Author: Michael Anderegg
Publisher: University Press of Kansas
ISBN: 0700632654
Category : Biography & Autobiography
Languages : en
Pages : 240
Book Description
It was the measure of Shakespeare's poetic greatness, an early commentator remarked, that he thoroughly blended the ideal with the practical or realistic. “If this be so,” Walt Whitman wrote, "I should say that what Shakespeare did in poetic expression, Abraham Lincoln essentially did in his personal and official life." Whitman was only one of many to note the affinity between these two iconic figures. Novelists, filmmakers, and playwrights have frequently shown Lincoln quoting Shakespeare. In Lincoln and Shakespeare, Michael Anderegg for the first time examines in detail Lincoln’s fascination with and knowledge of Shakespeare’s plays. Separated by centuries and extraordinary circumstances, the two men clearly shared a belief in the power of language and both at times held a fatalistic view of human nature. While citations from Shakespeare are few in his writings and speeches, Lincoln read deeply and quoted often from the Bard's work in company, a habit well documented in diaries, letters, and newspapers. Anderegg discusses Lincoln’s particular interest in Macbeth and Hamlet and in Shakespeare’s historical plays, where we see themes that resonated deeply with the president—the dangers of inordinate ambition, the horrors of civil war, and the corruptions of illegitimate rule. Anderegg winnows confirmed evidence from myth to explore how Lincoln came to know Shakespeare, which editions he read, and which plays he would have seen before he became president. Once in the White House, Lincoln had the opportunity of seeing the best Shakespearean actors in America. Anderegg details Lincoln's unexpected relationship with James H. Hackett, one of the most popular comic actors in America at the time: his letter to Hackett reveals his considerable enthusiasm for Shakespeare. Lincoln managed, in the midst of overwhelming matters of state, to see the actor's Falstaff on several occasions and to engage with him in discussions of how Shakespeare’s plays should be performed, a topic on which he had decided views. Hackett's productions were only a few of those Lincoln enjoyed as president, and Anderegg documents his larger theater-going experience, recreating the Shakespearean performances of Edwin Booth, Charlotte Cushman, Edwin Forrest, and others, as Lincoln saw them.
Lincoln and Shakespeare
Author: Michael Anderegg
Publisher: University Press of Kansas
ISBN: 0700632654
Category : Biography & Autobiography
Languages : en
Pages : 240
Book Description
It was the measure of Shakespeare's poetic greatness, an early commentator remarked, that he thoroughly blended the ideal with the practical or realistic. “If this be so,” Walt Whitman wrote, "I should say that what Shakespeare did in poetic expression, Abraham Lincoln essentially did in his personal and official life." Whitman was only one of many to note the affinity between these two iconic figures. Novelists, filmmakers, and playwrights have frequently shown Lincoln quoting Shakespeare. In Lincoln and Shakespeare, Michael Anderegg for the first time examines in detail Lincoln’s fascination with and knowledge of Shakespeare’s plays. Separated by centuries and extraordinary circumstances, the two men clearly shared a belief in the power of language and both at times held a fatalistic view of human nature. While citations from Shakespeare are few in his writings and speeches, Lincoln read deeply and quoted often from the Bard's work in company, a habit well documented in diaries, letters, and newspapers. Anderegg discusses Lincoln’s particular interest in Macbeth and Hamlet and in Shakespeare’s historical plays, where we see themes that resonated deeply with the president—the dangers of inordinate ambition, the horrors of civil war, and the corruptions of illegitimate rule. Anderegg winnows confirmed evidence from myth to explore how Lincoln came to know Shakespeare, which editions he read, and which plays he would have seen before he became president. Once in the White House, Lincoln had the opportunity of seeing the best Shakespearean actors in America. Anderegg details Lincoln's unexpected relationship with James H. Hackett, one of the most popular comic actors in America at the time: his letter to Hackett reveals his considerable enthusiasm for Shakespeare. Lincoln managed, in the midst of overwhelming matters of state, to see the actor's Falstaff on several occasions and to engage with him in discussions of how Shakespeare’s plays should be performed, a topic on which he had decided views. Hackett's productions were only a few of those Lincoln enjoyed as president, and Anderegg documents his larger theater-going experience, recreating the Shakespearean performances of Edwin Booth, Charlotte Cushman, Edwin Forrest, and others, as Lincoln saw them.
Publisher: University Press of Kansas
ISBN: 0700632654
Category : Biography & Autobiography
Languages : en
Pages : 240
Book Description
It was the measure of Shakespeare's poetic greatness, an early commentator remarked, that he thoroughly blended the ideal with the practical or realistic. “If this be so,” Walt Whitman wrote, "I should say that what Shakespeare did in poetic expression, Abraham Lincoln essentially did in his personal and official life." Whitman was only one of many to note the affinity between these two iconic figures. Novelists, filmmakers, and playwrights have frequently shown Lincoln quoting Shakespeare. In Lincoln and Shakespeare, Michael Anderegg for the first time examines in detail Lincoln’s fascination with and knowledge of Shakespeare’s plays. Separated by centuries and extraordinary circumstances, the two men clearly shared a belief in the power of language and both at times held a fatalistic view of human nature. While citations from Shakespeare are few in his writings and speeches, Lincoln read deeply and quoted often from the Bard's work in company, a habit well documented in diaries, letters, and newspapers. Anderegg discusses Lincoln’s particular interest in Macbeth and Hamlet and in Shakespeare’s historical plays, where we see themes that resonated deeply with the president—the dangers of inordinate ambition, the horrors of civil war, and the corruptions of illegitimate rule. Anderegg winnows confirmed evidence from myth to explore how Lincoln came to know Shakespeare, which editions he read, and which plays he would have seen before he became president. Once in the White House, Lincoln had the opportunity of seeing the best Shakespearean actors in America. Anderegg details Lincoln's unexpected relationship with James H. Hackett, one of the most popular comic actors in America at the time: his letter to Hackett reveals his considerable enthusiasm for Shakespeare. Lincoln managed, in the midst of overwhelming matters of state, to see the actor's Falstaff on several occasions and to engage with him in discussions of how Shakespeare’s plays should be performed, a topic on which he had decided views. Hackett's productions were only a few of those Lincoln enjoyed as president, and Anderegg documents his larger theater-going experience, recreating the Shakespearean performances of Edwin Booth, Charlotte Cushman, Edwin Forrest, and others, as Lincoln saw them.
Shakespeare in a Divided America
Author: James Shapiro
Publisher: Penguin
ISBN: 0525522298
Category : History
Languages : en
Pages : 322
Book Description
One of the New York Times Ten Best Books of the Year • A National Book Critics Circle Award Finalist • A New York Times Notable Book A timely exploration of what Shakespeare’s plays reveal about our divided land. “In this sprightly and enthralling book . . . Shapiro amply demonstrates [that] for Americans the politics of Shakespeare are not confined to the public realm, but have enormous relevance in the sphere of private life.” —The Guardian (London) The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned. From Abraham Lincoln’s and his assassin, John Wilkes Booth’s, competing Shakespeare obsessions to the 2017 controversy over the staging of Julius Caesar in Central Park, in which a Trump-like leader is assassinated, Shakespeare in a Divided America reveals how no writer has been more embraced, more weaponized, or has shed more light on the hot-button issues in our history.
Publisher: Penguin
ISBN: 0525522298
Category : History
Languages : en
Pages : 322
Book Description
One of the New York Times Ten Best Books of the Year • A National Book Critics Circle Award Finalist • A New York Times Notable Book A timely exploration of what Shakespeare’s plays reveal about our divided land. “In this sprightly and enthralling book . . . Shapiro amply demonstrates [that] for Americans the politics of Shakespeare are not confined to the public realm, but have enormous relevance in the sphere of private life.” —The Guardian (London) The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned. From Abraham Lincoln’s and his assassin, John Wilkes Booth’s, competing Shakespeare obsessions to the 2017 controversy over the staging of Julius Caesar in Central Park, in which a Trump-like leader is assassinated, Shakespeare in a Divided America reveals how no writer has been more embraced, more weaponized, or has shed more light on the hot-button issues in our history.
Lincoln on the Verge
Author: Ted Widmer
Publisher: Simon and Schuster
ISBN: 1476739455
Category : Biography & Autobiography
Languages : en
Pages : 624
Book Description
WINNER OF THE LINCOLN FORUM BOOK PRIZE “A Lincoln classic...superb.” —The Washington Post “A book for our time.”—Doris Kearns Goodwin Lincoln on the Verge tells the dramatic story of America’s greatest president discovering his own strength to save the Republic. As a divided nation plunges into the deepest crisis in its history, Abraham Lincoln boards a train for Washington and his inauguration—an inauguration Southerners have vowed to prevent. Lincoln on the Verge charts these pivotal thirteen days of travel, as Lincoln discovers his power, speaks directly to the public, and sees his country up close. Drawing on new research, this riveting account reveals the president-elect as a work in progress, showing him on the verge of greatness, as he foils an assassination attempt, forges an unbreakable bond with the American people, and overcomes formidable obstacles in order to take his oath of office.
Publisher: Simon and Schuster
ISBN: 1476739455
Category : Biography & Autobiography
Languages : en
Pages : 624
Book Description
WINNER OF THE LINCOLN FORUM BOOK PRIZE “A Lincoln classic...superb.” —The Washington Post “A book for our time.”—Doris Kearns Goodwin Lincoln on the Verge tells the dramatic story of America’s greatest president discovering his own strength to save the Republic. As a divided nation plunges into the deepest crisis in its history, Abraham Lincoln boards a train for Washington and his inauguration—an inauguration Southerners have vowed to prevent. Lincoln on the Verge charts these pivotal thirteen days of travel, as Lincoln discovers his power, speaks directly to the public, and sees his country up close. Drawing on new research, this riveting account reveals the president-elect as a work in progress, showing him on the verge of greatness, as he foils an assassination attempt, forges an unbreakable bond with the American people, and overcomes formidable obstacles in order to take his oath of office.
Why Lincoln Matters
Author: Mario M. Cuomo
Publisher: Houghton Mifflin
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 200
Book Description
Cuomo argues that in today's charged political climate, Abraham Lincoln--founding member of the Republican Party--would be hard-pressed to recognize the issues in the contemporary GOP.
Publisher: Houghton Mifflin
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 200
Book Description
Cuomo argues that in today's charged political climate, Abraham Lincoln--founding member of the Republican Party--would be hard-pressed to recognize the issues in the contemporary GOP.
Lincoln & Churchill
Author: Lewis E Lehrman
Publisher: Rowman & Littlefield
ISBN: 0811767450
Category : Biography & Autobiography
Languages : en
Pages : 544
Book Description
“With penetrating insight, Lehrman unfolds the contrasts and similarities between these two leaders . . . I savored every page of this magnificent work.”—Doris Kearns Goodwin, #1 New York Times-bestselling author of Team of Rivals: The Political Genius of Abraham Lincoln Winner of the Abraham Lincoln Institute of Washington’s 2019 book prize Lewis E. Lehrman, a renowned historian and National Humanities Medal winner, gives new perspective on two of the greatest English-speaking statesmen—and their remarkable leadership in wars of national survival. Abraham Lincoln and Winston Churchill, as commanders in chief, led their nations to victory—Lincoln in the Civil War, Churchill in World War II. They became revered leaders—statesmen for all time. Yet these two world-famous war leaders have never been seriously compared at book length. Acclaimed historian Lewis Lehrman, in his pathbreaking comparison of both statesmen, finds that Lincoln and Churchill—with very different upbringings and contrasting personalities—led their war efforts, to some extent, in similar ways. As supreme war lords, they were guided not only by principles of honor, duty, and freedom, but also by the practical wisdom to know when, where, and how to apply these principles. Even their writings and speeches were swords in battle. Gifted literary stylists, both men relied on the written and spoken word to steel their citizens throughout desperate and prolonged wars. And both statesmen unexpectedly left office near the end of their wars—Lincoln by the bullet, Churchill by the ballot. They made mistakes, which Lehrman considers carefully. But the author emphasizes that, despite setbacks, they never gave up. “Deeply researched and elegantly written. . . . a valuable contribution to our knowledge of the past. By expertly conjoining two great leaders in a single volume, he has enhanced our understanding of both.” ―The Wall Street Journal Includes illustrations and photographs
Publisher: Rowman & Littlefield
ISBN: 0811767450
Category : Biography & Autobiography
Languages : en
Pages : 544
Book Description
“With penetrating insight, Lehrman unfolds the contrasts and similarities between these two leaders . . . I savored every page of this magnificent work.”—Doris Kearns Goodwin, #1 New York Times-bestselling author of Team of Rivals: The Political Genius of Abraham Lincoln Winner of the Abraham Lincoln Institute of Washington’s 2019 book prize Lewis E. Lehrman, a renowned historian and National Humanities Medal winner, gives new perspective on two of the greatest English-speaking statesmen—and their remarkable leadership in wars of national survival. Abraham Lincoln and Winston Churchill, as commanders in chief, led their nations to victory—Lincoln in the Civil War, Churchill in World War II. They became revered leaders—statesmen for all time. Yet these two world-famous war leaders have never been seriously compared at book length. Acclaimed historian Lewis Lehrman, in his pathbreaking comparison of both statesmen, finds that Lincoln and Churchill—with very different upbringings and contrasting personalities—led their war efforts, to some extent, in similar ways. As supreme war lords, they were guided not only by principles of honor, duty, and freedom, but also by the practical wisdom to know when, where, and how to apply these principles. Even their writings and speeches were swords in battle. Gifted literary stylists, both men relied on the written and spoken word to steel their citizens throughout desperate and prolonged wars. And both statesmen unexpectedly left office near the end of their wars—Lincoln by the bullet, Churchill by the ballot. They made mistakes, which Lehrman considers carefully. But the author emphasizes that, despite setbacks, they never gave up. “Deeply researched and elegantly written. . . . a valuable contribution to our knowledge of the past. By expertly conjoining two great leaders in a single volume, he has enhanced our understanding of both.” ―The Wall Street Journal Includes illustrations and photographs
"Shakespeare" Identified in Edward De Vere, the Seventeenth Earl of Oxford
Author: J. Thomas Looney
Publisher: London : C. Palmer
ISBN:
Category :
Languages : en
Pages : 502
Book Description
Publisher: London : C. Palmer
ISBN:
Category :
Languages : en
Pages : 502
Book Description
Shakespeare in Charge
Author: Normand Augustine
Publisher: Miramax Books
ISBN: 9780786886449
Category : Business & Economics
Languages : en
Pages : 244
Book Description
Drawing wide acclaim in hardcovera brilliant guide to management based on the principles explored in Shakespeares plays. Timelessly wise and externally popular, the plays of Shakespeare are packed with essential insights into human psychology and the use and abuse of power. In Shakespeare in Charge, Norman Augustine, former Fortune 500 CEO, and Kenneth Adelman, former U.S. Ambassador to the United Nations, show how the Bards shrewd understanding of palace politics and the strategies of warfare can just as easily be applied to the twists and turns of the corporate world.
Publisher: Miramax Books
ISBN: 9780786886449
Category : Business & Economics
Languages : en
Pages : 244
Book Description
Drawing wide acclaim in hardcovera brilliant guide to management based on the principles explored in Shakespeares plays. Timelessly wise and externally popular, the plays of Shakespeare are packed with essential insights into human psychology and the use and abuse of power. In Shakespeare in Charge, Norman Augustine, former Fortune 500 CEO, and Kenneth Adelman, former U.S. Ambassador to the United Nations, show how the Bards shrewd understanding of palace politics and the strategies of warfare can just as easily be applied to the twists and turns of the corporate world.
Did Lincoln Own Slaves?
Author: Gerald J. Prokopowicz
Publisher: Vintage
ISBN: 0307279294
Category : Biography & Autobiography
Languages : en
Pages : 354
Book Description
In the bicentennial year of Lincoln's birth, here is the one indispensable book that provides all you need to know about our most revered president in a lively and memorable question-and-answer format.You will learn whether Lincoln could dunk a basketball or tell a joke. Was he the great emancipator or a racist? If he were alive today, could he get elected? Did he die rich? Did scientists raise Lincoln from the dead? From the seemingly lighthearted to the most serious Gerald Prokopowicz tackles each question with balance and authority, and weaves a complete, satisfying biography that will engage young and old, scholars and armchair historians alike.
Publisher: Vintage
ISBN: 0307279294
Category : Biography & Autobiography
Languages : en
Pages : 354
Book Description
In the bicentennial year of Lincoln's birth, here is the one indispensable book that provides all you need to know about our most revered president in a lively and memorable question-and-answer format.You will learn whether Lincoln could dunk a basketball or tell a joke. Was he the great emancipator or a racist? If he were alive today, could he get elected? Did he die rich? Did scientists raise Lincoln from the dead? From the seemingly lighthearted to the most serious Gerald Prokopowicz tackles each question with balance and authority, and weaves a complete, satisfying biography that will engage young and old, scholars and armchair historians alike.
Orson Welles, Shakespeare, and Popular Culture
Author: Michael A. Anderegg
Publisher: Columbia University Press
ISBN: 9780231112291
Category : English drama
Languages : en
Pages : 250
Book Description
Anderegg considers Welles's influence as an interpreter of Shakespeare for twentieth-century American popular audiences, drawing on his knowledge of the abundant, lowbrow popularity of Shakespeare in nineteenth-century America. Welles's three film adaptations of Shakespeare, Macbeth, Othello, and Chimes at Midnight, are examined.
Publisher: Columbia University Press
ISBN: 9780231112291
Category : English drama
Languages : en
Pages : 250
Book Description
Anderegg considers Welles's influence as an interpreter of Shakespeare for twentieth-century American popular audiences, drawing on his knowledge of the abundant, lowbrow popularity of Shakespeare in nineteenth-century America. Welles's three film adaptations of Shakespeare, Macbeth, Othello, and Chimes at Midnight, are examined.
Separation Scenes
Author: Ann C. Christensen
Publisher: U of Nebraska Press
ISBN: 0803296657
Category : Drama
Languages : en
Pages : 352
Book Description
This analysis of five exemplary domestic plays--the anonymous Arden of Faversham and A Warning for Fair Women (1590s), Thomas Heywood's A Woman Killed with Kindness (1607), Thomas Middleton's Women Beware Women (ca. 1613), and Walter Mountfort's The Launching of the Mary, or The Seaman's Honest Wife (1632)--offers a new approach to the emerging ideology of the private and public, or what Ann C. Christensen terms "the tragedy of the separate spheres." Feminist scholarship has identified the fruitful gaps between theories and practices of household government in early modern Europe, while work on the global Renaissance attends to commercial expansion, cross-cultural encounters, and colonial settlements. Separation Scenes brings these critical concerns together to expose the intimate and disruptive relationships between the domestic culture and business culture of early modern England. Separation Scenes argues that domestic plays make the absence of husbands for business the subject of tragedy by focusing not on where men traveled but on whom and what they left behind. Elements that critics have rightly associated with domestic tragedy--adultery, sensational murders, and the lavishly articulated operations of domestic life--define this world, which, Christensen argues, was equally shaped by the absence of husbands. Her interpretations of these domestic plays invite us to historicize and further complicate the seemingly universal binary between a feminine "private sphere" and a masculine "public sphere." Separation Scenes demonstrates how domestic drama played an active, dynamic, and critical role in deliberating the costs of commercial travel as it disrupted domestic conduct and prompted realignments within the home.
Publisher: U of Nebraska Press
ISBN: 0803296657
Category : Drama
Languages : en
Pages : 352
Book Description
This analysis of five exemplary domestic plays--the anonymous Arden of Faversham and A Warning for Fair Women (1590s), Thomas Heywood's A Woman Killed with Kindness (1607), Thomas Middleton's Women Beware Women (ca. 1613), and Walter Mountfort's The Launching of the Mary, or The Seaman's Honest Wife (1632)--offers a new approach to the emerging ideology of the private and public, or what Ann C. Christensen terms "the tragedy of the separate spheres." Feminist scholarship has identified the fruitful gaps between theories and practices of household government in early modern Europe, while work on the global Renaissance attends to commercial expansion, cross-cultural encounters, and colonial settlements. Separation Scenes brings these critical concerns together to expose the intimate and disruptive relationships between the domestic culture and business culture of early modern England. Separation Scenes argues that domestic plays make the absence of husbands for business the subject of tragedy by focusing not on where men traveled but on whom and what they left behind. Elements that critics have rightly associated with domestic tragedy--adultery, sensational murders, and the lavishly articulated operations of domestic life--define this world, which, Christensen argues, was equally shaped by the absence of husbands. Her interpretations of these domestic plays invite us to historicize and further complicate the seemingly universal binary between a feminine "private sphere" and a masculine "public sphere." Separation Scenes demonstrates how domestic drama played an active, dynamic, and critical role in deliberating the costs of commercial travel as it disrupted domestic conduct and prompted realignments within the home.