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Author: Twisted City Leonardo da Vinci Gifts
Publisher:
ISBN: 9781671718432
Category :
Languages : en
Pages : 100
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Book Description
The Head of the Virgin in Three-Quarter View Facing Right - by Leonardo da Vinci, 1452 - 1519 LARGE Sketchbook 8.5x11" - 21.59x27.94cm 100 Blank pages Leonardo di ser Piero da Vinci was an Italian polymath of the Renaissance. He is among the most famous and influential figures in the history of Western art. This cool and elegant sketchbook has 100 pages and a convenient 8.5x11" size. Show your love for art. The perfect Leonardo da Vinci gift for artists, designers, illustrators, art teachers and students. Great gift for women and men who love Leonardo da Vinci paintings and drawings. It makes a great Christmas or Birthday gift for girlfriend and boyfriend.
Author: Twisted City Leonardo da Vinci Gifts
Publisher:
ISBN: 9781671718432
Category :
Languages : en
Pages : 100
Get Book Here
Book Description
The Head of the Virgin in Three-Quarter View Facing Right - by Leonardo da Vinci, 1452 - 1519 LARGE Sketchbook 8.5x11" - 21.59x27.94cm 100 Blank pages Leonardo di ser Piero da Vinci was an Italian polymath of the Renaissance. He is among the most famous and influential figures in the history of Western art. This cool and elegant sketchbook has 100 pages and a convenient 8.5x11" size. Show your love for art. The perfect Leonardo da Vinci gift for artists, designers, illustrators, art teachers and students. Great gift for women and men who love Leonardo da Vinci paintings and drawings. It makes a great Christmas or Birthday gift for girlfriend and boyfriend.
Author: Leonardo da Vinci
Publisher: Library of Alexandria
ISBN: 1465514147
Category : Fiction
Languages : en
Pages : 1118
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Book Description
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.
Author: Janis Herbert
Publisher: Chicago Review Press
ISBN: 1613742290
Category : Juvenile Nonfiction
Languages : en
Pages : 105
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Book Description
The marriage of art and science is celebrated in this beautifully illustrated four-color biography and activity book. Kids will begin to understand the important discoveries that da Vinci made through inspiring activities like determining the launch angle of a catapult, sketching birds and other animals, creating a map, learning to look at a painting, and much more. Includes a glossary, bibliography, listing of pertinent museums and Web sites, a timeline, and many interesting sidebars.
Author: Martin Clayton
Publisher: National Geographic Books
ISBN: 0847859401
Category : Art
Languages : en
Pages : 0
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Book Description
"The year 2019 sees the 500th anniversary of the death of Leonardo da Vinci.... In the Spring of 2019, selections of the finest of Leonardo's drawings will be shown simultaneously at twelve museums and galleries across England, Scotland, Wales and Northern Ireland. The Queen's Gallery at Buckingham Palace will show 200 drawings during the Summer--the largest exhibition of Leonardo's work in almost 70 years--and many of those drawings will be displayed at the Palace of Holyroodhouse in Edinburgh the following Winter"--Foreword.
Author: Susan Grange
Publisher: Flame Tree Illustrated
ISBN: 9781783613588
Category : Art
Languages : en
Pages : 0
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Book Description
Leonardo da Vinci was the original Renaissance Man, an artist, mathematician, inventor and writer amongst his many talents. His skilful observations of the mechanics of the body informed both his work, and the generations that followed. But his drawings are elegant too, with the gentle features of his female subjects in particular graced with unrivalled care and eloquence. Da Vinci's illustrations lie at the heart of our heritage and this new book offers a breadth and scale that will satisfy both the casual and informed reader.
Author: Toby Lester
Publisher: Simon and Schuster
ISBN: 1439189250
Category : History
Languages : en
Pages : 312
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Book Description
In Da Vinci's Ghost, critically acclaimed historian Toby Lester tells the story of the world’s most iconic image, the Vitruvian Man, and sheds surprising new light on the artistry and scholarship of Leonardo da Vinci, one of history’s most fascinating figures. Deftly weaving together art, architecture, history, theology, and much else, Da Vinci's Ghost is a first-rate intellectual enchantment.”—Charles Mann, author of 1493 Da Vinci didn’t summon Vitruvian Man out of thin air. He was inspired by the idea originally formulated by the Roman architect Vitruvius, who suggested that the human body could be made to fit inside a circle, long associated with the divine, and a square, related to the earthly and secular. To place a man inside those shapes was to imply that the human body could indeed be a blueprint for the workings of the universe. Da Vinci elevated Vitruvius’ idea to exhilarating heights when he set out to do something unprecedented, if the human body truly reflected the cosmos, he reasoned, then studying its anatomy more thoroughly than had ever been attempted before—peering deep into body and soul—might grant him an almost godlike perspective on the makeup of the world. Written with the same narrative flair and intellectual sweep as Lester’s award-winning first book, the “almost unbearably thrilling” (Simon Winchester) Fourth Part of the World, and beautifully illustrated with Da Vinci's drawings, Da Vinci’s Ghost follows Da Vinci on his journey to understanding the secrets of the Vitruvian man. It captures a pivotal time in Western history when the Middle Ages were giving way to the Renaissance, when art, science, and philosophy were rapidly converging, and when it seemed possible that a single human being might embody—and even understand—the nature of the universe.
Author: Leonardo Da Vinci
Publisher: Penguin
ISBN: 1440300690
Category : Art
Languages : en
Pages : 0
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Book Description
Master of art, science, philosophy, architecture and much more, Leonardo da Vinci was the definition of a Renaissance Man. While many of his works were left unfinished or have badly deteriorated, his drawings and words preserve his genius and remain a critical resource for artists today. Delve into one of history's greatest minds to be guided and inspired by his works and wisdom in The Leonardo da Vinci Sketchbook. From anatomical studies to tonal compositions, master essential techniques, principles and subjects. Pour over the most compelling details of Leonardo's work and follow the guidance within to become a master artist.
Author: Leonardo da Vinci
Publisher: Tebbo
ISBN: 9781486143924
Category : Fiction
Languages : en
Pages : 376
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Book Description
The award-winning and bestselling collection of the exquisite, annotated notebooks of Leonardo now in paperback. Culled from more than 7,000 pages of sketches and writings found in various rare books, papers, and other resources throughout the world, Leonardos Notebooks presents, for the first time, an exhaustive collection of the insights and brilliance of perhaps the finest mind the world has ever known.
Author: Charles Donald O'Malley
Publisher:
ISBN:
Category : Human anatomy
Languages : en
Pages : 506
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Book Description
Author: Francesca Fiorani
Publisher: St. Martins Press-3PL
ISBN: 1250800218
Category : Art
Languages : en
Pages : 0
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Book Description
“[The Shadow Drawing] reorients our perspective, distills a life and brings it into focus—the very work of revision and refining that its subject loved best.” —Parul Sehgal, The New York Times (Editors’ Choice) An entirely new account of Leonardo the artist and Leonardo the scientist, and why they were one and the same man. Leonardo da Vinci has long been celebrated as the epitome of genius. He was the masterful painter who gave us the Mona Lisa and the Last Supper, and the visionary inventor who anticipated airplanes, hot-air balloons, and other technological marvels. But what was the connection between Leonardo the painter and Leonardo the scientist? And what can a mysterious, long-lost book teach us about how Leonardo truly conceived his art? Shortly after Leonardo’s death, his peers and rivals created the myth of the two Leonardos: there was Leonardo the artist and then, later in life, Leonardo the scientist. In this pathbreaking biographical interpretation, the art historian Francesca Fiorani tells a very different and much more interesting story. Taking a fresh look at Leonardo’s celebrated but challenging notebooks as well as other, often obscure sources, Fiorani shows that Leonardo became fluent in science when he was still a young man. As an apprentice in a Florence studio, he was especially interested in the science of optics, which tells us how we see what we see. For the rest of his life he remained, according to a close observer, obsessed with optics, believing that his art would grow only as his knowledge of light and shadow deepened. Given Leonardo’s scientific bent, one might think this meant that he wanted to turn himself into a human camera. In fact, he aspired to use science to capture—as no artist before him had ever done—the interior lives of his subjects, to paint the human soul in its smallest, tenderest motions and vicissitudes. And then he hoped to take one further step: to gather his scientific knowledge together in a book that would be even more important than his paintings. His Treatise on Painting would be disfigured, ignored, and lost in subsequent centuries; now, Fiorani traces this singular work’s byzantine path through history and reconstructs the wisdom Leonardo hoped it would impart. Ranging from the teeming streets of Florence to the most delicate brushstrokes on the surface of the Mona Lisa, The Shadow Drawing vividly reconstructs Leonardo’s life while teaching us to look anew at his greatest paintings. The result is both a stirring biography and a bold reconsideration of how the Renaissance understood science and art—and of what was lost when the two were sundered.
