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Author: Palais des beaux-arts (Bruxelles).
Publisher: Hatje Cantz Verlag
ISBN: 9783775739665
Category : Art, European
Languages : en
Pages : 291
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Book Description
"....The aim of our exhibition is to focus on the Ottoman Empire...and to explore the different ways the Ottomans, or 'Turks' as they were already called by their contemporaries, impacted the art and culture of the Renaissance.
Author: Palais des beaux-arts (Bruxelles).
Publisher: Hatje Cantz Verlag
ISBN: 9783775739665
Category : Art, European
Languages : en
Pages : 291
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Book Description
"....The aim of our exhibition is to focus on the Ottoman Empire...and to explore the different ways the Ottomans, or 'Turks' as they were already called by their contemporaries, impacted the art and culture of the Renaissance.
Author: Lisa Jardine
Publisher: Cornell University Press
ISBN: 9780801438080
Category : Art
Languages : en
Pages : 236
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Book Description
In this re-assessment of Renaissance art, Lisa Jardine and Jerry Brotton examine the ways in which European civilization defined itself between 1450 and 1550.
Author: Metin Mustafa
Publisher: Blue Dome Press
ISBN: 9781682060230
Category : Architecture, Ottoman
Languages : en
Pages : 331
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Book Description
This book re-evaluates Ottoman art of the early modern period within the Renaissance paradigm. It argues that the Ottomans indeed had a Renaissance at the same time as the Europeans of the West.
Author: Anna Contadini
Publisher: Routledge
ISBN: 1351883003
Category : History
Languages : en
Pages : 293
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Book Description
This volume brings together some of the latest research on the cultural, intellectual, and commercial interactions during the Renaissance between Western Europe and the Middle East, with particular reference to the Ottoman Empire. Recent scholarship has brought to the fore the economic, political, cultural, and personal interactions between Western European Christian states and the Eastern Mediterranean Islamic states, and has therefore highlighted the incongruity of conceiving of an iron curtain bisecting the mentalities of the various socio-political and religious communities located in the same Euro-Mediterranean space. Instead, the emphasis here is on interpreting the Mediterranean as a world traversed by trade routes and associated cultural and intellectual networks through which ideas, people and goods regularly travelled. The fourteen articles in this volume contribute to an exciting cross-cultural and inter-disciplinary scholarly dialogue that explores elements of continuity and exchange between the two areas and positions the Ottoman Empire as an integral element of the geo-political and cultural continuum within which the Renaissance evolved. The aim of this volume is to refine current understandings of the diverse artistic, intellectual and political interactions in the early modern Mediterranean world and, in doing so, to contribute further to the discussion of the scope and nature of the Renaissance. The articles, from major scholars of the field, include discussions of commercial contacts; the exchange of technological, cartographical, philosophical, and scientific knowledge; the role of Venice in transmitting the culture of the Islamic East Mediterranean to Western Europe; the use of Middle Eastern objects in the Western European Renaissance; shared sources of inspiration in Italian and Ottoman architecture; musical exchanges; and the use of East Mediterranean sources in Western scholarship and European sources in Ottoman scholarship.
Author: Metin Mustafa
Publisher:
ISBN: 9780646856469
Category :
Languages : en
Pages :
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Book Description
The Ottoman Renaissance, which took place during the fifteenth and sixteenth centuries in the cities of Bursa, Edirne, and Istanbul, produced an extraordinary array of artworks in the form of monumental imperial architecture, Iznik tiles, calligraphy, and illustrated manuscripts. Notwithstanding this exceptional artistic production, Ottoman art and architecture have not received the same attention in historiography as, for instance, the celebrated Italian Renaissance. Drawing upon notions of rebirth characteristic of the Renaissance, more generally, The Ottoman Renaissance seeks to situate Renaissance Ottoman art within a more global context. This book recognises the cultural interaction and sharing of values across the Mediterranean basin that characterised the period more broadly, yet examines art and architecture through specifically Ottoman conceptions of rebirth. Ottoman ideas of rebirth, although built on the classical Greece and Rome, moved well beyond these legacies. Indeed, the Ottomans were much more focused on their Eastern (Turkic, Timurid, Persian) and Islamic heritage than that of the classical world which features in the West. Both the ancient and recent past provided inspiration on which to build a cultural identity specific to the Ottoman artistic experience. In order to fully understand the shared values of the early modern Mediterranean and critically engage with the period's different interpretations of rebirth, this study compares the works of three Renaissance contemporaries: the Italian Giorgio Vasari and the Ottomans Mustafa Ali and Mimar Sinan.This study argues that the unique geographic location of the sultans of the Ottoman court allowed artists of the Ottoman Empire to capitalise on the inherited legacies of both the Islamic-Timurid-Turkic-Persian East and the Latin West. The result was a synthesis of Eastern and Western exemplars which ultimately produced a rebirth in the arts distinct from their early modern Italian and European counterparts. This work traces this Renaissance from its beginnings in 1413 through to its triumphant phase in the Süleymanic Age (1520-75, including the reign of his son, Selim II).
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Dr Ahmet A Ersoy
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472431391
Category : Art
Languages : en
Pages : 337
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Book Description
While European eclecticism is examined as a critical moment in western art history, little research has been conducted in the historicist pursuits of late Ottoman architects as they negotiated the nineteenth century’s vast inventory of styles and embarked on a revivalist/Orientalist program they identified as the ‘Ottoman Renaissance.’ Ersoy’s book examines the complex historicist discourse underlying this ‘renaissance’ through a close reading of a text conceived as the movement’s canonizing manifesto: the Usul-i Mi‘mari-i ‘Osmani.
Author: Metin Mustafa, PhD
Publisher:
ISBN: 9780646826363
Category :
Languages : en
Pages : 322
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Book Description
The Ottoman Renaissance, which took place during the fifteenth and sixteenth centuries in the cities of Bursa, Edirne, and Istanbul, produced an extraordinary array of artworks in the form of monumental imperial architecture, Iznik tiles, calligraphy, and illustrated manuscripts. Notwithstanding this exceptional artistic production, Ottoman art and architecture have not received the same attention in historiography as, for instance, the celebrated Italian Renaissance. Drawing upon notions of rebirth characteristic of the Renaissance, more generally, The Ottoman Renaissance seeks to situate Renaissance Ottoman art within a more global context. This book recognises the cultural interaction and sharing of values across the Mediterranean basin that characterised the period more broadly, yet examines art and architecture through specifically Ottoman conceptions of rebirth. Ottoman ideas of rebirth, although built on the classical Greece and Rome, moved well beyond these legacies. Indeed, the Ottomans were much more focused on their Eastern (Turkic, Timurid, Persian) and Islamic heritage than that of the classical world which features in the West. Both the ancient and recent past provided inspiration on which to build a cultural identity specific to the Ottoman artistic experience. In order to fully understand the shared values of the early modern Mediterranean and critically engage with the period's different interpretations of rebirth, this study compares the works of three Renaissance contemporaries: the Italian Giorgio Vasari and the Ottomans Mustafa Ali and Mimar Sinan.This study argues that the unique geographic location of the sultans of the Ottoman court allowed artists of the Ottoman Empire to capitalise on the inherited legacies of both the Islamic-Timurid-Turkic-Persian East and the Latin West. The result was a synthesis of Eastern and Western exemplars which ultimately produced a rebirth in the arts distinct from their early modern Italian and European counterparts. This work traces this Renaissance from its beginnings in 1413 through to its triumphant phase in the Süleymanic Age (1520-75, including the reign of his son, Selim II). In its examination of the Empire's architecture, decorative tiles, calligraphy, and miniature paintings, the study contributes to current scholarship in the field that seeks to assess the Renaissance from a more complex, multi-focal, and multinational perspective. Furthermore, it reinforces the idea that many renaissances arose concurrently in the Mediterranean basin in the fifteenth and sixteenth centuries.
Author: Metin Mustafa
Publisher: Centre for Ottoman Renaissance and Civilisation
ISBN: 9780646827391
Category :
Languages : en
Pages : 322
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Book Description
The Ottoman Renaissance, which took place during the fifteenth and sixteenth centuries in the cities of Bursa, Edirne, and Istanbul, produced an extraordinary array of artworks in the form of monumental imperial architecture, Iznik tiles, calligraphy, and illustrated manuscripts. Notwithstanding this exceptional artistic production, Ottoman art and architecture have not received the same attention in historiography as, for instance, the celebrated Italian Renaissance. Drawing upon notions of rebirth characteristic of the Renaissance, more generally, The Ottoman Renaissance seeks to situate Renaissance Ottoman art within a more global context. This book recognises the cultural interaction and sharing of values across the Mediterranean basin that characterised the period more broadly, yet examines art and architecture through specifically Ottoman conceptions of rebirth. Ottoman ideas of rebirth, although built on the classical Greece and Rome, moved well beyond these legacies. Indeed, the Ottomans were much more focused on their Eastern (Turkic, Timurid, Persian) and Islamic heritage than that of the classical world which features in the West. Both the ancient and recent past provided inspiration on which to build a cultural identity specific to the Ottoman artistic experience. In order to fully understand the shared values of the early modern Mediterranean and critically engage with the period's different interpretations of rebirth, this study compares the works of three Renaissance contemporaries: the Italian Giorgio Vasari and the Ottomans Mustafa Ali and Mimar Sinan.This study argues that the unique geographic location of the sultans of the Ottoman court allowed artists of the Ottoman Empire to capitalise on the inherited legacies of both the Islamic-Timurid-Turkic-Persian East and the Latin West. The result was a synthesis of Eastern and Western exemplars which ultimately produced a rebirth in the arts distinct from their early modern Italian and European counterparts. This work traces this Renaissance from its beginnings in 1413 through to its triumphant phase in the Süleymanic Age (1520-75, including the reign of his son, Selim II). In its examination of the Empire's architecture, decorative tiles, calligraphy, and miniature paintings, the study contributes to current scholarship in the field that seeks to assess the Renaissance from a more complex, multi-focal, and multinational perspective. Furthermore, it reinforces the idea that many renaissances arose concurrently in the Mediterranean basin in the fifteenth and sixteenth centuries.
Author: Esin Atıl
Publisher:
ISBN: 9780894680984
Category : Art ottoman - Expositions
Languages : en
Pages : 356
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Book Description
