Author: Alfred Herbert Brewer
Publisher: London, Lane
ISBN:
Category : BREWER, ALFRED HERBERT, SIR,1865-1928
Languages : en
Pages : 284

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Book Description

Author: Anthony Boden
Publisher: Boydell & Brewer
ISBN: 1783272090
Category : Music
Languages : en
Pages : 554

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Book Description
Frontcover -- Contents -- List of Illustrations -- Plate Section 1 -- Plate Section 2 -- Plate Section 3 -- Preface -- Acknowledgements -- List of Abbreviations -- List of Cathedral Organists -- 1 Origins -- 2 A Fortuitous and Friendly Proposal -- 3 A Numerous Appearance of Gentry -- 4 'The Musick of my Admiration Handel' -- 5 The Gentlemen and the Players -- 6 Avoiding Shipwreck -- 7 Prima voce -- 8 Favourites and Flops -- 9 Sacred and Profane -- 10 Froissart -- 11 The Unreasonable Man -- 12 The Dream -- 13 Beyond these Voices -- 14 An Essentially English Institution -- 15 The Elgar Festivals -- 16 Dona nobis pacem -- 17 Recovery -- 18 Association -- 19 A New Epoch -- 20 Jubilee -- 21 Theme with Variations -- 22 Houses of the Mind -- 23 'A Gold-Plated Orchestra' -- 24 A New Millennium -- 25 Reorganisation -- 26 An Invitation to the Palace -- Appendix: Three Choirs Festival Timeline -- Select Bibliography -- Index

Author: Pippa Drummond
Publisher: Routledge
ISBN: 1317018761
Category : History
Languages : en
Pages : 315

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Book Description
A history of the English music festival is long overdue. Dr Pippa Drummond argues that these festivals represented the most significant cultural events in provincial England during the nineteenth century and emphasizes their particular importance in the promotion and commissioning of new music. Drawing on material from surviving accounts, committee records, programmes, contemporary pamphlets and reviews, Drummond shows how the festivals responded to and reflected the changing social and economic conditions of their day. Coverage includes a chronological overview documenting the history of individual festivals followed by a detailed exploration of such topics as performers and performance practice, logistics and finance, programmes and commissioning, together with information concerning the composition and provenance of festival choirs and orchestras. Also discussed are the effects of improved transport and new technologies on the festivals, sacred and secular conflicts, gender issues, the role of philanthropy, the nature of patronage and the changing social status of festival audiences. The book will also be of interest to social, economic and local historians.

Author: Martin Thomas
Publisher: Routledge
ISBN: 1317143191
Category : Religion
Languages : en
Pages : 304

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Book Description
This book examines the stylistic development of English cathedral music during a period of liturgical upheaval, looking at the attitudes of cathedral clergy, liturgists, composers, leading church music figures and organisations to music and liturgy. Arguments that were advanced for retaining an archaic style in cathedral music are considered, including the linking of musical style with liturgical language, the recommending of a subservient role for music in the liturgy, and the development of a language of fittingness to describe church music. The roles of the RSCM and other influential bodies are explored. Martin Thomas draws on many sources: the libraries and archives of English cathedrals; contemporary press coverage and the records of church music bodies; publishing practices; secondary literature; and the music itself. Concluding that an arresting of development in English cathedral music has prevented appropriate influences from secular music being felt, Thomas contrasts this with how cathedrals have often successfully and dynamically engaged with the world of the visual arts, particularly in painting and sculpture. Presenting implications for all denominations and for patronage of the arts by churches, and the place of musical aesthetics in the planning of liturgy, this book offers an important resource for music, theology, liturgy students and ministry teams worldwide.

Author: Jeffrey Green
Publisher: Routledge
ISBN: 1136318232
Category : History
Languages : en
Pages : 305

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Book Description
This study reveals the presence of black people in all walks of life all over the British Isles at the height of the imperialist era - challenging conventional views on imperialism, racism and British social history. Historians of British society have largely ignored this most visible of minorities, and commentators on racism have been silent on the period.

Author: Christopher S. Anderson
Publisher: Routledge
ISBN: 1136497897
Category : Music
Languages : en
Pages : 436

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Book Description
This volume explores twentieth-century organ music through in-depth studies of the principal centers of composition, the most significant composers and their works, and the evolving role of the instrument and its music. The twentieth-century was a time of unprecedented change for organ music, not only in its composition and performance but also in the standards of instrument design and building. Organ music was anything but immune to the complex musical, intellectual, and socio-political climate of the time. Twentieth-Century Organ Music examines the organ's repertory from the entire period, contextualizing it against the background of important social and cultural trends. In a collection of twelve essays, experienced scholars survey the dominant geographic centers of organ music (France, the Netherlands, Scandinavia, the United States, and German-speaking countries) and investigate the composers who made important contributions to the repertory (Reger in Germany, Messiaen in France, Ligeti in Eastern and Central Europe, Howells in Great Britain). Twentieth-Century Organ Music provides a fresh vantage point from which to view one of the twentieth century's most diverse and engaging musical spheres.

Author: Jeffrey Green
Publisher: Routledge
ISBN: 1317322630
Category : Literary Criticism
Languages : en
Pages : 307

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Book Description
Green’s study is more than a biography of an Anglo-African composer.The first comprehensive study of Coleridge-Taylor’s life for almost a century, it reveals how class-ridden Britain could embrace even the most unlikely of cultural icons.

Author: Peter Holman
Publisher: Boydell & Brewer
ISBN: 1783274565
Category : Music
Languages : en
Pages : 434

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Book Description
How was large-scale music directed or conducted in Britain before baton conducting took hold in the 1830s?

Author: Michael Hurd
Publisher: Faber & Faber
ISBN: 0571281052
Category : Biography & Autobiography
Languages : en
Pages : 216

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Book Description
First published in 1978 The Ordeal of Ivor Gurney is a moving and extraordinary account of a tragic genius penned by the composer Michael Hurd. Born in Gloucester in 1890 Ivor Gurney began writing songs and poems in his teens, taking his inspiration from the Severn Valley countryside where he grew up. Sent to the Western Front during the First World War Gurney experienced desolation and horror that made a profound impression on him. He ended his days in an asylum, but at his death in 1937 he was beginning to be acknowledged as one of England's finest composers. Still, it took several more decades for his work as a war poet to be fully appreciated. 'Hurd compresses into a taut, sympathetic outline the initial optimism and later torment of Gurney's ill-starred life... distinguished by its crisp use of poetic extracts.' PN Review

Author: Timothy Day
Publisher: Penguin UK
ISBN: 0241352193
Category : Music
Languages : en
Pages : 367

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Book Description
The sound of the choir of King's College, Cambridge - its voices perfectly blended, its emotions restrained, its impact sublime - has become famous all over the world, and for many, the distillation of a particular kind of Englishness. This is especially so at Christmas time, with the broadcast of the Festival of Nine Lessons and Carols, whose centenary is celebrated this year. How did this small band of men and boys in a famous fenland town in England come to sing in the extraordinary way they did in the twentieth and early twenty-first centuries? It has been widely assumed that the King's style essentially continues an English choral tradition inherited directly from the Middle Ages. In this original and illuminating book, Timothy Day shows that this could hardly be further from the truth. Until the 1930s, the singing at King's was full of high Victorian emotionalism, like that at many other English choral foundations well into the twentieth century. The choir's modern sound was brought about by two intertwined revolutions, one social and one musical. From 1928, singing with the trebles in place of the old lay clerks, the choir was fully made up of choral scholars - college men, reading for a degree. Under two exceptional directors of music - Boris Ord from 1929 and David Willcocks from 1958 - the style was transformed and the choir broadcast and recorded until it became the epitome of English choral singing, setting the benchmark for all other choral foundations either to imitate or to react against. Its style has now been taken over and adapted by classical performers who sing both sacred and secular music in secular settings all over the world with a precision inspired by the King's tradition. I Saw Eternity the Other Night investigates the timbres of voices, the enunciation of words, the use of vibrato. But the singing of all human beings, in whatever style, always reflects in profound and subtle ways their preoccupations and attitudes to life. These are the underlying themes explored by this book.