appealed to Academics and Neoclassicism. Delaroche's works completed in the early 1830s most reflected the position he took between the two movements and were admired by contemporary artists of the time-the Execution of Lady Jane Grey (1833) was the most acclaimed of Delaroche's paintings in its day. Later in the 1830s, Delaroche exhibited the first of his major religious works. His change of subject and "the painting's austere manner" were ill-received by critics and after 1837, he stopped exhibiting his work altogether. At the time of his death in 1856, he was painting a series of four scenes from the Life of the Virgin. Only one work from this series was completed: the Virgin Contemplating the Crown of Thorns.
Author: Léonce Bénédite
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 430
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Book Description
Author: John Hannavy
Publisher: Routledge
ISBN: 1135873267
Category : Photography
Languages : en
Pages : 1630
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Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.