Author: Alfred Krautz
Publisher:
ISBN:
Category :
Languages : en
Pages : 13
Book Description
International Directory of Cinematographers, Set- and Costume Designers in Film
Author: Alfred Krautz
Publisher:
ISBN:
Category :
Languages : en
Pages : 13
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 13
Book Description
International Directory of Cinematographers Set- and Costume Designers in Film
Author: Alfred Krautz
Publisher: K G Saur Verlag Gmbh & Company
ISBN: 9783598214363
Category : Performing Arts
Languages : en
Pages : 455
Book Description
Publisher: K G Saur Verlag Gmbh & Company
ISBN: 9783598214363
Category : Performing Arts
Languages : en
Pages : 455
Book Description
International Directory of Cinematographers Set-and Costume Designers in Film
Author: Alfred Krautz
Publisher: K G Saur Verlag Gmbh & Company
ISBN: 9783598214387
Category : Performing Arts
Languages : en
Pages : 439
Book Description
Publisher: K G Saur Verlag Gmbh & Company
ISBN: 9783598214387
Category : Performing Arts
Languages : en
Pages : 439
Book Description
International Directory of Cinematographers, Set- and Costume Designers in Film
Author: Alfred Krawc
Publisher:
ISBN: 9783598214318
Category : Cinematographers
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9783598214318
Category : Cinematographers
Languages : en
Pages :
Book Description
Film Architecture and the Transnational Imagination
Author: Tim Bergfelder
Publisher: Amsterdam University Press
ISBN: 9053569804
Category : Performing Arts
Languages : en
Pages : 320
Book Description
Summary: "Film Architecture and the Transnational Imagination presents for the first time a comparative study of European film set design in the late 1920s and 1930s; based on a wealth of designers ʼ drawings, film stills and archival documents, the book offers a new insight into the development and significance of trans-national artistic collaboration during this period. European cinema from the late 1920s to the late 1930s is famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema provides a comprehensive analysis of the practices, styles, and function of cinematic production design during this period, and its influence on subsequent filmmaking patterns."--Publisher description.
Publisher: Amsterdam University Press
ISBN: 9053569804
Category : Performing Arts
Languages : en
Pages : 320
Book Description
Summary: "Film Architecture and the Transnational Imagination presents for the first time a comparative study of European film set design in the late 1920s and 1930s; based on a wealth of designers ʼ drawings, film stills and archival documents, the book offers a new insight into the development and significance of trans-national artistic collaboration during this period. European cinema from the late 1920s to the late 1930s is famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema provides a comprehensive analysis of the practices, styles, and function of cinematic production design during this period, and its influence on subsequent filmmaking patterns."--Publisher description.
International Directory of Cinematographers, Set- and Costume Designers in Film: pt. A-B. Film titles-Film directors. General index v. 1-10
Author: Alfred Krawc
Publisher:
ISBN: 9783598214318
Category : Cinematographers
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9783598214318
Category : Cinematographers
Languages : en
Pages :
Book Description
Vision Machines
Author: Paul Julian Smith
Publisher: Verso
ISBN: 9781859840795
Category : Performing Arts
Languages : en
Pages : 208
Book Description
Over the last decade, visibility and sexuality have become a major theme in Spanish and Cuban cinema, literature and art. Vision Machines explores this development in the light of contemporary history and recent theoretical accounts of sight by writers including Paul Virilio, Gianni Vattimo and Teresa de Lauretis. The very visible women of Almodóvar’s cinema are Paul Julian Smith’s first subject. He shows how, in his early Dark Habits, lesbianizes the look, putting women’s pleasure at the centre of the frame, and then examines Almodóvar’s recent film, Kika, where the conflict between cinema and video is played out in the bodies of women: good, bad and ugly. Moving the focus to Cuba, Smith discussed the reception in Europe and North America of Nestor Almendro’s remarkable documentary on gays in Cuba, Improper Conduct, and traces the trial of visibility to which effeminate men were exposed. He compares Amendor’s work with the autobiography of exile novelist Reinaldo Arenas, which revels in graphic sex, and also looks at the first Cuban film with a gay theme, Gutierrez Alea’s Strawberry and Chocolate. Smith returns to Spain to consider the response of artists and intellectuals to the public invisibility of AIDS in a country with one of the highest rates of HIV transmission in the Eurpean Union. Drawing on Anglo-American debates on the representation of AIDS, he concentrates on the one major intervention by Spanish scholars and artists, Love and Rage, and on the only figure in any medium to address AIDS in his aesthetic practice, the conceptual artist and video-maker Pepe Espaliu. He concludes with a fascinating account of Julio Medem’s pathbreaking film from 1993, The Red Squirrel, which has opened up a new approach to two formerly taboo subjects: Basque nationalism and female sexuality.
Publisher: Verso
ISBN: 9781859840795
Category : Performing Arts
Languages : en
Pages : 208
Book Description
Over the last decade, visibility and sexuality have become a major theme in Spanish and Cuban cinema, literature and art. Vision Machines explores this development in the light of contemporary history and recent theoretical accounts of sight by writers including Paul Virilio, Gianni Vattimo and Teresa de Lauretis. The very visible women of Almodóvar’s cinema are Paul Julian Smith’s first subject. He shows how, in his early Dark Habits, lesbianizes the look, putting women’s pleasure at the centre of the frame, and then examines Almodóvar’s recent film, Kika, where the conflict between cinema and video is played out in the bodies of women: good, bad and ugly. Moving the focus to Cuba, Smith discussed the reception in Europe and North America of Nestor Almendro’s remarkable documentary on gays in Cuba, Improper Conduct, and traces the trial of visibility to which effeminate men were exposed. He compares Amendor’s work with the autobiography of exile novelist Reinaldo Arenas, which revels in graphic sex, and also looks at the first Cuban film with a gay theme, Gutierrez Alea’s Strawberry and Chocolate. Smith returns to Spain to consider the response of artists and intellectuals to the public invisibility of AIDS in a country with one of the highest rates of HIV transmission in the Eurpean Union. Drawing on Anglo-American debates on the representation of AIDS, he concentrates on the one major intervention by Spanish scholars and artists, Love and Rage, and on the only figure in any medium to address AIDS in his aesthetic practice, the conceptual artist and video-maker Pepe Espaliu. He concludes with a fascinating account of Julio Medem’s pathbreaking film from 1993, The Red Squirrel, which has opened up a new approach to two formerly taboo subjects: Basque nationalism and female sexuality.
Film Architecture and the Transnational Imagination
Author: Tim Bergfelder
Publisher: Amsterdam University Press
ISBN: 9789053569849
Category : Performing Arts
Languages : en
Pages : 316
Book Description
Summary: "Film Architecture and the Transnational Imagination presents for the first time a comparative study of European film set design in the late 1920s and 1930s; based on a wealth of designers ʼ drawings, film stills and archival documents, the book offers a new insight into the development and significance of trans-national artistic collaboration during this period. European cinema from the late 1920s to the late 1930s is famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema provides a comprehensive analysis of the practices, styles, and function of cinematic production design during this period, and its influence on subsequent filmmaking patterns."--Publisher description.
Publisher: Amsterdam University Press
ISBN: 9789053569849
Category : Performing Arts
Languages : en
Pages : 316
Book Description
Summary: "Film Architecture and the Transnational Imagination presents for the first time a comparative study of European film set design in the late 1920s and 1930s; based on a wealth of designers ʼ drawings, film stills and archival documents, the book offers a new insight into the development and significance of trans-national artistic collaboration during this period. European cinema from the late 1920s to the late 1930s is famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema provides a comprehensive analysis of the practices, styles, and function of cinematic production design during this period, and its influence on subsequent filmmaking patterns."--Publisher description.
The Classic French Cinema, 1930-1960
Author: C. G. Crisp
Publisher: Indiana University Press
ISBN: 9780253315502
Category : Motion pictures
Languages : en
Pages : 522
Book Description
Colin Crisp re-evaluates the stylistic evolution of the classic French cinema, and represents the New Wave film-makers as its natural heirs rather than the mould-breakers they perceived themselves to be.
Publisher: Indiana University Press
ISBN: 9780253315502
Category : Motion pictures
Languages : en
Pages : 522
Book Description
Colin Crisp re-evaluates the stylistic evolution of the classic French cinema, and represents the New Wave film-makers as its natural heirs rather than the mould-breakers they perceived themselves to be.
Subject Catalog
Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 1000
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1000
Book Description