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Author: David Treece
Publisher: Anthem Press
ISBN: 178527385X
Category : Music
Languages : en
Pages : 254
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Book Description
‘Music Scenes and Migrations’ brings together new work from Brazilian and European scholars around the themes of musical place and transnationalism across the Atlantic triangle connecting Brazil, Africa and Europe. Moving beyond now-contested models for conceptualizing international musical relations and hierarchies of powers and influence, such as global/local or centre/periphery, the volume draws attention instead to the role of the city, in particular, in producing, signifying and mediating music-making in the colonial and post-colonial Portuguese-speaking world. In considering the roles played by cities as hubs of cultural intersection, socialization, exchange and transformation; as sites of political intervention and contestation; and as homes to large concentrations of consumers, technologies and media, Rio de Janeiro necessarily figures prominently, given its historical importance as an international port at the centre of the Lusophone Atlantic world. The volume also gives attention to other urban centres, within Brazil and abroad, towards which musicians and musical traditions have migrated and converged – such as São Paulo, Lisbon and Madrid – where they have reinvented themselves; where notions of Brazilian and Lusophone identity have been reconfigured; and where independent, peripheral and underground scenes have contested the hegemony of the musical ‘mainstream’.
Author: David Treece
Publisher: Anthem Press
ISBN: 178527385X
Category : Music
Languages : en
Pages : 254
Get Book Here
Book Description
‘Music Scenes and Migrations’ brings together new work from Brazilian and European scholars around the themes of musical place and transnationalism across the Atlantic triangle connecting Brazil, Africa and Europe. Moving beyond now-contested models for conceptualizing international musical relations and hierarchies of powers and influence, such as global/local or centre/periphery, the volume draws attention instead to the role of the city, in particular, in producing, signifying and mediating music-making in the colonial and post-colonial Portuguese-speaking world. In considering the roles played by cities as hubs of cultural intersection, socialization, exchange and transformation; as sites of political intervention and contestation; and as homes to large concentrations of consumers, technologies and media, Rio de Janeiro necessarily figures prominently, given its historical importance as an international port at the centre of the Lusophone Atlantic world. The volume also gives attention to other urban centres, within Brazil and abroad, towards which musicians and musical traditions have migrated and converged – such as São Paulo, Lisbon and Madrid – where they have reinvented themselves; where notions of Brazilian and Lusophone identity have been reconfigured; and where independent, peripheral and underground scenes have contested the hegemony of the musical ‘mainstream’.
Author: Elke Weesjes
Publisher: Taylor & Francis
ISBN: 1040005500
Category : Music
Languages : en
Pages : 239
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Book Description
This edited volume concentrates on the period from the 1940s to the present, exploring how popular music forms such as blues, disco, reggae, hip hop, grime, metal and punk evolved and transformed as they traversed time and space. Within this framework, the collection traces how music and subcultures travel through, to and from democracies, autocracies and anocracies. The chosen approach is multidisciplinary and deliberately diverse. Using both archival sources and oral testimony from a wide variety of musicians, promoters, critics and members of the audience, contributors from a range of academic disciplines explore music and subcultural forms in countries across Asia, Europe, Oceania, North America and Africa. They investigate how far the meaning of music and associated subcultures change as they move from one context to another and consider whether they transcend or blur parameters of class, race, gender and sexuality.
Author: Jason Toynbee
Publisher: Routledge
ISBN: 1136900934
Category : Social Science
Languages : en
Pages : 328
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Book Description
Migrating Music considers the issues around music and cosmopolitanism in new ways. Whilst much of the existing literature on ‘world music’ questions the apparently world-disclosing nature of this genre – but says relatively little about migration and mobility – diaspora studies have much to say about the latter, yet little about the significance of music. In this context, this book affirms the centrality of music as a mode of translation and cosmopolitan mediation, whilst also pointing out the complexity of the processes at stake within it. Migrating music, it argues, represents perhaps the most salient mode of performance of otherness to mutual others, and as such its significance in socio-cultural change rivals – and even exceeds – literature, film, and other language and image-based cultural forms. This book will serve as a valuable reference tool for undergraduate and postgraduate students with research interests in cultural studies, sociology of culture, music, globalization, migration, and human geography.
Author: Alexei Eremine
Publisher: ACIDI, I.P.
ISBN:
Category : Social Science
Languages : en
Pages : 140
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Book Description
Following the format of the journal, the texts, in three parts, testify musical experience in different representations, from elementary school practices to music festivals and resident chamber music, mentioning categories accepted in the Portuguese society, among others, referring to the popular, folk/world and art music.
Author: Gesa zur Nieden
Publisher: transcript Verlag
ISBN: 3839435048
Category : History
Languages : en
Pages : 429
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Book Description
During the 17th and 18th century musicians' mobilities and migrations are essential for the European music history and the cultural exchange of music. Adopting viewpoints that reflect different methodological approaches and diversified research cultures, the book presents studies on central scopes, strategies and artistic outcomes of mobile and migratory musicians as well as on the transfer of music. By looking at elite and non-elite musicians and their everyday mobilities to major and minor centers of music production and practice, new biographical patterns and new stylistic paradigms in the European East, West and South emerge.
Author: Rashida K. Braggs
Publisher: Univ of California Press
ISBN: 0520963415
Category : Music
Languages : en
Pages : 281
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Book Description
At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians adopted a variety of strategies to cope with the cultural and social assumptions that confronted them throughout their careers in Paris, particularly as France became embroiled in struggles over race and identity when colonial conflicts like the Algerian War escalated. Using case studies of prominent musicians and thoughtful analysis of interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this postwar musical migration. She examines key figures including musicians Sidney Bechet, Inez Cavanaugh, and Kenny Clarke and writer and social critic James Baldwin to show how they performed both as artists and as African Americans. Their collaborations with French musicians and critics complicated racial and cultural understandings of who could represent “authentic” jazz and created spaces for shifting racial and national identities—what Braggs terms “jazz diasporas.”
Author: F. Aparicio
Publisher: Springer
ISBN: 0230107443
Category : Social Science
Languages : en
Pages : 218
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Book Description
A dynamic and original collection of essays on the transnational circulation and changing social meanings of Latin music across the Americas. The transcultural impact of Latin American musical forms in the United States calls for a deeper understanding of the shifting cultural meanings of music. Musical Migrations examines the tensions between the value of Latin popular music as a metaphor for national identity and its transnational meanings as it traverses national borders, geocultural spaces, audiences, and historical periods. The anthology analyzes, among others, the role of popular music in Caribbean diasporas in the United States and Europe, the trans-Caribbean identities of Salsa and reggae, the racial, cultural, and ethnic hybridity in rock across the Americas, and the tensions between tradition and modernity in Peruvian indigenous music, mariachi music in the United States, and in Trinidadian music.
Author: Peter La Chapelle
Publisher: Univ of California Press
ISBN: 0520248899
Category : History
Languages : en
Pages : 367
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Book Description
"Proud to be an Okie is a fresh, well-researched, wonderfully insightful, and imaginative book. Throughout, La Chapelle's keen attention to shifting geographies and urban and suburban spaces is one of the work's real strengths. Another strength is the book's focus on dress, ethnicity, and the manufacturing of style. When all of these angles and insights are pulled together, La Chapelle delivers a fascinating rendering of Okie life and American culture."—Bryant Simon, author of Boardwalk of Dreams: Atlantic City and the Fate of Urban America
Author: Ofer Gazit
Publisher: Oxford University Press
ISBN: 0197682774
Category : Education
Languages : en
Pages : 209
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Book Description
Since the 1990s, migrant musicians have become increasingly prominent in New York City's jazz scene. Challenging norms about who can be a jazz musician and what immigrant music should sound like, these musicians create mobile and diverse notions of jazz while inadvertently contributing to processes of gentrification and cultural institutionalization. In Jazz Migrations, author Ofer Gazit discusses the impact of contemporary transnational migration on New York jazz, examining its effects on educational institutions, club scenes, and jam sessions. Drawing on four years of musical participation in the scene, as well as interviews with musicians, audience members, venue owners, industry professionals, and institutional actors, Gazit transports readers from music schools in Japan, Israel, and India to rehearsals and private lessons in American jazz programs, and to New York's immigrant jazz hangouts: an immigrant-owned music school in the Bronx; a weekly jam session in a Haitian bar in central Brooklyn; a Colombian-owned jazz room in Jackson Heights, Queens; and a members-only club in Manhattan. Along the way, he introduces the improvisatory practices of a cast of well-known and aspiring musicians: a South Indian guitarist's visions of John Coltrane and Carnatic music; a Chilean saxophonist's intimate dialogue with the sound of Sonny Rollins; an Israeli clarinetist finding a home in Brazilian Choro and in Louis Armstrong's legacy; and a multiple Grammy-nominated Cuban drummer from the Bronx. Jazz Migrations concludes with a call for a collective reconsideration of the meaning of genre boundaries, senses of belonging, and ethnic identity in American music.
Author: Klaus Roth
Publisher: LIT Verlag Münster
ISBN: 3643108958
Category : History
Languages : en
Pages : 301
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Book Description
Migrations have moulded Balkan societies. In the multiethnic empires migrations were very common, and in the modern era, economic reasons led millions of people to go abroad as overseas emigrants before World War I, as Gastarbeiter in the 1960s and 70s, or as economic migrants since 1990. In addition, many people had to leave their homes as political refugees or as victims of ethnic cleansing. But Balkan countries were and are also hosts to immigrants and refugees, and they have witnessed enormous rural-urban migrations. This volume, the first part of a selection of conference papers, focusses on historical and cultural aspects of migration in, from and to Southeastern Europe.
