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Author: Chris Walton
Publisher: Peter Lang
ISBN: 9783039104925
Category : History
Languages : en
Pages : 342
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Book Description
Proceedings of a symposium held July 9, 2000 in the Hotel Bellevue in Braunwald, Switzerland, organized by the Hans Schaeuble Stiftung, Zentralbibliothek Zeurich, Schweizerischer Tonkeunstlerverein, and Musikwoche Braunwald.
Author: Chris Walton
Publisher: Peter Lang
ISBN: 9783039104925
Category : History
Languages : en
Pages : 342
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Book Description
Proceedings of a symposium held July 9, 2000 in the Hotel Bellevue in Braunwald, Switzerland, organized by the Hans Schaeuble Stiftung, Zentralbibliothek Zeurich, Schweizerischer Tonkeunstlerverein, and Musikwoche Braunwald.
Author:
Publisher: BRILL
ISBN: 9004544100
Category : History
Languages : en
Pages : 326
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Book Description
Fresh research on the experiences of music and musicians in exile from Nazi Europe, exploring refugee experiences in Europe, the USA, Australia and Shanghai, the role of institutions, and the reception of individual creative work during and after the Second World War.
Author: Erik Levi
Publisher: Scarecrow Press
ISBN: 0810874105
Category : Music
Languages : en
Pages : 216
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Book Description
The grand narratives of European music history are informed by the dichotomy of placements and displacements. Yet musicology has thus far largely ignored the phenomenon of displacement and underestimated its significance for musical landscapes and music history. Music and Displacement: Diasporas, Mobilities, and Dislocations in Europe and Beyond constitutes a pioneering volume that aims to fill this gap as it explores the interactions between music and displacement in theoretical and practical terms. Contributions by distinguished international scholars address the theme through a wide range of case studies, incorporating art, popular, folk, and jazz music and interacting with areas, such as gender and post-colonial studies, critical theory, migration, and diaspora. The book is structured in three stages—silence, acculturation, and theory—that move from silence to sound and from displacement to placement. The range of subject matter within these sections is deliberately hybrid and mirrors the eclectic nature of displacement itself, with case studies exploring Nazi Anti-Semitism in musical displacement; musical life in the Jewish community of Palestine; Mahler, Jewishness, and Jazz; the Irish Diaspora in England; and German Exile studies, among others. Featuring articles from such scholars as Ruth F. Davis, Sean Campbell, Jim Samson, Sydney Hutchinson, and Europea series co-editor Philip V. Bohlman, the volume exerts an appeal reaching beyond music and musicology to embrace all areas in the humanities concerned with notions of displacement, migration, and diaspora.
Author: Wolfgang Gratzer
Publisher: Taylor & Francis
ISBN: 1000955028
Category : Music
Languages : en
Pages : 600
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Book Description
The Routledge Handbook of Music and Migration: Theories and Methodologies is a progressive, transdisciplinary paradigm-shifting core text for music and migration studies. Conceptualized as a comprehensive methodological and theoretical guide, it foregrounds the mobile potentials of music and presents key arguments about why musical expressions matter in the discussion of migration politics. 24 international specialists in music and migration set methodological and theoretical standards for transdisciplinary collaborations in the field of migration studies, discussing 41 keywords, such as mobility, community, research ethics, human rights, and critical whiteness in the context of music and migration. The authors then apply these terms to 16 chapters, which deal with ethnomusicological, musicological, sociological, anthropological, geographical, pedagogical, political, economic, and media-related methodologies and theories which reflect and contest current discourses of migration. In their interdisciplinary focus, these chapters advance interrelations between music and migration as enabling factors for socio-cultural studies. Furthermore, the authors tackle crucial questions of agency, equality, and equity as well as the responsibilities and expectations of writers and artists when researching migration phenomena as innate human experience. As a result, this handbook provides scholars and students alike with relevant and applicable methodological and theoretical tools in addition to an extensive literature and research review for further research.
Author: Sabine Feisst
Publisher: Oxford University Press
ISBN: 0199792631
Category : Music
Languages : en
Pages : 752
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Book Description
Arnold Schoenberg was a polarizing figure in twentieth century music, and his works and ideas have had considerable and lasting impact on Western musical life. A refugee from Nazi Europe, he spent an important part of his creative life in the United States (1933-1951), where he produced a rich variety of works and distinguished himself as an influential teacher. However, while his European career has received much scholarly attention, surprisingly little has been written about the genesis and context of his works composed in America, his interactions with Americans and other émigrés, and the substantial, complex, and fascinating performance and reception history of his music in this country. Author Sabine Feisst illuminates Schoenberg's legacy and sheds a corrective light on a variety of myths about his sojourn. Looking at the first American performances of his works and the dissemination of his ideas among American composers in the 1910s, 1920s and early 1930s, she convincingly debunks the myths surrounding Schoenberg's alleged isolation in the US. Whereas most previous accounts of his time in the US have portrayed him as unwilling to adapt to American culture, this book presents a more nuanced picture, revealing a Schoenberg who came to terms with his various national identities in his life and work. Feisst dispels lingering negative impressions about Schoenberg's teaching style by focusing on his methods themselves as well as on his powerful influence on such well-known students as John Cage, Lou Harrison, and Dika Newlin. Schoenberg's influence is not limited to those who followed immediately in his footsteps-a wide range of composers, from Stravinsky adherents to experimentalists to jazz and film composers, were equally indebted to Schoenberg, as were key figures in music theory like Milton Babbitt and David Lewin. In sum, Schoenberg's New World contributes to a new understanding of one of the most important pioneers of musical modernism.
Author: Andrew Chandler
Publisher: LIT Verlag Münster
ISBN: 9783825800147
Category : Art
Languages : en
Pages : 216
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Book Description
Exile and Patronage is an innovative new study which explores the migration of refugees from National Socialism from the perspective of patronage. The thirteen essays are divided into three parts: art and music, the churches and political refugees. Individual case studies look at the relationships which came to life around George Bell, Bishop of Chichester, the Berger family, Michael Croft, Heinz Kappes, Gerhard Leibholz, Robert Bruce Lockhart, Rowmund Pisudski, Jack Pritchard, Hans Ansgar Reinhold and Luigi Sturzo. The book also examines the iconography of patronage and studies particular works which received support in exile such as Wagner's Buhnenweihfestspiel.
Author: David Fanning
Publisher: Routledge
ISBN: 1351862588
Category : History
Languages : en
Pages : 608
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Book Description
Following their entry into Austria and the Sudetenland in the late 1930s, the Germans attempted to impose a policy of cultural imperialism on the countries they went on to occupy during World War II. Almost all music institutions in the occupied lands came under direct German control or were subject to severe scrutiny and censorship, the prime objective being to change the musical fabric of these nations and force them to submit to the strictures of Nazi ideology. This pioneering collection of essays is the first in the English language to look in more detail at the musical consequences of German occupation during a dark period in European history. It embraces a wide range of issues, presenting case studies involving musical activity in a number of occupied European cities, as well as in countries that were part of the Axis or had established close diplomatic relations with Germany. The wartime careers and creative outputs of individual musicians who were faced with the dilemma of either complying with or resisting the impositions of the occupiers are explored. In addition, there is some reflection on the post-war implications of German occupation for the musical environment in Europe. Music under German Occupation is written for all music-lovers, students, professionals and academics who have particular interests in 20th-century music and/or the vicissitudes of European cultural life during World War II.
Author: Michael Haas
Publisher: Yale University Press
ISBN: 0300154305
Category : Music
Languages : en
Pages : 372
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Book Description
Offers a study of the Jewish composers and musicians banned by the Third Reich, and describes the consequences for music around the world.
Author: Elizabeth Janik
Publisher: BRILL
ISBN: 900414661X
Category : Social Science
Languages : en
Pages : 373
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Book Description
This book is a social history of musical life in Berlin; it investigates the tangled relationship between music and politics in 20th-century Germany, emphasizing the division of Berlin's musical community between east and west in the early Cold War era.
Author: Pamela M. Potter
Publisher: Univ of California Press
ISBN: 0520422724
Category : Art
Languages : en
Pages : 408
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Book Description
This provocative study asks why we have held on to vivid images of the Nazis’ total control of the visual and performing arts, even though research has shown that many artists and their works thrived under Hitler. To answer this question, Pamela M. Potter investigates how historians since 1945 have written about music, art, architecture, theater, film, and dance in Nazi Germany and how their accounts have been colored by politics of the Cold War, the fall of communism, and the wish to preserve the idea that true art and politics cannot mix. Potter maintains that although the persecution of Jewish artists and other “enemies of the state” was a high priority for the Third Reich, removing them from German cultural life did not eradicate their artistic legacies. Art of Suppression examines the cultural histories of Nazi Germany to help us understand how the circumstances of exile, the Allied occupation, the Cold War, and the complex meanings of modernism have sustained a distorted and problematic characterization of cultural life during the Third Reich.
