Masters of American Comics PDF Download
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Author: John Carlin
Publisher: Yale University Press
ISBN: 030011317X
Category : Art
Languages : en
Pages : 341
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Book Description
Presents the work of America's most popular and influential comic artists, and includes critical essays accompanying each artist's drawings.
Author: John Carlin
Publisher: Yale University Press
ISBN: 030011317X
Category : Art
Languages : en
Pages : 341
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Book Description
Presents the work of America's most popular and influential comic artists, and includes critical essays accompanying each artist's drawings.
Author: David Roach
Publisher:
ISBN: 9781524101312
Category : Cartoonists
Languages : en
Pages : 0
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Book Description
"Masters Of Spanish Comic Book Art is a celebration of the great artists who revolutionized American horror comics in the 1970s with their work on Warren's Vampirella, Creepy, and Eerie horror comics. This first-ever comprehensive history of Spanish comic books and Spanish comic artists reveals their extraordinary success -- not just in Spain and America, but around the world. Their global influence has been little known until this celebration of their contributions. Containing artwork from over 80 artists, this in-depth retrospective includes profiles of such legends as Esteban Maroto, Sanjulian, Jose Gonzalez, Jordi Bernet, Enrich, Victor De La Fuente, Jose Ortiz and Luis Garcia Mozos. With 500 illustrations, over half scanned directly from the original artwork, Masters Of Spanish Comic Book Art honors the "Golden Generation" whose artwork inspired the imagination of comic book lovers everywhere."--
Author: Heidi MacDonald
Publisher: Courier Dover Publications
ISBN: 0486808114
Category : Art
Languages : en
Pages : 81
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Book Description
"Alfredo Alcala is one of the most disciplined and perceptive artists inking in comics. The years of distinguished work have earned Alfredo a special place in comics history." — Gil Kane. In the late 1960s, an extremely talented group of Filipino illustrators took the American comic book industry by storm — and the late Alfredo Alcala led the way, working for both Marvel and DC on such popular characters as Conan the Barbarian and Batman. This unique work is loaded with amazing art and pointers on observational methods, composition, and other techniques. In addition to insightful interviews with Alcala, the book features pages from his groundbreaking masterwork, Voltar, which was hailed as a new concept in comic book form, an epic in narrative art, and a milestone in sequential art illustration. Students, professionals, teachers, and fans will treasure this inspiring volume and its insider's look at comic book artistry. "A wonderful look at the thought process of one of the best artist/inkers in comic book history and should be read, not just by comic book fans, but by anyone who appreciates great art." — Rushford Public Library
Author: Paul Buhle
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 216
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Book Description
Yellow press headliners : Jewish comics in the dailies -- Comic book heroes -- The underground era -- Recovering Jewishness.
Author: Various
Publisher: Dark Horse Comics
ISBN: 1630080705
Category : Art
Languages : en
Pages : 328
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Book Description
In 1983, the world was introduced to He-Man and the Masters of the Universe. What followed was a cultural sensation that changed the landscape of children's entertainment forever! Join Mattel and Dark Horse in this comprehensive retrospective chronicling He-Man's decades-long epic journey from toy, to television, to film, to a true pop culture phenomenon!
Author: P. R. Garriock
Publisher:
ISBN: 9780895450210
Category : Literary Criticism
Languages : en
Pages : 132
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Book Description
Author: Peter Bosch
Publisher: Two Morrows Publishing
ISBN: 9781605491073
Category : Comics & Graphic Novels
Languages : en
Pages : 192
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Book Description
AMERICAN TV COMIC BOOKS (1940s-1980s) takes you from the small screen to the printed page, offering a fascinating and detailed year-by-year history of over 300 television shows and their 2000+ comic book adaptations across five decades. Author PETER BOSCH has spent years researching and documenting this amazing area of comics history, tracking down the well-known series (Star Trek, The Munsters) and the lesser-known shows (Captain Gallant, Pinky Lee) to present the finest look ever taken at this unique genre of comic books. Included are hundreds of full-color covers and images, plus profiles of the artists who drew TV comics: GENE COLAN, ALEX TOTH, DAN SPIEGLE, RUSS MANNING, JOHN BUSCEMA, RUSS HEATH, and many more giants of the comic book world. Whether you loved watching The Lone Ranger, Rawhide, and Zorro from the 1950s--The Andy Griffith Show, The Monkees, and The Mod Squad in the 1960s--Adam-12, Battlestar Galactica, and The Bionic Woman in the 1970s--or Alf, Fraggle Rock, and "V" in the 1980s--there's something here for fans of TV and comics alike.
Author: Christos Gage
Publisher: Marvel Entertainment
ISBN: 130247913X
Category : Comics & Graphic Novels
Languages : en
Pages : 115
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Book Description
Collects House of M: Masters of Evil #1-4. You've seen how the mutants and the heroes were changed in the world ruled by Magneto...but what about the villains? Their story stands revealed at last as The Hood assembles a gang of the deadliest Sapien super-criminals: Madame Masque, The Absorbing Man, Titania, The Wrecking Crew, Nitro, Constrictor, The Sandman, Crossbones, and more! At first, their goal is simple: get rich and get away with it. But their very first job may lead somewhere none of them expected...and incur the wrath of the House of M itself!
Author: Jeet Heer
Publisher: Univ. Press of Mississippi
ISBN: 1604735880
Category : Literary Criticism
Languages : en
Pages : 201
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Book Description
When Art Spiegelman's Maus—a two-part graphic novel about the Holocaust—won a Pulitzer Prize in 1992, comics scholarship grew increasingly popular and notable. The rise of “serious” comics has generated growing levels of interest as scholars, journalists, and public intellectuals continue to explore the history, aesthetics, and semiotics of the comics medium. Yet those who write about the comics often assume analysis of the medium didn't begin until the cultural studies movement was underway. Arguing Comics: Literary Masters on a Popular Medium brings together nearly two dozen essays by major writers and intellectuals who analyzed, embraced, and even attacked comic strips and comic books in the period between the turn of the century and the 1960s. From e. e. cummings, who championed George Herriman's Krazy Kat, to Irving Howe, who fretted about Harold Gray's Little Orphan Annie, this volume shows that comics have provided a key battleground in the culture wars for over a century. With substantive essays by Umberto Eco, Marshall McLuhan, Leslie Fiedler, Gilbert Seldes, Dorothy Parker, Irving Howe, Delmore Schwartz, and others, this anthology shows how all of these writers took up comics-related topics as a point of entry into wider debates over modern art, cultural standards, daily life, and mass communication. Arguing Comics shows how prominent writers from the Jazz Age and the Depression era to the heyday of the New York Intellectuals in the 1950s thought about comics and, by extension, popular culture as a whole.
Author: Kim A. Munson
Publisher: Univ. Press of Mississippi
ISBN: 1496828100
Category : Literary Criticism
Languages : en
Pages : 397
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Book Description
Contributions by Kenneth Baker, Jaqueline Berndt, Albert Boime, John Carlin, Benoit Crucifix, David Deitcher, Michael Dooley, Damian Duffy, M. C. Gaines, Paul Gravett, Diana Green, Karen Green, Doug Harvey, Charles Hatfield, M. Thomas Inge, Leslie Jones, Jonah Kinigstein, Denis Kitchen, John A. Lent, Dwayne McDuffie, Andrei Molotiu, Alvaro de Moya, Kim A. Munson, Cullen Murphy, Gary Panter, Trina Robbins, Rob Salkowitz, Antoine Sausverd, Art Spiegelman, Scott Timberg, Carol Tyler, Brian Walker, Alexi Worth, Joe Wos, and Craig Yoe Through essays and interviews, Kim A. Munson’s anthology tells the story of the over-thirty-year history of the artists, art critics, collectors, curators, journalists, and academics who championed the serious study of comics, the trends and controversies that produced institutional interest in comics, and the wax and wane and then return of comic art in museums. Audiences have enjoyed displays of comic art in museums as early as 1930. In the mid-1960s, after a period when most representational and commercial art was shunned, comic art began a gradual return to art museums as curators responded to the appropriation of comics characters and iconography by such famous pop artists as Andy Warhol and Roy Lichtenstein. From the first-known exhibit to show comics in art historical context in 1942 to the evolution of manga exhibitions in Japan, this volume regards exhibitions both in the United States and internationally. With over eighty images and thoughtful essays by Denis Kitchen, Brian Walker, Andrei Molotiu, Paul Gravett, Art Spiegelman, Trina Robbins, and Charles Hatfield, among others, this anthology shows how exhibitions expanded the public dialogue about comic art and our expectation of “good art”—displaying how dedicated artists, collectors, fans, and curators advanced comics from a frequently censored low-art medium to a respected art form celebrated worldwide.
