Author: Publisher: BoD - Books on Demand
ISBN:
Category :
Languages : en
Pages : 238
Book Description
Author: Publisher: BoD - Books on Demand
ISBN:
Category :
Languages : en
Pages : 238
Book Description
Laurence Bloomfield in Ireland
Author: William AllinghamPublisher:
ISBN:
Category : Ireland
Languages : en
Pages : 330
Book Description
Ulysses Annotated
Author: Don GiffordPublisher: Univ of California Press
ISBN: 9780520253971
Category : Fiction
Languages : en
Pages : 700
Book Description
Rev. ed. of: Notes for Joyce: an annotation of James Joyce's Ulysses, 1974.
The Dublin Review
Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 610
Book Description
The Dublin Review
Author: Nicholas Patrick WisemanPublisher:
ISBN:
Category :
Languages : en
Pages : 606
Book Description
Historical Dictionary of Ireland
Author: Frank A. BiletzPublisher: Scarecrow Press
ISBN: 0810870916
Category : History
Languages : en
Pages : 643
Book Description
All places undergo change, but in few has this change been quite as sweeping as Ireland – both the independent Republic of Ireland and dependent Northern Ireland – so it is good to see where it is heading at present. Obviously, that has to be judged on the background of where it is coming from, not only over the past decade or so but over centuries and, indeed, millennia. This new edition of Historical Dictionary of Ireland is an excellent resource for discovering the history of Ireland. This is done through a chronology, an introductory essay, and an extensive bibliography. The cross-referenced dictionary section has over 600 entries on significant persons, places and events, political parties and institutions (including the Catholic church) with period forays into literature, music and the arts. This book is an excellent resource for students, researchers, and anyone wanting to know more about Ireland.
Ireland on Show
Author: Fintan CullenPublisher: Routledge
ISBN: 1351562118
Category : Art
Languages : en
Pages : 408
Book Description
Looking past the apparent lack of a sustainable Irish display culture, this book demonstrates that there is a very full story to tell of the way Ireland displayed its art from the late eighteenth to the early twentieth century. Ireland on Show analyzes the impact of the display of art as a significant political and cultural feature in the make-up of nineteenth-century Ireland - and in how Ireland was viewed beyond its own shores, in particular in Great Britain and the United States. Fintan Cullen directs much-needed critical attention and analysis to a subject that has been largely overlooked from an Irish perspective. This study moves beyond museums, to address the range of art institutions in Irish cities that displayed art, from the Royal Hibernian Academy, founded in the 1820s, to Hugh Lane's Municipal Art Gallery, opened in Dublin in 1908. Throughout, the book explores the battle between the display of a unionist ethos and a nationalist point of view, a constant that resurfaces over the period. By highlighting the tension between unionist and nationalist viewpoints, Cullen uses the display of art to investigate the complexities of Irish cultural life before the founding of the Free State.
James Anthony Froude
Author: Ciaran BradyPublisher: Oxford University Press
ISBN: 0198726538
Category : Biography & Autobiography
Languages : en
Pages : 517
Book Description
James Anthony Froude remains one of the most commonly referenced and frequently cited of Victorian public intellectuals. Known to intellectual historians as the author of a monumental History of England in the sixteenth century and as a key exponent of Victorian religious doubt, he is also frequently referenced as the author of a series of scandalously provocative novels and of a hugely controversial biography of Thomas Carlyle. Historians of the British Empire and of Ireland have frequently been compelled to address his sometimes outrageous (but often representative) historical writings. Scholars of mid-Victorian politics have no less often turned to Froude as a typical representative of Victorian fears of democracy, while more recently students of political thought have identified him as an early representative of a new form of Commonwealth civic republicanism. Yet for all that Froude remains a strangely marginalised, fragmented, and neglected figure. Ciaran Brady now addresses this remarkable gap. Based on a thorough critical examination of all of Froude's published works - many of which have been discovered and identified here for the first time - and supplemented by intensive research into Froude's private and widely scattered manuscript materials, he offers the first sustained study of Froude's life and thought. Against the common assumption that Froude's life can be divided along simple lines - the sometime enfant terrible who aged into a respectable man of letters - he argues that there was a deeper coherence underlying everything he wrote from the scandalous productions of the 1840s to the authoritative university lectures of the 1890s. In addition to providing a study of a major but neglected nineteenth century intellectual, Brady offers a critical analysis of the impulses, the aspirations, and the unquestioned assumptions underlying the Romantic project of personal renovation, and an alternative view of that unique phenomenon known as 'the Victorian sage'.
The Spectator
Author: Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1252
Book Description
A weekly review of politics, literature, theology, and art.
The Victorian Verse-Novel
Author: Stefanie MarkovitsPublisher: Oxford University Press
ISBN: 0191028932
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
The Victorian Verse-Novel: Aspiring to Life considers the rise of a hybrid generic form, the verse-novel, in the second half of the nineteenth century. Such poems combined epic length with novelistic plots in the attempt to capture not a heroic past but the quotidian present. Victorian verse-novels also tended to be rough-mixed, their narrative sections interspersed with shorter, lyrical verses in varied measures. In flouting the rules of contemporary genre theory, which saw poetry as the purview of the eternal and ideal and relegated the everyday to the domain of novelistic prose, verse-novels proved well suited to upsetting other hierarchies, as well, including those of gender and class. The genre's radical energies often emerge from the competition between lyric and narrative drives, between the desire for transcendence and the quest to find meaning in what happens next; the unusual marriage plots that structure such poems prove crucibles of these rival forces. Generic tensions also yield complex attitudes towards time and space: the book's first half considers the temporality of love, while its second looks at generic geography through the engagement of novels in verse with Europe and the form's transatlantic travels. Both well-known verse-novels (Elizabeth Barrett Browning's Aurora Leigh, Arthur Hugh Clough's Amours de Voyage, Coventry Patmore's The Angel in the House) and lesser-known examples are read closely alongside a few nearly related works (Tennyson's Idylls of the King, Robert Browning's The Ring and the Book). An Afterword traces the verse-novel's substantial influence on the modernist novel.
