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Author: Elsa Knysak
Publisher:
ISBN:
Category : Arts
Languages : en
Pages :
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Book Description
I set out to see how popular culture is affecting the presentation of classical music in the 21st century and beyond. Using qualitative research in the form of telephone conducted interviews of orchestras, chosen based on size and geographic location, as well as utilizing scholarly books and articles; I discovered that throughout history, art has changed for its a̲populara̲ culture. Those who are unwilling or unable to be innovating and transformative have gone by the wayside. This is especially evident in analyzing small and large market orchestras. Those orchestras who are willing to take the risks, both programmatic and financial, receive the reward; those that are afraid to do so see their audiences and revenue diminish. Ultimately, my conclusion is that in order to survive within a new cultural market, you must be willing to ebb and flow with the changing tide a̲ rigidity and unwillingness to meet the current culturea̲s demands will only result in certain demise, making classical music archaic and eventually forgotten. Those large market orchestras that have more ability to take risks are more successful and more stable than their smaller market counterparts.
Author: Elsa Knysak
Publisher:
ISBN:
Category : Arts
Languages : en
Pages :
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Book Description
I set out to see how popular culture is affecting the presentation of classical music in the 21st century and beyond. Using qualitative research in the form of telephone conducted interviews of orchestras, chosen based on size and geographic location, as well as utilizing scholarly books and articles; I discovered that throughout history, art has changed for its a̲populara̲ culture. Those who are unwilling or unable to be innovating and transformative have gone by the wayside. This is especially evident in analyzing small and large market orchestras. Those orchestras who are willing to take the risks, both programmatic and financial, receive the reward; those that are afraid to do so see their audiences and revenue diminish. Ultimately, my conclusion is that in order to survive within a new cultural market, you must be willing to ebb and flow with the changing tide a̲ rigidity and unwillingness to meet the current culturea̲s demands will only result in certain demise, making classical music archaic and eventually forgotten. Those large market orchestras that have more ability to take risks are more successful and more stable than their smaller market counterparts.
Author: Simon Frith
Publisher: Harvard University Press
ISBN: 0674247310
Category : Music
Languages : en
Pages : 363
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Book Description
Who's better? Billie Holiday or P. J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distill our most deeply held values, make meaning of our ever-changing culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what's bad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement as his subject--and discloses their place at the very center of the aesthetics that structure our culture and color our lives. Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the undeniable impact of popular aesthetics on our lives. How we nod our heads or tap our feet, grin or grimace or flip the dial; how we determine what's sublime and what's "for real"--these are part of the way we construct our social identities, and an essential response to the performance of all music. Frith argues that listening itself is a performance, both social gesture and bodily response. From how they are made to how they are received, popular songs appear here as not only meriting aesthetic judgments but also demanding them, and shaping our understanding of what all music means.
Author: John Borstlap
Publisher: Scarecrow Press
ISBN: 0810884585
Category : Music
Languages : en
Pages : 173
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Book Description
The Classical Revolution studies the recent emergence of a new brand of classical music, one rooted in “pre-modern” tonal traditions. Through polemical essays on the conflict between re-emergent tradition and the usual, bland “modern music” in which academic atonalism, process music and attempts to borrow some life from pop and world music form a rather isolated territory, Borstlap examines both the philosophical and aesthetic positions of these new classical composers, positions too often misunderstood because they create a new and unexpected category, not in the margins of music life but directly related to the central performance culture. As Borstlap points out, part of the ongoing problem of contemporary music, a problem first created by modernism, is a profound misunderstanding of musical modernism itself. At the heart of his argument is the distinction between music and “sonic art” a distinction that renders superfluous the loaded labels of “progressive” and “conservative” in disputes over music. Addressing questions of cultural identity, musical meaning, and the aesthetics of beauty, The Classical Revolution closely examines the institutional biases of the modern-music establishment and its all-too-solid grip on the production and reception of new music. By drawing attention to new classical composers in a traditionalist mold, Borstlap illustrates how their increasing success in the realm of performance—as opposed to academic study—bespeaks a broader set of trends in serious contemporary composition. The Classical Revolution is an accessible and informative polemic for music lovers with an interest in the meaning of classical music in general, and the classical tradition in particular which seems to be re-emerging in the 21st century. It should equally interest academics, music directors, promoters, programmers, musicians, and music students alike since here, a wide field of new musical experience opens itself up, with a hopeful perspective on the future of music.
Author: Joanne Scheff Bernstein
Publisher: John Wiley & Sons
ISBN: 111804682X
Category : Business & Economics
Languages : en
Pages : 325
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Book Description
Audience behavior began to shift dramatically in the mid 1990s. Since then, people have become more spontaneous in purchasing tickets and increasingly prefer selecting specific programs to attend rather than buying a subscription series. Arts attenders also expect more responsive customer service than ever before. Because of these and other factors, many audience development strategies that sustained nonprofit arts organizations in the past are no longer dependable and performing arts marketers face many new challenges in their efforts to build and retain their audiences. Arts organizations must learn how to be relevant to the changing lifestyles, needs, interests, and preferences of their current and potential audiences. Arts Marketing Insights offers managers, board members, professors, and students of arts management the ideas and information they need to market effectively and efficiently to customers today and into the future. In this book, Joanne Scheff Bernstein helps readers to understand performing arts audiences, conduct research, and provide excellent customer service. She demonstrates that arts organizations can benefit by expanding the meaning of "valuable customer" to include single-ticket buyers. She offers guidance on long-range marketing planning and helps readers understand how to leverage the Internet and e-mail as powerful marketing channels. Bernstein presents vivid case studies and examples that illustrate her strategic principles in action from organizations large and small in the United States, Great Britain, Australia, and other countries.
Author: Matthew Riley
Publisher: Boydell & Brewer
ISBN: 1783271426
Category : History
Languages : en
Pages : 258
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Book Description
How and why do listeners come over time to 'feel the nation' through particular musical works? This book develops a comparative analysis of the relationship between western art music, nations and nationalism. It explores the influence of emergent nations and nationalism on the development of classical music in Europe and North America and examines the distinctive themes, sounds and resonances to be found in the repertory of each of the nations. Its scope is broad, extending well beyond the period 1848-1914 when national music flourished most conspicuously. The interplay of music and nation encompasses the oratorios of Handel, the open-air music of the French Revolution and the orchestral works of Beethoven and Mendelssohn and extends into the mid-twentieth century in the music of Prokofiev, Shostakovich and Copland. The book addresses the representation of the national community, the incorporation of ethnic vernacular idioms into art music, the national homeland in music, musical adaptations of national myths and legends, the music of national commemoration and the canonisation of national music. Bringing together insights from nationalism studies, musicology and cultural history, it will be essential reading not only for musicologists but for cultural historians and historians of nationalism as well. MATTHEW RILEY is Reader in Music at the University of Birmingham. The late ANTHONY D. SMITH was Professor Emeritus of Nationalism andEthnicity at the London School of Economics.
Author: Christina Scharff
Publisher: Routledge
ISBN: 1317375092
Category : Social Science
Languages : en
Pages : 185
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Book Description
What is it like to work as a classical musician today? How can we explain ongoing gender, racial, and class inequalities in the classical music profession? What happens when musicians become entrepreneurial and think of themselves as a product that needs to be sold and marketed? Gender, Subjectivity, and Cultural Work explores these and other questions by drawing on innovative, empirical research on the working lives of classical musicians in Germany and the UK. Indeed, Scharff examines a range of timely issues such as the gender, racial, and class inequalities that characterise the cultural and creative industries; the ways in which entrepreneurialism – as an ethos to work on and improve the self – is lived out; and the subjective experiences of precarious work in so-called ‘creative cities’. Thus, this book not only adds to our understanding of the working lives of artists and creatives, but also makes broader contributions by exploring how precarity, neoliberalism, and inequalities shape subjective experiences. Contributing to a range of contemporary debates around cultural work, Gender, Subjectivity, and Cultural Work will be of interest to scholars and students in the fields of Sociology, Gender and Cultural Studies.
Author: Christofer Jost
Publisher: Waxmann Verlag
ISBN: 3830997701
Category : Music
Languages : en
Pages : 267
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Book Description
Popular culture today manifests itself in a dense network of styles and genres, while the aesthetic preferences of the audience are highly differentiated. Besides, popular culture also implies a diversity of aesthetic strategies, discourses and value systems that traverse the symbolic demarcations between styles and genres and are effective across different artistic fields and individual media. Aesthetic concepts such as camp, retro or trash are expressions of a transgressive mode of production that facilitates a multitude of cross-connections between aesthetic spaces of experience. The volume brings together authors from different disciplines who approach aesthetic concepts in popular culture on a historical, theoretical and methodological level, analyze them on the basis of various aesthetic phenomena, or discuss aspects relevant to their theoretical contextualization, such as the emergence and establishment of artistic practices and aesthetic value systems.
Author: Sara Cohen
Publisher: Routledge
ISBN: 1351160184
Category : Music
Languages : en
Pages : 381
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Book Description
How is popular music culture connected with the life, image, and identity of a city? How, for example, did the Beatles emerge in Liverpool, how did they come to be categorized as part of Liverpool culture and identity and used to develop and promote the city, and how have connections between the Beatles and Liverpool been forged and contested? This book explores the relationship between popular music and the city using Liverpool as a case study. Firstly, it examines the impact of social and economic change within that city on its popular music culture, focusing on de-industrialization and economic restructuring during the 1980s and 1990s. Secondly, and in turn, it considers the specificity of popular music culture and the many diverse ways in which it influences city life and informs the way that the city is thought about, valued and experienced. Cohen highlights popular music's unique role and significance in the making of cities, and illustrates how de-industrialization encouraged efforts to connect popular music to the city, to categorize, claim and promote it as local culture, and harness and mobilize it as a local resource. In doing so, she adopts an approach that recognizes music as a social and symbolic practice encompassing a diversity of roles and characteristics: music as a culture or way of life distinguished by social and ideological conventions; music as sound; speech and discourse about music; and music as a commodity and industry.
Author: R. Purcell
Publisher: Springer
ISBN: 1137497602
Category : Music
Languages : en
Pages : 216
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Book Description
This collection presents a contemporary evaluation of the changing structures of music delivery and enjoyment. Exploring the confluence of music consumption, burgeoning technology, and contemporary culture; this volume focuses on issues of musical communities and the politics of media.
Author: N. Alan Clark
Publisher:
ISBN: 9781940771335
Category : Education
Languages : en
Pages : 316
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Book Description
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!
