Author: Dirk Jacob Jansen
Publisher:
ISBN: 9789004355262
Category : Antiquarians
Languages : en
Pages : 0
Book Description
Dirk Jacob Jansen provides an overview of the life and career of the sixteenth-century cosmopolitan courtier, architect and antiquary Jacopo Strada.
Jacopo Strada and Cultural Patronage at the Imperial Court
Author: Dirk Jacob Jansen
Publisher:
ISBN: 9789004355262
Category : Antiquarians
Languages : en
Pages : 0
Book Description
Dirk Jacob Jansen provides an overview of the life and career of the sixteenth-century cosmopolitan courtier, architect and antiquary Jacopo Strada.
Publisher:
ISBN: 9789004355262
Category : Antiquarians
Languages : en
Pages : 0
Book Description
Dirk Jacob Jansen provides an overview of the life and career of the sixteenth-century cosmopolitan courtier, architect and antiquary Jacopo Strada.
Jacopo Strada and Cultural Patronage at The Imperial Court (2 Vols.)
Author: Dirk Jacob Jansen
Publisher: BRILL
ISBN: 9004359494
Category : Architecture
Languages : en
Pages : 1109
Book Description
In Jacopo Strada and Cultural Patronage at the Imperial Court: Antiquity as Innovation, Dirk Jansen provides a survey of the life and career of the antiquary, architect, and courtier Jacopo Strada (Mantua 1515–Vienna 1588). His manifold activities — also as a publisher and as an agent and artistic and scholarly advisor of powerful patrons such as Hans Jakob Fugger, the Duke of Bavaria and the Emperors Ferdinand I and Maximilian II — are examined in detail, and studied within the context of the cosmopolitan learned and courtly environments in which he moved. These volumes offer a substantial reassessment of Strada’s importance as an agent of change, transmitting the ideas and artistic language of the Italian Renaissance to the North.
Publisher: BRILL
ISBN: 9004359494
Category : Architecture
Languages : en
Pages : 1109
Book Description
In Jacopo Strada and Cultural Patronage at the Imperial Court: Antiquity as Innovation, Dirk Jansen provides a survey of the life and career of the antiquary, architect, and courtier Jacopo Strada (Mantua 1515–Vienna 1588). His manifold activities — also as a publisher and as an agent and artistic and scholarly advisor of powerful patrons such as Hans Jakob Fugger, the Duke of Bavaria and the Emperors Ferdinand I and Maximilian II — are examined in detail, and studied within the context of the cosmopolitan learned and courtly environments in which he moved. These volumes offer a substantial reassessment of Strada’s importance as an agent of change, transmitting the ideas and artistic language of the Italian Renaissance to the North.
Jacopo Strada and Cultural Patronage at the Imperial Court
Author: Dirk Jacob Jansen
Publisher:
ISBN: 9789004385214
Category : Antiquarians
Languages : en
Pages :
Book Description
"In Jacopo Strada and Cultural Patronage at the Imperial Court: Antiquity as Innovation, Dirk Jansen provides a survey of life and career of the antiquary, architect, and courtier Jacopo Strada (Mantua 1515-Vienna 1588). His manifold activities -- also as a publisher and as an agent and artistic and scholarly advisor of powerful patrons such as Hans Jakob Fugger, the Duke of Bavaria and the Emperors Ferdinand I and Maximilian II -- are examined in detail, and studied within the context of the cosmopolitan learned and courtly environments in which he moved. These volumes offer a substantial reassessment of Strada's importance as an agent of change, transmitting the ideas and artistic language of the Italian Renaissance to the North"--
Publisher:
ISBN: 9789004385214
Category : Antiquarians
Languages : en
Pages :
Book Description
"In Jacopo Strada and Cultural Patronage at the Imperial Court: Antiquity as Innovation, Dirk Jansen provides a survey of life and career of the antiquary, architect, and courtier Jacopo Strada (Mantua 1515-Vienna 1588). His manifold activities -- also as a publisher and as an agent and artistic and scholarly advisor of powerful patrons such as Hans Jakob Fugger, the Duke of Bavaria and the Emperors Ferdinand I and Maximilian II -- are examined in detail, and studied within the context of the cosmopolitan learned and courtly environments in which he moved. These volumes offer a substantial reassessment of Strada's importance as an agent of change, transmitting the ideas and artistic language of the Italian Renaissance to the North"--
Modern Architecture, Empire, and Race in Fascist Italy
Author: Brian L. McLaren
Publisher: BRILL
ISBN: 900445618X
Category : Literary Criticism
Languages : en
Pages : 310
Book Description
In Modern Architecture, Empire, and Race in Fascist Italy, Brian L. McLaren examines the architecture of the late-Fascist era in relation to the various racial constructs that emerged following the occupation of Ethiopia in 1936 and intensified during the wartime. This study is conducted through a wide-ranging investigation of two highly significant state-sponsored exhibitions, the 1942 Esposizione Universale di Roma and 1940 Mostra Triennale delle Terre Italiane d'Oltremare. These exhibitions and other related imperial displays are examined over an extended span of time to better understand how architecture, art, and urban space, the politics and culture that encompassed them, the processes that formed them, and the society that experienced them, were racialized in varying and complex ways.
Publisher: BRILL
ISBN: 900445618X
Category : Literary Criticism
Languages : en
Pages : 310
Book Description
In Modern Architecture, Empire, and Race in Fascist Italy, Brian L. McLaren examines the architecture of the late-Fascist era in relation to the various racial constructs that emerged following the occupation of Ethiopia in 1936 and intensified during the wartime. This study is conducted through a wide-ranging investigation of two highly significant state-sponsored exhibitions, the 1942 Esposizione Universale di Roma and 1940 Mostra Triennale delle Terre Italiane d'Oltremare. These exhibitions and other related imperial displays are examined over an extended span of time to better understand how architecture, art, and urban space, the politics and culture that encompassed them, the processes that formed them, and the society that experienced them, were racialized in varying and complex ways.
Venice: City of Pictures
Author: Martin Gayford
Publisher: Thames & Hudson
ISBN: 050077837X
Category : History
Languages : en
Pages : 595
Book Description
A visual journey through five centuries of the city known for centuries as, “La Serenissima”—a unique and compelling story for both lovers of Venice and lovers of its art. Venice was a major center of art in the Renaissance: the city where the medium of oil on canvas became the norm. The achievements of the Bellini brothers, Carpaccio, Giorgione, Titian, Tintoretto, and Veronese are a key part of this story. Nowhere else has been depicted by so many great painters in so many diverse styles and moods. Venetian views were a speciality of native artists such as Canaletto and Guardi, but the city has also been represented by outsiders: J. M. W. Turner, Claude Monet, John Singer Sargent, Howard Hodgkin, and many more. Then there are those who came to look at and write about art. The reactions of Henry James, George Eliot, Richard Wagner, and others enrich this tale. Nor is the story over. Since the advent of the Venice Biennale in the 1890s, and the arrival of pioneering modern art collector Peggy Guggenheim in the late 1940s, the city has become a shop window for the contemporary art of the whole world, and it remains the site of important artistic events. In this elegant volume, Gayford—who has visited Venice countless times since the 1970s, covered every Biennale since 1990, and even had portraits of himself exhibited there on several occasions—takes us on a visual journey through the past five centuries of the city known "La Serenissima," the Most Serene. It is a unique and compelling portrait of Venice that will delight lovers of the city and lovers of its art.
Publisher: Thames & Hudson
ISBN: 050077837X
Category : History
Languages : en
Pages : 595
Book Description
A visual journey through five centuries of the city known for centuries as, “La Serenissima”—a unique and compelling story for both lovers of Venice and lovers of its art. Venice was a major center of art in the Renaissance: the city where the medium of oil on canvas became the norm. The achievements of the Bellini brothers, Carpaccio, Giorgione, Titian, Tintoretto, and Veronese are a key part of this story. Nowhere else has been depicted by so many great painters in so many diverse styles and moods. Venetian views were a speciality of native artists such as Canaletto and Guardi, but the city has also been represented by outsiders: J. M. W. Turner, Claude Monet, John Singer Sargent, Howard Hodgkin, and many more. Then there are those who came to look at and write about art. The reactions of Henry James, George Eliot, Richard Wagner, and others enrich this tale. Nor is the story over. Since the advent of the Venice Biennale in the 1890s, and the arrival of pioneering modern art collector Peggy Guggenheim in the late 1940s, the city has become a shop window for the contemporary art of the whole world, and it remains the site of important artistic events. In this elegant volume, Gayford—who has visited Venice countless times since the 1970s, covered every Biennale since 1990, and even had portraits of himself exhibited there on several occasions—takes us on a visual journey through the past five centuries of the city known "La Serenissima," the Most Serene. It is a unique and compelling portrait of Venice that will delight lovers of the city and lovers of its art.
Ficino and Fantasy
Author: Marieke J.E. van den Doel
Publisher: BRILL
ISBN: 9004459685
Category : Art
Languages : en
Pages : 390
Book Description
Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? Art historians have been fiercely debating this question for decades. This book starts with Ficino’s views on the imagination as a faculty of the soul, and shows how these ideas were part of a long philosophical tradition and inspired fresh insights. This approach, combined with little known historical material, offers a new understanding of whether, how and why Ficino’s Platonic conceptions of the imagination may have been received in the art of the Italian Renaissance. The discussion explores Ficino’s possible influence on the work of Botticelli and Michelangelo, and examines the appropriation of Ficino’s ideas by early modern art theorists.
Publisher: BRILL
ISBN: 9004459685
Category : Art
Languages : en
Pages : 390
Book Description
Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? Art historians have been fiercely debating this question for decades. This book starts with Ficino’s views on the imagination as a faculty of the soul, and shows how these ideas were part of a long philosophical tradition and inspired fresh insights. This approach, combined with little known historical material, offers a new understanding of whether, how and why Ficino’s Platonic conceptions of the imagination may have been received in the art of the Italian Renaissance. The discussion explores Ficino’s possible influence on the work of Botticelli and Michelangelo, and examines the appropriation of Ficino’s ideas by early modern art theorists.
Knowledge and the Early Modern City
Author: Bert De Munck
Publisher: Routledge
ISBN: 0429808437
Category : History
Languages : en
Pages : 391
Book Description
Knowledge and the Early Modern City uses case studies from the sixteenth to the eighteenth centuries to examine the relationships between knowledge and the city and how these changed in a period when the nature and conception of both was drastically transformed. Both knowledge formation and the European city were increasingly caught up in broader institutional structures and regional and global networks of trade and exchange during the early modern period. Moreover, new ideas about the relationship between nature and the transcendent, as well as technological transformations, impacted upon both considerably. This book addresses the entanglement between knowledge production and the early modern urban environment while incorporating approaches to the city and knowledge in which both are seen as emerging from hybrid networks in which human and non-human elements continually interact and acquire meaning. It highlights how new forms of knowledge and new conceptions of the urban co-emerged in highly contingent practices, shedding a new light on present-day ideas about the impact of cities on knowledge production and innovation. Providing the ideal starting point for those seeking to understand the role of urban institutions, actors and spaces in the production of knowledge and the development of the so-called ‘modern’ knowledge society, this is the perfect resource for students and scholars of early modern history and knowledge.
Publisher: Routledge
ISBN: 0429808437
Category : History
Languages : en
Pages : 391
Book Description
Knowledge and the Early Modern City uses case studies from the sixteenth to the eighteenth centuries to examine the relationships between knowledge and the city and how these changed in a period when the nature and conception of both was drastically transformed. Both knowledge formation and the European city were increasingly caught up in broader institutional structures and regional and global networks of trade and exchange during the early modern period. Moreover, new ideas about the relationship between nature and the transcendent, as well as technological transformations, impacted upon both considerably. This book addresses the entanglement between knowledge production and the early modern urban environment while incorporating approaches to the city and knowledge in which both are seen as emerging from hybrid networks in which human and non-human elements continually interact and acquire meaning. It highlights how new forms of knowledge and new conceptions of the urban co-emerged in highly contingent practices, shedding a new light on present-day ideas about the impact of cities on knowledge production and innovation. Providing the ideal starting point for those seeking to understand the role of urban institutions, actors and spaces in the production of knowledge and the development of the so-called ‘modern’ knowledge society, this is the perfect resource for students and scholars of early modern history and knowledge.
The Invention of Papal History
Author: Stefan Bauer
Publisher:
ISBN: 0198807007
Category : History
Languages : en
Pages : 275
Book Description
The Catholic Church is among the oldest, most secretive, institutions in the world, but in the sixteenth century a friar, Onofrio Panvinio, undertook ground-breaking investigations into the Church's history from Christ to the Renaissance. This study shows how his writings impacted on church and society, but also how he changed historical writing.
Publisher:
ISBN: 0198807007
Category : History
Languages : en
Pages : 275
Book Description
The Catholic Church is among the oldest, most secretive, institutions in the world, but in the sixteenth century a friar, Onofrio Panvinio, undertook ground-breaking investigations into the Church's history from Christ to the Renaissance. This study shows how his writings impacted on church and society, but also how he changed historical writing.
Brill's Companion to the Reception of Vitruvius
Author:
Publisher: BRILL
ISBN: 9004688706
Category : Literary Criticism
Languages : en
Pages : 775
Book Description
As a master of his discipline, the ancient Roman architect Vitruvius has been read widely for centuries. This collection of essays by an international team of experts investigates his influence and reception in ideas, artistic forms, and building practices from antiquity to modern day. The stories of influence told in these pages suggest that it is the unbridgeable gulf between the Vitruvian text and surviving monuments that makes reading the Ten Books so endlessly compelling. The contributors to this volume offer their own, original readings, which are organized into the five sections: transmission; translation; reception; practice; and Vitruvian topics.
Publisher: BRILL
ISBN: 9004688706
Category : Literary Criticism
Languages : en
Pages : 775
Book Description
As a master of his discipline, the ancient Roman architect Vitruvius has been read widely for centuries. This collection of essays by an international team of experts investigates his influence and reception in ideas, artistic forms, and building practices from antiquity to modern day. The stories of influence told in these pages suggest that it is the unbridgeable gulf between the Vitruvian text and surviving monuments that makes reading the Ten Books so endlessly compelling. The contributors to this volume offer their own, original readings, which are organized into the five sections: transmission; translation; reception; practice; and Vitruvian topics.
Fenestration Practice and Theory in Early Modern Europe
Author: Hentie Louw
Publisher: Cambridge Scholars Publishing
ISBN: 1036402487
Category : Architecture
Languages : en
Pages : 620
Book Description
This book explores the transformation of the window during the Early Modern Period in Europe. Following the Italian Renaissance, new stylistic norms for modern ‘classical windows’ had to be invented. Building a new classical repertoire drew on existing traditions in fenestration as local builders throughout Europe struggled with the constraints of varying climatic conditions, customs and physical resources in pursuit of a broader vision of an international classical revival. With the Renaissance, the architectural emphasis shifted towards secular design and, as the classical revival gained momentum, a quest for a cultured lifestyle commensurate with the new architecture increased demand for sophisticated fenestration systems in civil architecture. The movement coincided with a period of dramatic climate change, the so-called Little Ice Age (c. 1450 – c.1850), adding urgency to the campaign for transforming fenestration practice. By the late seventeenth century, Northern European builders had developed appropriate indigenous ‘classical’ window forms for their respective societies – functional products sophisticated enough to form the basis of new architectural styles: northern classical traditions that rivalled (and in some respects, surpassed) those created in Italy. Their achievement was embodied in the two flagships of the movement: the Franco-Italian folding casement (the ‘French window’), and the English mechanical sliding window (the ‘sash window’).
Publisher: Cambridge Scholars Publishing
ISBN: 1036402487
Category : Architecture
Languages : en
Pages : 620
Book Description
This book explores the transformation of the window during the Early Modern Period in Europe. Following the Italian Renaissance, new stylistic norms for modern ‘classical windows’ had to be invented. Building a new classical repertoire drew on existing traditions in fenestration as local builders throughout Europe struggled with the constraints of varying climatic conditions, customs and physical resources in pursuit of a broader vision of an international classical revival. With the Renaissance, the architectural emphasis shifted towards secular design and, as the classical revival gained momentum, a quest for a cultured lifestyle commensurate with the new architecture increased demand for sophisticated fenestration systems in civil architecture. The movement coincided with a period of dramatic climate change, the so-called Little Ice Age (c. 1450 – c.1850), adding urgency to the campaign for transforming fenestration practice. By the late seventeenth century, Northern European builders had developed appropriate indigenous ‘classical’ window forms for their respective societies – functional products sophisticated enough to form the basis of new architectural styles: northern classical traditions that rivalled (and in some respects, surpassed) those created in Italy. Their achievement was embodied in the two flagships of the movement: the Franco-Italian folding casement (the ‘French window’), and the English mechanical sliding window (the ‘sash window’).